Unlike the movie version, the story is told from the point of view of the various secondary characters (who are all writing in their diaries or memoirs): Dracula, himself, is never at the forefront. Rather, he is an ominous shadowy presence in the background throughout. This is actually quite effective: by disassociating the reader from the villain, Stoker manages to both convey the deadly mysteriousness of the Count, and side-steps the danger of the reader sympathizing too much with Dracula, while that character is also able to be abroad during the day-time; just not with the powers he has at night.
Finally, and unlike the film version which bears the same name, in the book Dracula is not given the same back-story: Mina, for instance, is never described as being his long-lost love! In this sense, the film is much more of a Gothic love-story than the original source material!

AJaneClark (3975 KP) rated Lord of Misrule (The Morganville Vampires, #5) in Books
Dec 13, 2019
Violent black clouds promise a storm of devastating proportions. As student Claire Danvers and her friends prepare to defend Morganville against the elements - both natural and unnatural- the unexpected happens; Morganville’s vampires start to vanish one by one. Discovering why leads Claire to one last choice: swear allegiance to Bishop... or die.
As the fifth book in the Morganville series by Rachel Caine, the main characters and their relationships are well and truly established. True to form Lord of Misrule is well written, the storyline flows from point to point and continues to surprise and encourage you to want more. I always find these books to be an easy and enjoyable read, not too taxing or time consuming, but still give the reader what they need. I did find there were perhaps too many things going on in this chapter of the series, but perhaps all will be revealed in book 6.

LeftSideCut (3776 KP) rated Castlevania - Season 1 in TV
Mar 20, 2020
The episodes run for around 25 minutes, meaning that the season has a limited time to establish what it needs to, and it does this pretty effectively. A decent script ensures that the three main protagonists Trevor Belmont (Richard Armitage), Sypha (Alejandra Reynoso) and Alucard (James Callis) are all immediately likable, and even gives an incredibly sympathetic villain in Dracula. There's also a nice sense of humour running underneath all of the dramatics.
The animation style shows signs of budget restriction on occasion, but for the most part is easy to take in. A lot of close ups on characters show off some nice detail, long shots of locations look great, as do the combat scenes. To darker colour choices work well with the gothic setting, and the frequent strong violence.
Above all, this short but sweet season leaves the viewer wanting more, which was surely the aim in the first place!

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