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“A brilliant multiplayer FPS that you should just go and play right now. 9/10” — PocketGamer...
Legend of Grimrock
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With over 1 million copies of the series sold on PC, the ultimate dungeon crawling RPG is now...
KICK: Football Card Trader
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Topps® KICK® 2018: Football Card Trader is the official digital card trading app of the Premier...
Hazel (2934 KP) rated In The Shadow of Death: The Story of a Medic on the Burma Railway 1942-45 in Books
Dec 26, 2021
"Remember all the fine young men who died in far off lands and all the veterans who must live with their memories."
Ever since I found out my grandfather-in-law was a prisoner of war at the hands of the Japanese, I have had an interest in the subject. He would never speak about his experiences, bar a couple of stories, and having read this, I can understand why.
It is dreadful to think my grandfather-in-law was in a very similar situation as he was there at the fall of Singapore. The author describes a massacre in a hospital in Singapore in which my grandfather-in-law was a patient after being admitted with shrapnel injuries. He could quite easily have been a victim of that massacre and if he had, it's scary to think that my husband of 30 years wouldn't be here.
One thing that both surprised me and horrified me in equal measure was the conduct of the prisoner of war officers. I can't understand how many lived with their conscience after watching their comrades starving to death whilst they ate their fill or how they could inflict further punishments when they were already enduring so much. I wonder if any were reprimanded for their despicable behaviour?
If I have one little gripe is that I wanted to know what happened to some of the other people after the war; there are some but it would have rounded things up for me if some of the main prisoners and Japanese stories were updated.
This book is heart-breaking, horrific and hard to read at times. It is a real story of survival against the odds and a story of keeping your humanity and compassion in what was clearly pure hell. Many times his compassion and descriptions brought me to tears and saying to myself "how did anyone survive that?" The addition of pictures also helped bring Idris's words to life.
I defy anyone not to be moved by this book and it is one that I would recommend to anyone who has any interest in this part of the War.
My thanks must go to Pen & Sword Books and NetGalley for my copy in return for an honest, unbiased and unedited review.
Ever since I found out my grandfather-in-law was a prisoner of war at the hands of the Japanese, I have had an interest in the subject. He would never speak about his experiences, bar a couple of stories, and having read this, I can understand why.
It is dreadful to think my grandfather-in-law was in a very similar situation as he was there at the fall of Singapore. The author describes a massacre in a hospital in Singapore in which my grandfather-in-law was a patient after being admitted with shrapnel injuries. He could quite easily have been a victim of that massacre and if he had, it's scary to think that my husband of 30 years wouldn't be here.
One thing that both surprised me and horrified me in equal measure was the conduct of the prisoner of war officers. I can't understand how many lived with their conscience after watching their comrades starving to death whilst they ate their fill or how they could inflict further punishments when they were already enduring so much. I wonder if any were reprimanded for their despicable behaviour?
If I have one little gripe is that I wanted to know what happened to some of the other people after the war; there are some but it would have rounded things up for me if some of the main prisoners and Japanese stories were updated.
This book is heart-breaking, horrific and hard to read at times. It is a real story of survival against the odds and a story of keeping your humanity and compassion in what was clearly pure hell. Many times his compassion and descriptions brought me to tears and saying to myself "how did anyone survive that?" The addition of pictures also helped bring Idris's words to life.
I defy anyone not to be moved by this book and it is one that I would recommend to anyone who has any interest in this part of the War.
My thanks must go to Pen & Sword Books and NetGalley for my copy in return for an honest, unbiased and unedited review.
Warsaw Boy: A Memoir of a Wartime Childhood
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Warsaw Boy is the remarkable true story of a sixteen-year old boy soldier in war-torn Poland 'The...
Healing Sexually Betrayed Men and Boys: Treatment for Sexual Abuse, Assault, and Trauma
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Healing Sexually Betrayed Men and Boys is the new authoritative source for treatment of men and boys...
Gareth von Kallenbach (980 KP) rated Man Down (2016) in Movies
Jul 12, 2019
This Dito Montiel (Fighting, The Son of No One) directed film is a look at mental health and how soldiers returning from war can be affected by the tragedy of war and life.
This film tries to put us inside the mind of a soldier and they lead up to his deployment to war, the trauma that can be suffered at war and the result of seeing things that can’t be unseen. It begins with U.S. Marine Gabriel Drummer (Shia LaBeouf) searching for his son, Johnathan (Charlie Shotwell), and wife, Natalie (Kate Mara), in a post-apocalyptic America.
His only company is his best friend and fellow war veteran Devin Roberts (Jai Courtney). We then flash back to a counseling session between Gabriel and Counselor Peyton (Gary Oldman). They are recounting an incident that happened while Gabriel and Devin were in the field as well as talk about the relationship between the two brothers in arms. Peyton probes Gabriel for answers to what happened in the field and what his life at home will be like when he returns. The story takes us through Gabriel’s journey from boot camp to his search to be reunited with his wife and child.
The beginning of the film is so scattered with flash backs and flash forwards it is not the easiest story to follow. Montiel tries to tie the story all together at the end but it really done quickly and sloppily. There was no really good flow to the film.
The message at the end was really powerful but there execution to get there really didn’t work for me. The cast individual performances were good but I thought that as a whole there was not cohesion.
The relationships between all the characters seemed forced and it was hard to get emotionally invested in what should have been and emotionally compelling story. LaBeouf does commit and his performance I would say the bright spot. I think the intention was that the end of the movie should be a surprise or twist but the ending for me was never really in doubt.
There were points when the film seemed to have momentum but that was stopped by a flash back or forward that would take you out of the moment. All trying to set up a conclusion that seemed inevitable.
The idea of bringing awareness to a real issue in our country, of returning veterans suffering from PTSD, is a noble one and I applaud them for trying. I just wish the execution would have been better overall.
This film tries to put us inside the mind of a soldier and they lead up to his deployment to war, the trauma that can be suffered at war and the result of seeing things that can’t be unseen. It begins with U.S. Marine Gabriel Drummer (Shia LaBeouf) searching for his son, Johnathan (Charlie Shotwell), and wife, Natalie (Kate Mara), in a post-apocalyptic America.
His only company is his best friend and fellow war veteran Devin Roberts (Jai Courtney). We then flash back to a counseling session between Gabriel and Counselor Peyton (Gary Oldman). They are recounting an incident that happened while Gabriel and Devin were in the field as well as talk about the relationship between the two brothers in arms. Peyton probes Gabriel for answers to what happened in the field and what his life at home will be like when he returns. The story takes us through Gabriel’s journey from boot camp to his search to be reunited with his wife and child.
The beginning of the film is so scattered with flash backs and flash forwards it is not the easiest story to follow. Montiel tries to tie the story all together at the end but it really done quickly and sloppily. There was no really good flow to the film.
The message at the end was really powerful but there execution to get there really didn’t work for me. The cast individual performances were good but I thought that as a whole there was not cohesion.
The relationships between all the characters seemed forced and it was hard to get emotionally invested in what should have been and emotionally compelling story. LaBeouf does commit and his performance I would say the bright spot. I think the intention was that the end of the movie should be a surprise or twist but the ending for me was never really in doubt.
There were points when the film seemed to have momentum but that was stopped by a flash back or forward that would take you out of the moment. All trying to set up a conclusion that seemed inevitable.
The idea of bringing awareness to a real issue in our country, of returning veterans suffering from PTSD, is a noble one and I applaud them for trying. I just wish the execution would have been better overall.
Bridge Constructor Medieval
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Bridge Constructor Medieval has been voted as one of the "Best of 2014" games in the App Store in 13...
Retro Gamer Magazine: First for classic videogames
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Retro Gamer is the only magazine in the UK that’s fully dedicated to the halcyon days of classic...
BankofMarquis (1832 KP) rated tick, tick...Boom! (2021) in Movies
Jan 11, 2022
A Love Letter
If you ever worked on a live theater performance, whether as a performer, tech crew, make-up, costumes, box office, etc…the Netflix Original film tick, tick…BOOM is for you.
If you are a theater lover, the Netflix Original film tick, tick…BOOM is for you.
If you are not interested in live theater at all..then, perhaps, tick, tick…BOOM might be a little too “inside baseball” for you.
Based on the one man concert/show/performance by the late Jonathan Larson, the writer of the the Pulitzer Prize winning musical RENT, tick, tick…BOOM expands this performance piece and turns it into a biopic of the artist who passed as his hit musical was just about ready to debut.
As written by Steven Levenson and Directed by Lin-Manuel Miranda, tick, tick…BOOM is a love letter to Broadway, to artists struggling to make it in the Great White Way, to the community of disaffected peoples in 1990 and, mostly, to Jonathan Larson himself.
Andrew Garfield is transcendent in his portrayal of Larson. He embodies this character with love, ambition, focus, flaws and a surprisingly strong singing voice. It is an Oscar-nomination worthy performance.
He is joined, lovingly, by a strong supporting cast starting with Alexandra Shipp (as Larson’s girlfriend), Robin de Jesus (as his best friend) and Vanessa Hudgens (as a performer in the show, called Superbia, that he is trying to get up on the boards). These young performers are joined by a couple of wily veterans including Judith Light (as his Agent) and Bradley Whitford (as the late Stephen Sondheim). They bring energy, star power and…yes…love…to the screen.
And that is what this film ultimately is, a love letter to all of the artists (both on-stage and off) that try, despite immeasurable odds, to get a show on it’s feet. Director Miranda infuses this film with homages to theater - and theater people - and sprinkles in some very good songs that drives this point home.
None of the numbers hit home as hard as the “Diner” song - a song that features many, many Broadway performers, both new and old, that were either inspirations to Larson - or were inspired by him (including Miranda himself).
Come for the musical, stay for the outstanding performance of Garfield, and immerse yourself into the world of struggling artists in NYC in the 1990’s. You’ll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
If you are a theater lover, the Netflix Original film tick, tick…BOOM is for you.
If you are not interested in live theater at all..then, perhaps, tick, tick…BOOM might be a little too “inside baseball” for you.
Based on the one man concert/show/performance by the late Jonathan Larson, the writer of the the Pulitzer Prize winning musical RENT, tick, tick…BOOM expands this performance piece and turns it into a biopic of the artist who passed as his hit musical was just about ready to debut.
As written by Steven Levenson and Directed by Lin-Manuel Miranda, tick, tick…BOOM is a love letter to Broadway, to artists struggling to make it in the Great White Way, to the community of disaffected peoples in 1990 and, mostly, to Jonathan Larson himself.
Andrew Garfield is transcendent in his portrayal of Larson. He embodies this character with love, ambition, focus, flaws and a surprisingly strong singing voice. It is an Oscar-nomination worthy performance.
He is joined, lovingly, by a strong supporting cast starting with Alexandra Shipp (as Larson’s girlfriend), Robin de Jesus (as his best friend) and Vanessa Hudgens (as a performer in the show, called Superbia, that he is trying to get up on the boards). These young performers are joined by a couple of wily veterans including Judith Light (as his Agent) and Bradley Whitford (as the late Stephen Sondheim). They bring energy, star power and…yes…love…to the screen.
And that is what this film ultimately is, a love letter to all of the artists (both on-stage and off) that try, despite immeasurable odds, to get a show on it’s feet. Director Miranda infuses this film with homages to theater - and theater people - and sprinkles in some very good songs that drives this point home.
None of the numbers hit home as hard as the “Diner” song - a song that features many, many Broadway performers, both new and old, that were either inspirations to Larson - or were inspired by him (including Miranda himself).
Come for the musical, stay for the outstanding performance of Garfield, and immerse yourself into the world of struggling artists in NYC in the 1990’s. You’ll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)