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Thor: The Dark World (2013)
Thor: The Dark World (2013)
2013 | Action, Sci-Fi
The second Thor movie is a visual representation of the word "meh". It has all the right ingredients, but somehow manages to fall flat.

The general plot is an issue. It's not a terrible narrative, but it's the kind of bloated fantasy stuff you would find in an early 2000s superhero movie, not a franchise that is eight films in and includes The Avengers.
The only purpose it serves in the grand scheme of things is the introduction of another Infinity Stone. Other than that it's just stuffed with exposition and kind of bland.
Another issue is, you guess it, the villain. Malekith isn't necessarily a bad choice for the movies antagonist, but his execution feels inconsequential and boring. Christopher Eccleston does the best with what he has but the stakes never feel high with this guy, although I do enjoy his comic- accurate appearance from the halfway mark.

Visually, The Dark World looks great. The CGI is pretty decent, the locations such as Asgard are just as well realised as the first film. Returning cast members include Tom Hiddleston, Anthony Hopkins, Stellan Skarsgård, Rene Russo, Kat Dennings, Idris Elba and Natalie Portman, as well as the always awesome Chris Hemsworth. Nothing wrong here, although I do feel that Lady Sif and The Warriors Three are wasted this time around.

The final set piece is pretty damn entertaining to be fair, and borders on suitable comic-book absurdity at points. The attack on Asgard by the Dark Elves is also pretty thrilling, but everything else is a little so so.

I still like Thor: The Dark World for what it's worth, it's just a little by the numbers and uninspired, and is probably my least favourite of the MCU movies to date.
  
Star Trek Into Darkness (2013)
Star Trek Into Darkness (2013)
2013 | Sci-Fi
This one seems to have received a very mixed reception among Trek fans, but I absolutely loved it when it first came out, giving it 4.5/5 in one of my early One Mann’s Movies reviews.

I find the pre-titles sequence on this one a real blast, both thrilling in content and enormously funny with the primitive stone age race trashing their previous relic in favour of their new Enterprise-shaped deity! And then the dramatic pseudo-blackmailing of Harewood, (an impressive Noel Clarke, when he was being given better roles that he is at the moment), to Michael Giacchino’s awesome “London Calling” music, is a truly memorable bit of movie-making.

The cast have all settled into their roles nicely. Chris Pine’s Kirk is still the arrogant ladies man (e.g. bedding twin aliens and chatting up the starfleet totty…. “Hi Ladies… Jim Kirk”), but learning the hard way that with great power comes at least a modicum of responsibility. He actually needs to act in this movie. And I find Scotty (Simon Pegg) slightly less grating in this outing (though his sidekick Keenser (Deep Roy) is still the annoying Jar Jar Binks of these films).

Benedict Cumberbatch adds great gravitas as the arch villain, and his announcement of his name was one of those “I am your father” movie-moments for me on first viewing.

It’s also the last screen appearance of Leonard Nimoy as Spock Prime – indeed, his last movie appearance period. A nice and fitting way to bow out.

My rating here is a little lower than my previous OMM rating. It’s attempts to shoehorn-in scenes and dialogue from an earlier Trek movie are a misstep by the writers, and grate on repeat viewing. But it’s still a cracking episode in the Trek saga, and another of my personal favourites.
  
T is for Trespass (Kinsey Millhone, #20)
T is for Trespass (Kinsey Millhone, #20)
Sue Grafton | 2007 | Mystery
8
8.6 (5 Ratings)
Book Rating
Can Kinsey Save Her Neighbor?
It starts innocently enough when Kinsey and her landlord, William Pitts, discover their elderly neighbor, Gus Vronsky, lying on the floor in his house one morning after falling and injuring himself. Gus only has one relative left, a great-niece who lives on the other side of the country, so she is intent on hiring someone to help Gus recover. The great-niece asks Kinsey to do a background check on Solana Rojas, the woman that she has hired, and nothing jumps out at Kinsey. Still, something seems off about Solana. Will Kinsey figure out what it is in time?

Because we get some chapters from Solana’s point of view, we know early on that she is bad news. It gets a little frustrating waiting for Kinsey to catch up, but the end result is worth it. As we got into the final quarter, I had a very hard time putting the book down thanks to several thrilling scenes. We get to see plenty of William, which is fantastic since he is my second favorite character in the series, second only to Kinsey, who continues to entertain. Solana is evil, and she makes a great villain for Kinsey to track down. There are a couple of sub-plots that I enjoyed, although they could have been a little stronger. There’s also a plot hole late in the book – something we know but Kinsey couldn’t possibly know about. This isn’t one of my typical cozies, but as long as you know that going in, you’ll be fine. Still, overall, this is another great entry in a beloved series. Even at twenty books in, it is easy to see why it is has so many fans.
  
M(
Malice ( Book 1)
6
6.0 (1 Ratings)
Book Rating
56 of 220
Book
Malice ( Book 1)
By Heather Walter
⭐️⭐️⭐️

Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love’s kiss.

You’ve heard this before, haven’t you? The handsome prince. The happily ever after.

Utter nonsense.

Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn’t care, either.

Until I met her.

Princess Aurora. The last heir to Briar’s throne. Kind. Gracious. The future queen her realm needs. One who isn’t bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she . . . cares for me. Even though a power like mine was responsible for her curse.

But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating—and she can’t stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it’s what can lift it. Perhaps together we could forge a new world.

Nonsense again. Because we all know how this story ends, don’t we? Aurora is the beautiful princess. And I—

I am the villain.

This was a lot better than I expected. For a different spin on Maleficent this was pretty decent and different to what I thought it would be. You certainly fall in love with Alyce.