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David McK (3496 KP) rated Moriarty: The Devil's Game in Books
Sep 22, 2024 (Updated Sep 22, 2024)
Moriarty, the Napoleon of crime.
Sherlock Holms arch-nemesis.
But what if Moriarty was actually an innocent man and Sherlock a ruthless narcissist who just happens to have some very (very) good PR?
That's pretty much the basis for this audio-drama, which starts with Moriarty developing an equation to tell the future' before being framed for the death of his fiancee, sentenced to death himself, meets Col Sebastian Moran in Newgate, escapes from the same and goes on the run in the criminal underworld of Victorian London in an effort to clear his name.
The result, I found, was surprisingly enjoyable, with loads of 'call-backs' to the Arthur Conan Doyle stories point which it is based (albeit from a different point of view) and numerous characters from the same.
I think I'll be listening to season 2 no too far in the future ...
Sherlock Holms arch-nemesis.
But what if Moriarty was actually an innocent man and Sherlock a ruthless narcissist who just happens to have some very (very) good PR?
That's pretty much the basis for this audio-drama, which starts with Moriarty developing an equation to tell the future' before being framed for the death of his fiancee, sentenced to death himself, meets Col Sebastian Moran in Newgate, escapes from the same and goes on the run in the criminal underworld of Victorian London in an effort to clear his name.
The result, I found, was surprisingly enjoyable, with loads of 'call-backs' to the Arthur Conan Doyle stories point which it is based (albeit from a different point of view) and numerous characters from the same.
I think I'll be listening to season 2 no too far in the future ...
Billie Wichkan (118 KP) rated The Haunting of Henderson Close in Books
May 22, 2019
The Haunting of Henderson Close
Hannah has relocated to Edinburgh and now works as a performing tour guide regaling tourists with the goings on in the spooky derelict Henderson Close. Together with colleagues they bring the past to life as they play the parts of real people who lived there and spin tales of the spooky and historical past, some really gruesome. But then she starts to see shadows, she has flashes where she feels weird and, well, has some really rather scary experiences. But she's not alone, one of the other guides has experienced similar and then some of the tourists also start to see things. What is happening? Are the legends and stories of what went before coming back? Who are the people that Hannah keeps seeing, and what do they really want?
I was intrigued by the classification of The Haunting of Henderson Close as a horror, mystery and thriller novel as these are my favourites.
I loved all the hints at ghosts and supernatural activity but sadly it all got a bit confusing for me as it progressed. The flashbacks and present just seemed to clash and not move seamlessly together. At times I felt possibly the author meant for the book to be more of a Victorian mystery rather than supernatural.
The use of location was one of the main strengths of the book, as the descriptions of 19th century Edinburgh were detailed and made it easy to imagine just what Victorian Scotland used to look like; really amazing and descriptive.
The ending I found a bit lacking as I had an idea built u in my of something climatic and it wasn’t.
The story itself intrigued me, the setting especially; all in all, a story that kept my attention nicely throughout and left me mostly satisfied at its conclusion.
My thanks go to the Publisher and Netgalley for the chance to read this book.
Hannah has relocated to Edinburgh and now works as a performing tour guide regaling tourists with the goings on in the spooky derelict Henderson Close. Together with colleagues they bring the past to life as they play the parts of real people who lived there and spin tales of the spooky and historical past, some really gruesome. But then she starts to see shadows, she has flashes where she feels weird and, well, has some really rather scary experiences. But she's not alone, one of the other guides has experienced similar and then some of the tourists also start to see things. What is happening? Are the legends and stories of what went before coming back? Who are the people that Hannah keeps seeing, and what do they really want?
I was intrigued by the classification of The Haunting of Henderson Close as a horror, mystery and thriller novel as these are my favourites.
I loved all the hints at ghosts and supernatural activity but sadly it all got a bit confusing for me as it progressed. The flashbacks and present just seemed to clash and not move seamlessly together. At times I felt possibly the author meant for the book to be more of a Victorian mystery rather than supernatural.
The use of location was one of the main strengths of the book, as the descriptions of 19th century Edinburgh were detailed and made it easy to imagine just what Victorian Scotland used to look like; really amazing and descriptive.
The ending I found a bit lacking as I had an idea built u in my of something climatic and it wasn’t.
The story itself intrigued me, the setting especially; all in all, a story that kept my attention nicely throughout and left me mostly satisfied at its conclusion.
My thanks go to the Publisher and Netgalley for the chance to read this book.
ClareR (5784 KP) rated The Ghost of Hollow House in Books
Jun 9, 2019 (Updated Jun 9, 2019)
A Victorian ghostly mystery.
This is a mystery set in Victorian England (1872), a time when women were the weaker sex and unable to tolerate anything vaguely ‘upsetting’. Mina Scarletti clearly hasn’t seen the memo about this. She’s intelligent, witty and brave - she’s also 4 feet 8 inches tall, and she has what appears to be a severe scoliosis. So those who don’t know her are surprised by her outlook on life and her independence. Mina is a great character, as are Dr Hamid, who is her physician and travels with her, and Nellie, her friend.
Nellie is invited to stay with an old friend, Kitty, from her stage days, and her wealthy husband. They have a large house in the country and it appears to be haunted. The maids won’t stay overnight, and Mrs Honeyacre (Kitty) is beside herself. Her husband is a big follower of spiritualism and the occult(it was very fashionable at this time), but just not in his house.
It’s a slow burner, but when the action gets going, it really does go for it. I’m no expert on Victorians, but the attitudes and daily routines rang true, and the characters were all interesting and on the whole, likeable - especially Mina. I loved how she consistently surprised the male characters: they expected a meek and mild, sickly girl, and got an outspoken and independent woman instead.
I hadn’t realised when I began to read this, that it was the fourth in a series. I didn’t feel that I missed anything by not reading the first three, and it definitely could be read as a stand-alone. However, based on this novel, I would think that books 1-3 will be going on to my ‘to read’ pile!
If you like Victorians, mysteries and possibly ghosts, then this is a book that you’ll enjoy. I did!
Many thanks to Sapere books for my copy of this to read and honestly review.
Nellie is invited to stay with an old friend, Kitty, from her stage days, and her wealthy husband. They have a large house in the country and it appears to be haunted. The maids won’t stay overnight, and Mrs Honeyacre (Kitty) is beside herself. Her husband is a big follower of spiritualism and the occult(it was very fashionable at this time), but just not in his house.
It’s a slow burner, but when the action gets going, it really does go for it. I’m no expert on Victorians, but the attitudes and daily routines rang true, and the characters were all interesting and on the whole, likeable - especially Mina. I loved how she consistently surprised the male characters: they expected a meek and mild, sickly girl, and got an outspoken and independent woman instead.
I hadn’t realised when I began to read this, that it was the fourth in a series. I didn’t feel that I missed anything by not reading the first three, and it definitely could be read as a stand-alone. However, based on this novel, I would think that books 1-3 will be going on to my ‘to read’ pile!
If you like Victorians, mysteries and possibly ghosts, then this is a book that you’ll enjoy. I did!
Many thanks to Sapere books for my copy of this to read and honestly review.
An enjoyable Victorian mystery
Julia McAllister is a female photographer in 1895 who works for herself - which is a struggle in England at this time, as she would have had no legal rights. She pretends to her clients that she is working for a male photographer, but in reality he left her the business when he died. So, in order to make ends meet she finds work taking ‘French Style’ photos. These were risqué pornographic photos. Julia makes sure her models are comfortable with what they’re doing and that they’re well paid. She feels responsible for these young women.
When three of them are found murdered, and Julia is visited by an Inspector Collingwood asking questions because her stamp is on the back of the photos found with these women, Julia is devastated. Devastated that she is in the frame, and devastated that she has lost women who she considers to be friends. So Julia sets out to find the killer herself, because she has secrets that she doesn’t want anyone finding out.
This book is pretty jam packed with dead bodies, if I’m honest. The dead models and two unconnected men. Julia is involved with finding the perpetrators of these deaths too. So if you don’t like dead bodies, you’re going to struggle with this one! Although it’s not graphic in any way. It’s not a salacious book - the photos aren’t really described in any great detail: the making of them is just a part of the story.
I liked Julia. She is a caring character who looks after her models, her neighbours, and she even gives a home to a street urchin. I found the photography descriptions (taking photos and developing them) really interesting, and I thought the setting was really well described: the sights and sounds of a busy urban Victorian England especially. This is a very enjoyable book, and one for those who enjoy an easy reading mystery.
Many thanks to Sapere Books for sending me my copy to read and honestly review.
When three of them are found murdered, and Julia is visited by an Inspector Collingwood asking questions because her stamp is on the back of the photos found with these women, Julia is devastated. Devastated that she is in the frame, and devastated that she has lost women who she considers to be friends. So Julia sets out to find the killer herself, because she has secrets that she doesn’t want anyone finding out.
This book is pretty jam packed with dead bodies, if I’m honest. The dead models and two unconnected men. Julia is involved with finding the perpetrators of these deaths too. So if you don’t like dead bodies, you’re going to struggle with this one! Although it’s not graphic in any way. It’s not a salacious book - the photos aren’t really described in any great detail: the making of them is just a part of the story.
I liked Julia. She is a caring character who looks after her models, her neighbours, and she even gives a home to a street urchin. I found the photography descriptions (taking photos and developing them) really interesting, and I thought the setting was really well described: the sights and sounds of a busy urban Victorian England especially. This is a very enjoyable book, and one for those who enjoy an easy reading mystery.
Many thanks to Sapere Books for sending me my copy to read and honestly review.
Three Men in a Boat: To Say Nothing of the Dog
Jerome Jerome and Jeremy Lewis
Book
A comic masterpiece that has never been out of print since it was first published in 1889, Jerome K....
ClareR (5784 KP) rated Things In Jars in Books
Sep 22, 2019
Victorian England, a female detective and a touch of the supernatural - what’s not to like?
Things in Jars is set in Victorian London. Bridie Devine is a female detective who is called on by Sir Edmund Athelstan Berwick, a baronet, to find his secret daughter, Christabel, who has been kidnapped. However, he doesn’t want to involve the police (this is where alarm bells start to go off!). Very few people in his household know about the existence of Christabel, and she is shut away, ostensibly to protect them from her. Because Christabel is not an ordinary child: she has supernatural powers that can harm people. Bridie doesn’t believe this, of course. So with the help of Cora, her 7 foot tall housemaid and Ruby, the ghost of a prizefighter, she sets out to rescue the child.
I absolutely loved this book. I was never sure if the mythical, fairytale elements were real, or whether Bridie believed them to be real. The seedy, macabre side to London, the sights and smells of the winding streets and the general atmosphere were so well described, that I could have been standing next to Bridie, watching the moving tattoos across Ruby’s torso! Bridie is an excellent character. She feels compelled to find Christabel, mainly because she is coming to the job with a failure weighing heavy on her shoulders, but also she can remember being alone in the world as a child.
Mrs Bibby is a superb villain - she has her conspirators dancing to her tune. She has a gun (and a limp!) and she’s not afraid to use it! Her macabre ‘fairytales’ really ramped up the atmosphere, and showed how truly awful she was. There was a real menace about her.
Other than what I’ve said here, all I can really say is - go and read this book! I loved it (I’ve said that already, I know!), go and read it - you won’t be sorry!
Many thanks to NetGalley and the publisher for my copy of this book.
I absolutely loved this book. I was never sure if the mythical, fairytale elements were real, or whether Bridie believed them to be real. The seedy, macabre side to London, the sights and smells of the winding streets and the general atmosphere were so well described, that I could have been standing next to Bridie, watching the moving tattoos across Ruby’s torso! Bridie is an excellent character. She feels compelled to find Christabel, mainly because she is coming to the job with a failure weighing heavy on her shoulders, but also she can remember being alone in the world as a child.
Mrs Bibby is a superb villain - she has her conspirators dancing to her tune. She has a gun (and a limp!) and she’s not afraid to use it! Her macabre ‘fairytales’ really ramped up the atmosphere, and showed how truly awful she was. There was a real menace about her.
Other than what I’ve said here, all I can really say is - go and read this book! I loved it (I’ve said that already, I know!), go and read it - you won’t be sorry!
Many thanks to NetGalley and the publisher for my copy of this book.
The Memory House
9.0
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From the New York Times bestselling author of The Wedding Dress comes a new captivating novel of two...
The Ghost of Hollow House
8.0
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Mina Scarletti returns in her most thrilling mystery yet! Perfect for fans of Sherlock Holmes,...
Ghosts Suspense Historical Fiction
David McK (3496 KP) rated Flashman (The Flashman Papers, #1) in Books
Jan 28, 2019
First entry in George MacDonald Frase's Flashman series, in which he (re)introduces us to Harry Flashman: a totally reprehensible anti-hero, who (through the entire series) cheats, lies and connives his way through Victorian society and the great events of the era: in this case, the disastrous retreat from Kabul.
By all accounts, the history of the books are actually pretty accurate: most of the people Flashman meets and interacts with were real personages of note, and the novels contain several footnotes providing yet more historical info on the events described. While it is taken to extremes, I think it's also fairly safe to say that the character of Flashman and the way he behaves probably isn't really that far away from the way some members of society did ...
(oh, and trivia note: MacDonald Fraser wrote the screenplays for 1973s "The Three Musketeers" and it's sequel "The Four Musketeers" as well as the James Bond film "Octopussy", amongst others)
By all accounts, the history of the books are actually pretty accurate: most of the people Flashman meets and interacts with were real personages of note, and the novels contain several footnotes providing yet more historical info on the events described. While it is taken to extremes, I think it's also fairly safe to say that the character of Flashman and the way he behaves probably isn't really that far away from the way some members of society did ...
(oh, and trivia note: MacDonald Fraser wrote the screenplays for 1973s "The Three Musketeers" and it's sequel "The Four Musketeers" as well as the James Bond film "Octopussy", amongst others)
Eilidh G Clark (177 KP) rated Herland, the Yellow Wall-Paper, and Selected Writings in Books
Jul 2, 2019
This was both fun and grim
This was an interesting book and for all you feminists out there, quite amusing. The author covered a range of issues which are still relevant today such as, the way food is grown, cultivated and harvested, the values of being kind to the earth. It covered the way that children are educated. There is an excellent piece on religion which I personally found amusing, being an atheist. Considering the time period in which the novella was written, this book is like a mirror on society, especially a patriarchal society.
The sentence structure is clunky, annoyingly long but typical of late Victorian work. The ending is frustrating as it is left wide open without answers. Yet putting that aside, I really liked it. It is not my ideal female utopia, but I am sure for Perkins, in an oppressive male dominated society, it was.
The sentence structure is clunky, annoyingly long but typical of late Victorian work. The ending is frustrating as it is left wide open without answers. Yet putting that aside, I really liked it. It is not my ideal female utopia, but I am sure for Perkins, in an oppressive male dominated society, it was.