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Sarah (7800 KP) rated Fantastic Beasts: Crimes of Grindelwald (2018) in Movies
Nov 22, 2018
Dull, boring & confused
I'll start by saying I've never been enamoured with the idea of the Fantastic Beasts films. For me, the wizarding world should have been left alone. The first film was enjoyable to a point (mainly because of Eddie Redmayne and the niffler), but this second film is inexcusable. And the fact that they're making another 3 more... totally unnecessary.
This film doesn't get off to a good start with the opening sequence, and rarely gets any better throughout the entire 2+ hour runtime. Some of the camera angles and shots used are terrible, jumping around all over the place even when it's just dialogue and the action scenes are virtually unwatchable. Whilst the effects are good, the plot is convoluted, confusing and just plain old boring. The majority of the film is just dialogue, and not well scripted dialogue at that and it gets very dull very quickly.
The characters that were likeable in the first film were either poorly used or turned into something completely different to what was likeable about them in the first place. There are far too many characters in this and even with the far too long run time, there isn't much time for character development. Johnny Depp is horrendous as Grindelwald. Not only because the character himself is the least menacing villain you've ever seen, but he's just not a very good actor anymore. I actually think his original incarnation as Colin Farrell in the first film would've been much better. I also couldn't figure out what crimes he had committed until the final act. The only person to come out of this film fairly intact was Jude Law, who played a likeable Dumbledore even if he wasn't on screen nearly enough. And really, it was only the creatures that made this worth watching and there just wasn't enough of them. Definitely not enough Niffler antics!
My main issue with this film is that it's messing with canon, bringing in characters we don't want to see and telling a story we don't need to hear. We didn't need to see Hogwarts, Dumbledore, McGonagall, Nagini and a few others I won't name. It's turning the wizarding world into a convoluted mess. They could have made a fairly decent standalone first Fantastic Beasts film that didn't link in with Grindelwald or the history at all, but instead they've made this nonsense.
And if I didn't think it could get any worse, the reveal of Credence's real identity right at the end nearly had me shouting at the screen it was that bad and ridiculous.
I probably could have walked out of this film after half an hour and not been bothered. Terrible.
This film doesn't get off to a good start with the opening sequence, and rarely gets any better throughout the entire 2+ hour runtime. Some of the camera angles and shots used are terrible, jumping around all over the place even when it's just dialogue and the action scenes are virtually unwatchable. Whilst the effects are good, the plot is convoluted, confusing and just plain old boring. The majority of the film is just dialogue, and not well scripted dialogue at that and it gets very dull very quickly.
The characters that were likeable in the first film were either poorly used or turned into something completely different to what was likeable about them in the first place. There are far too many characters in this and even with the far too long run time, there isn't much time for character development. Johnny Depp is horrendous as Grindelwald. Not only because the character himself is the least menacing villain you've ever seen, but he's just not a very good actor anymore. I actually think his original incarnation as Colin Farrell in the first film would've been much better. I also couldn't figure out what crimes he had committed until the final act. The only person to come out of this film fairly intact was Jude Law, who played a likeable Dumbledore even if he wasn't on screen nearly enough. And really, it was only the creatures that made this worth watching and there just wasn't enough of them. Definitely not enough Niffler antics!
My main issue with this film is that it's messing with canon, bringing in characters we don't want to see and telling a story we don't need to hear. We didn't need to see Hogwarts, Dumbledore, McGonagall, Nagini and a few others I won't name. It's turning the wizarding world into a convoluted mess. They could have made a fairly decent standalone first Fantastic Beasts film that didn't link in with Grindelwald or the history at all, but instead they've made this nonsense.
And if I didn't think it could get any worse, the reveal of Credence's real identity right at the end nearly had me shouting at the screen it was that bad and ridiculous.
I probably could have walked out of this film after half an hour and not been bothered. Terrible.
Gareth von Kallenbach (980 KP) rated the PC version of LEGO DC Super-Villains in Video Games
Jun 19, 2019
Warner Bros. Interactive Entertainment and Lego have teamed up again to make yet another winning entry into their Lego series of games with Lego DC Super Villains.
I got an early look at the game at E3 and San Diego Comic Con including a visit with one of the Producers as well as an interview with key members of the voice cast so I was happy to have a more well-rounded perspective of what to expect going into the final release of the game. My staff played it at PAX West and were very impressed with it as well which only lead to the anticipation to try the final game.
The game allows players to craft their own villain using the easy to use and fun character creator as you enter the world of DC in order to deliver menace.
Iconic characters ranging from Lex Luthor to Captain Cold, Cheetah, Harley Quin, The Joker, and countless others are available to play and each has their own unique set of abilities. Players can switch between character sets in a mission as the puzzles often require specific abilities to complete. Lex Luthor may have some impressive firepower with his power suit, but when agility and climbing are required you will need to have other options.
Missions are fun and ideal for gamers of all ages as defeating enemy’s results in a shower of Lego pieces which can often be used to construct items which are key to the success of a mission.
If you have ever played any of the Lego games released in the last few years; the open world setting and plethora of characters will seem familiar to you as well the family friendly fun the game will offer.
The game can be enjoyed as a co-op experience so playing with others is highly recommended as the puzzles often require a mix of action and thought to resolve.
I would suggest getting the game on one of the console platforms as I played it on a PC after playing it on consoles at conventions and I had a few issues playing on the PC from control response to some video issues.
The game offers bright and fun graphics and the sound of the game is punctuated by a top-notch voice cast who will be very familiar with fans of many of the animated DC offerings.
The game will have future DLC available which will allow even more characters to become available and increase the fun and variety of the game.
If you are a fan of Lego or DC; you will not want to miss this one.
http://sknr.net/2018/11/05/lego-dc-super-villains/
I got an early look at the game at E3 and San Diego Comic Con including a visit with one of the Producers as well as an interview with key members of the voice cast so I was happy to have a more well-rounded perspective of what to expect going into the final release of the game. My staff played it at PAX West and were very impressed with it as well which only lead to the anticipation to try the final game.
The game allows players to craft their own villain using the easy to use and fun character creator as you enter the world of DC in order to deliver menace.
Iconic characters ranging from Lex Luthor to Captain Cold, Cheetah, Harley Quin, The Joker, and countless others are available to play and each has their own unique set of abilities. Players can switch between character sets in a mission as the puzzles often require specific abilities to complete. Lex Luthor may have some impressive firepower with his power suit, but when agility and climbing are required you will need to have other options.
Missions are fun and ideal for gamers of all ages as defeating enemy’s results in a shower of Lego pieces which can often be used to construct items which are key to the success of a mission.
If you have ever played any of the Lego games released in the last few years; the open world setting and plethora of characters will seem familiar to you as well the family friendly fun the game will offer.
The game can be enjoyed as a co-op experience so playing with others is highly recommended as the puzzles often require a mix of action and thought to resolve.
I would suggest getting the game on one of the console platforms as I played it on a PC after playing it on consoles at conventions and I had a few issues playing on the PC from control response to some video issues.
The game offers bright and fun graphics and the sound of the game is punctuated by a top-notch voice cast who will be very familiar with fans of many of the animated DC offerings.
The game will have future DLC available which will allow even more characters to become available and increase the fun and variety of the game.
If you are a fan of Lego or DC; you will not want to miss this one.
http://sknr.net/2018/11/05/lego-dc-super-villains/
Darren (1599 KP) rated A Million Ways to Die in the West (2014) in Movies
Jun 20, 2019
Story: Poking fun at the old west is fine, it should work and some of the jokes are acceptable. The endless toilet jokes make it feel like an Adam Sandler film and the poorly written sex jokes get boring quickly. You have the old storyline of trying to impress someone only to fall for the one helping you. It is advertised incorrectly as it makes out from the trailer that he is training to beat Clinch while in actual fact the training is for another dual all together. After watching and enjoying Ted I was expecting a lot better than this lazy comedy for someone with a good comic mind. (3/10)
Actor Reviews
Seth MacFarlane: Albert the cowardly sheep farmer from the Frontier who gets upset when his girlfriend dumps him and puts his life in danger because he is depressed only to discover he is brave deep down. Seth really doesn’t suit being a lead actor at all. (2/10)
seth
Charlize Theron: Anna the beautiful mysterious woman who comes to town and ends up becoming friends with Albert while training him to shot. Good performance from someone not known for comedy. (7/10)
theron
Amanda Seyfried: Louise the girl who dumps Albert and moves on, but looks like she could have changed her mind too late. Standard performance really, never gets given anything to do. (5/10)
Liam Neeson: Clinch the deadly gunslinger who wants revenge after Albert kisses his wife. We see what he is capable of and that he will cheat but we hardly see him considering he is meant to be the villain. (5/10)
neeson
Giovanni Ribisi: Edward Albert’s best friend who is very religious while his girlfriend is being a prostitute. Gets to have fun with the role and would be fair to say get most laughs.(6/10)
Director Review: Seth MacFarlane – With his history for good quality comedy I would expect to see a lot better than this from him. (3/10)
Comedy: Poor jokes throughout that get boring quickly but the few cameos will get most laughs. (4/10)
Settings: Good authentic western town created. (8/10)
Suggestion: Don’t bother, I think even the most diehard Seth MacFarlane fans will be disappointed. (Avoid)
Best Part: Cameos
Worst Part: The Jokes
Funniest Scene: Doc Brown
Kill Of The Film: The Ice Block
Believability: No just a spoof (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: Yes
Oscar Chances: No
Box Office: $35 Million (So Far)
Budget: N/A
Runtime: 1 Hour 50 Minutes
Tagline: Bring Protection
Overall: Lazy Comedy
https://moviesreview101.com/2014/06/07/a-million-ways-to-die-in-the-west-2014/
Actor Reviews
Seth MacFarlane: Albert the cowardly sheep farmer from the Frontier who gets upset when his girlfriend dumps him and puts his life in danger because he is depressed only to discover he is brave deep down. Seth really doesn’t suit being a lead actor at all. (2/10)
seth
Charlize Theron: Anna the beautiful mysterious woman who comes to town and ends up becoming friends with Albert while training him to shot. Good performance from someone not known for comedy. (7/10)
theron
Amanda Seyfried: Louise the girl who dumps Albert and moves on, but looks like she could have changed her mind too late. Standard performance really, never gets given anything to do. (5/10)
Liam Neeson: Clinch the deadly gunslinger who wants revenge after Albert kisses his wife. We see what he is capable of and that he will cheat but we hardly see him considering he is meant to be the villain. (5/10)
neeson
Giovanni Ribisi: Edward Albert’s best friend who is very religious while his girlfriend is being a prostitute. Gets to have fun with the role and would be fair to say get most laughs.(6/10)
Director Review: Seth MacFarlane – With his history for good quality comedy I would expect to see a lot better than this from him. (3/10)
Comedy: Poor jokes throughout that get boring quickly but the few cameos will get most laughs. (4/10)
Settings: Good authentic western town created. (8/10)
Suggestion: Don’t bother, I think even the most diehard Seth MacFarlane fans will be disappointed. (Avoid)
Best Part: Cameos
Worst Part: The Jokes
Funniest Scene: Doc Brown
Kill Of The Film: The Ice Block
Believability: No just a spoof (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: Yes
Oscar Chances: No
Box Office: $35 Million (So Far)
Budget: N/A
Runtime: 1 Hour 50 Minutes
Tagline: Bring Protection
Overall: Lazy Comedy
https://moviesreview101.com/2014/06/07/a-million-ways-to-die-in-the-west-2014/
Gareth von Kallenbach (980 KP) rated Maleficent: Mistress of Evil (2019) in Movies
Oct 15, 2019
In “Maleficent: Mistress of Evil”; Angelina Jolie returns as the title character to the smash Live-Action film based on the classic Fairy Tale and Animated film.
In the years since the last film ended; Aurora (Elle Fanning) has relished in her role as Princess over the Moors and all of the enchanted creatures that live within it. When she accepts a proposal from Prince Phillip (Harris Dickinson), this sets off a chain of celebratory events as they all prepare for the big day which will unite the two lands.
Phillip’s parents King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer) are eager for the union while Maleficent strongly opposes it and tells Aurora that there will be no wedding. When Aurora persists; Maleficent reluctantly accepts an invitation to dinner at the Castle where things soon go horribly wrong and Maleficent is accused of putting a curse on the King.
Injured while fleeing, Maleficent is wounded and takin in by others of her kind who are preparing for war against the humans as a dark and dangerous plan is underway and the survival of the enchanted creatures is threatened.
The film then becomes a tense adventure with plenty of action, magic, and fantasy which is a nice framework for the great visual effects of the film.
I had been concerned that the film might be too dark for the usual audience for this type of film and there are moments where my concerns are validated. However there is much more charm, fantasy and wonder in the film and if anyone has ever read the original Grimm Fairy Tales; they will know that this is considerably toned down compared to what they offered.
The film has some great visuals to it but they never overshadow the characters in the film as Jolie seems to be taking gleeful delight in playing the title character but allows herself to have some fun with the character at times which helps her emerge as a well-rounded character versus being a staple Fairy Tale Villain.
The film may take a bit of time getting up to the main events but it does so to give more time for the characters to develop which helps them stand out from the usual good/bad monikers given to many fantasy characters.
The supporting cast is solid especially the performances by Pfeiffer and Chiwetel Ejiofor who add much to the complexity of the film and also invoke many themes of discussion that mirrors what is happening in much of society today.
In the end the film delivers a strong performance by Jolie and plenty of magic to make this a modern Fairy Tale Disney classic in the making.
3.5 stars out of 5.
In the years since the last film ended; Aurora (Elle Fanning) has relished in her role as Princess over the Moors and all of the enchanted creatures that live within it. When she accepts a proposal from Prince Phillip (Harris Dickinson), this sets off a chain of celebratory events as they all prepare for the big day which will unite the two lands.
Phillip’s parents King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer) are eager for the union while Maleficent strongly opposes it and tells Aurora that there will be no wedding. When Aurora persists; Maleficent reluctantly accepts an invitation to dinner at the Castle where things soon go horribly wrong and Maleficent is accused of putting a curse on the King.
Injured while fleeing, Maleficent is wounded and takin in by others of her kind who are preparing for war against the humans as a dark and dangerous plan is underway and the survival of the enchanted creatures is threatened.
The film then becomes a tense adventure with plenty of action, magic, and fantasy which is a nice framework for the great visual effects of the film.
I had been concerned that the film might be too dark for the usual audience for this type of film and there are moments where my concerns are validated. However there is much more charm, fantasy and wonder in the film and if anyone has ever read the original Grimm Fairy Tales; they will know that this is considerably toned down compared to what they offered.
The film has some great visuals to it but they never overshadow the characters in the film as Jolie seems to be taking gleeful delight in playing the title character but allows herself to have some fun with the character at times which helps her emerge as a well-rounded character versus being a staple Fairy Tale Villain.
The film may take a bit of time getting up to the main events but it does so to give more time for the characters to develop which helps them stand out from the usual good/bad monikers given to many fantasy characters.
The supporting cast is solid especially the performances by Pfeiffer and Chiwetel Ejiofor who add much to the complexity of the film and also invoke many themes of discussion that mirrors what is happening in much of society today.
In the end the film delivers a strong performance by Jolie and plenty of magic to make this a modern Fairy Tale Disney classic in the making.
3.5 stars out of 5.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Heart Forger (The Bone Witch, #2) in Books
Jan 23, 2020
<b><i>Review copy provided by the Publisher via Netgalley</i></b>
The Heart Forger is the second novel in The Bone Witch series, where Rin Chupeco brings us directly back to the world of asha right after the first novel leaves off. Tea, a dark asha and bone witch, has mastered bringing the dead backs to life and hopes for revenge after being exiled from her kingdom.
I can easily say The Heart Forger is one of my favorite reads of 2018, which is funny considering how I wasn’t a fan of The Bone Witch when I read it last year. The Bone Witch is slower (to me, at least) and focuses on descriptions and worldbuilding, which is an entire 180 from its sequel. We’re continuing the story of Tea, who is a bone witch that can raise the dead, in the past (Tea as a young asha) and the present (Tea telling the story to the Bard).
It’s not exactly confirmed, but it looks like Tea is hovering between a villain and a hero, much like Adelina Amouteru from The Young Elites. We’ll know for sure what Tea’s actions will lead to in the third and final book of the trilogy coming out next year, which is currently titled The Shadowglass.
The Heart Forger is fast paced—Chupeco focuses on action, characters, and plot rather than descriptions and worldbuilding, though those who aren’t familiar will have to read The Bone Witch first to get a sense of the characters and world before continuing. There is never a dull moment, something I haven’t found in my reading for a longgg while, and I found myself turning the pages of my iPad so quickly I might have left a mark on there.
One of the things I enjoyed back in The Bone Witch (and partially why I decided to give the sequel a try rather than skipping over it) were the characters. The first book only gave a small taste, but the second book is full of sass from Tea, Fox, Kalen, Khalad—the entire of cast of characters—and it made The Heart Forger much more entertaining. Chupeco is going to be pulling different emotions the entire time—from excitement to terror to laughter—and it’ll probably be simultaneously as well.
The wordiness and slow pace of The Bone Witch is well worth it when looking forward to the rest of the series—I’m so glad I gave The Heart Forger a chance, and I can’t wait to see how Chupeco will end the series next year with The Shadowglass.
This review was originally posted on <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/">The Arts STL</a>.
The Heart Forger is the second novel in The Bone Witch series, where Rin Chupeco brings us directly back to the world of asha right after the first novel leaves off. Tea, a dark asha and bone witch, has mastered bringing the dead backs to life and hopes for revenge after being exiled from her kingdom.
I can easily say The Heart Forger is one of my favorite reads of 2018, which is funny considering how I wasn’t a fan of The Bone Witch when I read it last year. The Bone Witch is slower (to me, at least) and focuses on descriptions and worldbuilding, which is an entire 180 from its sequel. We’re continuing the story of Tea, who is a bone witch that can raise the dead, in the past (Tea as a young asha) and the present (Tea telling the story to the Bard).
It’s not exactly confirmed, but it looks like Tea is hovering between a villain and a hero, much like Adelina Amouteru from The Young Elites. We’ll know for sure what Tea’s actions will lead to in the third and final book of the trilogy coming out next year, which is currently titled The Shadowglass.
The Heart Forger is fast paced—Chupeco focuses on action, characters, and plot rather than descriptions and worldbuilding, though those who aren’t familiar will have to read The Bone Witch first to get a sense of the characters and world before continuing. There is never a dull moment, something I haven’t found in my reading for a longgg while, and I found myself turning the pages of my iPad so quickly I might have left a mark on there.
One of the things I enjoyed back in The Bone Witch (and partially why I decided to give the sequel a try rather than skipping over it) were the characters. The first book only gave a small taste, but the second book is full of sass from Tea, Fox, Kalen, Khalad—the entire of cast of characters—and it made The Heart Forger much more entertaining. Chupeco is going to be pulling different emotions the entire time—from excitement to terror to laughter—and it’ll probably be simultaneously as well.
The wordiness and slow pace of The Bone Witch is well worth it when looking forward to the rest of the series—I’m so glad I gave The Heart Forger a chance, and I can’t wait to see how Chupeco will end the series next year with The Shadowglass.
This review was originally posted on <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/">The Arts STL</a>.
Kirk Bage (1775 KP) rated Glass (2019) in Movies
Mar 3, 2020
This doesn’t need to be a long review; the film itself doesn’t merit a lot of reflection. But, I have set myself the task of recording every piece of cultural media I consume, and there is already a backlog. So, here come a few quickfire bits on things that I found less than impressive. There is some value in identifying why something failed. Especially, as in the case of Glass, when there was an expectation it might be quite exciting.
I am not the biggest M. Night Shyamalan fan, to be honest. I will give you The Sixth Sense and Signs (to an extent), but even those contain some dodgy direction, plotting and unforgivable dialogue that hasn’t weathered the test of time well. 75% of his output is so bad it becomes funny; I mean, The Happening and Lady in the Water – WTF!? And the less said about The Last Airbender the better. My favourite of his works would have to be Unbreakable, from 2000. At least there is a satisfying story arc and the “twist” makes sense. Often with him it is so preposterous or an non-event, it makes you wonder why he bothered.
Sixteen years later, and Split sprung a surprise by being not bad at all, largely thanks to James McAvoy’s performance as a man with multiple personality disorder – a striking, terrifying, turn that showcased his abilities as an actor superbly. So there was some anticipation that bringing those two film worlds together would yield something very interesting and at least fun. So, it is sad to say that, once again, he pretty much botched it.
Don’t get me wrong, it is watchable and entertaining, up to a point – that point being when the story tries to gel all its strands together in a cohesive new twist, and fails utterly to do so. McAvoy is yet again the standout. Here he pushes the split personalities at his command to a brain spinning degree, switching from one to the other effortlessly – I would much rather just have watched him talking and twitching for two hours, to be fair. Bruce Willis has little to do but brood, and Samuel L. Jackson becomes totally laughable as he strains with the script to find any grounding in real character, and descends into cartoon / pantomime villain very quickly, losing all validity carried over from Unbreakable.
It’s a shame, because there is an idea in there somewhere; this just wasn’t it. No doubt, he has left it open for further exploration with these characters, and will in time return to them. I just hope he takes his time to consider the script properly before diving headlong into another disappointment of cliche and bad plotting. I just feel sorry for McAvoy, who deserved much better.
I am not the biggest M. Night Shyamalan fan, to be honest. I will give you The Sixth Sense and Signs (to an extent), but even those contain some dodgy direction, plotting and unforgivable dialogue that hasn’t weathered the test of time well. 75% of his output is so bad it becomes funny; I mean, The Happening and Lady in the Water – WTF!? And the less said about The Last Airbender the better. My favourite of his works would have to be Unbreakable, from 2000. At least there is a satisfying story arc and the “twist” makes sense. Often with him it is so preposterous or an non-event, it makes you wonder why he bothered.
Sixteen years later, and Split sprung a surprise by being not bad at all, largely thanks to James McAvoy’s performance as a man with multiple personality disorder – a striking, terrifying, turn that showcased his abilities as an actor superbly. So there was some anticipation that bringing those two film worlds together would yield something very interesting and at least fun. So, it is sad to say that, once again, he pretty much botched it.
Don’t get me wrong, it is watchable and entertaining, up to a point – that point being when the story tries to gel all its strands together in a cohesive new twist, and fails utterly to do so. McAvoy is yet again the standout. Here he pushes the split personalities at his command to a brain spinning degree, switching from one to the other effortlessly – I would much rather just have watched him talking and twitching for two hours, to be fair. Bruce Willis has little to do but brood, and Samuel L. Jackson becomes totally laughable as he strains with the script to find any grounding in real character, and descends into cartoon / pantomime villain very quickly, losing all validity carried over from Unbreakable.
It’s a shame, because there is an idea in there somewhere; this just wasn’t it. No doubt, he has left it open for further exploration with these characters, and will in time return to them. I just hope he takes his time to consider the script properly before diving headlong into another disappointment of cliche and bad plotting. I just feel sorry for McAvoy, who deserved much better.
JT (287 KP) rated Contraband (2012) in Movies
Mar 10, 2020
This is an action film of epic underrated proportion, director Baltasar Kormákur, who was a producer on the original film Reykjavik-Rotterdam, gives us a good old fashioned heist where you root for the bad guys, or in this case the good guys.
When Chris Faraday (Whalberg) has to help out his brother-in-law Andy, after his attempts at smuggling in drugs for Giovanni Ribisi’s excellent villain go pear shaped, Faraday must go back to his criminal roots in order to save him and his family.
Do you feel lucky?
It certainly isn’t as slick as Ocean’s Eleven but it has a similar impact, in that you are desperate for these guys to succeed and pull off the job, and what a job it is! The heist or smuggle as you want to call it is as elaborate as anything that Danny Ocean himself could have put together, its all just a little rushed and certainly not all that conventional.
Whalberg’s crew, a band of misfits, all work on board a container ship heading to Panama where they will pick up a van and fill it with counterfeit bank notes, a plan which would seem simple enough. They’ve even gone to great lengths to make sure the ship stays in port long enough for them to get the job done.
Of course it doesn’t all go to plan, and in the mean time Briggs (Ribisi) is terrorizing Faraday’s wife Kate (Beckinsale) and his family. Andy still manages to try and pull off (and f*** up) his own job mid way through, and Faraday’s best friend Sebastian (Foster) has a little more about him that meets the eye.
The plot has a distinct Gone in 60 Seconds feel to it, with a relative coming to the aid of another family member which results in them racing against time to pay off the bad guys. The action is OK, an elaborate car chase and shootout is probably the most notable sequence, while the rest of the time we watch and wait as Faraday plans the heist.
I enjoyed this quite a lot, its a format that I find if done right works well which in this case it was. Ribisi was a standout for me, not just in his mannerisms as a psycho drug lord but his voice and look about him made me think he put some real effort into this role. Wahlberg is an action hero at the end of the day and here, he is out doing what he does best, Beckinsale is left out in the cold a bit but as a supporting role she does alright.
When Chris Faraday (Whalberg) has to help out his brother-in-law Andy, after his attempts at smuggling in drugs for Giovanni Ribisi’s excellent villain go pear shaped, Faraday must go back to his criminal roots in order to save him and his family.
Do you feel lucky?
It certainly isn’t as slick as Ocean’s Eleven but it has a similar impact, in that you are desperate for these guys to succeed and pull off the job, and what a job it is! The heist or smuggle as you want to call it is as elaborate as anything that Danny Ocean himself could have put together, its all just a little rushed and certainly not all that conventional.
Whalberg’s crew, a band of misfits, all work on board a container ship heading to Panama where they will pick up a van and fill it with counterfeit bank notes, a plan which would seem simple enough. They’ve even gone to great lengths to make sure the ship stays in port long enough for them to get the job done.
Of course it doesn’t all go to plan, and in the mean time Briggs (Ribisi) is terrorizing Faraday’s wife Kate (Beckinsale) and his family. Andy still manages to try and pull off (and f*** up) his own job mid way through, and Faraday’s best friend Sebastian (Foster) has a little more about him that meets the eye.
The plot has a distinct Gone in 60 Seconds feel to it, with a relative coming to the aid of another family member which results in them racing against time to pay off the bad guys. The action is OK, an elaborate car chase and shootout is probably the most notable sequence, while the rest of the time we watch and wait as Faraday plans the heist.
I enjoyed this quite a lot, its a format that I find if done right works well which in this case it was. Ribisi was a standout for me, not just in his mannerisms as a psycho drug lord but his voice and look about him made me think he put some real effort into this role. Wahlberg is an action hero at the end of the day and here, he is out doing what he does best, Beckinsale is left out in the cold a bit but as a supporting role she does alright.
JT (287 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Mar 10, 2020
As an action connoisseur I know what I like. I’m easily pleased and not overly bothered by plot. It doesn’t always have to make sense, and set pieces can be incoherently over the top. This is why Fast & Furious Presents: Hobbs & Shaw is so enjoyable.
It’s clear to see that out of the franchise’s many characters Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) have been by far the most entertaining. Johnson arrived in Fast & Furious 5 as the agent tasked with capturing Dominic Toretto (Vin Diesel) and his crew, while Statham’s debut was via a mid-credits scene during Fast & Furious 6 which connected to Fast and Furious: Tokyo Drift.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham. They are not pleased at having to work together in order to locate a deadly virus called ‘Snowflake’. The pair engage in a number of funny put-downs and quips that start to build a love hate relationship. By the end of the film it’s pretty much guaranteed they are going to be back for a sequel.
Fast & Furious is well known for pushing boundaries when it comes to action sequences and this installment continues the trend. From running down a high-rise building to a chase through the streets of London, culminating with a totally bonkers helicopter finale that must be seen to be believed. The fight scenes are well choreographed and slick, all catering to the actor in question, with a vast array of objects at hand to be used as lethal weapons.
Idris Elba‘s Brixton Lore is an admirable villain. With built in cybernetic augmentations he has a spidey sense that is second to none. But he doesn’t get the screen time he deserves and his back story feels rushed. That said, his motorbike has a distinct Transformers feel about it and not surprisingly it emanates a familiar sound during a high speed pursuit.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham.
As if all of that wasn’t enough, there are a couple of great cameos thrown which actually work quite well [we won’t spoil them]. Helen Mirren pops up as Queenie, the matriarch of the Shaw family and Deckard’s sister Hattie (Vanessa Kirby) has an integral role to play.
Whatever you might think of the franchise or how tired it has become, there is no getting away from the fact that it has made a shed load of money. Things certainly don’t look like slowing down either, with the release of Fast & Furious 9 due out next year – although it could be minus this dynamic duo.
It’s clear to see that out of the franchise’s many characters Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) have been by far the most entertaining. Johnson arrived in Fast & Furious 5 as the agent tasked with capturing Dominic Toretto (Vin Diesel) and his crew, while Statham’s debut was via a mid-credits scene during Fast & Furious 6 which connected to Fast and Furious: Tokyo Drift.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham. They are not pleased at having to work together in order to locate a deadly virus called ‘Snowflake’. The pair engage in a number of funny put-downs and quips that start to build a love hate relationship. By the end of the film it’s pretty much guaranteed they are going to be back for a sequel.
Fast & Furious is well known for pushing boundaries when it comes to action sequences and this installment continues the trend. From running down a high-rise building to a chase through the streets of London, culminating with a totally bonkers helicopter finale that must be seen to be believed. The fight scenes are well choreographed and slick, all catering to the actor in question, with a vast array of objects at hand to be used as lethal weapons.
Idris Elba‘s Brixton Lore is an admirable villain. With built in cybernetic augmentations he has a spidey sense that is second to none. But he doesn’t get the screen time he deserves and his back story feels rushed. That said, his motorbike has a distinct Transformers feel about it and not surprisingly it emanates a familiar sound during a high speed pursuit.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham.
As if all of that wasn’t enough, there are a couple of great cameos thrown which actually work quite well [we won’t spoil them]. Helen Mirren pops up as Queenie, the matriarch of the Shaw family and Deckard’s sister Hattie (Vanessa Kirby) has an integral role to play.
Whatever you might think of the franchise or how tired it has become, there is no getting away from the fact that it has made a shed load of money. Things certainly don’t look like slowing down either, with the release of Fast & Furious 9 due out next year – although it could be minus this dynamic duo.
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Charlie Cobra Reviews (1840 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Jul 7, 2020
Fast and Furious Johnson/Statham Style
Fast And Furious Presents Hobbs & Shaw is a 2019 action movie directed by David Leitch and written by Chris Morgan and Drew Pearce from a story by Morgan. It was produced by Seven Bucks Productions and Chris Morgan Productions and distributed by Universal Pictures. The film also had Jason Statham, Dwayne Johnson, Chris Morgan and Hiram Garcia as producers. The movie stars Dwayne Johnson, Jason Statham, Idris Elba, Vanessa Kirby and Ryan Reynolds.
When a team of MI6 agents try to retrieve a virus called "Snowflake", which could kill millions, from terrorist organization Eteon; Brixton Lore (Idris Elba), a cybernetically enhanced member of Eteon, arrives killing all the agents except Hattie Shaw (Vanessa Kirby). She is able to inject herself with the virus and escape but Brixton forces her to go on the run by framing her as a traitor who killed her team and stole "Snowflake". Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) are both recruited by the CIA, to work together to track it down and recover it.
This movie definitely fit in with the Fast and Furious series and was what you expected from a spin-off of the main franchise. That being said, it also didn't feel like a good fit in a lot of ways. Dwayne Johnson's character Hobbs felt diminished in a way because of how they tried to humanize him and make him more relatable by introducing family like his daughter. Also Deckard Shaw, Statham's character was given the same treatment by introducing family characters as well. Since the Fast and Furious franchise is all about family, I guess this was to be expected but it came off as contrived and "trope-ish". Vanessa Kirby did an awesome job as kick ass Hattie Shaw and delivered a strong performance as did Idris Elba although his character felt like a stereo-typed villain. The stunts and action sequences of course were crazy as hell but if you like the Fast and Furious movies than you will like this film. For me though, I'm with most fans and feel that the team up with Shaw is a stab in the back to Han since he was killed by Shaw in the franchise. But I guess the movie makers didn't really care or maybe they'll do something else about it later and he'll wind up being alive. All in all, it's a decent movie but just didn't do it for me, even with the great action, the funny dialogue/banter between Statham and Johnson and solid performances from some of the actors. I give this movie a 6/10.
When a team of MI6 agents try to retrieve a virus called "Snowflake", which could kill millions, from terrorist organization Eteon; Brixton Lore (Idris Elba), a cybernetically enhanced member of Eteon, arrives killing all the agents except Hattie Shaw (Vanessa Kirby). She is able to inject herself with the virus and escape but Brixton forces her to go on the run by framing her as a traitor who killed her team and stole "Snowflake". Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) are both recruited by the CIA, to work together to track it down and recover it.
This movie definitely fit in with the Fast and Furious series and was what you expected from a spin-off of the main franchise. That being said, it also didn't feel like a good fit in a lot of ways. Dwayne Johnson's character Hobbs felt diminished in a way because of how they tried to humanize him and make him more relatable by introducing family like his daughter. Also Deckard Shaw, Statham's character was given the same treatment by introducing family characters as well. Since the Fast and Furious franchise is all about family, I guess this was to be expected but it came off as contrived and "trope-ish". Vanessa Kirby did an awesome job as kick ass Hattie Shaw and delivered a strong performance as did Idris Elba although his character felt like a stereo-typed villain. The stunts and action sequences of course were crazy as hell but if you like the Fast and Furious movies than you will like this film. For me though, I'm with most fans and feel that the team up with Shaw is a stab in the back to Han since he was killed by Shaw in the franchise. But I guess the movie makers didn't really care or maybe they'll do something else about it later and he'll wind up being alive. All in all, it's a decent movie but just didn't do it for me, even with the great action, the funny dialogue/banter between Statham and Johnson and solid performances from some of the actors. I give this movie a 6/10.
Ellie-marie Johnson (2 KP) Jun 14, 2019
Matthew Murphy (1 KP) Oct 17, 2019