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BankofMarquis (1832 KP) rated The Lighthouse (2019) in Movies
Jan 25, 2021
Weird - and I couldn't look away
I have viewed some really strange films in my day. When asked, I often mention MIRRORMASK (based on a Neil Gaiman story) and mother! (the Darren Aronofsky oddity) as the strangest films I have ever seen.
Add Robert Eggers’ THE LIGHTHOUSE to this list.
Based on a real life tragedy from 1801, THE LIGHTHOUSE follows 2 isolated Lighthouse keepers as they interact with each other, slowly going mad in the process…or did they? Is one of them mad and the other sane? Are they both mad? Or…is it the viewer who is going mad? Eggers let’s you, the viewer, decide.
And…good for him. I have now encountered 2 films directed by former Production Designer Eggers - THE WITCH and now this film. In both cases, the movies are interestingly shot and intriguing to view but almost incomprehensible. The more so with THE LIGHTHOUSE, it is almost as if Eggers heard the criticism of THE WITCH of being incomprehensible and said “hold my beer”.
Besides the production values - which really are quite good (especially Eggers use of Black and White) - what holds this movie in high regards is the acting of the 2 people in film. These 2 characters are the only speaking parts in this movie.
Willem Dafoe portrays the older, veteran Lighthouseman who tells the tales of Mermaids and Curses and has a generally air of foreboding from the start. It is a masterwork by Dafoe - his best work of his career (and that’s saying something). He is unnerving to view from the start. The only thing the viewer needs to figure out is whether he is insane or very, very, very sane.
The surprise for me in this movie is the work of Robert Pattinson, the younger Lighthouseman who is in his first assignment. He is the audience’s eyes into this weird world and he is very much sane at the beginning. At the end…well…you decide. He was able to go toe-to-toe with DaFoe and held his own very well. This young actor has made a conscious choice following the Twilight films and with this movie and with Christopher Nolan's TENANT he is establishing himself as a darn good performer.
As for the film itself, my one recommendation for you is to not be too concerned of making sense of what is going on in the scene you are watching…you’ll drive yourself mad doing this (at least it was driving me mad). After awhile I just sat back and drank in the weirdness - and the quality acting and production values - that was enfolding in front of me and the ending was satisfying (enough).
All in all one of the stranger times I’ve had at the movies.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Add Robert Eggers’ THE LIGHTHOUSE to this list.
Based on a real life tragedy from 1801, THE LIGHTHOUSE follows 2 isolated Lighthouse keepers as they interact with each other, slowly going mad in the process…or did they? Is one of them mad and the other sane? Are they both mad? Or…is it the viewer who is going mad? Eggers let’s you, the viewer, decide.
And…good for him. I have now encountered 2 films directed by former Production Designer Eggers - THE WITCH and now this film. In both cases, the movies are interestingly shot and intriguing to view but almost incomprehensible. The more so with THE LIGHTHOUSE, it is almost as if Eggers heard the criticism of THE WITCH of being incomprehensible and said “hold my beer”.
Besides the production values - which really are quite good (especially Eggers use of Black and White) - what holds this movie in high regards is the acting of the 2 people in film. These 2 characters are the only speaking parts in this movie.
Willem Dafoe portrays the older, veteran Lighthouseman who tells the tales of Mermaids and Curses and has a generally air of foreboding from the start. It is a masterwork by Dafoe - his best work of his career (and that’s saying something). He is unnerving to view from the start. The only thing the viewer needs to figure out is whether he is insane or very, very, very sane.
The surprise for me in this movie is the work of Robert Pattinson, the younger Lighthouseman who is in his first assignment. He is the audience’s eyes into this weird world and he is very much sane at the beginning. At the end…well…you decide. He was able to go toe-to-toe with DaFoe and held his own very well. This young actor has made a conscious choice following the Twilight films and with this movie and with Christopher Nolan's TENANT he is establishing himself as a darn good performer.
As for the film itself, my one recommendation for you is to not be too concerned of making sense of what is going on in the scene you are watching…you’ll drive yourself mad doing this (at least it was driving me mad). After awhile I just sat back and drank in the weirdness - and the quality acting and production values - that was enfolding in front of me and the ending was satisfying (enough).
All in all one of the stranger times I’ve had at the movies.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Andy K (10826 KP) rated Emperor (2013) in Movies
Sep 9, 2019
A tough challenge
The end of Asian campaign of World War II is complicated. The Japanese surrender following the US dropping the pair of atomic bombs; killing hundreds of thousands, wounding many more and leaving cities in ruins. Tensions are still running at a fever pitch and many people are demanding answers and swift justice for those responsible.
"Supreme Commander" General Douglas MacArthur is put in charge of rebuilding Japan and enlists General Bonner Fellers the nearly impossible task of investigating the involvement of Japan's emperor Hirohito and whether or not he should be tried convicted and hung as a result of his orders. Did he order the attack on Pearl Harbor? What did he know and when did he know it? Was he the one who gave the orders or were his generals in charge of the overall operations? In addition, Fellers is given only 10 days to find his ruling before MacArthur has to report back to his commanders in the US.
Sellers starts with trying to figure out the people involved, find them, interview them and find those who don't want to be found. His interviews ask more questions than answer them and he feels like he is going nowhere fast.
Intertwined are his recollections of a romance he had years earlier with a Japanese exchange student who left the US and returned to her home in Japan. His emotions are getting the better of him while he thinks about his former love and attempts to locate her or learn her fate while he does his job.
Matthew Fox is the best part of this film. As a military man, he respects the chain of command and works within in, but also is able to show his emotions when he is with the woman he loves. I loved the flashback scenes as they were able to show the man as well as just the uniform and Fox did this very well.
Tommy Lee Jones played the character he plays in most of his movies. Barking orders to his underlings and enjoying very much being in charge.
I don't know very much about Japanese culture and this film helped me understand what values they hold sacred. These values highly motivate their actions which can be very noble and traditional or unrelenting and barbaric depending on the situation.
You feel real turmoil as the investigation concludes and the results which are found (or not found) and how the situation is resolved. The characters are flawed which makes them more real. This makes the story more emotional and believable.
The Japanese countryside is beautiful in the time of peace contrasted with the desolate scarred Earth shown after the bombs fell.
Compelling historical dramas always intrigue me and this one did the same.
"Supreme Commander" General Douglas MacArthur is put in charge of rebuilding Japan and enlists General Bonner Fellers the nearly impossible task of investigating the involvement of Japan's emperor Hirohito and whether or not he should be tried convicted and hung as a result of his orders. Did he order the attack on Pearl Harbor? What did he know and when did he know it? Was he the one who gave the orders or were his generals in charge of the overall operations? In addition, Fellers is given only 10 days to find his ruling before MacArthur has to report back to his commanders in the US.
Sellers starts with trying to figure out the people involved, find them, interview them and find those who don't want to be found. His interviews ask more questions than answer them and he feels like he is going nowhere fast.
Intertwined are his recollections of a romance he had years earlier with a Japanese exchange student who left the US and returned to her home in Japan. His emotions are getting the better of him while he thinks about his former love and attempts to locate her or learn her fate while he does his job.
Matthew Fox is the best part of this film. As a military man, he respects the chain of command and works within in, but also is able to show his emotions when he is with the woman he loves. I loved the flashback scenes as they were able to show the man as well as just the uniform and Fox did this very well.
Tommy Lee Jones played the character he plays in most of his movies. Barking orders to his underlings and enjoying very much being in charge.
I don't know very much about Japanese culture and this film helped me understand what values they hold sacred. These values highly motivate their actions which can be very noble and traditional or unrelenting and barbaric depending on the situation.
You feel real turmoil as the investigation concludes and the results which are found (or not found) and how the situation is resolved. The characters are flawed which makes them more real. This makes the story more emotional and believable.
The Japanese countryside is beautiful in the time of peace contrasted with the desolate scarred Earth shown after the bombs fell.
Compelling historical dramas always intrigue me and this one did the same.
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LucyB (47 KP) rated The Good People in Books
Jul 23, 2017
An engrossing exploration of rural Ireland and folklore.
The Good People gets off to a gripping start. A man is found dead and his wife (Nora) is left alone, with the burden of caring for her dead daughter's child, who happens to be heavily disabled.
From early on, the clash between ancient superstition and Catholic values is established. Nance, the local healing woman, is called upon for funeral 'keening' and resolving various medical problems. However, the village is divided - and people are starting to turn against her.
Nora hires a girl, Mary, to assist with looking after her grandson, who she can scarcely bear to be around. As time passes, Nora becomes convinced that the child is a 'changeling' and together with Nance, goes to drastic measures to expel the fairy from their lives.
I'd read Burial Rites a while back, so was familiar with Kent's style of writing, which is wonderfully authentic, well-paced and engrossing. However, The Good People felt quite different - almost like a theatrical script, with strong dialogue and excellent characterisation throughout.
It was also ambiguous, and throughout, I felt my sympathies flit from character to character. Although the book concluded with a murder, the nasty deed raised lots of questions - namely who exactly was to blame?
A very enjoyable read (I got through it in about three days, which shows how good it was) - I'd definitely recommend.
From early on, the clash between ancient superstition and Catholic values is established. Nance, the local healing woman, is called upon for funeral 'keening' and resolving various medical problems. However, the village is divided - and people are starting to turn against her.
Nora hires a girl, Mary, to assist with looking after her grandson, who she can scarcely bear to be around. As time passes, Nora becomes convinced that the child is a 'changeling' and together with Nance, goes to drastic measures to expel the fairy from their lives.
I'd read Burial Rites a while back, so was familiar with Kent's style of writing, which is wonderfully authentic, well-paced and engrossing. However, The Good People felt quite different - almost like a theatrical script, with strong dialogue and excellent characterisation throughout.
It was also ambiguous, and throughout, I felt my sympathies flit from character to character. Although the book concluded with a murder, the nasty deed raised lots of questions - namely who exactly was to blame?
A very enjoyable read (I got through it in about three days, which shows how good it was) - I'd definitely recommend.
The Marinated Meeple (1853 KP) rated Roll Player in Tabletop Games
Apr 16, 2018
Dice manipulation (4 more)
Many different end game bonuses
Cards change priorities
Colors of the dice matter
Variable player values
I adore this game, roll the dice then change them. Create a character.
So this game is really about efficiency. Take the rolls. Change them using your powers. Make your priorities and later maybe change them. I love the negative traights turned positive. Don’t need intelligence? Go after the foolish traight. Also are you a sociopath. Don’t be too good then. Or if you are a Hermit. Stay in the middle. I love this aspect as well. You make the dice fit your starting situation. Even your race; orc, dragon, human, elf makes a difference. So much to pay attention to. You’ll probably miss something and catch it halfway through. Laugh at yourself and figure it out. I love that it’s not over until the last die is placed. You can always tweak it. Plus. I’ve met the designer who is a nice guy. Which doesn’t surprise me. But does make me like it slightly more. I always want to celebrate great people in the world.
My last play: Dragonkin Sociopathic Ranger who is Dedicated, Devoted, Foolish, Honest, & Envious.
That even plays into some story telling aspects. Which a fun way to think about the game afterward. Tell a story about your charectures.
There’s an expansion for it. But I haven’t tried it yet.
My last play: Dragonkin Sociopathic Ranger who is Dedicated, Devoted, Foolish, Honest, & Envious.
That even plays into some story telling aspects. Which a fun way to think about the game afterward. Tell a story about your charectures.
There’s an expansion for it. But I haven’t tried it yet.
The Marinated Meeple (1853 KP) rated Maori in Tabletop Games
Jun 8, 2018
Simple (2 more)
Easy to Teach
Fun Polynesian theme
Carcassone level of simplicity with good depth and a Polynesian theme
I teach this to "non-gamers" all the time and we even take it with us on vacation. The game is simple, there is a 4 by 4 grid of tiles to choose from, and you move a little boat around the board one or two spaces and take one of those tiles. you have some shells you can use to move the boat further or inside to the middle tiles. you can also get more boats to move further. You also have a player mat in which to place the newly acquired tiles, but one you place them you can't move them. Each tile has different values based on what you have around it, you try to create islands, and huts double the scoring trees. This is just the Gist, there is more to it, and there is event a backside to the board for extra challenge. we like this one a lot for those nights when a heavy game doesn't appeal to us, or we are sitting no the deck with a glass of wine, unwinding. we want to play and have fun without thinking too hard. Thee is a fun trying to place yourself just right so that someone else can't reach on the next turn, but then you will. I highly recommend this one.
Sarah (7800 KP) rated Joseph and the Amazing Technicolor Dreamcoat (1999) in Movies
Jan 29, 2019
Great music, shame about the rest
I loved Joseph when I was a child, and I haven’t seen the stage show since I was in primary school either, so I had to watch this when I saw it had been added to Netflix.
I spent the entire of this film trying to figure out if this was a stage show they’d recorded and made look like a film, or if they’d intentionally made it as a film like this. Looking it up afterwards, I’ve discovered this was a direct to video film and boy can you tell. For a purposely made film, the production values in this are really cheesy and cheap, and the costumes are pretty bad even with it being the late 90s. I also can’t stand the narrator in this, I just found her very irritating - the last scene especially. Donny Osmond is alright but his hair looks so fake I couldn’t help laughing every time there was a close up. The highlight of the cast by far is Richard Attenborough, it’s just a shame he isn't in it very much.
What saves this is the all round entertainment factor and the soundtrack. You can’t question the Lloyd Webber music, it’s truly fantastic and so varied (from country to Elvis rock) and catchy. I just wished the rest of the film lived up to this - they really should have just filmed a stage version.
I spent the entire of this film trying to figure out if this was a stage show they’d recorded and made look like a film, or if they’d intentionally made it as a film like this. Looking it up afterwards, I’ve discovered this was a direct to video film and boy can you tell. For a purposely made film, the production values in this are really cheesy and cheap, and the costumes are pretty bad even with it being the late 90s. I also can’t stand the narrator in this, I just found her very irritating - the last scene especially. Donny Osmond is alright but his hair looks so fake I couldn’t help laughing every time there was a close up. The highlight of the cast by far is Richard Attenborough, it’s just a shame he isn't in it very much.
What saves this is the all round entertainment factor and the soundtrack. You can’t question the Lloyd Webber music, it’s truly fantastic and so varied (from country to Elvis rock) and catchy. I just wished the rest of the film lived up to this - they really should have just filmed a stage version.






