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Jesters_folly (230 KP) rated The Purge: Anarchy (2014) in Movies
Jul 14, 2021
Contains spoilers, click to show
The Purge Anarchy is the second film in the Purge franchise and shows more of the effect the purge is having on the general populous.
The film follows three groups who are all out during the annual purge for different reasons but who are forced to come together to help each other.
Some of the questions raised in the first film are expanded on, is the Purge really a way to help stop normal crime or is there a more sinister reason. It also raises the question, Is there any good reason to purge? We see it used as a way to make money, an excuse to behave in 'base' ways and a way to get revenge.
Purge Anarchy follows the main protagonists as they make their way to safety and has some of the sense of suspense the first movie has but also has a lot more violence, a lot of which is in the background as the group try to avoid it.
'Class' is also brought up with an anti-purge group producing media saying that the true purpose of the purge is really just a way of getting rid of the lower class and the poor, with more evidence of this as the film progresses.
Over all the Purge Anarchy is a good movie, it looses some of the tension of the first film by widening the area the film is set but, if they had just done another home invasion film it would have been 'more of the same' and taking it out into the streets enables the franchises law to grow. There are a few questions left at least partly unanswered but there are (at time of writing) three more films and a series so hopefully these are answered later.
The film follows three groups who are all out during the annual purge for different reasons but who are forced to come together to help each other.
Some of the questions raised in the first film are expanded on, is the Purge really a way to help stop normal crime or is there a more sinister reason. It also raises the question, Is there any good reason to purge? We see it used as a way to make money, an excuse to behave in 'base' ways and a way to get revenge.
Purge Anarchy follows the main protagonists as they make their way to safety and has some of the sense of suspense the first movie has but also has a lot more violence, a lot of which is in the background as the group try to avoid it.
'Class' is also brought up with an anti-purge group producing media saying that the true purpose of the purge is really just a way of getting rid of the lower class and the poor, with more evidence of this as the film progresses.
Over all the Purge Anarchy is a good movie, it looses some of the tension of the first film by widening the area the film is set but, if they had just done another home invasion film it would have been 'more of the same' and taking it out into the streets enables the franchises law to grow. There are a few questions left at least partly unanswered but there are (at time of writing) three more films and a series so hopefully these are answered later.
ClareR (5916 KP) rated False Witness in Books
Jul 27, 2021
False Witness is a standalone thriller by Karin Slaughter, and what a fantastic read it is!
It’s set during the Covid-19 pandemic, and we can see the drastic effect it’s had on people’s everyday lives, as well as the working life of a Leigh, a lawyer.
When Leigh walks in to a meeting with a new client - a man accused of violently raping a woman - she doesn’t expect to see someone from her past. It’s a past that she doesn’t talk about, and has told no-one about in its entirety. Even her husband.
Trevor Tennant is the boy that Leigh and her sister, Callie, used to babysit, and now it seems that he has picked up some of the bad habits that his father had: violence against women for one thing. Except Buddy Waleski, Trevors father, also liked very young girls.
Somehow, Trevor has found out what happened between his father and the sisters on the night Buddy disappeared, and blackmails Leigh in order to get him off all charges. He sees the acts of his paedophile father as acceptable, that Callie enjoyed the abuse - in fact he doesn’t believe it was abuse at all. The entitlement is strong in this story - as well as a twisted view of life in general!
Callie is such a vulnerable character. As strong as her sister is, Callie hides behind heroin. It’s a life of existing and getting to the next fix. She’s a really caring person though: she loves animals and she repeatedly puts others before herself.
This is a really dark, high paced, intelligent novel, and it kept me riveted to the screen as I read it in instalments on The Pigeonhole. It was torture waiting for the next instalment, and I’d definitely recommend it!
It’s set during the Covid-19 pandemic, and we can see the drastic effect it’s had on people’s everyday lives, as well as the working life of a Leigh, a lawyer.
When Leigh walks in to a meeting with a new client - a man accused of violently raping a woman - she doesn’t expect to see someone from her past. It’s a past that she doesn’t talk about, and has told no-one about in its entirety. Even her husband.
Trevor Tennant is the boy that Leigh and her sister, Callie, used to babysit, and now it seems that he has picked up some of the bad habits that his father had: violence against women for one thing. Except Buddy Waleski, Trevors father, also liked very young girls.
Somehow, Trevor has found out what happened between his father and the sisters on the night Buddy disappeared, and blackmails Leigh in order to get him off all charges. He sees the acts of his paedophile father as acceptable, that Callie enjoyed the abuse - in fact he doesn’t believe it was abuse at all. The entitlement is strong in this story - as well as a twisted view of life in general!
Callie is such a vulnerable character. As strong as her sister is, Callie hides behind heroin. It’s a life of existing and getting to the next fix. She’s a really caring person though: she loves animals and she repeatedly puts others before herself.
This is a really dark, high paced, intelligent novel, and it kept me riveted to the screen as I read it in instalments on The Pigeonhole. It was torture waiting for the next instalment, and I’d definitely recommend it!
Mark @ Carstairs Considers (2387 KP) rated Death by Equine in Books
May 12, 2021
Tragic Accident or Murder?
Veterinarian Jessie Cameron has agreed to fill in for her mentor, Doc Lewis, at Riverview Racetrack so Doc can take a much-deserved two-week vacation. However, the night before Doc is supposed to leave, he is killed by one of the horses at the track. Jessie’s work at the track makes her begin to question the supposed accident that killed Doc. Could there be more to it than the police are seeing? The more Jessie investigates, the more she begins to see her mentor in a different light. Did she really know the man? What secret she is uncovering led to his death?
I always love it when an author manages to come up with an unusual murder weapon, and that’s exactly what author Annette Dashofy has done for this stand alone. I may have been impatient, but I felt the book was a bit slow at the beginning, but it wasn’t long before I was caught up in the story and all Jessie was learning. The climax was wonderfully suspenseful. I did struggle with how little the police believed Jessie, which is funny since it is part of so many other books I read. The characters are wonderful. They are fully realized and help draw us into the story, confusing us on what exactly is going on until Jessie figures it out. Like Annette Dashofy’s other books, this one has a smattering of foul language and a tad more violence than in the cozies I normally read. These are cozy adjacent or traditional, and I’m sure if you enjoy cozies you’ll enjoy these, too. If you’ve wanted to try Annette’s books, this is a great place to jump in. If you are already a fan, you’ll enjoy this one as well.
I always love it when an author manages to come up with an unusual murder weapon, and that’s exactly what author Annette Dashofy has done for this stand alone. I may have been impatient, but I felt the book was a bit slow at the beginning, but it wasn’t long before I was caught up in the story and all Jessie was learning. The climax was wonderfully suspenseful. I did struggle with how little the police believed Jessie, which is funny since it is part of so many other books I read. The characters are wonderful. They are fully realized and help draw us into the story, confusing us on what exactly is going on until Jessie figures it out. Like Annette Dashofy’s other books, this one has a smattering of foul language and a tad more violence than in the cozies I normally read. These are cozy adjacent or traditional, and I’m sure if you enjoy cozies you’ll enjoy these, too. If you’ve wanted to try Annette’s books, this is a great place to jump in. If you are already a fan, you’ll enjoy this one as well.
LeftSideCut (3776 KP) rated Escape Room (2019) in Movies
Sep 15, 2020
Contains spoilers, click to show
In short, Escape Room is actually a pretty tight thriller with a really disappointingly shitty ending.
It's disappointing because I found myself unexpectedly enjoying the bulk of the movie, even if it doesn't carry a lot of substance.
It's a more recent entry into the currently popular and seemingly unending PG-13 corner of horror. This of course means little in the way of gore or scares, something that I would usually take issue with, but managed to get on board with in this instance.
The set up is resemblant of Saw, but the later films in that franchise are evidence that more gore certainly doesn't make for a better film. With the focus here not being on violence but the actual puzzles the characters have to work through, I found it to be fairly engaging.
The set pieces and room designs are imaginative, and a lot of these moments are suitably tense.
The cast are decent as well - Taylor Russell, Tyler Labine and Nik Dodani are likeable, and I always enjoy Deborah Ann Woll whenever she pops up in things.
My main gripe however is the plot. The premise is really straightforward, not much room for error in that respect, so the inclusion of a faceless Hostel-esque corporation who caters to rich people who profit from this whole thing is just dumb. It's feels lazy, unnecessary, and more than anything, really tacked on and rushed. The ending flies by in an attempt to hastily set up a sequel rather than focusing on ending this film in a satisfying manner. It's a real shame because the majority of the film is relatively entertaining, and the climax just de-rails it completely.
Escape Room is worth watching for the Saw meets Cube premise, but ultimately ends up being a bang average thriller.
It's disappointing because I found myself unexpectedly enjoying the bulk of the movie, even if it doesn't carry a lot of substance.
It's a more recent entry into the currently popular and seemingly unending PG-13 corner of horror. This of course means little in the way of gore or scares, something that I would usually take issue with, but managed to get on board with in this instance.
The set up is resemblant of Saw, but the later films in that franchise are evidence that more gore certainly doesn't make for a better film. With the focus here not being on violence but the actual puzzles the characters have to work through, I found it to be fairly engaging.
The set pieces and room designs are imaginative, and a lot of these moments are suitably tense.
The cast are decent as well - Taylor Russell, Tyler Labine and Nik Dodani are likeable, and I always enjoy Deborah Ann Woll whenever she pops up in things.
My main gripe however is the plot. The premise is really straightforward, not much room for error in that respect, so the inclusion of a faceless Hostel-esque corporation who caters to rich people who profit from this whole thing is just dumb. It's feels lazy, unnecessary, and more than anything, really tacked on and rushed. The ending flies by in an attempt to hastily set up a sequel rather than focusing on ending this film in a satisfying manner. It's a real shame because the majority of the film is relatively entertaining, and the climax just de-rails it completely.
Escape Room is worth watching for the Saw meets Cube premise, but ultimately ends up being a bang average thriller.
LoganCrews (2861 KP) rated Avatar (2009) in Movies
Sep 20, 2020
"𝘈𝘭𝘭 𝘦𝘯𝘦𝘳𝘨𝘺 𝘪𝘴 𝘣𝘰𝘳𝘳𝘰𝘸𝘦𝘥, 𝘢𝘯𝘥 𝘴𝘰𝘮𝘦𝘥𝘢𝘺 𝘺𝘰𝘶 𝘩𝘢𝘷𝘦 𝘵𝘰 𝘨𝘪𝘷𝘦 𝘪𝘵 𝘣𝘢𝘤𝘬."
The story has been criticized up and down for being about as basic as can be, as well as being somewhat subtractive of the real life parallel this is generally aiming for - and I agree wholeheartedly. But let's be honest here, nobody goes into this for its merits as a piece of storytelling - which it isn't even necessarily bad at on the whole - it just rushes into and through everything too quickly (that goes double for a movie of this length). No, this is front-to-back pure, rich spectacle. Movies since have tried to emulate it but none have even come close to reaching the grandiose scope, immaculate attention to detail, and luxurious world-building. There's so much on the screen all at once you could almost get lost, as if you were right there in this massive, vibrant splashpad of late 2000s blockbuster merriment. And those last thirty minutes of rock-solid PG-13 fantasy violence just take the cake, holy *shit* they rule (remember when these used to end in half-hour long epic battle sequences where you could actually see and even care about what was going on?). Mechs fighting giant fantastical animals, soldiers getting pincushioned left and right with massive arrows, huge flying creatures shot-putting military aircrafts into the sides of cliffs... had a smile the size of Texas across my face the whole time - that's as good as those things get. Plus this is another entry into my Joel-David-Moore-is-underrated collection because he outacts the entire cast of A-listers here. As beautiful as the day it came out, but perhaps in a different way reflexively.
The story has been criticized up and down for being about as basic as can be, as well as being somewhat subtractive of the real life parallel this is generally aiming for - and I agree wholeheartedly. But let's be honest here, nobody goes into this for its merits as a piece of storytelling - which it isn't even necessarily bad at on the whole - it just rushes into and through everything too quickly (that goes double for a movie of this length). No, this is front-to-back pure, rich spectacle. Movies since have tried to emulate it but none have even come close to reaching the grandiose scope, immaculate attention to detail, and luxurious world-building. There's so much on the screen all at once you could almost get lost, as if you were right there in this massive, vibrant splashpad of late 2000s blockbuster merriment. And those last thirty minutes of rock-solid PG-13 fantasy violence just take the cake, holy *shit* they rule (remember when these used to end in half-hour long epic battle sequences where you could actually see and even care about what was going on?). Mechs fighting giant fantastical animals, soldiers getting pincushioned left and right with massive arrows, huge flying creatures shot-putting military aircrafts into the sides of cliffs... had a smile the size of Texas across my face the whole time - that's as good as those things get. Plus this is another entry into my Joel-David-Moore-is-underrated collection because he outacts the entire cast of A-listers here. As beautiful as the day it came out, but perhaps in a different way reflexively.
LeftSideCut (3776 KP) rated My Bloody Valentine 3-D (2009) in Movies
Jan 13, 2021
One of the avalanche of classic horror remakes to surface during the 00s, My Bloody Valentine (in "spectacular" 3D of course) isn't the worst of them by a long shot, but it still suffers from the soul-less-ness that the majority of them seem all to keen to pack in.
Its certainly more action packed and gory than it's 80s older sibling. The violence on display packs a punch for sure, some of it looks great, some of its looks terrible. The Harry Warden killer, much like the Michaels and Jasons of this remake era, is more of a machine than before. Relentless, brutal, faster, and pretty intimidating as far as these things go. It also packs in a fair amount of character development, which is a nice touch that gives the whole narrative some much needed gravitas, and the cast all do a good job with the by-the-numbers slasher-remake screenplay, with highlights being Jaime King and the ever reliable Tom Atkins.
You know how these things go though, and the simple fact is that this do over isn't as good as the original. It lacks the realness and charm (there's that word again) that the original had. There's a twist near the end that is designed to pull the rug out from under fans of the original, and it's actually a pretty interesting one, albeit executed poorly, and requires the viewer to really suspend disbelief in order to glaze over some gaping plot holes.
All in all, it's gory and fun enough to easily pass a couple of hours, and manages to feel like a homage to the original, rather than a straight up copy, and that I can respect, but ultimately, it's not a strong argument for the case of remakes.
Its certainly more action packed and gory than it's 80s older sibling. The violence on display packs a punch for sure, some of it looks great, some of its looks terrible. The Harry Warden killer, much like the Michaels and Jasons of this remake era, is more of a machine than before. Relentless, brutal, faster, and pretty intimidating as far as these things go. It also packs in a fair amount of character development, which is a nice touch that gives the whole narrative some much needed gravitas, and the cast all do a good job with the by-the-numbers slasher-remake screenplay, with highlights being Jaime King and the ever reliable Tom Atkins.
You know how these things go though, and the simple fact is that this do over isn't as good as the original. It lacks the realness and charm (there's that word again) that the original had. There's a twist near the end that is designed to pull the rug out from under fans of the original, and it's actually a pretty interesting one, albeit executed poorly, and requires the viewer to really suspend disbelief in order to glaze over some gaping plot holes.
All in all, it's gory and fun enough to easily pass a couple of hours, and manages to feel like a homage to the original, rather than a straight up copy, and that I can respect, but ultimately, it's not a strong argument for the case of remakes.
Emma @ The Movies (1786 KP) rated Suburbicon (2017) in Movies
Sep 25, 2019
Suburbicon is a peaceful, idyllic, suburban community with affordable homes and manicured lawns -- the perfect place to raise a family, and in the summer of 1959, the Lodge family is doing just that. But the tranquil surface masks a disturbing reality, as husband and father Gardner Lodge must navigate the town's dark underbelly of betrayal, deceit and violence.
I saw this trailer so many times in the run up to the Unlimited Screening. It initially intrigued me, I'm not a particular fan of Matt Damon, but I do like Julianne Moore, and Oscar Isaac the more I see him. Both Moore and Isaac seemed at home in this 50s setting, but Damon didn't feel very convincing.
The story had a lot of potential. Lodge wants to kill his wife who has become bitter towards him since he caused an accident that left her in a wheelchair. The plan is to stage a home invasion that leads to her death. This will leave room for her twin sister to move in and take her sister's place in the family. But when a suspicious insurance investigator comes sniffing around the case things start to fall apart. In the background of this though there is a story about the new African-American neighbours that have moved into the property behind the Lodge's. I know that this is fitting for that era, and some sort of big "distraction" was needed for a lot of things to work, but it just felt very detached from everything.
This isn't one that I'd watch again, I feel like it's going to fade into obscurity in my mind and in about ten years someone is going to ask me if I've seen it and I won't be able to remember.
I saw this trailer so many times in the run up to the Unlimited Screening. It initially intrigued me, I'm not a particular fan of Matt Damon, but I do like Julianne Moore, and Oscar Isaac the more I see him. Both Moore and Isaac seemed at home in this 50s setting, but Damon didn't feel very convincing.
The story had a lot of potential. Lodge wants to kill his wife who has become bitter towards him since he caused an accident that left her in a wheelchair. The plan is to stage a home invasion that leads to her death. This will leave room for her twin sister to move in and take her sister's place in the family. But when a suspicious insurance investigator comes sniffing around the case things start to fall apart. In the background of this though there is a story about the new African-American neighbours that have moved into the property behind the Lodge's. I know that this is fitting for that era, and some sort of big "distraction" was needed for a lot of things to work, but it just felt very detached from everything.
This isn't one that I'd watch again, I feel like it's going to fade into obscurity in my mind and in about ten years someone is going to ask me if I've seen it and I won't be able to remember.
Sarah (7800 KP) rated Joker (2019) in Movies
Oct 10, 2019
Why so serious?
This is the first film in a long time that I've come out of feeling very divided, and it's taken a rather lengthy internal debate on the way home to figure out how I really feel about it.
This starts off slow, very slow and I was worried that I was going to get very bored very quickly. However Joaquin Phoenix's performance is phenomenal and although he is disturbingly thin for this, he's brilliant to watch, even considering the subject matter. If it wasn't for the Gotham setting and mention of the Wayne's, this wouldn't feel like a DC superhero/villain film and this is my main criticism. I love how dark and gritty Joker is and that this is mainly a study about mental health, but I do wish it had a little more in it to tie it to it's source material. Even just a nod to his most well known origin story as seen in some of the other films would've made this even better. I've heard a lot of people say this is uncomfortable viewing, but I didnt see that myself. It's just a stark portrayal of mental health and it does very well in this respect. The violence is sparse yet fits well - I didn't think it was overdone or excessive. And the final act with the talk show and ending was sheer brilliance and really brought Joker towards the character we know and love. It's this final part that sold this film for me, and I'm interested to see how they fit this into the rest of the DC universe, and if we start seeing more superhero films that are much darker and realistic. This is definitely a good example to follow!
This starts off slow, very slow and I was worried that I was going to get very bored very quickly. However Joaquin Phoenix's performance is phenomenal and although he is disturbingly thin for this, he's brilliant to watch, even considering the subject matter. If it wasn't for the Gotham setting and mention of the Wayne's, this wouldn't feel like a DC superhero/villain film and this is my main criticism. I love how dark and gritty Joker is and that this is mainly a study about mental health, but I do wish it had a little more in it to tie it to it's source material. Even just a nod to his most well known origin story as seen in some of the other films would've made this even better. I've heard a lot of people say this is uncomfortable viewing, but I didnt see that myself. It's just a stark portrayal of mental health and it does very well in this respect. The violence is sparse yet fits well - I didn't think it was overdone or excessive. And the final act with the talk show and ending was sheer brilliance and really brought Joker towards the character we know and love. It's this final part that sold this film for me, and I'm interested to see how they fit this into the rest of the DC universe, and if we start seeing more superhero films that are much darker and realistic. This is definitely a good example to follow!
Overheated: The Human Cost of Climate Change
Book
Deniers of climate change sometimes quip that claims about global warming are more about political...
Andrew Thomas (363 KP) rated The Purge (2013) in Movies
Aug 12, 2020 (Updated Aug 19, 2020)
My first exposure to smart horror.
Contains spoilers, click to show
With the exception of SAW, I didn't have a high regard for modern horror films for a longtime...until I saw The Purge.
For starters, we have quality actors like Ethan Hawke and Lena Headey that portray two seemingly unsympathetic and unrelatable rich yuppies. But eventually they prove themselves to be resourceful and in possession of some morals...unlike the crazies outside who actively celebrate The Purge.
While the very notion of The Purge is outlandish and unrealistic in our own society, the writer/director does an amazing job grounding it in reality and making it appear to be possible. It also forces you to ruminate about yourself and what you would be capable of doing if you could behave however you wish without consequences. It also makes you take a closer glance at your friends and neighbors, forcing you to ruminate about how they might act during The Purge.
The only complaint I have is that the film throws alot of lore at you without any explanation. For example, the emergency broadcast alert that announces the commencement of The Purge includes the quote "blessed be our New Founding Fathers and America, a nation reborn" First time I saw this part I said "I don't like the sound of that" Who were these New Founding Fathers? What the hell has happened to America where The Purge is now the new normal?
In conclusion, The Purge restored my enthusiasm for modern horror and captured my imagination. I highly recommend it to anyone who is interested in ultra violent crime thrillers or dystopian future stories.
For starters, we have quality actors like Ethan Hawke and Lena Headey that portray two seemingly unsympathetic and unrelatable rich yuppies. But eventually they prove themselves to be resourceful and in possession of some morals...unlike the crazies outside who actively celebrate The Purge.
While the very notion of The Purge is outlandish and unrealistic in our own society, the writer/director does an amazing job grounding it in reality and making it appear to be possible. It also forces you to ruminate about yourself and what you would be capable of doing if you could behave however you wish without consequences. It also makes you take a closer glance at your friends and neighbors, forcing you to ruminate about how they might act during The Purge.
The only complaint I have is that the film throws alot of lore at you without any explanation. For example, the emergency broadcast alert that announces the commencement of The Purge includes the quote "blessed be our New Founding Fathers and America, a nation reborn" First time I saw this part I said "I don't like the sound of that" Who were these New Founding Fathers? What the hell has happened to America where The Purge is now the new normal?
In conclusion, The Purge restored my enthusiasm for modern horror and captured my imagination. I highly recommend it to anyone who is interested in ultra violent crime thrillers or dystopian future stories.