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LeftSideCut (3776 KP) rated See No Evil (2006) in Movies
Feb 21, 2021
See No Evil is a whole big mixed bag of average. The first 20-25 minutes are abhorrently terrible. It manages to tick every mid-00s horror cliché in its opening scene. It introduces all of its eye rollingly awful characters with edgy freeze frames and name cards.
Beyond the opening third, the whole film is riddled with seizure inducing quick zoom edits, and music video quality effects, and the whole runtime is draped in a durgy shit-shaded sepia tone. The characters never become remotely likable and suffer through the cringey dialogue without any sort of reprieve, and the worst one of the bunch even survives to the end credits, which is deeply upsetting.
Despite all of this however, I don't completely hate it. The gore for one is pretty solid, and looks mostly practical which is a huge bonus considering the era (and if you completely ignore the gratuitous spaffing of atrocious CGI during the final sequence). Glenn Jacobs, better known as WWE's Kane, cuts an imposing figure as the brutal as fuck villain, and I enjoyed the plots obvious homage to Friday the 13th. It's also mercifully clocks in just shy of 90 minutes, which makes it ideal for a quick dose of bloody horror if that's what you're after.
There are a huge amount of piss poor elements to See No Evil but it's certainly not the worst slasher out there. It's very typical of it's time, so it delivers exactly what you would expect and is definitely the best WWE produced film I've seen - the other being Leprechaun Origins, so not exactly a huge feat, but hey, let's take the wins where we can...
Beyond the opening third, the whole film is riddled with seizure inducing quick zoom edits, and music video quality effects, and the whole runtime is draped in a durgy shit-shaded sepia tone. The characters never become remotely likable and suffer through the cringey dialogue without any sort of reprieve, and the worst one of the bunch even survives to the end credits, which is deeply upsetting.
Despite all of this however, I don't completely hate it. The gore for one is pretty solid, and looks mostly practical which is a huge bonus considering the era (and if you completely ignore the gratuitous spaffing of atrocious CGI during the final sequence). Glenn Jacobs, better known as WWE's Kane, cuts an imposing figure as the brutal as fuck villain, and I enjoyed the plots obvious homage to Friday the 13th. It's also mercifully clocks in just shy of 90 minutes, which makes it ideal for a quick dose of bloody horror if that's what you're after.
There are a huge amount of piss poor elements to See No Evil but it's certainly not the worst slasher out there. It's very typical of it's time, so it delivers exactly what you would expect and is definitely the best WWE produced film I've seen - the other being Leprechaun Origins, so not exactly a huge feat, but hey, let's take the wins where we can...
Ross (3284 KP) rated The Harrowing of Doom in Books
Jan 7, 2021
Good book, but no real insight to Doom
As I am currently wading my way through the early 90s Infinity Gauntlet/War saga and all the crossover issues of comics, I was intrigued at the sometime villain, complex character that is Victor Von Doom. This book seemed to be the perfect chance to put some meat on the bones of this intriguing powerful character.
The book starts on Walpurgis night, as Doom looks towards the coming midsummer and his annual battle with Mephisto's forces of Hell as he tries to reclaim his mother's soul. Beaten once more, Doom hits on a plan to take the fight to Hell on his own terms.
Meanwhile, Doom's mother's previously defeated foe, a prince, seeks to take back control of the country, using terror attacks while Doom is distracted with his Hellish fight.
The story has some good characters, in the few people trusted with helping Doom to accomplish his plan (his mother's former ally and now recluse, a priest with heretical powers and his security chief) which help to tell the story. However, throughout the book we are treated to the same sense of mystery of the insides of Doom's mind that we see in the comics.
The book is good, an interesting one where an over-powered character is undone by refusing to delegate or being too egotistical, and it is something of a page-turner. But as a Doom-focused book, it left me wanting more.
I received an advance eARC of this book from the publishers and NetGalley in exchange for an honest review.
The book starts on Walpurgis night, as Doom looks towards the coming midsummer and his annual battle with Mephisto's forces of Hell as he tries to reclaim his mother's soul. Beaten once more, Doom hits on a plan to take the fight to Hell on his own terms.
Meanwhile, Doom's mother's previously defeated foe, a prince, seeks to take back control of the country, using terror attacks while Doom is distracted with his Hellish fight.
The story has some good characters, in the few people trusted with helping Doom to accomplish his plan (his mother's former ally and now recluse, a priest with heretical powers and his security chief) which help to tell the story. However, throughout the book we are treated to the same sense of mystery of the insides of Doom's mind that we see in the comics.
The book is good, an interesting one where an over-powered character is undone by refusing to delegate or being too egotistical, and it is something of a page-turner. But as a Doom-focused book, it left me wanting more.
I received an advance eARC of this book from the publishers and NetGalley in exchange for an honest review.
Erika (17789 KP) rated Mortal Kombat (2021) in Movies
May 8, 2021
You know when you watch a movie, and you're completely entertained during it, but afterwards, all you remember is the action portions, and none of the plot? That's me right now, after watching this movie just a little less than three hours ago.
I'll get this out of the way, the plot was obviously forgettable. Now, if this was a dramatic film, this would be a huge issue, but, this is a movie based on the first insanely violent video game ever produced. I was there for the fighting, and not the plot. The main focus was Cole, and sorry, but he was kind of a yawn until he got his stuff together.
Now, let's get into why I saw this movie. The action, the fighting, the gore. This earned its R-rating. The fighting choreography was great, and I loved that they used the some of the same moves from the video games. Also - the fact that some of the characters quipped with the closing fight messages was hilarious. The best placed one was 'Flawless Victory', after a kill.
Sub-Zero has always been one of my favorite characters, so I was glad he got the most screen time, out of the villain squad.. I have to say, as the movie was nearing the end, I was wondering when Scorpion would make his grand entrance. Finally, the pay dirt came at the very end, and yes, the 'Get Over Here' line did make an appearance.
They obviously left it open-ended for a sequel, which has been green-lit already. You can bet I'll be there on opening day for some big, dumb, gory fun.
I'll get this out of the way, the plot was obviously forgettable. Now, if this was a dramatic film, this would be a huge issue, but, this is a movie based on the first insanely violent video game ever produced. I was there for the fighting, and not the plot. The main focus was Cole, and sorry, but he was kind of a yawn until he got his stuff together.
Now, let's get into why I saw this movie. The action, the fighting, the gore. This earned its R-rating. The fighting choreography was great, and I loved that they used the some of the same moves from the video games. Also - the fact that some of the characters quipped with the closing fight messages was hilarious. The best placed one was 'Flawless Victory', after a kill.
Sub-Zero has always been one of my favorite characters, so I was glad he got the most screen time, out of the villain squad.. I have to say, as the movie was nearing the end, I was wondering when Scorpion would make his grand entrance. Finally, the pay dirt came at the very end, and yes, the 'Get Over Here' line did make an appearance.
They obviously left it open-ended for a sequel, which has been green-lit already. You can bet I'll be there on opening day for some big, dumb, gory fun.
LeftSideCut (3776 KP) rated Wishmaster (1997) in Movies
Sep 25, 2020
Robert Kurtzman, Wes Craven, and Greg Nicotero - a match made in heaven surely? Not quite it turns out, but almost. For all it's cheesiness and cheap jump scares, Wishmaster is still a load of fun, with some fantastic practical effects and a handful of big name horror cameos.
The effects are what stand out the most - there are some shitty CGI moments spread about but the majority of the gory moments are practical and rightly disgusting. A mere two minutes in, some poor fuckers skeleton becomes sentient and rips out from his body. It's glorious. Other than that, Wishmaster coasts along on the strength of its villain, The Djinn, played by Andrew Divoff. He's suitably creepy both in human form and in full make up, and gives the film a whole heap of credit, even if the way he pronounces stuff becomes a little grating after a while.
Having Wes Craven as a producer clearly pays off, as multiple horror stalwarts pop up throughout the runtime - Robert Englund, Tony Todd, Kane Hodder, Ted Raimi - some top tier cameos for sure. Even Angus Scrimm pops up to do a bit of narrating!
Everything else is a little lackluster. The premise is ok, but full of holes, and the ending feels like a bit of a cop out, and lead actress Tammy Lauren just seems like she's in the wrong film for the most part.
Wishmaster unfortunately never manages to excel above it's ridiculous opening scene, and is pretty mediocre overall, but it still has a lot to offer to horror fans, and I can't help but enjoy it.
The effects are what stand out the most - there are some shitty CGI moments spread about but the majority of the gory moments are practical and rightly disgusting. A mere two minutes in, some poor fuckers skeleton becomes sentient and rips out from his body. It's glorious. Other than that, Wishmaster coasts along on the strength of its villain, The Djinn, played by Andrew Divoff. He's suitably creepy both in human form and in full make up, and gives the film a whole heap of credit, even if the way he pronounces stuff becomes a little grating after a while.
Having Wes Craven as a producer clearly pays off, as multiple horror stalwarts pop up throughout the runtime - Robert Englund, Tony Todd, Kane Hodder, Ted Raimi - some top tier cameos for sure. Even Angus Scrimm pops up to do a bit of narrating!
Everything else is a little lackluster. The premise is ok, but full of holes, and the ending feels like a bit of a cop out, and lead actress Tammy Lauren just seems like she's in the wrong film for the most part.
Wishmaster unfortunately never manages to excel above it's ridiculous opening scene, and is pretty mediocre overall, but it still has a lot to offer to horror fans, and I can't help but enjoy it.
LeftSideCut (3776 KP) rated 300 (2007) in Movies
Oct 3, 2020
There's a few Zack Snyder films that I genuinely like, and 300 is one of them. It's 100% style over substance, it's overly gratuitous in the sheer amount of slow motion, but it's pretty enjoyable.
Some of the shots are expertly crafted recreations of the graphic novel by Frank Miller and Lynn Varley, and as such, is a damn faithful adaption of a cult classic comic series.
The visual effects are stunning at times, and the sepia tone it's draped in lends a lot to its overall feel (even if it's a subject of criticism from many)
Gerard Butler takes the lead as King Leonidas of Sparta, in what has arguably become his most well known roll in the years following. It's easy to look over his thick Scottish accent (in ancient Greece...) when he's playing the character with such enthusiasm. Most of his lines have become highly quotable, even familiar to those who have never seen the film. 300 would be a much lesser film without his involvement.
Rodrigo Santoro carves a striking figure as primary antagonist Xerxes, his androgynous look and demonic-like voice providing a memorable villain.
The cast is rounded out by the likes of Lena Headey, David Wenham, Dominic West, and an early role for Michael Fassbender, a sturdy ensemble cast.
The set pieces are pretty thrilling, and results in a movie that blurs the fantastical, with a real life historic battle. It's an interesting mix that works well.
300 is a film that throws big sloppy buckets of testosterone at its audience, whilst simultaneously flaunting a silly amount of homoerotic undertones and CGI pectoral muscles, and it's great.
Some of the shots are expertly crafted recreations of the graphic novel by Frank Miller and Lynn Varley, and as such, is a damn faithful adaption of a cult classic comic series.
The visual effects are stunning at times, and the sepia tone it's draped in lends a lot to its overall feel (even if it's a subject of criticism from many)
Gerard Butler takes the lead as King Leonidas of Sparta, in what has arguably become his most well known roll in the years following. It's easy to look over his thick Scottish accent (in ancient Greece...) when he's playing the character with such enthusiasm. Most of his lines have become highly quotable, even familiar to those who have never seen the film. 300 would be a much lesser film without his involvement.
Rodrigo Santoro carves a striking figure as primary antagonist Xerxes, his androgynous look and demonic-like voice providing a memorable villain.
The cast is rounded out by the likes of Lena Headey, David Wenham, Dominic West, and an early role for Michael Fassbender, a sturdy ensemble cast.
The set pieces are pretty thrilling, and results in a movie that blurs the fantastical, with a real life historic battle. It's an interesting mix that works well.
300 is a film that throws big sloppy buckets of testosterone at its audience, whilst simultaneously flaunting a silly amount of homoerotic undertones and CGI pectoral muscles, and it's great.
Fred (860 KP) rated Spider-Man: Far From Home (2019) in Movies
Sep 18, 2019
Better than Spider-Verse
Now, this is a great Spider-Man movie!
So, ever since I was a kid, in the 70s, I've always wanted to see a Spider-Man movie featuring Mysterio. I mean, what better villain than the one who creates movie special-effects? However, I did know that the effects available weren't good enough to pull it off. I also knew they would eventually get there. It took a long time, but it was well worth the wait. This is what I wanted since I'm a kid. They pulled it off.
Tom Holland brings the usual to the role, which is perfect. I do love Jon Favreau's Happy, and he brings a lot of the humor to the film. In a way though, I wish Spider-Man was Spider-Man & not Iron-Spider-Man. I wish he was on his own, you know what I mean? But it's okay. It doesn't get in the way of the entertainment. And yes, this film is entertaining. There is no slow-down during this film. It's constantly moving. Not like Endgame, which only gets going at the end. Yes, this film is better than Endgame. It's better than Home Coming. And it's better than Spider-Verse.
Jake Gyllenhaal is great as Mysterio. I like the other co-stars too. The teachers are funny as hell. The Hawaiian kid is funny. MJ is okay. And Flash Thompson, well....he sucks. But anyway, the others are good.
And to finish off my review, I have to say, the secret cameo during the mid-credits made me jump with joy. Shocking to say the least. This is a definite must see!
So, ever since I was a kid, in the 70s, I've always wanted to see a Spider-Man movie featuring Mysterio. I mean, what better villain than the one who creates movie special-effects? However, I did know that the effects available weren't good enough to pull it off. I also knew they would eventually get there. It took a long time, but it was well worth the wait. This is what I wanted since I'm a kid. They pulled it off.
Tom Holland brings the usual to the role, which is perfect. I do love Jon Favreau's Happy, and he brings a lot of the humor to the film. In a way though, I wish Spider-Man was Spider-Man & not Iron-Spider-Man. I wish he was on his own, you know what I mean? But it's okay. It doesn't get in the way of the entertainment. And yes, this film is entertaining. There is no slow-down during this film. It's constantly moving. Not like Endgame, which only gets going at the end. Yes, this film is better than Endgame. It's better than Home Coming. And it's better than Spider-Verse.
Jake Gyllenhaal is great as Mysterio. I like the other co-stars too. The teachers are funny as hell. The Hawaiian kid is funny. MJ is okay. And Flash Thompson, well....he sucks. But anyway, the others are good.
And to finish off my review, I have to say, the secret cameo during the mid-credits made me jump with joy. Shocking to say the least. This is a definite must see!
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