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Jesters_folly (230 KP) rated Cooties (2015) in Movies
Aug 14, 2021
Contains spoilers, click to show
First off a warning, Cooties is a Zombie film where the zombies are children so, if you don't like violence against children than this really isn't the film for you.
Clint (Elijah Wood) moves back to his home town to work on his book and takes a job as a substitute teacher at his old school. On his first day a virus breaks out that turns all the children into zombies. Clint and the other teachers fight to escaper the school and find out what is happening.
Cooties is quite a self aware film, in one of the first scenes Clint askes his mother what she thought of his book and she tells him that the the characters are unlikable, the plot makes no sense and it's boring, the first one of those is true, most of the characters are unlikable, at least at the start of the film. The pre-zombie children are brats and the teachers range from meek to bullies. Making the children unlikable is necessary because of what happens later.
Some of the teachers do undergo character growth, as I said they start off unlikable but a few of them become more likeable as we find out what made them become teachers and how they react to the situation.
Saying that though, Cooties is not an overly cleaver film, it's a zombie film that uses horror tropes; people are trapped in small rooms, there are air vents, people get eaten and, despite how it starts there is no big message to the film. I say despite how it starts because I did think that it was going to be a big 'Anti Meat' film but any sigh of that is forgotten very soon and, apart from a slight pro-teacher message the film soon becomes another zombie flick, it doesn't even have the usual political undertones like the night of the living dead film.
Over all Cooties is generally a good zombie film but I think it will lose a big chunk of it's audience because it becomes quite violent as the teaches have to fight the children to get out.
Don't expect anything great, Cooties is just another zombie film with a gimmick that some will find distasteful but, if you like your zombie films with a bit of humour and mindless action and you can look past the fact the zombies are children then give Cooties a go.
One last thing, I did find myself asking, if the air vent is big enough to fit to small adults side by side then it must have been big enough for a large man so any one could have gone on the mission.
Clint (Elijah Wood) moves back to his home town to work on his book and takes a job as a substitute teacher at his old school. On his first day a virus breaks out that turns all the children into zombies. Clint and the other teachers fight to escaper the school and find out what is happening.
Cooties is quite a self aware film, in one of the first scenes Clint askes his mother what she thought of his book and she tells him that the the characters are unlikable, the plot makes no sense and it's boring, the first one of those is true, most of the characters are unlikable, at least at the start of the film. The pre-zombie children are brats and the teachers range from meek to bullies. Making the children unlikable is necessary because of what happens later.
Some of the teachers do undergo character growth, as I said they start off unlikable but a few of them become more likeable as we find out what made them become teachers and how they react to the situation.
Saying that though, Cooties is not an overly cleaver film, it's a zombie film that uses horror tropes; people are trapped in small rooms, there are air vents, people get eaten and, despite how it starts there is no big message to the film. I say despite how it starts because I did think that it was going to be a big 'Anti Meat' film but any sigh of that is forgotten very soon and, apart from a slight pro-teacher message the film soon becomes another zombie flick, it doesn't even have the usual political undertones like the night of the living dead film.
Over all Cooties is generally a good zombie film but I think it will lose a big chunk of it's audience because it becomes quite violent as the teaches have to fight the children to get out.
Don't expect anything great, Cooties is just another zombie film with a gimmick that some will find distasteful but, if you like your zombie films with a bit of humour and mindless action and you can look past the fact the zombies are children then give Cooties a go.
One last thing, I did find myself asking, if the air vent is big enough to fit to small adults side by side then it must have been big enough for a large man so any one could have gone on the mission.
BankofMarquis (1832 KP) rated John Wick. Chapter 4 (2023) in Movies
Mar 26, 2023
More of the Same - which is a GOOD thing
Once a series gets to it’s 4th installment - and that installment is NOT a reboot or “prequel” - the audience for said series is pretty much settled in. There is a rabid group of movie-going watchers that are looking for the intimate details and Easter Eggs to further their immersion into this world while the rest of the movie going public has probably moved on and, just might, check it out on a whim.
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Merissa (13100 KP) rated Will (The Books of the Five #2) in Books
Apr 12, 2023
You know when you read the first book in a series, fall in love with it, and presume that the next book won't be anywhere near as good... just because?! That's how I felt when I started Will. I had loved Eleanor and devoured every word. There was no way that Will could be that good, could it? OMG, yes it could be that good and even better. This book completely surpassed my expectations and took me on a poignant, raw and intense journey alongside the main character.
This lady is simply amazing as an author because she will make you dislike a character intensely and yet, within a few phrases, you will feel sorry for or like the same character. There is so much detail in her writing that you are left in no doubt as to the surroundings, expressions or feelings.
Now, it was a while ago that I read Eleanor so a few things were lost to me when I started but I quickly picked up again and proceeded to thoroughly enjoy this story. Because of the time delay though, it was unclear to me just what the problem was with Will. I was almost hoping that it wasn't simply his age because every time he said about being old, I winced as I am older than he is! This story actually hit me hard when all the secrets are revealed and I was sobbing big, ugly tears. I just can't tell you how good this story is, to have it affect me in that way.
One thing I will add though is that if you visit the author's website - http://www.mydren.com/ - you will find information about Eleanor and Will plus loads of other interesting snippets so you quickly come up to speed.
S.F. Burgess has put the Epic back into Fantasy. This book is worth every moment of your time and I can't imagine it being any shorter. Every word is needed and used with great effect.
One warning I will give and it's the same reason I have put Dark down as one of the genres - this book deals with some dark subjects, torture being one of them, and there is violence. None of this is gratuitous though and is definitely needed to make the story a better one.
HIGHLY RECOMMENDED for all Epic Fantasy fans out there who like a darker tale. If you want all glitter and rainbows then maybe you should try something else. For me personally, I will be waiting with bated breath for the release of Amelia, book 3. I really can't wait!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 30, 2016
This lady is simply amazing as an author because she will make you dislike a character intensely and yet, within a few phrases, you will feel sorry for or like the same character. There is so much detail in her writing that you are left in no doubt as to the surroundings, expressions or feelings.
Now, it was a while ago that I read Eleanor so a few things were lost to me when I started but I quickly picked up again and proceeded to thoroughly enjoy this story. Because of the time delay though, it was unclear to me just what the problem was with Will. I was almost hoping that it wasn't simply his age because every time he said about being old, I winced as I am older than he is! This story actually hit me hard when all the secrets are revealed and I was sobbing big, ugly tears. I just can't tell you how good this story is, to have it affect me in that way.
One thing I will add though is that if you visit the author's website - http://www.mydren.com/ - you will find information about Eleanor and Will plus loads of other interesting snippets so you quickly come up to speed.
S.F. Burgess has put the Epic back into Fantasy. This book is worth every moment of your time and I can't imagine it being any shorter. Every word is needed and used with great effect.
One warning I will give and it's the same reason I have put Dark down as one of the genres - this book deals with some dark subjects, torture being one of them, and there is violence. None of this is gratuitous though and is definitely needed to make the story a better one.
HIGHLY RECOMMENDED for all Epic Fantasy fans out there who like a darker tale. If you want all glitter and rainbows then maybe you should try something else. For me personally, I will be waiting with bated breath for the release of Amelia, book 3. I really can't wait!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 30, 2016
I was a big fan of Shanti Hershenson's other poetry book You Won't Know Her Name. Even though the subject matter was heavy, the poems were written extremely well. When I saw that Hershenson had published a companion poetry book titled I Know Her Name, I knew it was something I had to read. Shanti Hershenson, again, blew me away with how talented she is with her poetry.
While I Know Her Name isn't as dark or as heavy as its first book, You Won't Know Her Name, there were still some heavy themes throughout. Hershenson admits in this book that the nameless girl in You Won't Know Her Name was actually her (which I already suspected when I read the first book) and that all the poems in You Won't Know Her Name and I Know Her Name were written about what was happening and what had happened in regards to the bullying and sexual assault done at the hands of a "friend" while she was in junior high and her school's lack of caring. While I Know Her Name isn't a very long book, it still packs a big punch. The poetry is still amazingly written, and to know that they were written by such a young girl makes it even more so.
I Know Her Name is an emotional read, and my heart really went out to Shanti Hershenson whilst reading this. Her hurt, anger, sadness, frustrations, and all over emotions are easily conveyed with each poem. It broke my heart that she (and many other children) have to face bullying and abuse while the school does nothing about it. I felt like I was right beside Hershenson as she further tells her story through poetry although I felt helpless since I could only read the words and not physically do anything.
Trigger warnings for I Know Her Name include mentions of sexual assault (but not in detail), some profanity (but not much), bullying, depression, mentions of suicide and telling someone to kill themself, and violence.
All in all, I Know Her Name is such an emotional read written by a very talented teenager. It will definitely hit you with many feels and leave you angry at how the school failed this girl. Although this book can be read as a standalone, I would still read You Won't Know Her Name first just for more background and because it's so good. I would most definitely recommend I Know Her Name by Shanti Hershenson to those aged 14+ who are being bullied, have been bullied, or are the bullies themselves. This is a poetry book that won't disappoint.
While I Know Her Name isn't as dark or as heavy as its first book, You Won't Know Her Name, there were still some heavy themes throughout. Hershenson admits in this book that the nameless girl in You Won't Know Her Name was actually her (which I already suspected when I read the first book) and that all the poems in You Won't Know Her Name and I Know Her Name were written about what was happening and what had happened in regards to the bullying and sexual assault done at the hands of a "friend" while she was in junior high and her school's lack of caring. While I Know Her Name isn't a very long book, it still packs a big punch. The poetry is still amazingly written, and to know that they were written by such a young girl makes it even more so.
I Know Her Name is an emotional read, and my heart really went out to Shanti Hershenson whilst reading this. Her hurt, anger, sadness, frustrations, and all over emotions are easily conveyed with each poem. It broke my heart that she (and many other children) have to face bullying and abuse while the school does nothing about it. I felt like I was right beside Hershenson as she further tells her story through poetry although I felt helpless since I could only read the words and not physically do anything.
Trigger warnings for I Know Her Name include mentions of sexual assault (but not in detail), some profanity (but not much), bullying, depression, mentions of suicide and telling someone to kill themself, and violence.
All in all, I Know Her Name is such an emotional read written by a very talented teenager. It will definitely hit you with many feels and leave you angry at how the school failed this girl. Although this book can be read as a standalone, I would still read You Won't Know Her Name first just for more background and because it's so good. I would most definitely recommend I Know Her Name by Shanti Hershenson to those aged 14+ who are being bullied, have been bullied, or are the bullies themselves. This is a poetry book that won't disappoint.
Debbiereadsbook (1478 KP) rated Slippers and Songs (Brodyr Alarch #1) in Books
Feb 23, 2024
There is romance here, but it takes time!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Prince Brenin and his brother are summoned to help solve a mystery, to where Princess Tesni goes at night, and ruins her dancing shoes. She can't remember, and no one has been able to solve the riddle. Given that Brenin and his brothers survived a curse, they might be able to finally let Tesni sleep.
There is a book previous to this, but it's not really necessary to read Sealed with A Curse before this one. It would give you the story of how Brenin and his brothers were cursed, and why one brother still has a swan wing instead of an arm, but not really NEEDED to understand this one.
Brenin is called to help Tesni. (I was reading this as Tensi through the whole book though, so if I slip and type it wrong, I'm sorry!) They kinda clash a bit at first, but they do begin to get on once they start spending time together. There is romance here, but it takes time, and it's CLEAN. And I loved that it was! If you follow my reviews, you'll know I will always say I prefer my books on the spicier side, but here?? Nope, loved that it was clean and no violence.
I loved how I did not see who was responsible for Tesni's plight. Did not see that coming at all! Nor why! So well played there!
It's beautifully written. Full of Welsh myths and gods, and I can't remember their names but those same gods are central to Sealed With a Curse, so maybe you SHOULD read that one before this!
My only niggle, and it really is a niggle. I'm picky like that and it's my review but this won't affect my star rating! The book is told from only Brenin's point of view and I really wanted to know what Tesni was thinking, at key points along the way. When she meets Brenin, when she gets up at night, what was going through her mind, when Brenin solves the riddle, and when Brenin first asks that very important question! I loved her reaction, I kinda expected it, but I didn't expect Brenin to run away! He does come good, with a little help from previously aforementioned Welsh gods whose names I can't say let alone spell!
I'm intrigued by these fairytale retells. They are all Brothers Grimm, but ones I've never heard of! I'm looking forward to reading the next one.
I liked Sealed with a Curse, it was a nice read that I gave 4 stars to. But this one? I LOVED this one! And as such, it can only get:
5 full and shiny stars!
*same worded review will appear elsewhere
Prince Brenin and his brother are summoned to help solve a mystery, to where Princess Tesni goes at night, and ruins her dancing shoes. She can't remember, and no one has been able to solve the riddle. Given that Brenin and his brothers survived a curse, they might be able to finally let Tesni sleep.
There is a book previous to this, but it's not really necessary to read Sealed with A Curse before this one. It would give you the story of how Brenin and his brothers were cursed, and why one brother still has a swan wing instead of an arm, but not really NEEDED to understand this one.
Brenin is called to help Tesni. (I was reading this as Tensi through the whole book though, so if I slip and type it wrong, I'm sorry!) They kinda clash a bit at first, but they do begin to get on once they start spending time together. There is romance here, but it takes time, and it's CLEAN. And I loved that it was! If you follow my reviews, you'll know I will always say I prefer my books on the spicier side, but here?? Nope, loved that it was clean and no violence.
I loved how I did not see who was responsible for Tesni's plight. Did not see that coming at all! Nor why! So well played there!
It's beautifully written. Full of Welsh myths and gods, and I can't remember their names but those same gods are central to Sealed With a Curse, so maybe you SHOULD read that one before this!
My only niggle, and it really is a niggle. I'm picky like that and it's my review but this won't affect my star rating! The book is told from only Brenin's point of view and I really wanted to know what Tesni was thinking, at key points along the way. When she meets Brenin, when she gets up at night, what was going through her mind, when Brenin solves the riddle, and when Brenin first asks that very important question! I loved her reaction, I kinda expected it, but I didn't expect Brenin to run away! He does come good, with a little help from previously aforementioned Welsh gods whose names I can't say let alone spell!
I'm intrigued by these fairytale retells. They are all Brothers Grimm, but ones I've never heard of! I'm looking forward to reading the next one.
I liked Sealed with a Curse, it was a nice read that I gave 4 stars to. But this one? I LOVED this one! And as such, it can only get:
5 full and shiny stars!
*same worded review will appear elsewhere
Debbiereadsbook (1478 KP) rated Rowan & Aldred (Ambrosia #2) in Books
Aug 17, 2024
HEED the triggers, I have none but this really pushed my boundaries!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2in the Ambrosia series, and I have not read book one. I want to, though. Oh how I WANT!
I wasn't sure how this was gonna go, since it came with a stern, VERY STERN warning to note the triggers. I, after reading, STRESS that point.
Rowan is a bully and Aldred the God of Justice and Retribution. Who better to meek out the punishment the boy deserves. But something is off with Rowan and it takes a bit of time for Aldred to get deep into Rowan's reasons for being a bully. What he discovers shocks him, and makes him oddly protective of the boy. There is also the issue of the god going around, giving ambrosia out to humans, which is deadly if not managed correctly.
So, triggers:
Explicit smex: Oh yes, once Aldred decides he's keeping Rowan, the God loves his boy, and he loves him HARD.
Torture: Aldred, in the beginning, is brutal to Rowan. It was painful, reading about it, and it goes way darker than anything I've read before. I will admit, I came close to stopping, but something begged me to continue and I am so glad I did.
Mention of past abuse: Rowan's reasons for being a bully aren't immediately clear, and it does take some time for Aldred to get to the bottom of them.
Sexual assault: If it's the scen I'm thinking of, it's not a full on page assault, just the threat is there, and but for a kitty cat, there would have been.
It's a very different read than my usual fare, and I'm not tagging it as romance, because, let's be honest, I'm not sure Aldred could love in the hearts and flowers sense, but he cares, DEEPLY for Rowan, and I think, in time, his hearts and flowers will come.
Told from both Rowan and Aldred's point of view, this book is powerful in it's intensity; dark in it's violence; and in the end, the reason's for Rowan being a bully is paid back a hundred fold.
I've had a look, and can only see two books by this author name, and I question that! Why?? Cos if this is book 2 by this author, what is Lucie Fleury gonna be like at book 4, 6 or ten?? Sign me up, mate, I'm-a following this author!
Again though, HEED the triggers, I have none but this really pushed my boundaries!
But dear lord I cannot give it anything other than. . . .
5 full and shiny stars! (but more if I could!)
*same worded review will appear elsewhere
This is book 2in the Ambrosia series, and I have not read book one. I want to, though. Oh how I WANT!
I wasn't sure how this was gonna go, since it came with a stern, VERY STERN warning to note the triggers. I, after reading, STRESS that point.
Rowan is a bully and Aldred the God of Justice and Retribution. Who better to meek out the punishment the boy deserves. But something is off with Rowan and it takes a bit of time for Aldred to get deep into Rowan's reasons for being a bully. What he discovers shocks him, and makes him oddly protective of the boy. There is also the issue of the god going around, giving ambrosia out to humans, which is deadly if not managed correctly.
So, triggers:
Explicit smex: Oh yes, once Aldred decides he's keeping Rowan, the God loves his boy, and he loves him HARD.
Torture: Aldred, in the beginning, is brutal to Rowan. It was painful, reading about it, and it goes way darker than anything I've read before. I will admit, I came close to stopping, but something begged me to continue and I am so glad I did.
Mention of past abuse: Rowan's reasons for being a bully aren't immediately clear, and it does take some time for Aldred to get to the bottom of them.
Sexual assault: If it's the scen I'm thinking of, it's not a full on page assault, just the threat is there, and but for a kitty cat, there would have been.
It's a very different read than my usual fare, and I'm not tagging it as romance, because, let's be honest, I'm not sure Aldred could love in the hearts and flowers sense, but he cares, DEEPLY for Rowan, and I think, in time, his hearts and flowers will come.
Told from both Rowan and Aldred's point of view, this book is powerful in it's intensity; dark in it's violence; and in the end, the reason's for Rowan being a bully is paid back a hundred fold.
I've had a look, and can only see two books by this author name, and I question that! Why?? Cos if this is book 2 by this author, what is Lucie Fleury gonna be like at book 4, 6 or ten?? Sign me up, mate, I'm-a following this author!
Again though, HEED the triggers, I have none but this really pushed my boundaries!
But dear lord I cannot give it anything other than. . . .
5 full and shiny stars! (but more if I could!)
*same worded review will appear elsewhere
West really puts your emotions through the wringer!
Independent reviewer for BookSirens, I was gifted my copy of this book.
There are 2 things I love most about reviewing: finding new to me authors with extensive back lists, and finding brand NEW authors, who smash it out the park. THIS book falls in the latter category.
I fell into this book, and did not come up for air for better part of 3 hours! I didn't move, eat or drink, I was that engrossed in this.
Finn is a soldier, modified to be the perfect assassin. A chance meeting with Kathleen, an undercover cop who tries to save his intended target, and Finn begins to question everything. When Kathleen then becomes a target, Finn disobeys a direct order for the first time.
What I loved about this, was Finn really can't see what has been done to him, until Kathleen points it out. Oh he KNOWS he's been modified, and can be 'reset' at any time, but he doesn't really SEE, you know? Kathleen makes him SEE, makes him wonder about who he was before, about FINN, rather than The Hound, his handle.
There are multi layers to this, and I loved that. I was kept on my toes right from the start and right through the book, that didn't let up.
It's dark, yes. On page assassinations, and violence, but it was needed for the bigger picture to be clear. Although, I'm sure there is a MUCH bigger picture that fully isn't clear yet!
Once Finn started to remember, I loved that he let himself go with Kathleen. He fully gave himself to Kathleen and took what she offered him and I cheered for them at that point.
THEN!! West does what she does and I cried, cos I wasn't sure that Finn could come back from that. He does, and I cheered again. But West puts your emotions through a wringer!!
I only really have a niggle, and it is a niggle cos I'm greedy like that! I would have liked a bit more information about what was done to Finn. We get that he is put through some vigarous mind washing, and genetic modifications, and we get all that but I wanted it in more detail. I wanted to go through that with Finn. Maybe I'm kinda twisted but I wanted to feel his pain, to fully appreciate what he's been through.
Apollo is another soldier who pops up here. I am assuming he will be next and I really hope I get to read it!
4 very VERY good stars, but very well done Ms West!
*same worded review will appear elsewhere
There are 2 things I love most about reviewing: finding new to me authors with extensive back lists, and finding brand NEW authors, who smash it out the park. THIS book falls in the latter category.
I fell into this book, and did not come up for air for better part of 3 hours! I didn't move, eat or drink, I was that engrossed in this.
Finn is a soldier, modified to be the perfect assassin. A chance meeting with Kathleen, an undercover cop who tries to save his intended target, and Finn begins to question everything. When Kathleen then becomes a target, Finn disobeys a direct order for the first time.
What I loved about this, was Finn really can't see what has been done to him, until Kathleen points it out. Oh he KNOWS he's been modified, and can be 'reset' at any time, but he doesn't really SEE, you know? Kathleen makes him SEE, makes him wonder about who he was before, about FINN, rather than The Hound, his handle.
There are multi layers to this, and I loved that. I was kept on my toes right from the start and right through the book, that didn't let up.
It's dark, yes. On page assassinations, and violence, but it was needed for the bigger picture to be clear. Although, I'm sure there is a MUCH bigger picture that fully isn't clear yet!
Once Finn started to remember, I loved that he let himself go with Kathleen. He fully gave himself to Kathleen and took what she offered him and I cheered for them at that point.
THEN!! West does what she does and I cried, cos I wasn't sure that Finn could come back from that. He does, and I cheered again. But West puts your emotions through a wringer!!
I only really have a niggle, and it is a niggle cos I'm greedy like that! I would have liked a bit more information about what was done to Finn. We get that he is put through some vigarous mind washing, and genetic modifications, and we get all that but I wanted it in more detail. I wanted to go through that with Finn. Maybe I'm kinda twisted but I wanted to feel his pain, to fully appreciate what he's been through.
Apollo is another soldier who pops up here. I am assuming he will be next and I really hope I get to read it!
4 very VERY good stars, but very well done Ms West!
*same worded review will appear elsewhere
James P. Sumner (65 KP) rated Rambo: Last Blood (2019) in Movies
Sep 19, 2019
Hopefully this truly is Last Blood.
In Sylvester Stallone's fifth and (hopefully) final outing as one-man army John Rambo, we find the eponymous hero enjoying the quiet life on the Texas ranch he returned to at the end of "Rambo (2008)".
The character is still as reflective and composed as ever, with hints and flashbacks to his ongoing struggle with PTSD following his experiences in Vietnam. He trains horses on the ranch and acts as surrogate father to his college-bound niece, played by the relatively-unknown and absolutely stunning Yvette Monreal. He also has an unfathomably complex network of tunnels dug beneath his property, which could never have been done by one man, even in the 11 years that have past since the last movie.
The first ten minutes set the scene and familiarizes the audience with characters old and new. Having watched all four previous films in preparation for this one, it's quite sad to see how much the essence of Rambo as a person has changed. The first three all followed the same theme - a reluctant warrior with a muted self-loathing of the terrible abilities he has been blessed with, begrudgingly fighting someone else's war because he can't stop himself from doing what he thinks is right. The fourth one took the series in a different yet understandable direction - he's getting older, he's retired from the world, and he's minding his own business when trouble happens to find him. Then, the old Rambo we saw in "Rambo: First Blood - Part II (1985)" comes out and lays waste to everyone. But in this latest film, you barely recognize the character compared to the previous entries. He doesn't look or feel like the Rambo we've known over the years, which means this film struggles to look and feel like a Rambo film.
The next five minutes establishes the upcoming plot of the movie (such as it is), which is transparent and predictable. It then morphs into "Taken (2008)" on steroids! It takes a nice diversion at first, showing Rambo take on an entire Mexican people-trafficking ring, only to get the living hell beaten out of him. What you might think would happen in real life, but you kind of expected Rambo to go all "Rambo" on them, so when he doesn't, it's almost a pleasant surprise.
However, normal business soon resumes. Another tussle with some of the Mexican bad guys sets up the final act, which is Rambo vs. Every Mexican Criminal Ever - clips of which you will have seen in the trailer.
This is where the film lets itself down, if I'm honest. You would expect the finale to be the big payoff, but it actually ruins what would otherwise have been a half-decent film. It would be silly of me to criticize a Rambo film for being unrealistic. That being said, there's pushing the boundaries of belief, and then there's just lazy writing!
The final act begins. Five trucks of bad guys show up. Around 20-25 armed men are shown approaching Rambo's location. It's no spoiler to say he probably kills about 50 in total. Not sure where all the disposable enemies came from, but he didn't seem to mind.
Then there's the five-minute montage of him booby-trapping his ranch prior to the bad guys showing up. Something he did without any actual evidence they would come for him - just an assumption that somewhere there's a group of people who probably want to try and kill him, so best to be prepared. The whole scene feels like what would happen if "Deadpool (2016)" and "Home Alone (1990)" had a baby. Don't get me wrong, it was mindless, cringe-inducing, blood-soaked fun, but a lot of it felt unnecessarily complicated.
And then there's the violence itself. I love an action movie that drowns in crimson as much as the next person, but a lot of the violence felt like it was there for the sake of it. Like the producers said, 'We've got the 18-certificate, so let's make use of it.' I'm sure there's a deep-rooted psychological argument to be made for it. Like it's intentionally over the top to serve as a metaphor for the horrors Rambo suffered in Vietnam or something. Personally, I don't think this film is capable of being that deep and meaningful.
I really, really wanted this film to be good. I enjoyed the others and I wanted to enjoy this one. And I did, to an extent, I guess. But the whole film felt pointless. I understand the thinking that the series needed a proper and fitting end to the character's arc. But, if I'm being honest, you could've said the last film did that. It actually provides a better ending to the character than this one. The way he returned from Burma and is last seen approaching the family ranch after 30+ years away... you could've ended it there and left it to the audience's imaginations as to how he lived out the rest of his life. But money talks, and unfortunately, it ruined an otherwise successful and enjoyable franchise that had simply ran its course. A prime example of not knowing when to quit, this sentiment is echoed by Stallone's aging appearance, which takes away what credibility this character had left.
A real shame, but sadly, this isn't a film that's worth watching, unless you're a true die-hard fan of the character, in which case you'll want to watch it just because, but you'll be left disappointed.
The character is still as reflective and composed as ever, with hints and flashbacks to his ongoing struggle with PTSD following his experiences in Vietnam. He trains horses on the ranch and acts as surrogate father to his college-bound niece, played by the relatively-unknown and absolutely stunning Yvette Monreal. He also has an unfathomably complex network of tunnels dug beneath his property, which could never have been done by one man, even in the 11 years that have past since the last movie.
The first ten minutes set the scene and familiarizes the audience with characters old and new. Having watched all four previous films in preparation for this one, it's quite sad to see how much the essence of Rambo as a person has changed. The first three all followed the same theme - a reluctant warrior with a muted self-loathing of the terrible abilities he has been blessed with, begrudgingly fighting someone else's war because he can't stop himself from doing what he thinks is right. The fourth one took the series in a different yet understandable direction - he's getting older, he's retired from the world, and he's minding his own business when trouble happens to find him. Then, the old Rambo we saw in "Rambo: First Blood - Part II (1985)" comes out and lays waste to everyone. But in this latest film, you barely recognize the character compared to the previous entries. He doesn't look or feel like the Rambo we've known over the years, which means this film struggles to look and feel like a Rambo film.
The next five minutes establishes the upcoming plot of the movie (such as it is), which is transparent and predictable. It then morphs into "Taken (2008)" on steroids! It takes a nice diversion at first, showing Rambo take on an entire Mexican people-trafficking ring, only to get the living hell beaten out of him. What you might think would happen in real life, but you kind of expected Rambo to go all "Rambo" on them, so when he doesn't, it's almost a pleasant surprise.
However, normal business soon resumes. Another tussle with some of the Mexican bad guys sets up the final act, which is Rambo vs. Every Mexican Criminal Ever - clips of which you will have seen in the trailer.
This is where the film lets itself down, if I'm honest. You would expect the finale to be the big payoff, but it actually ruins what would otherwise have been a half-decent film. It would be silly of me to criticize a Rambo film for being unrealistic. That being said, there's pushing the boundaries of belief, and then there's just lazy writing!
The final act begins. Five trucks of bad guys show up. Around 20-25 armed men are shown approaching Rambo's location. It's no spoiler to say he probably kills about 50 in total. Not sure where all the disposable enemies came from, but he didn't seem to mind.
Then there's the five-minute montage of him booby-trapping his ranch prior to the bad guys showing up. Something he did without any actual evidence they would come for him - just an assumption that somewhere there's a group of people who probably want to try and kill him, so best to be prepared. The whole scene feels like what would happen if "Deadpool (2016)" and "Home Alone (1990)" had a baby. Don't get me wrong, it was mindless, cringe-inducing, blood-soaked fun, but a lot of it felt unnecessarily complicated.
And then there's the violence itself. I love an action movie that drowns in crimson as much as the next person, but a lot of the violence felt like it was there for the sake of it. Like the producers said, 'We've got the 18-certificate, so let's make use of it.' I'm sure there's a deep-rooted psychological argument to be made for it. Like it's intentionally over the top to serve as a metaphor for the horrors Rambo suffered in Vietnam or something. Personally, I don't think this film is capable of being that deep and meaningful.
I really, really wanted this film to be good. I enjoyed the others and I wanted to enjoy this one. And I did, to an extent, I guess. But the whole film felt pointless. I understand the thinking that the series needed a proper and fitting end to the character's arc. But, if I'm being honest, you could've said the last film did that. It actually provides a better ending to the character than this one. The way he returned from Burma and is last seen approaching the family ranch after 30+ years away... you could've ended it there and left it to the audience's imaginations as to how he lived out the rest of his life. But money talks, and unfortunately, it ruined an otherwise successful and enjoyable franchise that had simply ran its course. A prime example of not knowing when to quit, this sentiment is echoed by Stallone's aging appearance, which takes away what credibility this character had left.
A real shame, but sadly, this isn't a film that's worth watching, unless you're a true die-hard fan of the character, in which case you'll want to watch it just because, but you'll be left disappointed.
For Scrabble Lovers
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Canadian author Susin Nielsen continues to entertain children with her latest novel Word Nerd. Similarly with characters from previous novels, the pre-teen Ambrose is a bit of a misfit. With a deathly peanut allergy and an over protective parent who travels from job to job, Ambrose never manages to make any friends. Now settled in Vancouver, Ambrose is the happiest he has ever been. He is homeschooled away from all the bullies, has made a friend and found a passion in Scrabble. However, he has to keep all of this secret from his mother.
Ambrose is a funny, intelligent narrator who draws the reader in from the very first line: “The day I almost died…” Like many children who do not fit in with peers at school, Ambrose’s passions lie within less conventional past times, i.e. playing Scrabble. Able to quickly pull out several words from a jumble of letters – emphasized by the anagram chapter headings – he is overjoyed to learn of a nearby Scrabble club and knows just the person to accompany him.
Cosmo is a character that younger readers may struggle to come to terms with. An ex-convict and recovering drug addict, Cosmo also enjoys playing Scrabble and is persuaded by his annoying neighbour – Ambrose – to go to the club. An unconventional friendship sparks between the two of them, both unintentionally helping the other out. Cosmo encourages Ambrose to stand up to the bullies, whereas having a child around keeps Cosmo away from the things that resulted in a prison sentence. Despite the positives in this relationship, Ambrose’s mother believes Cosmo to be completely untrustworthy.
Although Ambrose and Cosmo are the main characters in Word Nerd, Ambrose’s mother maintains an important role. Having lost her husband suddenly and unexpectedly, she must have been terrified to learn of Ambrose’s peanut allergy. In order to prevent her son from leaving her as well, she has become overprotective and controlling, denying Ambrose the right to live his own life.
Some readers may have experienced similar situations either at school or with their parents. Word Nerd, whilst being a form of entertainment, explains the potential reasons behind these scenarios, helping children to understand what may be occurring in their lives. It also highlights the dangers of drug addictions and crime, but also suggests that people can change their ways.
Word Nerd, whilst voiced by a twelve year old, is more appropriate for readers in their teens. Ambrose is very mature at such a young age, and the book contains subjects of drugs and violence as well as mild sexual references. What Susin Nielsen has produced is an amusing story with a powerful message. Both entertaining and insightful, Word Nerd is perhaps Nielsen’s best novel yet.
Canadian author Susin Nielsen continues to entertain children with her latest novel Word Nerd. Similarly with characters from previous novels, the pre-teen Ambrose is a bit of a misfit. With a deathly peanut allergy and an over protective parent who travels from job to job, Ambrose never manages to make any friends. Now settled in Vancouver, Ambrose is the happiest he has ever been. He is homeschooled away from all the bullies, has made a friend and found a passion in Scrabble. However, he has to keep all of this secret from his mother.
Ambrose is a funny, intelligent narrator who draws the reader in from the very first line: “The day I almost died…” Like many children who do not fit in with peers at school, Ambrose’s passions lie within less conventional past times, i.e. playing Scrabble. Able to quickly pull out several words from a jumble of letters – emphasized by the anagram chapter headings – he is overjoyed to learn of a nearby Scrabble club and knows just the person to accompany him.
Cosmo is a character that younger readers may struggle to come to terms with. An ex-convict and recovering drug addict, Cosmo also enjoys playing Scrabble and is persuaded by his annoying neighbour – Ambrose – to go to the club. An unconventional friendship sparks between the two of them, both unintentionally helping the other out. Cosmo encourages Ambrose to stand up to the bullies, whereas having a child around keeps Cosmo away from the things that resulted in a prison sentence. Despite the positives in this relationship, Ambrose’s mother believes Cosmo to be completely untrustworthy.
Although Ambrose and Cosmo are the main characters in Word Nerd, Ambrose’s mother maintains an important role. Having lost her husband suddenly and unexpectedly, she must have been terrified to learn of Ambrose’s peanut allergy. In order to prevent her son from leaving her as well, she has become overprotective and controlling, denying Ambrose the right to live his own life.
Some readers may have experienced similar situations either at school or with their parents. Word Nerd, whilst being a form of entertainment, explains the potential reasons behind these scenarios, helping children to understand what may be occurring in their lives. It also highlights the dangers of drug addictions and crime, but also suggests that people can change their ways.
Word Nerd, whilst voiced by a twelve year old, is more appropriate for readers in their teens. Ambrose is very mature at such a young age, and the book contains subjects of drugs and violence as well as mild sexual references. What Susin Nielsen has produced is an amusing story with a powerful message. Both entertaining and insightful, Word Nerd is perhaps Nielsen’s best novel yet.
Lee (2222 KP) rated Get Out (2017) in Movies
Jul 26, 2017
Amazingly, I managed to head into Get Out having not even seen the trailer. It had been appearing more and more frequently on my news feeds recently, usually accompanied by a lot of positive buzz, and usually featuring an image of lead character Chris, wide eyed and terrified, with a tear running down his cheek (note that I’ve continued this trend with my review!). Described as a racial satire/horror it just didn’t really feature high on my watch list, but I booked a ticket to go see it, wanting to see what all the buzz was about. I’m kind of glad that I went in relatively blind as to what to expect though, as I was absolutely blown away by it.
Daniel Kaluuya plays Chris, a young black man dating a white girl called Rose (Allison Williams). He’s preparing to go and meet her parents for the first time but he’s a bit unsure as to what they’re going to think about him, despite Rose assuring him that he’s got nothing to worry about. When they arrive at the huge house out in the country, her parents really are fine with Chris. And they take every opportunity during their conversations to be positive about race and to assure Chris that they’re fine with him too, to the point where Chris (and us) begin to feel a little bit uneasy. This unease isn’t helped by the fact that there are two black servants in the house, neither of whom have very much to say and both acting very strangely. At night, the housekeeper wanders quietly around the house while the groundsman sprints around outside in the dark!
Paranoia and tension continues when a large group of family friends arrives for a party and they all seem very keen to get to know Chris and bond with him. One of the guests even has a black ‘companion’ who is also acting strangely. Despite the assurances from all, things definitely are not OK…
Of the little I read about Get Out beforehand, one of the reviews that stuck with me most described it a little bit like From Dusk Til Dawn in the way that everything suddenly all goes to shit in a hugely enjoyable and unexpected twist. There are definitely no vampires or anything similar in this movie, but I felt that it was a pretty good comparison. The movie spends a long time putting you on the edge of your seat, building up the tension, providing plenty of food for thought on modern day racism and adding the odd bit of welcome comedy relief from Chris’ friend on the end of the phone trying to support him. It’s all hugely enjoyable and even though you can guess pretty early on what’s going on, it’s all still hugely satisfying when the truth finally is revealed and the violence and action take over.
Daniel Kaluuya plays Chris, a young black man dating a white girl called Rose (Allison Williams). He’s preparing to go and meet her parents for the first time but he’s a bit unsure as to what they’re going to think about him, despite Rose assuring him that he’s got nothing to worry about. When they arrive at the huge house out in the country, her parents really are fine with Chris. And they take every opportunity during their conversations to be positive about race and to assure Chris that they’re fine with him too, to the point where Chris (and us) begin to feel a little bit uneasy. This unease isn’t helped by the fact that there are two black servants in the house, neither of whom have very much to say and both acting very strangely. At night, the housekeeper wanders quietly around the house while the groundsman sprints around outside in the dark!
Paranoia and tension continues when a large group of family friends arrives for a party and they all seem very keen to get to know Chris and bond with him. One of the guests even has a black ‘companion’ who is also acting strangely. Despite the assurances from all, things definitely are not OK…
Of the little I read about Get Out beforehand, one of the reviews that stuck with me most described it a little bit like From Dusk Til Dawn in the way that everything suddenly all goes to shit in a hugely enjoyable and unexpected twist. There are definitely no vampires or anything similar in this movie, but I felt that it was a pretty good comparison. The movie spends a long time putting you on the edge of your seat, building up the tension, providing plenty of food for thought on modern day racism and adding the odd bit of welcome comedy relief from Chris’ friend on the end of the phone trying to support him. It’s all hugely enjoyable and even though you can guess pretty early on what’s going on, it’s all still hugely satisfying when the truth finally is revealed and the violence and action take over.