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The Cutting Room Floor
7.0
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Book
DEZ: If my life were a movie, this would be the pivotal scene: a guy peering through his bedroom...
Dungeons & Dragons: Tomb of Annihilation Board Game
9.0
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Tabletop Game
The death curse grows and the souls of the world are in peril! Are you ready for adventure? In...
Gone but Not Furgotten
5.0
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Book
In Gone but Not Furgotten, the sixth in Cate Conte's Cat Café beloved cozy mystery series, Daybreak...
Lyndsey Gollogly (2893 KP) rated California Storm ( Crown of Frost & Blood 4) in Books
Nov 29, 2023
179 of 235
Kindle
California Storm ( Crown of Frost &Blood 4)
By CY Jones
⭐️⭐️⭐️
What do you when everything you hold dear is taken from you?
They came for me in the light of day, killed the man I love, and took me with them.
Then my kidnappers get robbed, and I’m taken again, thrown into a world my mom fled from. A world of sirens and mermaids where I find out I’m the Queen of them all.
I just graduated from high school, what do I know about being a Queen?
On the other side of the veil, everything is different.
The villain isn’t easy to pinpoint, and what I thought was the truth, turned out to be nothing but an elaborate lie.
Everything here is a game of power and strength and I’m just learning the rules. Do I fight for a world I was hidden from or swim away as fast as my tail can carry me?
Everything may be uncertain, but this I know. I’m California Azalea DelaCort and I will survive this storm.
I have loved this series and I really enjoyed this book about Cali who is Winters sister. The only thing was it seemed a little rushed and unpolished in places. Although by the end it did have me wanting the next book I need to know what happened to her!! It’s left on one hell of a cliffhanger.
Kindle
California Storm ( Crown of Frost &Blood 4)
By CY Jones
⭐️⭐️⭐️
What do you when everything you hold dear is taken from you?
They came for me in the light of day, killed the man I love, and took me with them.
Then my kidnappers get robbed, and I’m taken again, thrown into a world my mom fled from. A world of sirens and mermaids where I find out I’m the Queen of them all.
I just graduated from high school, what do I know about being a Queen?
On the other side of the veil, everything is different.
The villain isn’t easy to pinpoint, and what I thought was the truth, turned out to be nothing but an elaborate lie.
Everything here is a game of power and strength and I’m just learning the rules. Do I fight for a world I was hidden from or swim away as fast as my tail can carry me?
Everything may be uncertain, but this I know. I’m California Azalea DelaCort and I will survive this storm.
I have loved this series and I really enjoyed this book about Cali who is Winters sister. The only thing was it seemed a little rushed and unpolished in places. Although by the end it did have me wanting the next book I need to know what happened to her!! It’s left on one hell of a cliffhanger.
A Thousand Glittering Lights
10.0
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Only she can see him. Ellie is about to release the hotly anticipated sequel to her...
Contemporary Fantasy Romance
BankofMarquis (1832 KP) rated Rampage (2018) in Movies
Apr 20, 2018
Pretty much what you'd expect - and it's fun
There are times when you go to a movie, you are going there to immerse yourself in a world that draws out strong emotions with stellar acting, writing and directing and Cinematography that takes your breath away.
And there are other times where all you want is to watch Dwayne "The Rock" Johnson and a giant Gorilla fight a giant Wolf and a giant Alligator in downtown Chicago.
Guess which one RAMPAGE is?
Based on a video-game of the same name, RAMPAGE tells the tale of a primatologist who's "friend" (a gorilla) is infected with an experimental - and illegal - pathogen that turns him (and 2 other animals) into giant killing machines. It will take all the skills of this primatologist (did I mention that he is a former Navy Seal) to withstand the onslaught and find an antidote.
But, of course, with these kinds of films, the plot really doesn't matter. All that matters is that The Rock is playing the Pathologist and Naomi Harris plays a discredited genetic engineer. The two of them teams up with a mystery "agent" (played by Jeffrey Dean Morgan) to battle the bad guys - and the monsters.
But, of course, in these kinds of films, the characters don't really matter either. What REALLY matters in these kinds of films is the action and the CGI that is used to create these actions - and both of them are pretty good - at least, good enough.
Director Brad Peyton teams up again with The Rock (they were together for SAN ANDREAS and JOURNEY 2), so he knows not to linger too long on anything. He moves the plot (what there is of it) along smartly and focuses most of our attention on the action and only really stops for a joke or two - and they (for the most part) land just fine.
The Rock is, of course, THE ROCK in this film. He does "his thing" and he does it well. Jeffrey Dean Morgan basically plays the same character he plays on THE WALKING DEAD (but...he is a GOOD GUY here). Naomi Harris (still smelling fresh from her Oscar nominated turn in MOONLIGHT) clearly needs to pay for a house in Malibu by "slumming" it in this movie - I can see her conversation now...
"How much is that house in Malibu...?" (calls her Agent) "Hey...how much are they willing to pay me for the Giant Ape movie...?"
Malin Ackerman - never my favorite performer - is pretty one note as the main villain in the piece. She plays a Corporate Exec who wants to...wait for it...MONETIZE the giant animals!
But again, we are here to see The Rock and the giant Gorilla fighting the giant Wolf and Alligator - all the while destroying indentifiable landmarks in downtown Chicago.
And in that...this film succeeded...well enough.
Letter Grade B (it's probably a B- or C+, but I'm a sucker for these types of films).
7 (out of 10) stars and you and you can take that to the Bank(ofMarquis)
And there are other times where all you want is to watch Dwayne "The Rock" Johnson and a giant Gorilla fight a giant Wolf and a giant Alligator in downtown Chicago.
Guess which one RAMPAGE is?
Based on a video-game of the same name, RAMPAGE tells the tale of a primatologist who's "friend" (a gorilla) is infected with an experimental - and illegal - pathogen that turns him (and 2 other animals) into giant killing machines. It will take all the skills of this primatologist (did I mention that he is a former Navy Seal) to withstand the onslaught and find an antidote.
But, of course, with these kinds of films, the plot really doesn't matter. All that matters is that The Rock is playing the Pathologist and Naomi Harris plays a discredited genetic engineer. The two of them teams up with a mystery "agent" (played by Jeffrey Dean Morgan) to battle the bad guys - and the monsters.
But, of course, in these kinds of films, the characters don't really matter either. What REALLY matters in these kinds of films is the action and the CGI that is used to create these actions - and both of them are pretty good - at least, good enough.
Director Brad Peyton teams up again with The Rock (they were together for SAN ANDREAS and JOURNEY 2), so he knows not to linger too long on anything. He moves the plot (what there is of it) along smartly and focuses most of our attention on the action and only really stops for a joke or two - and they (for the most part) land just fine.
The Rock is, of course, THE ROCK in this film. He does "his thing" and he does it well. Jeffrey Dean Morgan basically plays the same character he plays on THE WALKING DEAD (but...he is a GOOD GUY here). Naomi Harris (still smelling fresh from her Oscar nominated turn in MOONLIGHT) clearly needs to pay for a house in Malibu by "slumming" it in this movie - I can see her conversation now...
"How much is that house in Malibu...?" (calls her Agent) "Hey...how much are they willing to pay me for the Giant Ape movie...?"
Malin Ackerman - never my favorite performer - is pretty one note as the main villain in the piece. She plays a Corporate Exec who wants to...wait for it...MONETIZE the giant animals!
But again, we are here to see The Rock and the giant Gorilla fighting the giant Wolf and Alligator - all the while destroying indentifiable landmarks in downtown Chicago.
And in that...this film succeeded...well enough.
Letter Grade B (it's probably a B- or C+, but I'm a sucker for these types of films).
7 (out of 10) stars and you and you can take that to the Bank(ofMarquis)
TheBookMother (105 KP) rated Unravelling Oliver in Books
May 17, 2019
It's as if Richard Hillman came back from the dead, you will not put it down.
I picked this little gem up on a supermarket fundraising bookshelf.
I was abit a dubious to begin with as it was quite short for a standard crime novel that I am normally used too at just 230 pages. I did worry it would be a rushed cliche but boy, was I wrong.
I have grown up on Midsummer Murders and Agatha Christie and it felt like a fresh voice on a classic crime thriller rather than the standard norm from Liz Nugent.
To everyone they seemed a happy and successful couple until one night Oliver beats his loving wife into a coma.
We are then thrown into a sad and neglected past, tragic events and secrets that have now suddenly caught up with Oliver.
The pace of the book is exquisite. Right from the first page you are thrown in to quite a dark act being commited leaving you with only one question.
Why did he do it?
The story is told from numerous character voices and POV each sharing their experiences and opinions of Oliver including Oliver himself each recounting past events right up until after the attack on Alice.
Each account over laps and we are taken back to summer in the 1970s on a French vineyard, growing up during that time in Ireland and the views of the time.
I enjoyed the that the themes of having a baby out of wedlock, grief, race, mental health, expectations, promiscuity and homosexuality were all present which really added to you imagining what the views were at the varying time periods covered throughout the book.
Hauntingly, the only person we do not hear from is Alice which adds to the tension as the outcome of the attack isn't mentioned until quite a way through the book.
Aside from the fact that you are introduced to Oliver committing a heinous act and brutally admitting that he expected more of a reaction for the first time he beat his wife he is not a likable character. You are waiting for it all to come crashing down around him and his 'privileged life' even after you find out about his past and as the it is unravelled, so is he. Think Richard Hillman from Coronation Street villain, someone you cannot help but resent.
Clever, dark and unexpected I couldn't put this down and consumed the lot in a day or so. The pace and easy readability of the book left me wanting to keep reading to a point of keeping the kids busy with a snack and Netflix while I could consume multiple chapters in the corner of the room!
It's just want I want in a crime novel; a good villain, a clever plot and a few twists along the way and an even more surprising ending which leaves you thinking perhaps there was a little bit of good in there after all?!
I was abit a dubious to begin with as it was quite short for a standard crime novel that I am normally used too at just 230 pages. I did worry it would be a rushed cliche but boy, was I wrong.
I have grown up on Midsummer Murders and Agatha Christie and it felt like a fresh voice on a classic crime thriller rather than the standard norm from Liz Nugent.
To everyone they seemed a happy and successful couple until one night Oliver beats his loving wife into a coma.
We are then thrown into a sad and neglected past, tragic events and secrets that have now suddenly caught up with Oliver.
The pace of the book is exquisite. Right from the first page you are thrown in to quite a dark act being commited leaving you with only one question.
Why did he do it?
The story is told from numerous character voices and POV each sharing their experiences and opinions of Oliver including Oliver himself each recounting past events right up until after the attack on Alice.
Each account over laps and we are taken back to summer in the 1970s on a French vineyard, growing up during that time in Ireland and the views of the time.
I enjoyed the that the themes of having a baby out of wedlock, grief, race, mental health, expectations, promiscuity and homosexuality were all present which really added to you imagining what the views were at the varying time periods covered throughout the book.
Hauntingly, the only person we do not hear from is Alice which adds to the tension as the outcome of the attack isn't mentioned until quite a way through the book.
Aside from the fact that you are introduced to Oliver committing a heinous act and brutally admitting that he expected more of a reaction for the first time he beat his wife he is not a likable character. You are waiting for it all to come crashing down around him and his 'privileged life' even after you find out about his past and as the it is unravelled, so is he. Think Richard Hillman from Coronation Street villain, someone you cannot help but resent.
Clever, dark and unexpected I couldn't put this down and consumed the lot in a day or so. The pace and easy readability of the book left me wanting to keep reading to a point of keeping the kids busy with a snack and Netflix while I could consume multiple chapters in the corner of the room!
It's just want I want in a crime novel; a good villain, a clever plot and a few twists along the way and an even more surprising ending which leaves you thinking perhaps there was a little bit of good in there after all?!
Movie Metropolis (309 KP) rated Despicable Me 3 (2017) in Movies
Jun 10, 2019
A disjointed third outing
They’re back. After the ridiculous success of Minions in 2015, Universal pressed ahead with a sequel to their other ridiculously successful animated franchise, Despicable Me.
The first two films were a delightful, if uneven adventure with everybody’s favourite yellow tic-tacs getting their standalone movie that grossed over $1billion. I know, I can’t believe it either.
Now, supervillain turned doting dad Gru is back for another round of animated mayhem. But is this third outing as enjoyable as its predecessors? Or are we starting to feel franchise fatigue?
The mischievous yet hopelessly adorable Minions hope that boss Gru (Steve Carell) will return to a life of crime after the Anti-Villain League fires him. Instead, he travels to Freedonia to meet his long-lost twin brother for the very first time. The siblings soon find themselves in a bickering alliance to take down supervillain Balthazar Bratt (Trey Parker), a child star from the 1980s who seeks revenge against the people who ended his career.
Universal have, rightly or wrongly, not messed with the formula that made the first two films such smash hits. That means you get the same uniquely animated world and characters with a reasonably engaging story that doesn’t ask too much of its audience. There is one difference however, the Minions. After the success of their own film, their presence here is notably jacked up – they’re given their own side quest and that is where we run into some problems.
The sacrifice made to accommodate this extra plot is a disjointed film that switches quite jarringly between each particular story point. One minute we’re tracking unicorns with Agnes, Margot and Edith, the next we’re joining the Minions and five minutes later we’re watching Gru strut his stuff against Balthazar Bratt.
Kids will love it, there’s no doubt about it and it’s sure to bring in the big bucks for Universal, but children’s films have become so much more than just bright colours, fart jokes and fragmented story points. Take 2015’s Inside Out for example or How to Train Your Dragon 2, the very pinnacle of animation.
There’s nothing fundamentally wrong with Despicable Me 3, the voice cast are all on point, Kristen Wiig is a joy as Lucy, and the animation is slick and colourful, but the bar has been set extraordinarily high.
Nevertheless, Trey Parker’s turn as villain Balthazar Bratt is great fun and he’s a brilliant antagonist throughout. See Marvel, it can be done.
There are moments of excellence here. Mature themes about growing up creep in to genuinely sweet moments, but they’re few and far between as the film steamrolls into a fun if generic final act.
Overall, there’s no doubt that Despicable Me 3 is going to be one of the biggest hits of the year. Packed with lovely animation, a great retro soundtrack, Minions and wonderful voice acting, it’s got all the ingredients for success; I just wish it had the guts to change the formula a little.
Cue the Minion memes in 3, 2, 1…
https://moviemetropolis.net/2017/07/01/despicable-me-3-review/
The first two films were a delightful, if uneven adventure with everybody’s favourite yellow tic-tacs getting their standalone movie that grossed over $1billion. I know, I can’t believe it either.
Now, supervillain turned doting dad Gru is back for another round of animated mayhem. But is this third outing as enjoyable as its predecessors? Or are we starting to feel franchise fatigue?
The mischievous yet hopelessly adorable Minions hope that boss Gru (Steve Carell) will return to a life of crime after the Anti-Villain League fires him. Instead, he travels to Freedonia to meet his long-lost twin brother for the very first time. The siblings soon find themselves in a bickering alliance to take down supervillain Balthazar Bratt (Trey Parker), a child star from the 1980s who seeks revenge against the people who ended his career.
Universal have, rightly or wrongly, not messed with the formula that made the first two films such smash hits. That means you get the same uniquely animated world and characters with a reasonably engaging story that doesn’t ask too much of its audience. There is one difference however, the Minions. After the success of their own film, their presence here is notably jacked up – they’re given their own side quest and that is where we run into some problems.
The sacrifice made to accommodate this extra plot is a disjointed film that switches quite jarringly between each particular story point. One minute we’re tracking unicorns with Agnes, Margot and Edith, the next we’re joining the Minions and five minutes later we’re watching Gru strut his stuff against Balthazar Bratt.
Kids will love it, there’s no doubt about it and it’s sure to bring in the big bucks for Universal, but children’s films have become so much more than just bright colours, fart jokes and fragmented story points. Take 2015’s Inside Out for example or How to Train Your Dragon 2, the very pinnacle of animation.
There’s nothing fundamentally wrong with Despicable Me 3, the voice cast are all on point, Kristen Wiig is a joy as Lucy, and the animation is slick and colourful, but the bar has been set extraordinarily high.
Nevertheless, Trey Parker’s turn as villain Balthazar Bratt is great fun and he’s a brilliant antagonist throughout. See Marvel, it can be done.
There are moments of excellence here. Mature themes about growing up creep in to genuinely sweet moments, but they’re few and far between as the film steamrolls into a fun if generic final act.
Overall, there’s no doubt that Despicable Me 3 is going to be one of the biggest hits of the year. Packed with lovely animation, a great retro soundtrack, Minions and wonderful voice acting, it’s got all the ingredients for success; I just wish it had the guts to change the formula a little.
Cue the Minion memes in 3, 2, 1…
https://moviemetropolis.net/2017/07/01/despicable-me-3-review/
Daniel Boyd (1066 KP) rated the PlayStation 4 version of The Evil Within 2 in Video Games
Mar 5, 2018 (Updated Mar 5, 2018)
Gameplay mechanics (2 more)
Horrifically beautiful graphics
A fantastic antagonist
Some odd voice acting (1 more)
Some duff lines of dialogue
A Gruesomely Good Time
Contains spoilers, click to show
I was a fan of the first Evil Within game, which I felt was criminally underrated. However, I must admit I slept on this game. This was due to all of the fantastic games that were released in 2017 that I was trying to catch up on at the time of this game's release.
4 months after the game's initial release, I finally got my hands on it and I loved the time I spent in this insane world.
The Evil Within 2 does what all great sequels should aim to do, which is to take the best concepts and systems from the first game and expand on them, while adding in some fresh concepts and discarding a lot of the excess fat that dragged the first game down.
This game is a much more streamlined action-horror adventure than the first entry and while it starts out with some creepy and uneasy moments, it focuses more on the action element than the horror side of things in comparison with the first game. I do however feel that the game finds a nice equal balance of horror and action, in a way that feels reminiscent of the modern classic, Resident Evil 4. Even though Shinji Mikami didn't direct this game as he did the first entry, this one actually feels more like a traditional Shinji Mikami game.
The villain that torments you for the first third of the game is brilliant, he is engaging, threatening and over the top in all of the best possible ways. The one issue I have with him is, (SPOILERS,) they kill him off far too early and replace him with a more bland, less entertaining villain.
There is also some ropey voice acting present, they changed the actor playing Kidman and the new VO artist isn't as engaging in her performance. The actor playing the protagonist's daughter Lily, is also, quite awkward and stilted sounding. There are also some strange lines of dialogue that don't feel very natural and come across a bit pantomime, but you must remember that this is a Japanese game, written in Japanese and then translated into English. I did experience some technical issues whilst playing through the final third of the game, mostly to do with the use of the radio transmitter and I experienced one slight hiccup with the in-game physics. Unfortunately, although these weren't game-breaking issues, they are still present 4 months after the game's initial release, meaning I am forced to knock a point off of my overall score.
Overall though, this is a damn good time for any horror fan out there. The fact that this game is a great deal easier than the first may bother some hardcore gamers out there, but for me it was fine as I was mostly playing for the story anyway rather than the challenge. The optional first person mode is also a nice addition and adds a cool incentive to play through the New Game Plus.
4 months after the game's initial release, I finally got my hands on it and I loved the time I spent in this insane world.
The Evil Within 2 does what all great sequels should aim to do, which is to take the best concepts and systems from the first game and expand on them, while adding in some fresh concepts and discarding a lot of the excess fat that dragged the first game down.
This game is a much more streamlined action-horror adventure than the first entry and while it starts out with some creepy and uneasy moments, it focuses more on the action element than the horror side of things in comparison with the first game. I do however feel that the game finds a nice equal balance of horror and action, in a way that feels reminiscent of the modern classic, Resident Evil 4. Even though Shinji Mikami didn't direct this game as he did the first entry, this one actually feels more like a traditional Shinji Mikami game.
The villain that torments you for the first third of the game is brilliant, he is engaging, threatening and over the top in all of the best possible ways. The one issue I have with him is, (SPOILERS,) they kill him off far too early and replace him with a more bland, less entertaining villain.
There is also some ropey voice acting present, they changed the actor playing Kidman and the new VO artist isn't as engaging in her performance. The actor playing the protagonist's daughter Lily, is also, quite awkward and stilted sounding. There are also some strange lines of dialogue that don't feel very natural and come across a bit pantomime, but you must remember that this is a Japanese game, written in Japanese and then translated into English. I did experience some technical issues whilst playing through the final third of the game, mostly to do with the use of the radio transmitter and I experienced one slight hiccup with the in-game physics. Unfortunately, although these weren't game-breaking issues, they are still present 4 months after the game's initial release, meaning I am forced to knock a point off of my overall score.
Overall though, this is a damn good time for any horror fan out there. The fact that this game is a great deal easier than the first may bother some hardcore gamers out there, but for me it was fine as I was mostly playing for the story anyway rather than the challenge. The optional first person mode is also a nice addition and adds a cool incentive to play through the New Game Plus.