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Lee KM Pallatina (951 KP) rated the Xbox 360 version of Red Dead Redemption in Video Games

Feb 24, 2020  
Red Dead Redemption
Red Dead Redemption
2010 | Action/Adventure
Game's control & mechanics (0 more)
too much desert (yeah I know) (0 more)
Grand theft old west
With the release of Red dead redemption 2 and plenty of praising the game received I decided to give this a go.
Although the game's story suffered the old "do this or your family gets it" story it was dealt with nicely.

Playing as a character who's trying to leave his criminal past behind (again, another rinse & recycle) the plot does include some nice closure to the protagonists past & some interesting characters to sell plenty of side quests through the 'stranger' options.

A vast open world experience with some fantastic detail was a nice input, but I felt that although it's set in the old west, definitely should have had more areas to visit/explore, as it lacked this, it did at times feel empty (through personal experience).

The short relationships between the characters felt unnecessary which if hadn't have happened would have made up for this rather empty sand box.

Definitely not a bad experience overall, but was happy with the main plots ending not having the "villain" explain in mind numbing detail why as it was fairly obvious but was also quite a weak ending at that, would've been better to have a shoot out before being caught off guard.

Still, I recommend this to anyone with a GTA addiction (that's why I'm recommending it to my brother).
  
The Princess and the Frog (2009)
The Princess and the Frog (2009)
2009 | Animation, Comedy, Family
π˜›π˜©π˜¦ π˜—π˜³π˜ͺ𝘯𝘀𝘦𝘴𝘴 𝘒𝘯π˜₯ 𝘡𝘩𝘦 𝘚𝘭𝘰𝘨. Offers wonderful animation and some really good voice work - but predictably so. As in... every chuckle or vividly crafted frame fits precisely in line with such a monotonous, hackneyed formula so not only are none of this film's assets particularly inspired or interesting, but they're all mostly forgotten as soon as that exhausting Ne-Yo song plays during the end credits. Not to mention knowing the exact beats this is going to take before it takes them makes it sadly *so* laborious to get through. Not that convention in these things is bad on its own, I mean these same directors made Moana which I enjoyed a ton despite its familiarity - but I found that one to be better than this one in every conceivable way: charm, storytelling, animation, etc. even if neither of them feel particularly well paced (the *only* thing this does better is that the lead is [[[slightly]]] more developed here). Doesn't help that the songs - I realize I'm in the minority to report - are only alright at best. Though admittedly that one's probably a me thing, since I've never really been a huge jazz guy. The cute little frogs are funny, and I loved the silly Jim Cummings firefly + wide-eyed Charlotte + lanky Keith David villain - but I'm sorry, at a certain point early on I just started waiting for this to be over.
  
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Alison Brie recommended Working Girl (1988) in Movies (curated)

 
Working Girl (1988)
Working Girl (1988)
1988 | Comedy, Drama, Romance

"The first one is Working Girl. I love that movie, and I think all the female characters in it are pretty amazing. I love watching Melanie Griffith’s transformation. Her wardrobe and her makeup is amazing, because it’s the β€˜80s. It’s unbelievably awful; you can’t even believe that people used to think that was okay to dress that way, or that other people found it attractive. Joan Cusack is amazing in it. Her eye shadow is so blue; it’s horrifying, and you also can’t look away. Sigourney Weaver is a great villain in it, because she also has moments when you, I don’t know, you kind of like her… and then you don’t in the end, of course. But she’s a very interesting, strong character. Even her tone of voice and the way that she’s super sweet to everyone; it’s almost like Meryl Streep in The Devil Wears Prada before she did that. You know, kind of the bitch with the huge smile on her face. So I love that movie. If I turn on just the last five minutes, I burst into tears. [laughs] Joan Cusack stands up and is like, β€œShe did it!” and that Carly Simon song comes on, and I just feel strong and inspired, and I always cry. It’s like a happy cry. I’m surprised that it still makes me cry, but I’m always just like, β€œYes! This is incredible!”"

Source
  
2001: A Space Odyssey (1968)
2001: A Space Odyssey (1968)
1968 | Classics, Sci-Fi
Trippy ending space stuff > HAL stuff > ape stuff > monolith stuff

Was fully ready to come out of this being like "Yeah this ain't really all it" but it was, it really fucking was all it. I've seen big budget studio movies from less than a year ago (including but not limited to a certain superhero-led murky monstrosity involving a big purple thumb villain and some exposition stones) that look demonstrably worse than this - which, for all intents and purposes, is the best looking movie of all time (considering the time, anyway). There isn't a lone shot that looks anything less than astounding, what people must have felt back in 1968 watching this doesn't even have anything remotely comparable today. I can understand why some people wouldn't gel with this; some scenes are played out way too long and much of the William Sylvester stuff is dull as a doorstop not to mention stifled by the visual gimmick - but it avoids being the easy style over substance vehicle it could have been (which for the record I still would have been all for) by actually having a truly ingenious and thought-provoking screenplay with go-to quotes out the wazoo. And I think even this film's supporters don't give it enough credit for how continually unnerving this is, either. Obviously there's nothing more constructive one can even add about the greatness of the film or its score, acting, effects, etc. It rules.
  
The Devil's Rejects (2005)
The Devil's Rejects (2005)
2005 | Horror
Still largely prefer the viscera of gross circus-esque horror movie eye candy of 𝘏𝘰𝘢𝘴𝘦 𝘰𝘧 1000 𝘊𝘰𝘳𝘱𝘴𝘦𝘴, but this one somehow might be more repulsive and disturbing. I'm astounded this movie even works at all, revisiting such ostentatious caricatures by way of Americana on-the-run crime movie should never have worked - but not only did it manage to be one of the best crime thrillers of the 21st century, but it also set the template for how more sequels oughta look into telling their story, by completely flipping the script and going with an entirely different genre while still maintaining the root of what makes the characters so great. Loaded with moody desolate (both physically and morally) cinematography, a deliciously over-the-top William Forsythe villain, pounds upon pounds of stomach-churning brutality, and a rich late-70s tone that takes over anything from the aesthetic to the soundtrack. Zombie has created some of the hall-of-fame best horror movie characters ever put to screen through Baby, Otis, and Captain Spaulding - not only gleefully cruel, unique, and uproariously riveting but also able to see the fault of their own detrimental wickedness yet still choosing not to change even if they could. Their own self-destructiveness isn't even allowed to take full hold because of the American system they're forced to act within, also the "Free Bird" ending is as amazing as everyone says.
  
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Logan Eccles (135 KP) rated Ma (2019) in Movies

Oct 1, 2020 (Updated Oct 2, 2020)  
Ma (2019)
Ma (2019)
2019 | Horror, Thriller
Creepy & Uncomftable but I cant look away
First and foremost since this is a movie with teens in it and teens are going to want to watch this I speak to the cool lenient parents now, there are strong sexual themes in this movie and brief male nudity, so if your not cool with your teens seeing nudity and scenes suggesting sexual activity don't let them watch this movie. If you still want to be cool and let them watch it, watch it with them please and be alert during Ma's flashbacks and any time actor Luke Evans 'aka' Gaston is on screen, especially if he's tied to a bed, and you should be good. Other than all of that this is a good story. Ma or Sueann is an odd unique villain in the horror/thriller/suspense movie genre. The most appealing thing to me about this movie is how raw and intimate it feels. No big budget. Not too many big stars. Just a good ol' story told in a well-written way, and performed well also. The plot is weird and interesting and plants you in your seat with your eyes glued to the seat wanting to see what twisted thing Ma does in seeking out her revenge. I do recommend this for the strong story but I do wish there wasn't any unnecessary nudity and did nothing for the story in my opinion, but still go watch it.
  
    Masters Of Anima

    Masters Of Anima

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    Masters of Anima is an original adventure game for PlayStation 4, Xbox One, Nintendo Switch and PC...