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Honest Thief (2020)
Honest Thief (2020)
2020 | Action, Crime, Drama
Decent crime thriller. Liam Neeson plays the In-and-Out Bandit (snigger), who has nicked $9 million out of some obscure principle, and also because he enjoys it. When he wants to settle down with his new lady friend, he tries to negotiate his surrender, but comes up against corruption in the FBI and finds himself framed for murder...

Looks like another one of those movies where some bad guys really tick off Neeson, leading up to the moment where he gets on the phone to them and does his 'I'm coming for you!' speech. And this one is a bit like that, but the violence is employed sparingly and it has a rather neat plot, too. The characters have a bit more depth than you might expect, too - Neeson is giving the same performance as usual, but not an actual bad one, while everyone else manages to find something interesting to work with: Jai Courtney is actually really impressive as his character gradually loses it. It's still a fairly modest genre movie, but it's better than the usual Neeson vehicle and genuinely involving and enjoyable.
  
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LeftSideCut (3776 KP) rated The Lost Boys (1987) in Movies

Jan 15, 2021 (Updated Jan 15, 2021)  
The Lost Boys (1987)
The Lost Boys (1987)
1987 | Comedy, Horror
There's is just straight up nothing I don't like about The Lost Boys.

Corey Feldman's decision to put on a deep voice for the whole runtime, Kiefer Sutherland's mullet, the absolutely banging soundtrack (oiled up beefcake saxophone guy and all)
The whole movie is dripping with atmosphere from the opening shot, it's extremely 80s vibe being constantly undercut with a darker edge, and buzzing with the excitement of youth and freedom.
It's always stuck in my mind as a horror that kids could watch, but every time I revisit The Lost Boys, I'm always taken aback by the sudden bursts of violence. It brings it own additions to the vampire horror genre, being that sure, it's gets bloody here and there, but the adolescent story that's woven throughout, and it's frequently funny and warming screenplay gives it a unique touch that is hard to successfully imitate.

The Lost Boys is Joel Schumacher's finest work (followed by Falling Down of course) and is a film that is so of its era, but still manages to feel fresh. Absolutely love it. Now excuse me whilst I go and listen to Cry Little Sister on repeat.