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David McK (3687 KP) rated Batman: Hush in Books
Jan 28, 2019
So, not long ago I picked up a copy of the Batman 75th anniversary box set, which is made up of 3 separate stories: The Dark Knight Returns, The Court of Owls and Hush. I also put caked up both Year One and The Killing Joke separately.
Of them all, I knew that at least 3 were (supposedly) very good: The Dark Knight Returns, The Killing Joke and Year One. What I ddid nt know, however, was just how good Hush was.
Set during a period when Batman is at the top of his game (unlike the older Batman of The Dark Knight Returns, or the younger of Year One), this graphic novel includes just about any and all of Batmans friends and foes - top of my head, I can think of only one major villain who doesn't play a role (but is mentioned in passing).
Like The Dark Knight Returns, it also includes The Man of Steel in the story, with Batman and Superman again facing off against one another in a portion of it (but for very different reasons than in The Dark Knight Returns).
OK, it may be pretty obvious - I felt - fairly early on just who is pulling the strings,but this still makes for a very enjoyable and dynamic read, with some of the best artwork I have yet seen in any of the graphic novels I have read.
Of them all, I knew that at least 3 were (supposedly) very good: The Dark Knight Returns, The Killing Joke and Year One. What I ddid nt know, however, was just how good Hush was.
Set during a period when Batman is at the top of his game (unlike the older Batman of The Dark Knight Returns, or the younger of Year One), this graphic novel includes just about any and all of Batmans friends and foes - top of my head, I can think of only one major villain who doesn't play a role (but is mentioned in passing).
Like The Dark Knight Returns, it also includes The Man of Steel in the story, with Batman and Superman again facing off against one another in a portion of it (but for very different reasons than in The Dark Knight Returns).
OK, it may be pretty obvious - I felt - fairly early on just who is pulling the strings,but this still makes for a very enjoyable and dynamic read, with some of the best artwork I have yet seen in any of the graphic novels I have read.
FilmIntuition (33 KP) rated An Anonymous Girl in Books
Dec 22, 2018
Takes 150 Pages to Get Going
Wasting a clever set-up that feels like a cross between David Fincher's The Game and “the wrong man” motif that filled Alfred Hitchcock’s filmography, after strapped-for-cash twenty-something makeup artist Jessica Farris participates in a paid ethics study intended for someone else, An Anonymous Girl takes roughly 150 pages to get going.
Graduating from creepy to only mildly thrilling, predictably Jessica discovers that the study was the bait needed to lure her into a diabolical shrink’s carnival funhouse of lies and manipulation where very little is what it seems.
Needless to say, it's a disappointing return to the genre for Greer Hendricks and Sarah Pekkanen following their smash hit The Wife Between Us. And while An Anonymous Girl has the makings of a much greater psychological mystery, the authors don't invest nearly as much thought into the heroine as the book's villain, which means that the reader is usually three steps ahead of Jessica each time she gets a (fairly obvious) ticket to the clue bus.
Sticking it out due to mild curiosity as to how everything would turn out as well a desire to review An Anonymous Girl since St. Martin's Press, Bookish First, and NetGalley were kind enough to send me an arc, despite an intriguing idea, in the end, I think most readers will be tempted to put it down in favor of picking a different thriller up.
Graduating from creepy to only mildly thrilling, predictably Jessica discovers that the study was the bait needed to lure her into a diabolical shrink’s carnival funhouse of lies and manipulation where very little is what it seems.
Needless to say, it's a disappointing return to the genre for Greer Hendricks and Sarah Pekkanen following their smash hit The Wife Between Us. And while An Anonymous Girl has the makings of a much greater psychological mystery, the authors don't invest nearly as much thought into the heroine as the book's villain, which means that the reader is usually three steps ahead of Jessica each time she gets a (fairly obvious) ticket to the clue bus.
Sticking it out due to mild curiosity as to how everything would turn out as well a desire to review An Anonymous Girl since St. Martin's Press, Bookish First, and NetGalley were kind enough to send me an arc, despite an intriguing idea, in the end, I think most readers will be tempted to put it down in favor of picking a different thriller up.
ClareR (6054 KP) rated Never Have I Ever in Books
Aug 8, 2019
Prepare for a pretty wild ride!
Never Have I Ever is a psychological thriller which had me completely hooked from the first chapter. Amy is a housewife who teaches diving and is currently on maternity leave. She helps her friend Char to run a book club, which the other mums in her neighbourhood also come to (I think more drinking than reading goes on, to be honest!). At one of these meetings, a new person arrives. Roux is renting a local house for a short period of time, and gatecrashes the club, taking over entirely. She starts a game of ‘Never Have I Ever’, uncovers some of the other mums secrets, and lets Amy know in no uncertain terms that she knows her deepest, darkest secret. And Roux wants to be paid to keep that secret. But Amy isn’t going to just hand over the money.
I loved this - Roux is a great villain, and Amy is an intriguing character. I loved how the lines between good and bad were blurred where Amy was concerned, but she always remains a good mum and Stepmother throughout.
My heart was in my mouth pretty much the whole time - I warn you, there is no let up at all in this book at all!
I will most definitely be looking for more books by Joshilyn Jackson!
Many thanks to NetGalley for my copy of this fabulous book, and to The Pigeonhole for giving me the incentive to read it!
I loved this - Roux is a great villain, and Amy is an intriguing character. I loved how the lines between good and bad were blurred where Amy was concerned, but she always remains a good mum and Stepmother throughout.
My heart was in my mouth pretty much the whole time - I warn you, there is no let up at all in this book at all!
I will most definitely be looking for more books by Joshilyn Jackson!
Many thanks to NetGalley for my copy of this fabulous book, and to The Pigeonhole for giving me the incentive to read it!
Lee KM Pallatina (951 KP) rated the Xbox 360 version of Red Dead Redemption in Video Games
Feb 24, 2020
Grand theft old west
With the release of Red dead redemption 2 and plenty of praising the game received I decided to give this a go.
Although the game's story suffered the old "do this or your family gets it" story it was dealt with nicely.
Playing as a character who's trying to leave his criminal past behind (again, another rinse & recycle) the plot does include some nice closure to the protagonists past & some interesting characters to sell plenty of side quests through the 'stranger' options.
A vast open world experience with some fantastic detail was a nice input, but I felt that although it's set in the old west, definitely should have had more areas to visit/explore, as it lacked this, it did at times feel empty (through personal experience).
The short relationships between the characters felt unnecessary which if hadn't have happened would have made up for this rather empty sand box.
Definitely not a bad experience overall, but was happy with the main plots ending not having the "villain" explain in mind numbing detail why as it was fairly obvious but was also quite a weak ending at that, would've been better to have a shoot out before being caught off guard.
Still, I recommend this to anyone with a GTA addiction (that's why I'm recommending it to my brother).
Although the game's story suffered the old "do this or your family gets it" story it was dealt with nicely.
Playing as a character who's trying to leave his criminal past behind (again, another rinse & recycle) the plot does include some nice closure to the protagonists past & some interesting characters to sell plenty of side quests through the 'stranger' options.
A vast open world experience with some fantastic detail was a nice input, but I felt that although it's set in the old west, definitely should have had more areas to visit/explore, as it lacked this, it did at times feel empty (through personal experience).
The short relationships between the characters felt unnecessary which if hadn't have happened would have made up for this rather empty sand box.
Definitely not a bad experience overall, but was happy with the main plots ending not having the "villain" explain in mind numbing detail why as it was fairly obvious but was also quite a weak ending at that, would've been better to have a shoot out before being caught off guard.
Still, I recommend this to anyone with a GTA addiction (that's why I'm recommending it to my brother).
The Devil Shook My Hand: I've Been Shot, Stabbed and Accused of Murder. People Call Me Britain's Deadliest Bare-knuckle Fighter. This is My Story.
Book
Meet Micky Gluckstad. You'll like him. Bare-knuckle boxer, East End face, playboy and underworld...
LoganCrews (2861 KP) rated The Princess and the Frog (2009) in Movies
Jul 4, 2021
𝘛𝘩𝘦 𝘗𝘳𝘪𝘯𝘤𝘦𝘴𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘚𝘭𝘰𝘨. Offers wonderful animation and some really good voice work - but predictably so. As in... every chuckle or vividly crafted frame fits precisely in line with such a monotonous, hackneyed formula so not only are none of this film's assets particularly inspired or interesting, but they're all mostly forgotten as soon as that exhausting Ne-Yo song plays during the end credits. Not to mention knowing the exact beats this is going to take before it takes them makes it sadly *so* laborious to get through. Not that convention in these things is bad on its own, I mean these same directors made Moana which I enjoyed a ton despite its familiarity - but I found that one to be better than this one in every conceivable way: charm, storytelling, animation, etc. even if neither of them feel particularly well paced (the *only* thing this does better is that the lead is [[[slightly]]] more developed here). Doesn't help that the songs - I realize I'm in the minority to report - are only alright at best. Though admittedly that one's probably a me thing, since I've never really been a huge jazz guy. The cute little frogs are funny, and I loved the silly Jim Cummings firefly + wide-eyed Charlotte + lanky Keith David villain - but I'm sorry, at a certain point early on I just started waiting for this to be over.
Alison Brie recommended Working Girl (1988) in Movies (curated)
LoganCrews (2861 KP) rated 2001: A Space Odyssey (1968) in Movies
Sep 20, 2020
Trippy ending space stuff > HAL stuff > ape stuff > monolith stuff
Was fully ready to come out of this being like "Yeah this ain't really all it" but it was, it really fucking was all it. I've seen big budget studio movies from less than a year ago (including but not limited to a certain superhero-led murky monstrosity involving a big purple thumb villain and some exposition stones) that look demonstrably worse than this - which, for all intents and purposes, is the best looking movie of all time (considering the time, anyway). There isn't a lone shot that looks anything less than astounding, what people must have felt back in 1968 watching this doesn't even have anything remotely comparable today. I can understand why some people wouldn't gel with this; some scenes are played out way too long and much of the William Sylvester stuff is dull as a doorstop not to mention stifled by the visual gimmick - but it avoids being the easy style over substance vehicle it could have been (which for the record I still would have been all for) by actually having a truly ingenious and thought-provoking screenplay with go-to quotes out the wazoo. And I think even this film's supporters don't give it enough credit for how continually unnerving this is, either. Obviously there's nothing more constructive one can even add about the greatness of the film or its score, acting, effects, etc. It rules.
Was fully ready to come out of this being like "Yeah this ain't really all it" but it was, it really fucking was all it. I've seen big budget studio movies from less than a year ago (including but not limited to a certain superhero-led murky monstrosity involving a big purple thumb villain and some exposition stones) that look demonstrably worse than this - which, for all intents and purposes, is the best looking movie of all time (considering the time, anyway). There isn't a lone shot that looks anything less than astounding, what people must have felt back in 1968 watching this doesn't even have anything remotely comparable today. I can understand why some people wouldn't gel with this; some scenes are played out way too long and much of the William Sylvester stuff is dull as a doorstop not to mention stifled by the visual gimmick - but it avoids being the easy style over substance vehicle it could have been (which for the record I still would have been all for) by actually having a truly ingenious and thought-provoking screenplay with go-to quotes out the wazoo. And I think even this film's supporters don't give it enough credit for how continually unnerving this is, either. Obviously there's nothing more constructive one can even add about the greatness of the film or its score, acting, effects, etc. It rules.
LoganCrews (2861 KP) rated The Devil's Rejects (2005) in Movies
Oct 10, 2020
Still largely prefer the viscera of gross circus-esque horror movie eye candy of 𝘏𝘰𝘶𝘴𝘦 𝘰𝘧 1000 𝘊𝘰𝘳𝘱𝘴𝘦𝘴, but this one somehow might be more repulsive and disturbing. I'm astounded this movie even works at all, revisiting such ostentatious caricatures by way of Americana on-the-run crime movie should never have worked - but not only did it manage to be one of the best crime thrillers of the 21st century, but it also set the template for how more sequels oughta look into telling their story, by completely flipping the script and going with an entirely different genre while still maintaining the root of what makes the characters so great. Loaded with moody desolate (both physically and morally) cinematography, a deliciously over-the-top William Forsythe villain, pounds upon pounds of stomach-churning brutality, and a rich late-70s tone that takes over anything from the aesthetic to the soundtrack. Zombie has created some of the hall-of-fame best horror movie characters ever put to screen through Baby, Otis, and Captain Spaulding - not only gleefully cruel, unique, and uproariously riveting but also able to see the fault of their own detrimental wickedness yet still choosing not to change even if they could. Their own self-destructiveness isn't even allowed to take full hold because of the American system they're forced to act within, also the "Free Bird" ending is as amazing as everyone says.
Taps to Riches
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