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AbmostFiction (32 KP) rated The Evil Dead (1981) in Movies
Jul 25, 2017
Kevin Phillipson (10021 KP) rated The Last House on the Left (2009) in Movies
Jul 2, 2018 (Updated Jul 2, 2018)
Martin (1978)
8.0
Rate It
Movie
A blood-craving young man named Martin moves in with a reluctant relative in Pennsylvania who...
Nosferatu Video nasty Razor blade
I Spit on Your Grave (1978)
6.9
Rate It
Movie
An aspiring novelist named Jennifer Hills seeks revenge after being gang-raped and left for dead by...
Exploitation rape-and-revenge Day of the Woman I Hate Your Guts rape and revenge video nasty
Blazing Minds (92 KP) rated Mountain of the Cannibal God (1978) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
The term “Video Nasty” is a term you used to hear a lot on the 80s, The Mountain of the Cannibal God (aka Slave of the Cannibal God – La montagna del dio cannibale), released in 1978, is one of the many titles that was given the title and was subsequently banned in the UK until 2001. The Mountain of the Cannibal God has now found its way on to Blu-ray with a 2k restoration to bring the horror to a new generation of horror fans in the UK.
The blu-ray starts with an introduction about the movie from director, Sergio Martino, and a text screen explaining, “this Shameless rebuild reinstates the long-missing original dramatic gore and the complete extended orgiastic pandemonium, yet despite very best efforts the quality of a few reinserted scenes will vary“.
The blu-ray starts with an introduction about the movie from director, Sergio Martino, and a text screen explaining, “this Shameless rebuild reinstates the long-missing original dramatic gore and the complete extended orgiastic pandemonium, yet despite very best efforts the quality of a few reinserted scenes will vary“.
Bubble Group Messenger
Social Networking and Photo & Video
1.0
Rate It
App
Bubble is an easy to use group messaging, group chat and private group video app for all of the...
Bong Mines Entertainment (15 KP) rated Psycho But Ya Love It - Single by Juliet Carina in Music
Jun 17, 2019
Juliet Carina is a singer-songwriter from Brooklyn, New York. Not too long ago, she released a music video for her “Psycho but Ya Love It” single.
“This collaboration was the brainchild of Cindy Valentine. But while in the studio working with her, I kept whispering something that sounded like ‘Psycho’ and we were laughing at how crazy we both are when we work together that we thought why not. Niko the kid, came next and while in LA with him, the laughs kept coming and that’s when Cindy decided we needed an Indian chant. So, she jumped on the mic and was possessed by a past life. For the bridge, I channeled my nasty alter ego and was petrified but encouraged to go for it.” – Juliet Carina
‘Psycho but Ya Love It’ contains a relatable storyline, pleasing vocals, and lush instrumentation flavored with a commercial-pop aroma.
“I had so much fun with this project that I really hope people love it as much as I do!” – Juliet Carina
Juliet Carina is from a diverse background. Her mother is of Italian descent and her father is Chinese.
With that dynamic combo, you can’t help but see that Juliet’s look is unique with the best of both worlds. But above all, she has a lot of talent and ambition.
https://www.bongminesentertainment.com/juliet-carina-psycho-but-ya-love-it/
“This collaboration was the brainchild of Cindy Valentine. But while in the studio working with her, I kept whispering something that sounded like ‘Psycho’ and we were laughing at how crazy we both are when we work together that we thought why not. Niko the kid, came next and while in LA with him, the laughs kept coming and that’s when Cindy decided we needed an Indian chant. So, she jumped on the mic and was possessed by a past life. For the bridge, I channeled my nasty alter ego and was petrified but encouraged to go for it.” – Juliet Carina
‘Psycho but Ya Love It’ contains a relatable storyline, pleasing vocals, and lush instrumentation flavored with a commercial-pop aroma.
“I had so much fun with this project that I really hope people love it as much as I do!” – Juliet Carina
Juliet Carina is from a diverse background. Her mother is of Italian descent and her father is Chinese.
With that dynamic combo, you can’t help but see that Juliet’s look is unique with the best of both worlds. But above all, she has a lot of talent and ambition.
https://www.bongminesentertainment.com/juliet-carina-psycho-but-ya-love-it/
Lyndsey Gollogly (2893 KP) rated The Night Shift in Books
Sep 17, 2023
131 of 235
Kindle
The Night Shift
By Alex Finlay
⭐️⭐️⭐️⭐️⭐️
It’s New Year’s Eve 1999. Y2K is expected to end in chaos: planes falling from the sky, elevators plunging to earth, world markets collapsing. A digital apocalypse. None of that happens. But at a Blockbuster Video in New Jersey, four teenagers working late at the store are attacked. Only one inexplicably survives. Police quickly identify a suspect, the boyfriend of one of the victims, who flees and is never seen again.
Fifteen years later, more teenage employees are attacked at an ice cream store in the same town, and again only one makes it out alive.
In the aftermath of the latest crime, three lives intersect: the lone survivor of the Blockbuster massacre who’s forced to relive the horrors of her tragedy; the brother of the fugitive accused, who’s convinced the police have the wrong suspect; and FBI agent Sarah Keller who must delve into the secrets of both nights—stirring up memories of teen love and lies—to uncover the truth about murders on the night shift.
I read this in one sitting and thought it was just brilliant. It kept me totally engaged and constantly guessing. It had some pretty nasty characters too which always makes for good reading. Really enjoyed it.
Kindle
The Night Shift
By Alex Finlay
⭐️⭐️⭐️⭐️⭐️
It’s New Year’s Eve 1999. Y2K is expected to end in chaos: planes falling from the sky, elevators plunging to earth, world markets collapsing. A digital apocalypse. None of that happens. But at a Blockbuster Video in New Jersey, four teenagers working late at the store are attacked. Only one inexplicably survives. Police quickly identify a suspect, the boyfriend of one of the victims, who flees and is never seen again.
Fifteen years later, more teenage employees are attacked at an ice cream store in the same town, and again only one makes it out alive.
In the aftermath of the latest crime, three lives intersect: the lone survivor of the Blockbuster massacre who’s forced to relive the horrors of her tragedy; the brother of the fugitive accused, who’s convinced the police have the wrong suspect; and FBI agent Sarah Keller who must delve into the secrets of both nights—stirring up memories of teen love and lies—to uncover the truth about murders on the night shift.
I read this in one sitting and thought it was just brilliant. It kept me totally engaged and constantly guessing. It had some pretty nasty characters too which always makes for good reading. Really enjoyed it.
LeftSideCut (3778 KP) rated The Texas Chain Saw Massacre (1974) in Movies
May 20, 2021
Tobe Hooper's seminal The Texas Chain Saw Massacre is a straight up horror classic, that changed the face of the genre. It's influence can be seen all over the place, and it's notoriety is still prominent. To this day, TTCSM is still misunderstood by wider audiences. It's title, alongside it's "video nasty" reputation that stuck for decades, suggests that the viewer is in for a depraved gore fest, when in reality, this film borders on arthouse more often than not. Its brimming with iconic shots, and beautiful cinematography work courtesy of Daniel Pearl. In terms of gore, you don't see much of it. Pretty much all of the violent scenes are implied, and the movie shies away from showing anything explicit, a move that is incredibly effective.
Its pacing is pretty much perfect. The slow build first half is suitably uncomfortable, and full of great performances that keep it engaging. When things kick off, it grabs you by the throat and doesn't let go until the credits roll. Some incredibly well done sound design and tense music score compliment the breakneck final act, that is just an unencumbered assault on the senses. It's exhausting (in a good way).
Marilyn Burns' Sally is a badass final girl that causes the Sawyer family a whole bunch of trouble, and Leatherface is a wonderfully portrayed maniac - a genuinely terrifying MF, who has a sympathetic side. He's the main reason why TTCSM is still scary as fuck all these years later. The scares on display are all well earned, and the jump moments are startling and are far from being cheap.
What more can I say, TTCSM is truly one of the greats. It's uncomfortable, entertaining, extremely well put together, and is wholeheartedly deserving of its place in horror royalty.
Its pacing is pretty much perfect. The slow build first half is suitably uncomfortable, and full of great performances that keep it engaging. When things kick off, it grabs you by the throat and doesn't let go until the credits roll. Some incredibly well done sound design and tense music score compliment the breakneck final act, that is just an unencumbered assault on the senses. It's exhausting (in a good way).
Marilyn Burns' Sally is a badass final girl that causes the Sawyer family a whole bunch of trouble, and Leatherface is a wonderfully portrayed maniac - a genuinely terrifying MF, who has a sympathetic side. He's the main reason why TTCSM is still scary as fuck all these years later. The scares on display are all well earned, and the jump moments are startling and are far from being cheap.
What more can I say, TTCSM is truly one of the greats. It's uncomfortable, entertaining, extremely well put together, and is wholeheartedly deserving of its place in horror royalty.
Bob Mann (459 KP) rated Tomb Raider (2018) in Movies
Sep 29, 2021
A tremendously energetic and fun video game spin-off.
In this #TimesUp year, reviewing a film like “Tomb Raider” is just asking for trouble! So where shall I start digging my shallow grave?
Let’s start with the video game… “Tomb Raider” is of course the original video game phenomenon that started in 1993, featuring Lara Croft: someone that teenagers across the land mastur…. did their homework alongside in bedrooms up and down the land. Beauty; athleticism; a fierce independence; unfeasibly large breasts; ridiculously impossible leaps: in this film reboot, Alicia Vikander’s Lara differs from this ideal in just one respect. And before the Dora Milaje smash through my windows and drag me off for incarceration on Mysogeny Island, I’ll point out that this is OBVIOUSLY the least important omission! 🙂
For this film is good… very good.
“I’M SORRY….? WHAT DID YOU SAY DR BOB??” “But this is a film about a VIDEO GAME! … They are all uniformly s****e!”
Beauty, brains and talent: the GB Olympic team will likely be calling.
I know – I can barely bring myself to admit it. But this one really is good. Most of this is down to the reason I was looking forward so much to this one. Alicia Vikander (“Ex Machina“; “The Danish Girl“; “The Light Between Oceans“) is such a class act, and here she is so much more than just a one-dimensional action hero. She hurts, she mourns, she feels guilt, she’s vulnerable. And it’s all there on her face. Great acting skill. She also kicks ass like no woman on film since Emily Blunt in “Edge of Tomorrow“!
Don’t you just hate it when you drop a bag of flour in your kitchen?
The story by Evan Daugherty and Geneva Robertson-Dworet (with Alastair Siddons adding to the screenplay) rockets off in great style with a “fox and hounds” bike chase around the City of London which is brilliantly done and sets up Croft’s character with the minimum of tedious back story. Switch to the main story and Lara is struggling to face the fact that her father (Dominic West, “Money Monster“), seen in flashback, is finally dead after going off to Japan seven years previously in search of the legendary tomb of ancient sorceress Queen Himiko. The Croft corp. COO (Kristin Scott Thomas, “Darkest Hour“) persuades Lara its time to sign the necessary papers, but on the verge of this act the lawyer Mr Yaffe (Derek Jacobi, “Murder on the Orient Express“) lets a significant cat out of the bag and sets Lara off on the trail of her long-dead father’s original mission.
In happier times. Daddy (Dominic West) goes off on yet another trip from Croft Manor.
It’s a rollercoaster ride that’s really well done. But I reckon the writers should have named Jeffrey Boam, George Lucas and Menno Meyjes as co-collaborators, for the film plagerises terribly from “Indiana Jones and the Last Crusade”. In two or three places, the similarities are shocking! As in the best of Lucas traditions though there are some breathtaking set-pieces, with the best of them staged at the top of a raging waterfall that’s just plane ridiculous! (Even if it plagerises blatantly from “The Lost World”!).
English and patient. Kristin Scott Thomas as the guiding hand at the Croft corporation.
The movie’s tremendous to look at too, with cinematography by George Richmond (“Kingsman“; “Eddie the Eagle“) and (aside from a dodgy helicopter effect) good special effect by Max Poolman (“District 9”) and his team.
My one criticism would be that Vogel – the chief villain, played by Walton Goggins (“The Hateful Eight“) – is rather too unremittingly evil to have two sweetly smiling young children in his desk photo. One can only hope he faces a nasty demise!
Never trust a guy with a beard. Walton Goggins, a bit over the top as the villain of the piece.
The film is directed by Norwegian director Roar Uthaug, in what looks to be his first “non-Norwegian” film. Roar by name; roar by nature! He does a great job. An early “summer blockbuster” actioner that gets two thumbs up from me. What a pleasant surprise!
Let’s start with the video game… “Tomb Raider” is of course the original video game phenomenon that started in 1993, featuring Lara Croft: someone that teenagers across the land mastur…. did their homework alongside in bedrooms up and down the land. Beauty; athleticism; a fierce independence; unfeasibly large breasts; ridiculously impossible leaps: in this film reboot, Alicia Vikander’s Lara differs from this ideal in just one respect. And before the Dora Milaje smash through my windows and drag me off for incarceration on Mysogeny Island, I’ll point out that this is OBVIOUSLY the least important omission! 🙂
For this film is good… very good.
“I’M SORRY….? WHAT DID YOU SAY DR BOB??” “But this is a film about a VIDEO GAME! … They are all uniformly s****e!”
Beauty, brains and talent: the GB Olympic team will likely be calling.
I know – I can barely bring myself to admit it. But this one really is good. Most of this is down to the reason I was looking forward so much to this one. Alicia Vikander (“Ex Machina“; “The Danish Girl“; “The Light Between Oceans“) is such a class act, and here she is so much more than just a one-dimensional action hero. She hurts, she mourns, she feels guilt, she’s vulnerable. And it’s all there on her face. Great acting skill. She also kicks ass like no woman on film since Emily Blunt in “Edge of Tomorrow“!
Don’t you just hate it when you drop a bag of flour in your kitchen?
The story by Evan Daugherty and Geneva Robertson-Dworet (with Alastair Siddons adding to the screenplay) rockets off in great style with a “fox and hounds” bike chase around the City of London which is brilliantly done and sets up Croft’s character with the minimum of tedious back story. Switch to the main story and Lara is struggling to face the fact that her father (Dominic West, “Money Monster“), seen in flashback, is finally dead after going off to Japan seven years previously in search of the legendary tomb of ancient sorceress Queen Himiko. The Croft corp. COO (Kristin Scott Thomas, “Darkest Hour“) persuades Lara its time to sign the necessary papers, but on the verge of this act the lawyer Mr Yaffe (Derek Jacobi, “Murder on the Orient Express“) lets a significant cat out of the bag and sets Lara off on the trail of her long-dead father’s original mission.
In happier times. Daddy (Dominic West) goes off on yet another trip from Croft Manor.
It’s a rollercoaster ride that’s really well done. But I reckon the writers should have named Jeffrey Boam, George Lucas and Menno Meyjes as co-collaborators, for the film plagerises terribly from “Indiana Jones and the Last Crusade”. In two or three places, the similarities are shocking! As in the best of Lucas traditions though there are some breathtaking set-pieces, with the best of them staged at the top of a raging waterfall that’s just plane ridiculous! (Even if it plagerises blatantly from “The Lost World”!).
English and patient. Kristin Scott Thomas as the guiding hand at the Croft corporation.
The movie’s tremendous to look at too, with cinematography by George Richmond (“Kingsman“; “Eddie the Eagle“) and (aside from a dodgy helicopter effect) good special effect by Max Poolman (“District 9”) and his team.
My one criticism would be that Vogel – the chief villain, played by Walton Goggins (“The Hateful Eight“) – is rather too unremittingly evil to have two sweetly smiling young children in his desk photo. One can only hope he faces a nasty demise!
Never trust a guy with a beard. Walton Goggins, a bit over the top as the villain of the piece.
The film is directed by Norwegian director Roar Uthaug, in what looks to be his first “non-Norwegian” film. Roar by name; roar by nature! He does a great job. An early “summer blockbuster” actioner that gets two thumbs up from me. What a pleasant surprise!