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Veronica Pena (690 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Apr 30, 2020
I honestly think this is one of the best films ever made. Not only is the animation super cool but the story, the characters, the actors in the film, all of it. Magnificent. My favorite thing about this film is the clashing of the worlds, you could say. What I love so much about Marvel is not only the movies but the shows too. Agents of S.H.I.E.L.D, Daredevil, Jessica Jones, Luke Cage, Iron Fist, Agent Carter, they're all great - but in reality, they live in their own bubbles. Obviously the Netflix shows interact, and S.H.I.E.L.D is somewhat important when talking about the MCU. Into the Spider-Verse merges bits that you see in the comic books, not only in the animation but the characters. We have seen Green Goblin over and over again in the live-action films - both Toby McGuire's and Andrew Garfield's. But we don't see Kingpin. Plus, if you've watched Daredevil, you get a good idea of who Kingpin is and what his backstory is so you know why he's doing what he does in Into the Spider-Verse.
There are just layers to this film that are missing from some of the other films that have been done. The only ones to compare it to are those in the MCU, but even still, those are planned and minute if you don't pay attention. I just really love this film and I'm super pumped for the second one.
There are just layers to this film that are missing from some of the other films that have been done. The only ones to compare it to are those in the MCU, but even still, those are planned and minute if you don't pay attention. I just really love this film and I'm super pumped for the second one.

Gareth von Kallenbach (980 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Jul 2, 2019
This is the Spider-Man movie that we deserved.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.

Haley Mathiot (9 KP) rated Quilted Devotions: 24 Biblical Blocks in Books
Apr 27, 2018
Quilted Devotions: 24 Biblical blocks by Lisa Cogar
Genre: craft, quilting, art
Rating: 5
Lisa Cogar has assembled 24 beautiful quilt blocks, each representing parts of the Bible. Some are traditional and have been used over the years like Jacob’s Ladder, and others were created by Cogar such as Joseph’s Coat, Hosanna, and Crown of Thorns. Each block has a Bible verse with it. There is a world of possibilities—and stories—to explore within the pages.
This is an awesome quilting book. It’s designed for intermediate to experienced quilters. The patterns and graphs are very easy to follow, and the blocks are beautiful and inspiring.
Recommendation: Intermediate to experienced quilters.
~Haleyknitz
Genre: craft, quilting, art
Rating: 5
Lisa Cogar has assembled 24 beautiful quilt blocks, each representing parts of the Bible. Some are traditional and have been used over the years like Jacob’s Ladder, and others were created by Cogar such as Joseph’s Coat, Hosanna, and Crown of Thorns. Each block has a Bible verse with it. There is a world of possibilities—and stories—to explore within the pages.
This is an awesome quilting book. It’s designed for intermediate to experienced quilters. The patterns and graphs are very easy to follow, and the blocks are beautiful and inspiring.
Recommendation: Intermediate to experienced quilters.
~Haleyknitz

Erika (17789 KP) rated Buffy the Vampire Slayer (1992) in Movies
Mar 9, 2019
I re-watched this film on the day Luke Perry (RIP) passed. This is also the only thing I've seen to do with the 'Buffy-verse'.
I really enjoy this movie, and I like it even more each time I watch it. It's entertaining and Luke Perry is a looker. He's very swoon-worthy when he cleans up and walks into that dance. Kristy Swanson kicks a lot of butt. But, seriously, Luke Perry has the two best lines in the entire film.
"Are YOU addressing I?"
as well as:
"And, now you're a coat rack."
While I liked this film, I'm not sure about jumping to the series. I may just watch this again.
I really enjoy this movie, and I like it even more each time I watch it. It's entertaining and Luke Perry is a looker. He's very swoon-worthy when he cleans up and walks into that dance. Kristy Swanson kicks a lot of butt. But, seriously, Luke Perry has the two best lines in the entire film.
"Are YOU addressing I?"
as well as:
"And, now you're a coat rack."
While I liked this film, I'm not sure about jumping to the series. I may just watch this again.

AT (1676 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Dec 27, 2018
I loved Into the Spider-verse! I must honestly say that it's one of the best Spiderman movies that I've seen since some older cartoon movies. I've never been a major Spiderman fan, and some of the more recent movies ruined it even more (thanks, Andrew Garfield). However, I really enjoyed watching this one! I do like Miles Morales and Spiderham a lot, so I'm sure that helps. Lol I loved how they did some parts of the animation so it looked like you were in a comic book. It made for a fun, nostalgic feeling. It's definitely worth seeing! There's an after-credit scene, too, so don't get up to leave right away.

Quentin Tarantino recommended I Ain't Marching Anymore by Phil Ochs in Music (curated)

David McK (3562 KP) rated Puss in Boots: The Last Wish (2022) in Movies
Jan 6, 2025
Antonio Banderas' Zorro-alike Puss in Boots was arguable the break-out star from Shrek 2.
So much so, that he got his own spin-off in 2011 'Puss in Boots' which, from memory, I felt lacked the spark of his earlier entries.
So much so, that it was just over a decade later that he got his second solo movie, in this.
Which, artistically (and, I felt, to it's detriment) takes its cue from the 'Into the Spider-verse' movies and so, like those, comes across as an over-caffeinated sugar-rush of a headache, which (IMO) overshadows the whole message about found family and living your life to its fullest.
YMMV, of course.
So much so, that he got his own spin-off in 2011 'Puss in Boots' which, from memory, I felt lacked the spark of his earlier entries.
So much so, that it was just over a decade later that he got his second solo movie, in this.
Which, artistically (and, I felt, to it's detriment) takes its cue from the 'Into the Spider-verse' movies and so, like those, comes across as an over-caffeinated sugar-rush of a headache, which (IMO) overshadows the whole message about found family and living your life to its fullest.
YMMV, of course.

BankofMarquis (1832 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Dec 28, 2018
The first "true" comic book movie
The animated feature, SPIDERMAN: INTO THE SPIDER-VERSE, is the first, true "comic-book" film I have ever seen.
"But wait", you say, "How about the Marvel films? Or the DC Universe films? Or the X-Men or DeadPool? Aren't they Comic-Book films?".
I would have to answer - "no". At least not in the same way. All of those properties are films that are BASED on comic-books. Spider-verse, brilliantly, is a comic-book brought to life. It includes scenes that look like pages of a comic book (or graphic novel). It uses thought bubbles,sound effect words and abstract images. The characters are distorted and when other versions of the Spider-Verse are scene (not a spoiler: it's in the title), they are designed in a different graphic style.
Credit for this unique vision/type of film must start with the writers, Phil Lord (The Lego Movie) and Rodney Rothman (22 Jump Street) as well as Directors Bob Persischetti (in his Directing debut) and Rothman (again). These 3 brought to the screen a dazzling visual storytelling vision that is engrossing and interesting and (I am sure) will become richer and richer the more that this film is viewed.
This vision must have been apparent from the "get-go" as these 3 were able to load some top-notch voice talent into this film - Mahershala Ali, Hailee Steinfeld, Jake Johnson, Lily Tomlin(!), Zoe Kravitz, John Mulaney, Kathryn Hahn, Liev Schrieber, Chris Pine and good ol' Nicholas Cage all bring their "A" game to the voices, presenting (instantly) interesting, distinct characters to this interesting, distinct world.
The action of this film moves at a fast-pace, but not so fast that you get lost and the emotions of the film are strong, so the "slow" scenes are just as well paced and don't seem too slow.
I see alot of films, and it is rare when I am struck with how "unusual" a film is. And this one IS unusual - in a very good way. I was thoroughly entertained throughout and I cannot wait to see this film again to catch some of the things I missed the first time through and have a deeper and richer experience for knowing what is to come.
Letter Grade: A
9 (out of 10) stars (yes, it's that good!) and you can take this to the Bank(ofMarquis)
"But wait", you say, "How about the Marvel films? Or the DC Universe films? Or the X-Men or DeadPool? Aren't they Comic-Book films?".
I would have to answer - "no". At least not in the same way. All of those properties are films that are BASED on comic-books. Spider-verse, brilliantly, is a comic-book brought to life. It includes scenes that look like pages of a comic book (or graphic novel). It uses thought bubbles,sound effect words and abstract images. The characters are distorted and when other versions of the Spider-Verse are scene (not a spoiler: it's in the title), they are designed in a different graphic style.
Credit for this unique vision/type of film must start with the writers, Phil Lord (The Lego Movie) and Rodney Rothman (22 Jump Street) as well as Directors Bob Persischetti (in his Directing debut) and Rothman (again). These 3 brought to the screen a dazzling visual storytelling vision that is engrossing and interesting and (I am sure) will become richer and richer the more that this film is viewed.
This vision must have been apparent from the "get-go" as these 3 were able to load some top-notch voice talent into this film - Mahershala Ali, Hailee Steinfeld, Jake Johnson, Lily Tomlin(!), Zoe Kravitz, John Mulaney, Kathryn Hahn, Liev Schrieber, Chris Pine and good ol' Nicholas Cage all bring their "A" game to the voices, presenting (instantly) interesting, distinct characters to this interesting, distinct world.
The action of this film moves at a fast-pace, but not so fast that you get lost and the emotions of the film are strong, so the "slow" scenes are just as well paced and don't seem too slow.
I see alot of films, and it is rare when I am struck with how "unusual" a film is. And this one IS unusual - in a very good way. I was thoroughly entertained throughout and I cannot wait to see this film again to catch some of the things I missed the first time through and have a deeper and richer experience for knowing what is to come.
Letter Grade: A
9 (out of 10) stars (yes, it's that good!) and you can take this to the Bank(ofMarquis)

Heather Cranmer (2721 KP) rated On Wings of Silence: Mexico '68 in Books
May 6, 2019
A Well Written and Interesting Historical Fiction Novel
I'm a fan of books written in verse. There's just something special about them that calls out to me. When I first heard about On Wings of Silence: Mexico '68 by Dede Fox, the synopsis intrigued me. When I heard that it was written in verse, it was then that I knew I had to read this book. I ended up loving this book.
I will admit that I had never heard of the Tlatelolco Massacre before I read On Wings of Silence: Mexico '68. The plot does a fantastic job of explaining the massacre to those who know nothing about it. It was also interesting to read about Diana's time in Mexico as an American university student. Everything is told through Diana's perspective. This book made me want to research more about the Tlatelolco Massacre that the Mexican government tried to keep hushed up.
The prose in On Wings of Silence: Mexico '68 was done beautifully and perfectly. Every word elicited all kinds of feelings whilst reading this book. Because this novel was written in verse, it really drove those feelings home and made them feel more realistic. I think I experienced a total spectrum of feelings while reading On Wings of Silence: Mexico '68. Some readers may have a little trouble with some of the Spanish in this book, but there are enough context clues to figure out what is being said.
I really cared and felt for Diana, the main character in On Wings of Silence: Mexico '68. Diana was such an authentic and fleshed out character which can sometimes be a challenge in books written in verse. Dede Fox made character writing appear easy! My heart felt so full while Diana was falling in love with Guillermo. I felt as if I was falling in love at the same time. When Guillermo went missing while on the phone with Diana, I felt such panic. Her search for her boyfriend felt as if it was my search. I was worried for Guillermo as if he was a real person instead of a fictional character. (Sadly, as this book is based on an actual historical event, I imagine that feeling was all too real for many people.) I lived in hope Guillermo would turn up at some point. I'll just leave it at that because you'll have to read the book in order to find out Guillermo's fate. Diana was such a strong female character as well. I really admired her. Natalie and Melinda, Diana's roommates, were likable characters, but we don't get much of a backstory on them. I feel as if this was done on purpose so the reader could really focus more on Diana's story.
The pacing was done fantastically! I devoured this book in one sitting. I couldn't get enough. Each word flowed beautifully into the next, and I was left captivated and hungry for more of the story.
Trigger warnings for On Wings of Silence: Mexico '68 include attempted rape, sexual assault, violence (although not graphic), drinking, some minor profanities in English and Spanish, and political corruption.
Overall, On Wings of Silence: Mexico '68 is a beautifully written piece of literature that will leave its reader with a plethora of feelings as well as a history lesson. I would definitely recommend On Wings of Silence: Mexico '68 by Dede Fox to everyone 16+.
--
(Thanks to the Dede Fox for providing me with a paperback of On Wings of Silence: Mexico '68 in exchange for an honest and unbiased review.)
I will admit that I had never heard of the Tlatelolco Massacre before I read On Wings of Silence: Mexico '68. The plot does a fantastic job of explaining the massacre to those who know nothing about it. It was also interesting to read about Diana's time in Mexico as an American university student. Everything is told through Diana's perspective. This book made me want to research more about the Tlatelolco Massacre that the Mexican government tried to keep hushed up.
The prose in On Wings of Silence: Mexico '68 was done beautifully and perfectly. Every word elicited all kinds of feelings whilst reading this book. Because this novel was written in verse, it really drove those feelings home and made them feel more realistic. I think I experienced a total spectrum of feelings while reading On Wings of Silence: Mexico '68. Some readers may have a little trouble with some of the Spanish in this book, but there are enough context clues to figure out what is being said.
I really cared and felt for Diana, the main character in On Wings of Silence: Mexico '68. Diana was such an authentic and fleshed out character which can sometimes be a challenge in books written in verse. Dede Fox made character writing appear easy! My heart felt so full while Diana was falling in love with Guillermo. I felt as if I was falling in love at the same time. When Guillermo went missing while on the phone with Diana, I felt such panic. Her search for her boyfriend felt as if it was my search. I was worried for Guillermo as if he was a real person instead of a fictional character. (Sadly, as this book is based on an actual historical event, I imagine that feeling was all too real for many people.) I lived in hope Guillermo would turn up at some point. I'll just leave it at that because you'll have to read the book in order to find out Guillermo's fate. Diana was such a strong female character as well. I really admired her. Natalie and Melinda, Diana's roommates, were likable characters, but we don't get much of a backstory on them. I feel as if this was done on purpose so the reader could really focus more on Diana's story.
The pacing was done fantastically! I devoured this book in one sitting. I couldn't get enough. Each word flowed beautifully into the next, and I was left captivated and hungry for more of the story.
Trigger warnings for On Wings of Silence: Mexico '68 include attempted rape, sexual assault, violence (although not graphic), drinking, some minor profanities in English and Spanish, and political corruption.
Overall, On Wings of Silence: Mexico '68 is a beautifully written piece of literature that will leave its reader with a plethora of feelings as well as a history lesson. I would definitely recommend On Wings of Silence: Mexico '68 by Dede Fox to everyone 16+.
--
(Thanks to the Dede Fox for providing me with a paperback of On Wings of Silence: Mexico '68 in exchange for an honest and unbiased review.)
The Story contains excerpts of the NIV Bible in a modern day format, as if the Bible was a novel. The text fills up the full page rather than the usual two columns, and it it has the regular paragraph breaks and quotation marks. History and explanations are italics, poetry is indented, and events and dialogue are in regular body text.
One thing I really like about this version is the quotes. In many Bibles it's hard to tell when someone is saying something, or quoting something from somewhere else. In this version, it's very clear, because it sets it in a block quote, with proper quotation marks.
Again, this version is excerpts. It's not the full version. It's not something that can be referenced, because the books and chapters and verse numbers aren't shown. It's separated into chapters with titles rather than the traditional books and chapters.
This is good and bad. Good because I think it would be easier for some people to read, and maybe more friendly to teens who are just trying to get an overall grasp of the Bible. It's not so great because then if you say "Wait, where is that in the Bible, and what chapter/verse is it?" it's not going to be easy to find.
I think The Story is a nice way to read the Bible in a casual setting, or for a small group or Bible study for people who want to get the big picture of the Bible and want to see how it ties together on a larger scale, but it's not really suitable for intensive study (which is fine; you need both).
One thing I really like about this version is the quotes. In many Bibles it's hard to tell when someone is saying something, or quoting something from somewhere else. In this version, it's very clear, because it sets it in a block quote, with proper quotation marks.
Again, this version is excerpts. It's not the full version. It's not something that can be referenced, because the books and chapters and verse numbers aren't shown. It's separated into chapters with titles rather than the traditional books and chapters.
This is good and bad. Good because I think it would be easier for some people to read, and maybe more friendly to teens who are just trying to get an overall grasp of the Bible. It's not so great because then if you say "Wait, where is that in the Bible, and what chapter/verse is it?" it's not going to be easy to find.
I think The Story is a nice way to read the Bible in a casual setting, or for a small group or Bible study for people who want to get the big picture of the Bible and want to see how it ties together on a larger scale, but it's not really suitable for intensive study (which is fine; you need both).