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Phillip McSween (751 KP) rated Turbo Kid (2015) in Movies
Apr 21, 2018
Extremely Unique
You've never seen anything like it. It was a mashup of everything I loved, both as a kid and as an adult. Set in the post-apocalyptic year of 1997, a teenager becomes a superhero to save his girlfriend from the clutches of an evil villain.
Acting: 10
Beginning: 7
While it may not grab you immediately, Turbo Kid's beginning succeeds in establishing the world you'll be living in for the rest of the film. This world never left the 80's. Survivors get around on mostly bikes and use old-school technology like walkmen.
My interest was really piqued when I saw three heads on pikes out in the middle of the wasteland. What did those men do to deserve that? Who put them there? The only way to really find out is to watch more. On we go...
Characters: 9
Cinematography/Visuals: 10
The visuals are extremely weird, but in a unique, good way. It's original in every way imaginable. A number of shots give you a nostalgic feel. Other shots panning the landscape leave you with a barren, hopeless feeling. So sad what their world has become, yet what an era to be stuck in!
There is violence. A lot of it. A surprising amount in fact. Heads roll, guts spew in brilliant fashion. Think Tarantino in a Mad Max type of setting. It's jarring to look at, but very entertaining and effective. If you are squeamish in anyway, you may find yourself averting your eyes. At one point, my wife actually had to leave the room.
Conflict: 10
Genre: 10
As far as action/adventure films go, this stands out as being extremely original. It was as if they took a number of films I had seen before and jumbled them all into one finished product. The action pops on screen and the adventure portions move the story along in swift fashion.
Memorability: 9
Pace: 10
The film never gets boring at any point. Between the crazy vibe that latches on to you with the help of an awesome soundtrack and the steady play of action, you're always engaged. I also appreciated that the film never took itself too seriously as the action is broken up by a few hilarious moments that keeps the film from getting too dark.
Plot: 8
While the plot may seem pretty straightforward at first, there are a couple twists that keep things interesting. Overall the story is a strong foundation and is intriguing enough to make you care about the action.
Resolution: 3
Overall: 86
Fun, enjoyable film. And AVAILABLE ON NETFLIX! Check it out tonight. If you're a fan of action and the 80's, you will have a blast.
Acting: 10
Beginning: 7
While it may not grab you immediately, Turbo Kid's beginning succeeds in establishing the world you'll be living in for the rest of the film. This world never left the 80's. Survivors get around on mostly bikes and use old-school technology like walkmen.
My interest was really piqued when I saw three heads on pikes out in the middle of the wasteland. What did those men do to deserve that? Who put them there? The only way to really find out is to watch more. On we go...
Characters: 9
Cinematography/Visuals: 10
The visuals are extremely weird, but in a unique, good way. It's original in every way imaginable. A number of shots give you a nostalgic feel. Other shots panning the landscape leave you with a barren, hopeless feeling. So sad what their world has become, yet what an era to be stuck in!
There is violence. A lot of it. A surprising amount in fact. Heads roll, guts spew in brilliant fashion. Think Tarantino in a Mad Max type of setting. It's jarring to look at, but very entertaining and effective. If you are squeamish in anyway, you may find yourself averting your eyes. At one point, my wife actually had to leave the room.
Conflict: 10
Genre: 10
As far as action/adventure films go, this stands out as being extremely original. It was as if they took a number of films I had seen before and jumbled them all into one finished product. The action pops on screen and the adventure portions move the story along in swift fashion.
Memorability: 9
Pace: 10
The film never gets boring at any point. Between the crazy vibe that latches on to you with the help of an awesome soundtrack and the steady play of action, you're always engaged. I also appreciated that the film never took itself too seriously as the action is broken up by a few hilarious moments that keeps the film from getting too dark.
Plot: 8
While the plot may seem pretty straightforward at first, there are a couple twists that keep things interesting. Overall the story is a strong foundation and is intriguing enough to make you care about the action.
Resolution: 3
Overall: 86
Fun, enjoyable film. And AVAILABLE ON NETFLIX! Check it out tonight. If you're a fan of action and the 80's, you will have a blast.
Rachel King (13 KP) rated Confessions of an Ugly Stepsister in Books
Feb 11, 2019
I have been meaning to read this book for some time, simply because I loved Gregory Maguire's Wicked so much. This book I read considerably slower than I expected, though I still found the plot compelling. In this retelling of Cinderella, the reader follows the viewpoint of Iris, one of the "stepsisters" of the original tale. Iris is smart and artistic, but plain-looking -- a fact her mother never fails to point out endlessly. Iris's older sister, Ruth, is dumb and mute, which makes life at times both interesting and difficult for Iris and their mother, Margarethe.
The trio flee England for Margarethe's homeland of Holland -- the reasons for which remaining a mystery for most of the book -- and are forced to beg for shelter and work before falling under the mercy of a local painter. This is where Clara, the blonde changeling girl standing in the place of "Cinderella," is introduced. Her beauty is so ethereal that she lives a reclusive, sheltered existence under the extreme protection of her mother. Strangely, Clara and Iris seem to make up two sides of the same coin -- where one lacks the other excels in. Where Clara hides from strangers, Iris is adept at social interaction. Iris's vivid imagination makes up for Clara's lack of intelligence.
Margarethe's machinations first get her and her daughters into the same household under Clara's parents, as their servants. Then when Clara's mother dies through mysterious circumstances, Margarethe maneuvers them to become Clara's step-family, effectively pushing Clara's father almost completely out of the picture. Ironically, a picture is what serves as the glue for almost the entire plot, motivating all of the main characters to a particular behavior.
Clara is almost the complete opposite of what one would expect from the image of "Cinderella." She is spoiled, rich, obstinate, paranoid, reclusive, delusional, confrontational, and quite childish even in adulthood. Margarethe is a villain that is relate-able, as her choices throughout the book stem from an obsessive need to both survive and thrive. Though at times I intensely dislike the things that she spouts, I cannot hate her due to the suffering she endures from a certain ironic malady that befalls her.
The ending that is so familiar to the original tale seems to happen almost by accident -- and how easily Iris could have taken Clara's place makes me a bit sad for Iris. The ending to the book is also a nice surprise, causing me to rethink many of the scenes and the thoughts that could have been occurring to one of the central characters. Indeed, the ending makes the book almost worth a re-read.
The trio flee England for Margarethe's homeland of Holland -- the reasons for which remaining a mystery for most of the book -- and are forced to beg for shelter and work before falling under the mercy of a local painter. This is where Clara, the blonde changeling girl standing in the place of "Cinderella," is introduced. Her beauty is so ethereal that she lives a reclusive, sheltered existence under the extreme protection of her mother. Strangely, Clara and Iris seem to make up two sides of the same coin -- where one lacks the other excels in. Where Clara hides from strangers, Iris is adept at social interaction. Iris's vivid imagination makes up for Clara's lack of intelligence.
Margarethe's machinations first get her and her daughters into the same household under Clara's parents, as their servants. Then when Clara's mother dies through mysterious circumstances, Margarethe maneuvers them to become Clara's step-family, effectively pushing Clara's father almost completely out of the picture. Ironically, a picture is what serves as the glue for almost the entire plot, motivating all of the main characters to a particular behavior.
Clara is almost the complete opposite of what one would expect from the image of "Cinderella." She is spoiled, rich, obstinate, paranoid, reclusive, delusional, confrontational, and quite childish even in adulthood. Margarethe is a villain that is relate-able, as her choices throughout the book stem from an obsessive need to both survive and thrive. Though at times I intensely dislike the things that she spouts, I cannot hate her due to the suffering she endures from a certain ironic malady that befalls her.
The ending that is so familiar to the original tale seems to happen almost by accident -- and how easily Iris could have taken Clara's place makes me a bit sad for Iris. The ending to the book is also a nice surprise, causing me to rethink many of the scenes and the thoughts that could have been occurring to one of the central characters. Indeed, the ending makes the book almost worth a re-read.
Phillip McSween (751 KP) rated Friday (1995) in Movies
Feb 12, 2019
Comedy That Still Holds Up
Can you believe that 2018 was the first time that I ever watched Friday in its unrated entirety? I had seen bits and pieces on USA, but I always felt like I was missing something in the translation. I get it now. The plot: After Craig (Ice Cube) gets fired on his day off, he suddenly finds himself helping his pothead friend Smokey (Chris Tucker) earn enough money selling weed to pay off Big Worm (Faizon Love).
Acting: 10
Beginning: 8
Characters: 10
The first scene introduces Deebo (Tiny Lister) a viable villain around which the story revolves. The entire neighborhood fears and hates Deebo and it doesn’t take long at all to figure out why. He helps keep the conflict serious, but not too serious.
But we all know who makes this movie: Smokey. There isn’t one scene where I didn’t find myself laughing at something stupid he did or said. He thinks he’s the man, but it’s probably just the weed boosting his confidence. His delivery is flawless. My favorite line: “What the fuck you stealing boxes for? What, you trying to build a clubhouse? Man, I know you ain’t go out like that!” Classic. I almost died laughing when he was crying in the truck. Smokey represents a cast of characters that are all unique and hilarious in their own way.
Cinematography/Visuals: 8
Conflict: 10
Between Smokey trying to get enough money to pay Worm and everyone trying to steer clear of Deebo, there is enough here to keep the story moving. There are shootouts, heists gone wrong, hood fights, a number of things worthy to entertain. For a comedy, I was actually impressed by the amount of action interwoven in the story.
Genre: 8
Friday ranks up there with some of the best comedies I’ve seen, second-tier worthy at the very least. Its job is to make you laugh and entertain and it does that very well. I also love that you don’t have to overthink the comedy, it’s just there in the dialogue and in the events that unfold.
Memorability: 10
Who do you know that can’t quote at least one line from Friday? I still knew lines even when I hadn’t seen it all the way through. The dialogue has a way of sticking to you long after you’ve watched the movie. I give a lot of that credit to Chris Tucker’s ability to deliver with perfect comedic timing.
Pace: 5
Plot: 6
Resolution: 10
Overall: 85
While Friday is a movie that takes awhile to get to the meat of the plot, I appreciate how hilarious it was, but also appreciate the more serious moments. It’s not just good, but surprisingly so. A movie I’ll still be watching for years to come.
Acting: 10
Beginning: 8
Characters: 10
The first scene introduces Deebo (Tiny Lister) a viable villain around which the story revolves. The entire neighborhood fears and hates Deebo and it doesn’t take long at all to figure out why. He helps keep the conflict serious, but not too serious.
But we all know who makes this movie: Smokey. There isn’t one scene where I didn’t find myself laughing at something stupid he did or said. He thinks he’s the man, but it’s probably just the weed boosting his confidence. His delivery is flawless. My favorite line: “What the fuck you stealing boxes for? What, you trying to build a clubhouse? Man, I know you ain’t go out like that!” Classic. I almost died laughing when he was crying in the truck. Smokey represents a cast of characters that are all unique and hilarious in their own way.
Cinematography/Visuals: 8
Conflict: 10
Between Smokey trying to get enough money to pay Worm and everyone trying to steer clear of Deebo, there is enough here to keep the story moving. There are shootouts, heists gone wrong, hood fights, a number of things worthy to entertain. For a comedy, I was actually impressed by the amount of action interwoven in the story.
Genre: 8
Friday ranks up there with some of the best comedies I’ve seen, second-tier worthy at the very least. Its job is to make you laugh and entertain and it does that very well. I also love that you don’t have to overthink the comedy, it’s just there in the dialogue and in the events that unfold.
Memorability: 10
Who do you know that can’t quote at least one line from Friday? I still knew lines even when I hadn’t seen it all the way through. The dialogue has a way of sticking to you long after you’ve watched the movie. I give a lot of that credit to Chris Tucker’s ability to deliver with perfect comedic timing.
Pace: 5
Plot: 6
Resolution: 10
Overall: 85
While Friday is a movie that takes awhile to get to the meat of the plot, I appreciate how hilarious it was, but also appreciate the more serious moments. It’s not just good, but surprisingly so. A movie I’ll still be watching for years to come.
Ryan Hill (152 KP) rated Spider-Man: Homecoming (2017) in Movies
May 11, 2019
"if you are nothing without the suit then you shouldn't have it."
A John Hughes-esque coming-of-age movie, disguised as a friendly neighborhood adventure from the MCU; Spider-Man: Homecoming is more about growing up, and less about saving the world.
Tom Holland is great as Spider-man. His Spidey is different, and in a way, refreshing. I like how the origin story is skipped, and instead, we dive head into the day-to-day adventures of a semi-awkward, fifteen-year-old. I'm more interested in the growth of Peter Parker, than the development of Holland's Spider-Man Spidey-Powers. I'm still undecided about the way Spidey looks in his costume. To me, he looks more like a CGI goofnut, than an Avenger. But, how many kids get to have Jennifer Connelly on standby, whenever they need a helpful voice?
Homecoming might not feel and act like your typical MCU movie, but it does prove we still need Tony Stark, Happy Hogan and Pepper Potts in our lives. I smiled with all the screen time Happy has. He's truly an underrated character in the MCU. Plus, Tony plays the "cool uncle" spot-on.
One of the biggest criticisms with the MCU people have is the boring villain. Not in this case. Michael Keaton plays reverse-Batman, and his character actually has depth, an interesting storyline and a surprise twist. Bookem Woodbine plays a fun henchman, and all movies benefit from the presence of Donald Glover. The bad guys are not a snore nor a bore at this Homecoming Dance with the Devil.
I hope I wasn't the only one laughing at the casting of Tony Revolori as Flash the Bully. He's about as intimidating as a can of ravioli. Zendaya is way underused, but she shines in her scenes. I wish Ned was my best friend, but the poor fella will probably be typecast for life. However, he's a hilarious guy. How can you not like him?
Did you think I forgot about Aunt May? Of course not! Marisa Tomei is smokin' and brings honest energy to her supporting role.
The final boss battle is fun. So are the scenes on a ferry and a national monument. There's action, and there's a lot of growing up for Peter Parker and his friends. I'm not MCU fatigued after watching, but I do have a sudden urge to revisit Pretty in Pink.
Tom Holland is great as Spider-man. His Spidey is different, and in a way, refreshing. I like how the origin story is skipped, and instead, we dive head into the day-to-day adventures of a semi-awkward, fifteen-year-old. I'm more interested in the growth of Peter Parker, than the development of Holland's Spider-Man Spidey-Powers. I'm still undecided about the way Spidey looks in his costume. To me, he looks more like a CGI goofnut, than an Avenger. But, how many kids get to have Jennifer Connelly on standby, whenever they need a helpful voice?
Homecoming might not feel and act like your typical MCU movie, but it does prove we still need Tony Stark, Happy Hogan and Pepper Potts in our lives. I smiled with all the screen time Happy has. He's truly an underrated character in the MCU. Plus, Tony plays the "cool uncle" spot-on.
One of the biggest criticisms with the MCU people have is the boring villain. Not in this case. Michael Keaton plays reverse-Batman, and his character actually has depth, an interesting storyline and a surprise twist. Bookem Woodbine plays a fun henchman, and all movies benefit from the presence of Donald Glover. The bad guys are not a snore nor a bore at this Homecoming Dance with the Devil.
I hope I wasn't the only one laughing at the casting of Tony Revolori as Flash the Bully. He's about as intimidating as a can of ravioli. Zendaya is way underused, but she shines in her scenes. I wish Ned was my best friend, but the poor fella will probably be typecast for life. However, he's a hilarious guy. How can you not like him?
Did you think I forgot about Aunt May? Of course not! Marisa Tomei is smokin' and brings honest energy to her supporting role.
The final boss battle is fun. So are the scenes on a ferry and a national monument. There's action, and there's a lot of growing up for Peter Parker and his friends. I'm not MCU fatigued after watching, but I do have a sudden urge to revisit Pretty in Pink.
Kyera (8 KP) rated Wires and Nerve, Volume 2: Gone Rogue in Books
Jan 31, 2018
As the second and final graphic novel (for now) chronicling Iko's adventures after the events of the Lunar Chronicles, Gone Rogue does a brilliant job catching us up on what all of our favourite characters have been up to in the last year. Despite the fact that Wires and Nerve continues the story in graphic novel form, rather than the original book - I never felt like I was missing anything.
As the story focuses on Iko, there was less time dedicated to the other pairs from the series. In the first graphic novel, I felt that Cress and Thorne were given a lot of story time and that they weren't as present in the second novel. On the other hand, Scarlet and Wolf were almost nonexistent in the first and had more of a presence in the second. Meyer did a brilliant job developing the relationships further and showing readers how they have evolved despite the limited amount of text she had to work with because it was a graphic novel.
Although Iko was a supporting character in the original series, she completely stole the show and lit up every scene that she was in. It was wonderful to see her take the lead in this series and adapt to a world in which she looked human, although there were still those that constantly reminded her that she was not. She struggles to deal with the reminders that she is an android and programmed to be the way that she is, despite the fact that her closest friends never see her as anything but normal.
The three main additions to the series are the villain, the guard Kinney and his sister Tressa. I felt that the two male characters were well developed and you could understand their motivations throughout the story. Tressa felt less real and I honestly forgot who she was from the first book to the second, until reminded in the course of the story. She is an exuberant character who loves a lot of the same things as Iko, but I don't feel that I know as much about her as I wish I did so that I could connect to her more.
Overall, the plot was brilliant and the story was so engaging that I didn't put the book down from the moment I began reading it until I was on the final page. While I am saddened that this is the final graphic novel in the Lunar Chronicles, I love the world and characters so much that I hope that the series continues in some manner. I felt satisfied with the ending and feel that if it is in fact the end of the story - I am happy. I loved this series so much and being able to watch Iko shine in her own adventures.
As the story focuses on Iko, there was less time dedicated to the other pairs from the series. In the first graphic novel, I felt that Cress and Thorne were given a lot of story time and that they weren't as present in the second novel. On the other hand, Scarlet and Wolf were almost nonexistent in the first and had more of a presence in the second. Meyer did a brilliant job developing the relationships further and showing readers how they have evolved despite the limited amount of text she had to work with because it was a graphic novel.
Although Iko was a supporting character in the original series, she completely stole the show and lit up every scene that she was in. It was wonderful to see her take the lead in this series and adapt to a world in which she looked human, although there were still those that constantly reminded her that she was not. She struggles to deal with the reminders that she is an android and programmed to be the way that she is, despite the fact that her closest friends never see her as anything but normal.
The three main additions to the series are the villain, the guard Kinney and his sister Tressa. I felt that the two male characters were well developed and you could understand their motivations throughout the story. Tressa felt less real and I honestly forgot who she was from the first book to the second, until reminded in the course of the story. She is an exuberant character who loves a lot of the same things as Iko, but I don't feel that I know as much about her as I wish I did so that I could connect to her more.
Overall, the plot was brilliant and the story was so engaging that I didn't put the book down from the moment I began reading it until I was on the final page. While I am saddened that this is the final graphic novel in the Lunar Chronicles, I love the world and characters so much that I hope that the series continues in some manner. I felt satisfied with the ending and feel that if it is in fact the end of the story - I am happy. I loved this series so much and being able to watch Iko shine in her own adventures.
Goddess in the Stacks (553 KP) rated Black Panther (2018) in Movies
Feb 17, 2018
Diverse casting (no, seriously.) (6 more)
STRONG WOMEN
Subverting stereotypes all day long
Excellent soundtrack
Ambiguous "villain"
Representation
The seamless blending of tech and tradition
BEST. MARVEL. MOVIE.
Contains spoilers, click to show
OH my god. This was definitely the best Marvel movie yet. Chadwick Boseman was absolutely amazing as T'Challa. (Warning, SPOILERS AHEAD.)
I loved that the love interest was already established - there weren't any "falling in love butterflies" to distract from the plot. SO MANY STRONG WOMEN. All of T'Challa's support were strong, gorgeous women of color. His mother, his sister, his general, his love interest. The female guards. Absolutely fantastic.
The blending of technology and traditions was superbly done. People still tend crops and animals and tan hides and go to the marketplace in Wakanda - but they have vibranium armor and weapons, and technological wonders on their wrists that pop up virtual screens, and their medical care is the best in the world. Oh, and ships. Spaceships, basically.
THE CLOTHES. The dresses, the makeup, the armor, the weapons - the appearance of Wakanda was amazing.
And then the plot. The difference between "Well, we're Wakandan, and we look out for the Wakandan people" and "We should be looking out for ALL of our people (black people all over the world, not just Wakandans.)" That was where the real conflict arose in Black Panther - and it was interesting that the two leads, while opposing each other, actually felt the same about it. Just with different ideas of how to do so. (There's a lot to unpack about why they feel this way - some of it, I think, goes back to African-Americans having their nationalities forcibly stripped from them during the slave trade - so being black is the only thing white people left them with; while non-American Africans have their national identities to look to. So they might be Nigerian or Ethiopian instead of one unified black group. And the opposing lead was brought up in America.)
The differences between how the Wakandans viewed white people, and how the American prince viewed white people, are a very important conflict. You can watch the movie as just another superhero movie, and it'll be good. But watching it looking for the racial undertones makes it absolutely fantastic.
Also - the casting is diverse. Just because it's almost all black people doesn't mean it's not diverse. Again, that's a white American thing, looking at black people as one unified group. They're not. Also how many movies have been almost all white people with a token black guy? People complaining about "lack of diversity" in this movie need to take their white supremacist selves out of the theater and away from this amazing movie.
I loved that the love interest was already established - there weren't any "falling in love butterflies" to distract from the plot. SO MANY STRONG WOMEN. All of T'Challa's support were strong, gorgeous women of color. His mother, his sister, his general, his love interest. The female guards. Absolutely fantastic.
The blending of technology and traditions was superbly done. People still tend crops and animals and tan hides and go to the marketplace in Wakanda - but they have vibranium armor and weapons, and technological wonders on their wrists that pop up virtual screens, and their medical care is the best in the world. Oh, and ships. Spaceships, basically.
THE CLOTHES. The dresses, the makeup, the armor, the weapons - the appearance of Wakanda was amazing.
And then the plot. The difference between "Well, we're Wakandan, and we look out for the Wakandan people" and "We should be looking out for ALL of our people (black people all over the world, not just Wakandans.)" That was where the real conflict arose in Black Panther - and it was interesting that the two leads, while opposing each other, actually felt the same about it. Just with different ideas of how to do so. (There's a lot to unpack about why they feel this way - some of it, I think, goes back to African-Americans having their nationalities forcibly stripped from them during the slave trade - so being black is the only thing white people left them with; while non-American Africans have their national identities to look to. So they might be Nigerian or Ethiopian instead of one unified black group. And the opposing lead was brought up in America.)
The differences between how the Wakandans viewed white people, and how the American prince viewed white people, are a very important conflict. You can watch the movie as just another superhero movie, and it'll be good. But watching it looking for the racial undertones makes it absolutely fantastic.
Also - the casting is diverse. Just because it's almost all black people doesn't mean it's not diverse. Again, that's a white American thing, looking at black people as one unified group. They're not. Also how many movies have been almost all white people with a token black guy? People complaining about "lack of diversity" in this movie need to take their white supremacist selves out of the theater and away from this amazing movie.
Sarah (7800 KP) rated Fantastic Beasts: Crimes of Grindelwald (2018) in Movies
Nov 22, 2018
Dull, boring & confused
I'll start by saying I've never been enamoured with the idea of the Fantastic Beasts films. For me, the wizarding world should have been left alone. The first film was enjoyable to a point (mainly because of Eddie Redmayne and the niffler), but this second film is inexcusable. And the fact that they're making another 3 more... totally unnecessary.
This film doesn't get off to a good start with the opening sequence, and rarely gets any better throughout the entire 2+ hour runtime. Some of the camera angles and shots used are terrible, jumping around all over the place even when it's just dialogue and the action scenes are virtually unwatchable. Whilst the effects are good, the plot is convoluted, confusing and just plain old boring. The majority of the film is just dialogue, and not well scripted dialogue at that and it gets very dull very quickly.
The characters that were likeable in the first film were either poorly used or turned into something completely different to what was likeable about them in the first place. There are far too many characters in this and even with the far too long run time, there isn't much time for character development. Johnny Depp is horrendous as Grindelwald. Not only because the character himself is the least menacing villain you've ever seen, but he's just not a very good actor anymore. I actually think his original incarnation as Colin Farrell in the first film would've been much better. I also couldn't figure out what crimes he had committed until the final act. The only person to come out of this film fairly intact was Jude Law, who played a likeable Dumbledore even if he wasn't on screen nearly enough. And really, it was only the creatures that made this worth watching and there just wasn't enough of them. Definitely not enough Niffler antics!
My main issue with this film is that it's messing with canon, bringing in characters we don't want to see and telling a story we don't need to hear. We didn't need to see Hogwarts, Dumbledore, McGonagall, Nagini and a few others I won't name. It's turning the wizarding world into a convoluted mess. They could have made a fairly decent standalone first Fantastic Beasts film that didn't link in with Grindelwald or the history at all, but instead they've made this nonsense.
And if I didn't think it could get any worse, the reveal of Credence's real identity right at the end nearly had me shouting at the screen it was that bad and ridiculous.
I probably could have walked out of this film after half an hour and not been bothered. Terrible.
This film doesn't get off to a good start with the opening sequence, and rarely gets any better throughout the entire 2+ hour runtime. Some of the camera angles and shots used are terrible, jumping around all over the place even when it's just dialogue and the action scenes are virtually unwatchable. Whilst the effects are good, the plot is convoluted, confusing and just plain old boring. The majority of the film is just dialogue, and not well scripted dialogue at that and it gets very dull very quickly.
The characters that were likeable in the first film were either poorly used or turned into something completely different to what was likeable about them in the first place. There are far too many characters in this and even with the far too long run time, there isn't much time for character development. Johnny Depp is horrendous as Grindelwald. Not only because the character himself is the least menacing villain you've ever seen, but he's just not a very good actor anymore. I actually think his original incarnation as Colin Farrell in the first film would've been much better. I also couldn't figure out what crimes he had committed until the final act. The only person to come out of this film fairly intact was Jude Law, who played a likeable Dumbledore even if he wasn't on screen nearly enough. And really, it was only the creatures that made this worth watching and there just wasn't enough of them. Definitely not enough Niffler antics!
My main issue with this film is that it's messing with canon, bringing in characters we don't want to see and telling a story we don't need to hear. We didn't need to see Hogwarts, Dumbledore, McGonagall, Nagini and a few others I won't name. It's turning the wizarding world into a convoluted mess. They could have made a fairly decent standalone first Fantastic Beasts film that didn't link in with Grindelwald or the history at all, but instead they've made this nonsense.
And if I didn't think it could get any worse, the reveal of Credence's real identity right at the end nearly had me shouting at the screen it was that bad and ridiculous.
I probably could have walked out of this film after half an hour and not been bothered. Terrible.
Gareth von Kallenbach (980 KP) rated the PC version of LEGO DC Super-Villains in Video Games
Jun 19, 2019
Warner Bros. Interactive Entertainment and Lego have teamed up again to make yet another winning entry into their Lego series of games with Lego DC Super Villains.
I got an early look at the game at E3 and San Diego Comic Con including a visit with one of the Producers as well as an interview with key members of the voice cast so I was happy to have a more well-rounded perspective of what to expect going into the final release of the game. My staff played it at PAX West and were very impressed with it as well which only lead to the anticipation to try the final game.
The game allows players to craft their own villain using the easy to use and fun character creator as you enter the world of DC in order to deliver menace.
Iconic characters ranging from Lex Luthor to Captain Cold, Cheetah, Harley Quin, The Joker, and countless others are available to play and each has their own unique set of abilities. Players can switch between character sets in a mission as the puzzles often require specific abilities to complete. Lex Luthor may have some impressive firepower with his power suit, but when agility and climbing are required you will need to have other options.
Missions are fun and ideal for gamers of all ages as defeating enemy’s results in a shower of Lego pieces which can often be used to construct items which are key to the success of a mission.
If you have ever played any of the Lego games released in the last few years; the open world setting and plethora of characters will seem familiar to you as well the family friendly fun the game will offer.
The game can be enjoyed as a co-op experience so playing with others is highly recommended as the puzzles often require a mix of action and thought to resolve.
I would suggest getting the game on one of the console platforms as I played it on a PC after playing it on consoles at conventions and I had a few issues playing on the PC from control response to some video issues.
The game offers bright and fun graphics and the sound of the game is punctuated by a top-notch voice cast who will be very familiar with fans of many of the animated DC offerings.
The game will have future DLC available which will allow even more characters to become available and increase the fun and variety of the game.
If you are a fan of Lego or DC; you will not want to miss this one.
http://sknr.net/2018/11/05/lego-dc-super-villains/
I got an early look at the game at E3 and San Diego Comic Con including a visit with one of the Producers as well as an interview with key members of the voice cast so I was happy to have a more well-rounded perspective of what to expect going into the final release of the game. My staff played it at PAX West and were very impressed with it as well which only lead to the anticipation to try the final game.
The game allows players to craft their own villain using the easy to use and fun character creator as you enter the world of DC in order to deliver menace.
Iconic characters ranging from Lex Luthor to Captain Cold, Cheetah, Harley Quin, The Joker, and countless others are available to play and each has their own unique set of abilities. Players can switch between character sets in a mission as the puzzles often require specific abilities to complete. Lex Luthor may have some impressive firepower with his power suit, but when agility and climbing are required you will need to have other options.
Missions are fun and ideal for gamers of all ages as defeating enemy’s results in a shower of Lego pieces which can often be used to construct items which are key to the success of a mission.
If you have ever played any of the Lego games released in the last few years; the open world setting and plethora of characters will seem familiar to you as well the family friendly fun the game will offer.
The game can be enjoyed as a co-op experience so playing with others is highly recommended as the puzzles often require a mix of action and thought to resolve.
I would suggest getting the game on one of the console platforms as I played it on a PC after playing it on consoles at conventions and I had a few issues playing on the PC from control response to some video issues.
The game offers bright and fun graphics and the sound of the game is punctuated by a top-notch voice cast who will be very familiar with fans of many of the animated DC offerings.
The game will have future DLC available which will allow even more characters to become available and increase the fun and variety of the game.
If you are a fan of Lego or DC; you will not want to miss this one.
http://sknr.net/2018/11/05/lego-dc-super-villains/
Darren (1599 KP) rated A Million Ways to Die in the West (2014) in Movies
Jun 20, 2019
Story: Poking fun at the old west is fine, it should work and some of the jokes are acceptable. The endless toilet jokes make it feel like an Adam Sandler film and the poorly written sex jokes get boring quickly. You have the old storyline of trying to impress someone only to fall for the one helping you. It is advertised incorrectly as it makes out from the trailer that he is training to beat Clinch while in actual fact the training is for another dual all together. After watching and enjoying Ted I was expecting a lot better than this lazy comedy for someone with a good comic mind. (3/10)
Actor Reviews
Seth MacFarlane: Albert the cowardly sheep farmer from the Frontier who gets upset when his girlfriend dumps him and puts his life in danger because he is depressed only to discover he is brave deep down. Seth really doesn’t suit being a lead actor at all. (2/10)
seth
Charlize Theron: Anna the beautiful mysterious woman who comes to town and ends up becoming friends with Albert while training him to shot. Good performance from someone not known for comedy. (7/10)
theron
Amanda Seyfried: Louise the girl who dumps Albert and moves on, but looks like she could have changed her mind too late. Standard performance really, never gets given anything to do. (5/10)
Liam Neeson: Clinch the deadly gunslinger who wants revenge after Albert kisses his wife. We see what he is capable of and that he will cheat but we hardly see him considering he is meant to be the villain. (5/10)
neeson
Giovanni Ribisi: Edward Albert’s best friend who is very religious while his girlfriend is being a prostitute. Gets to have fun with the role and would be fair to say get most laughs.(6/10)
Director Review: Seth MacFarlane – With his history for good quality comedy I would expect to see a lot better than this from him. (3/10)
Comedy: Poor jokes throughout that get boring quickly but the few cameos will get most laughs. (4/10)
Settings: Good authentic western town created. (8/10)
Suggestion: Don’t bother, I think even the most diehard Seth MacFarlane fans will be disappointed. (Avoid)
Best Part: Cameos
Worst Part: The Jokes
Funniest Scene: Doc Brown
Kill Of The Film: The Ice Block
Believability: No just a spoof (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: Yes
Oscar Chances: No
Box Office: $35 Million (So Far)
Budget: N/A
Runtime: 1 Hour 50 Minutes
Tagline: Bring Protection
Overall: Lazy Comedy
https://moviesreview101.com/2014/06/07/a-million-ways-to-die-in-the-west-2014/
Actor Reviews
Seth MacFarlane: Albert the cowardly sheep farmer from the Frontier who gets upset when his girlfriend dumps him and puts his life in danger because he is depressed only to discover he is brave deep down. Seth really doesn’t suit being a lead actor at all. (2/10)
seth
Charlize Theron: Anna the beautiful mysterious woman who comes to town and ends up becoming friends with Albert while training him to shot. Good performance from someone not known for comedy. (7/10)
theron
Amanda Seyfried: Louise the girl who dumps Albert and moves on, but looks like she could have changed her mind too late. Standard performance really, never gets given anything to do. (5/10)
Liam Neeson: Clinch the deadly gunslinger who wants revenge after Albert kisses his wife. We see what he is capable of and that he will cheat but we hardly see him considering he is meant to be the villain. (5/10)
neeson
Giovanni Ribisi: Edward Albert’s best friend who is very religious while his girlfriend is being a prostitute. Gets to have fun with the role and would be fair to say get most laughs.(6/10)
Director Review: Seth MacFarlane – With his history for good quality comedy I would expect to see a lot better than this from him. (3/10)
Comedy: Poor jokes throughout that get boring quickly but the few cameos will get most laughs. (4/10)
Settings: Good authentic western town created. (8/10)
Suggestion: Don’t bother, I think even the most diehard Seth MacFarlane fans will be disappointed. (Avoid)
Best Part: Cameos
Worst Part: The Jokes
Funniest Scene: Doc Brown
Kill Of The Film: The Ice Block
Believability: No just a spoof (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: Yes
Oscar Chances: No
Box Office: $35 Million (So Far)
Budget: N/A
Runtime: 1 Hour 50 Minutes
Tagline: Bring Protection
Overall: Lazy Comedy
https://moviesreview101.com/2014/06/07/a-million-ways-to-die-in-the-west-2014/
Gareth von Kallenbach (980 KP) rated Maleficent: Mistress of Evil (2019) in Movies
Oct 15, 2019
In “Maleficent: Mistress of Evil”; Angelina Jolie returns as the title character to the smash Live-Action film based on the classic Fairy Tale and Animated film.
In the years since the last film ended; Aurora (Elle Fanning) has relished in her role as Princess over the Moors and all of the enchanted creatures that live within it. When she accepts a proposal from Prince Phillip (Harris Dickinson), this sets off a chain of celebratory events as they all prepare for the big day which will unite the two lands.
Phillip’s parents King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer) are eager for the union while Maleficent strongly opposes it and tells Aurora that there will be no wedding. When Aurora persists; Maleficent reluctantly accepts an invitation to dinner at the Castle where things soon go horribly wrong and Maleficent is accused of putting a curse on the King.
Injured while fleeing, Maleficent is wounded and takin in by others of her kind who are preparing for war against the humans as a dark and dangerous plan is underway and the survival of the enchanted creatures is threatened.
The film then becomes a tense adventure with plenty of action, magic, and fantasy which is a nice framework for the great visual effects of the film.
I had been concerned that the film might be too dark for the usual audience for this type of film and there are moments where my concerns are validated. However there is much more charm, fantasy and wonder in the film and if anyone has ever read the original Grimm Fairy Tales; they will know that this is considerably toned down compared to what they offered.
The film has some great visuals to it but they never overshadow the characters in the film as Jolie seems to be taking gleeful delight in playing the title character but allows herself to have some fun with the character at times which helps her emerge as a well-rounded character versus being a staple Fairy Tale Villain.
The film may take a bit of time getting up to the main events but it does so to give more time for the characters to develop which helps them stand out from the usual good/bad monikers given to many fantasy characters.
The supporting cast is solid especially the performances by Pfeiffer and Chiwetel Ejiofor who add much to the complexity of the film and also invoke many themes of discussion that mirrors what is happening in much of society today.
In the end the film delivers a strong performance by Jolie and plenty of magic to make this a modern Fairy Tale Disney classic in the making.
3.5 stars out of 5.
In the years since the last film ended; Aurora (Elle Fanning) has relished in her role as Princess over the Moors and all of the enchanted creatures that live within it. When she accepts a proposal from Prince Phillip (Harris Dickinson), this sets off a chain of celebratory events as they all prepare for the big day which will unite the two lands.
Phillip’s parents King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer) are eager for the union while Maleficent strongly opposes it and tells Aurora that there will be no wedding. When Aurora persists; Maleficent reluctantly accepts an invitation to dinner at the Castle where things soon go horribly wrong and Maleficent is accused of putting a curse on the King.
Injured while fleeing, Maleficent is wounded and takin in by others of her kind who are preparing for war against the humans as a dark and dangerous plan is underway and the survival of the enchanted creatures is threatened.
The film then becomes a tense adventure with plenty of action, magic, and fantasy which is a nice framework for the great visual effects of the film.
I had been concerned that the film might be too dark for the usual audience for this type of film and there are moments where my concerns are validated. However there is much more charm, fantasy and wonder in the film and if anyone has ever read the original Grimm Fairy Tales; they will know that this is considerably toned down compared to what they offered.
The film has some great visuals to it but they never overshadow the characters in the film as Jolie seems to be taking gleeful delight in playing the title character but allows herself to have some fun with the character at times which helps her emerge as a well-rounded character versus being a staple Fairy Tale Villain.
The film may take a bit of time getting up to the main events but it does so to give more time for the characters to develop which helps them stand out from the usual good/bad monikers given to many fantasy characters.
The supporting cast is solid especially the performances by Pfeiffer and Chiwetel Ejiofor who add much to the complexity of the film and also invoke many themes of discussion that mirrors what is happening in much of society today.
In the end the film delivers a strong performance by Jolie and plenty of magic to make this a modern Fairy Tale Disney classic in the making.
3.5 stars out of 5.