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Frank Carter recommended Background Music by American Nightmare/Give Up The Ghost in Music (curated)

 
Background Music by American Nightmare/Give Up The Ghost
Background Music by American Nightmare/Give Up The Ghost
2001 | Punk
(0 Ratings)
Album Favorite

"This record is incredibly passionate, and it's got incredible lyrics. I've since become friends with Wes [Eisold, frontman] and he's a great guy, a great writer and musician, but this record just holds so much weight in my youth, at a time when I was quite lost and hardcore really picked me up. They were emerging at that time and they're from Boston, which just seemed violent to me, and I needed that violence in my life. I stage dove to American Nightmare in Camden Underworld in 2003 and dislocated my arm, and when I saw them play it was something hard to ignore. They looked like mods, like they should have lived in Brighton in the 70s. It was so weird to see a dude in skinny jeans, DMs, and a Fred Perry shirt but screaming his guts out in North London, surrounded by kids in black hoodies, it was bizarre. I still have it in my workout playlist now and that's a good 15 years on. When I hear the song 'AM/PM' it makes me want to stage dive again, and I love that it can make me feel like that so late in the day."

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40x40

Gareth Evans recommended Fireworks (1997) in Movies (curated)

 
Fireworks (1997)
Fireworks (1997)
1997 | Crime, Drama
(0 Ratings)
Movie Favorite

"Next movie, I have to put a [Takeshi] Kitano film in there somewhere. I get torn between two, but it’s always between Sonatine and Hana-bi for me. They’re both incredible, but I tend to always veer towards Hana-bi, because as much as I love Sonatine, what Hana-bi has is heart. The emotional resonance of that ending is probably one of the most subtly heartbreaking moments in cinema. I just think the film’s an absolute masterpiece. His nonlinear storytelling in that movie, I don’t think he’s ever kind of done that better. It’s just so incredibly well put together. The fact that he can go from these moments of horrific, brutal violence, but then, within a few minutes, have a scene as playful as when he’s playing “guess the card” with his wife in the car, and he can see the cards in the rear-view mirror. To have a scene that’s as playful and as funny and as contemplative as that… I just think he’s a master filmmaker, and I’ve pretty much watched everything he’s done. So, that’s high up on that list then."

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