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Andy K (10823 KP) rated 3 From Hell (2019) in Movies
Oct 18, 2019 (Updated Oct 18, 2019)
Very disappointing
It seems 3 From Hell was doomed before it began for several reasons.
First, why did Zombie wait so long between sequels? The time between House of 1,000 Corpses and The Devil's Rejects was only 2 years. Zombie was a hot director at the time. Maybe he felt his career as a prominent horror director would continue to blossom after he was handed the reigns of rebooting the Halloween franchise.
Second, talk about painting yourself into a corner thematically having your three main characters go up against a police roadblock at the end of the last film getting sprayed with an onslaught of law enforcement ammunition. These are not immortal characters here, so explaining that circumstance would be difficult one indeed.
Third, and probably most importantly for fans, one of your leads has become deathly ill, lost a lot of weight, and probably cannot handle the strain of a large acting role at this time. Sid Haig dies only a few days after this film's release and his role was reduced to basically a cameo within the first few minutes of the movie disappointing fans of his unique personality as Captain Spaulding to minimal screen time. This eventuality made Rob Zombie have to do extensive rewrites to reinvent his third 3 From Hell baddie, and it was definitely a step down.
Explaining the plot of the film would almost mirror exactly that of the previous film. Somehow, the 3 survive their being riddled with 20 bullets each and get incarcerated for their convictions of the years of murder , torture and other bad deeds they have inflicted on their victims. Otis breaks free and escapes one day on his prison work detail and goes after the family and friends of the warden. A plan is put in place to execute the release of his beautiful, but deadly sister, Baby, by smuggling her out in a prison guard uniform.
After she returns to the warden's home full of kidnap victims (carbon copy of the motel scenes from Rejects) the two baddies along with their badass stepbrother decide to make their way to Mexico to evade capture and indulge in the good life of excess.
After they arrive, they have fun with the locals while secretly are betrayed to a band of south of the border hooligans looking to get revenge themselves on the 3 who had murdered a relative (again the same as the sheriff in Rejects).
I really couldn't believe the plot points being so very similar to Rejects. Zombie clearly ran out of good ideas and felt like the audience would just be happy to see more random bloody violence perpetrated by characters they knew and loved. Not true for me as I became bored quite quickly hoping for something interesting to happen which never really did.
The look of the film was also quite different. It seems Zombie's popularity is not what it once was and his budget this time must have been much smaller. The cinematography was weak and not very creative and the visual effects were just north of Sharknado level I thought with poor quality with the bullet wounds and stabbing injuring looking amateur.
Overall, very disappointed for a long wait with a poor 3rd film payoff. This is one of those times they should've quit with two movies and quit while they were ahead.
First, why did Zombie wait so long between sequels? The time between House of 1,000 Corpses and The Devil's Rejects was only 2 years. Zombie was a hot director at the time. Maybe he felt his career as a prominent horror director would continue to blossom after he was handed the reigns of rebooting the Halloween franchise.
Second, talk about painting yourself into a corner thematically having your three main characters go up against a police roadblock at the end of the last film getting sprayed with an onslaught of law enforcement ammunition. These are not immortal characters here, so explaining that circumstance would be difficult one indeed.
Third, and probably most importantly for fans, one of your leads has become deathly ill, lost a lot of weight, and probably cannot handle the strain of a large acting role at this time. Sid Haig dies only a few days after this film's release and his role was reduced to basically a cameo within the first few minutes of the movie disappointing fans of his unique personality as Captain Spaulding to minimal screen time. This eventuality made Rob Zombie have to do extensive rewrites to reinvent his third 3 From Hell baddie, and it was definitely a step down.
Explaining the plot of the film would almost mirror exactly that of the previous film. Somehow, the 3 survive their being riddled with 20 bullets each and get incarcerated for their convictions of the years of murder , torture and other bad deeds they have inflicted on their victims. Otis breaks free and escapes one day on his prison work detail and goes after the family and friends of the warden. A plan is put in place to execute the release of his beautiful, but deadly sister, Baby, by smuggling her out in a prison guard uniform.
After she returns to the warden's home full of kidnap victims (carbon copy of the motel scenes from Rejects) the two baddies along with their badass stepbrother decide to make their way to Mexico to evade capture and indulge in the good life of excess.
After they arrive, they have fun with the locals while secretly are betrayed to a band of south of the border hooligans looking to get revenge themselves on the 3 who had murdered a relative (again the same as the sheriff in Rejects).
I really couldn't believe the plot points being so very similar to Rejects. Zombie clearly ran out of good ideas and felt like the audience would just be happy to see more random bloody violence perpetrated by characters they knew and loved. Not true for me as I became bored quite quickly hoping for something interesting to happen which never really did.
The look of the film was also quite different. It seems Zombie's popularity is not what it once was and his budget this time must have been much smaller. The cinematography was weak and not very creative and the visual effects were just north of Sharknado level I thought with poor quality with the bullet wounds and stabbing injuring looking amateur.
Overall, very disappointed for a long wait with a poor 3rd film payoff. This is one of those times they should've quit with two movies and quit while they were ahead.
Goddess in the Stacks (553 KP) rated Internment in Books
Jul 25, 2019
This book should be required reading in schools. Especially now. It could be paired with Anne Frank. One history, one a possible future. Probable, even. Depending on how you look at it, an actual present. We DO have concentration camps on the border. (Which makes me shudder to write, what in the absolute FUCK.)
*breathes deeply*
Internment is a gut-punch of a book. I had to set it down two pages in and get control of myself, and again around page eleven. I took breaks throughout reading it to do HOUSEWORK, of all things, because I needed the mental and emotional reprieve. And I'm a white woman. I have the privilege of being pretty sure I will never be the target of these kinds of atrocities. Which means I have the responsibility to work against them. I'm also a physically weak, chronic-illness-having, unemployed white woman, (which does have the benefit of letting me keep on eye on my middle-eastern neighbors' houses to watch for ICE showing up - I fully intend to go make myself a damned nuisance if they do) so I can't go storm the camps or march for hours at protests. What I can do is boost books like this.
If you're white, GO READ THIS BOOK. Suck it up and read it. I don't have the same recommendation for my friends of color because they already live with this kind of fear and racism. They don't need it illustrated to them. WE DO.
This book needs content warnings for violence, threats of rape, anxiety-inducing situations, racism, violent death - Samira Ahmed does NOT pull punches. Direct resistance is costly. It takes courage and sacrifice, and she does not shy away from showing that. It would be sugar-coating if she did.
Internment focuses on the idea of America forcing citizens into camps - but we are already forcing non-citizens into camps. The Red Cross visits the camp, not unlike our politicians visiting the immigrant concentration camps on our border now. They have a garden they can work on in the camp - not unlike a pair of photos I saw on Twitter. (see blog for photos.)
Internment is stunning, heartbreaking, and inspiring, and if you're emotionally capable of it, YOU SHOULD READ IT. This is happening, right now, on our southern border. It is infuriating that our politicians have not put a stop to it yet. My own Congressman (I just moved into this area, I haven't had a chance to vote on him yet) just visited the camps, and his Twitter thread on them is SO CAREFUL to use absolutely neutral language when talking about them, and it pisses me off. This is NOT a neutral subject.
Internment did have a few downsides - the Director never gets a name (though the book is told from Layla's viewpoint, and it would not surprise me if he never bothered to GIVE his name to the internees) and he's almost cartoonishly evil. I would have liked to know more about the guard that helped Layla on occasion, but again, told as it was from her viewpoint, it can be excused by saying she simply didn't know more about him. But this IS a Young Adult novel told from a seventeen-year-old's viewpoint. We're only going to get what she knows and feels. So these downsides don't detract from the book for me.
To sum up - I recommend Internment at the highest level. You absolutely must read this book.
You can find all my reviews and more at http://goddessinthestacks.com
*breathes deeply*
Internment is a gut-punch of a book. I had to set it down two pages in and get control of myself, and again around page eleven. I took breaks throughout reading it to do HOUSEWORK, of all things, because I needed the mental and emotional reprieve. And I'm a white woman. I have the privilege of being pretty sure I will never be the target of these kinds of atrocities. Which means I have the responsibility to work against them. I'm also a physically weak, chronic-illness-having, unemployed white woman, (which does have the benefit of letting me keep on eye on my middle-eastern neighbors' houses to watch for ICE showing up - I fully intend to go make myself a damned nuisance if they do) so I can't go storm the camps or march for hours at protests. What I can do is boost books like this.
If you're white, GO READ THIS BOOK. Suck it up and read it. I don't have the same recommendation for my friends of color because they already live with this kind of fear and racism. They don't need it illustrated to them. WE DO.
This book needs content warnings for violence, threats of rape, anxiety-inducing situations, racism, violent death - Samira Ahmed does NOT pull punches. Direct resistance is costly. It takes courage and sacrifice, and she does not shy away from showing that. It would be sugar-coating if she did.
Internment focuses on the idea of America forcing citizens into camps - but we are already forcing non-citizens into camps. The Red Cross visits the camp, not unlike our politicians visiting the immigrant concentration camps on our border now. They have a garden they can work on in the camp - not unlike a pair of photos I saw on Twitter. (see blog for photos.)
Internment is stunning, heartbreaking, and inspiring, and if you're emotionally capable of it, YOU SHOULD READ IT. This is happening, right now, on our southern border. It is infuriating that our politicians have not put a stop to it yet. My own Congressman (I just moved into this area, I haven't had a chance to vote on him yet) just visited the camps, and his Twitter thread on them is SO CAREFUL to use absolutely neutral language when talking about them, and it pisses me off. This is NOT a neutral subject.
Internment did have a few downsides - the Director never gets a name (though the book is told from Layla's viewpoint, and it would not surprise me if he never bothered to GIVE his name to the internees) and he's almost cartoonishly evil. I would have liked to know more about the guard that helped Layla on occasion, but again, told as it was from her viewpoint, it can be excused by saying she simply didn't know more about him. But this IS a Young Adult novel told from a seventeen-year-old's viewpoint. We're only going to get what she knows and feels. So these downsides don't detract from the book for me.
To sum up - I recommend Internment at the highest level. You absolutely must read this book.
You can find all my reviews and more at http://goddessinthestacks.com
Phil Leader (619 KP) rated The Court of the Air (Jackelian, #1) in Books
Nov 11, 2019
The land of Jackals is under threat. Ancient foes are threatening its people and its borders. Who can save the land?
Molly Templar is an orphan scratching a living in a poor house. But someone wants her very badly - badly enough to kill anyone who gets in the way. But who would want a poor orphan girl and why?
Oliver Brooks is an outcast. He was lost for two years in the feymist when he was younger. He must have been changed but shows no signs, he appears to be completely normal. But he still needs to report to the authorities regularly and lives in virtual house arrest with his uncle. Until his uncle is killed and Oliver barely escapes.
So begins The Court Of The Air, a stupendous rolling epic set in the strange land of Jackals, a place which is sort of like Victorian England but is also completely different. There are guns and airships, bombs and politicians aplenty. There is also magic and gods stalk the shadows of the world. Sentient steam driven robots have their own country and their own religion.
This is one of those immersive novels. Nothing is explained as it is seen from the viewpoint of the main characters, and they don't need to explain their own world to themselves. This might deter some readers because although there are some familiar concepts many are new or reworked in subtly different ways so that assumptions are dangerous. Personally I enjoy being thrown into the deep end and having to work at understanding the world of the author. I was definitely in my element.
Hunt has an amazing imagination. He is like the curator of a museum of wonders, allowing quick glimpses at the shiny trinkets before twitching aside the curtain to the rather more sinister exhibits he keeps in the basement. He also has a prose style that is frequently poetic and full of brilliant metaphor and simile. One of my favourites was describing a camera as having its nose pointing sadly downwards. And the writing is dense, very dense. I took my time over this book because it was worth it to extract every nuance and vibe conveyed by the words on the page.
The plot is sprawling and convoluted. Oliver and Molly are the main characters but there are others on all sides of the conflict and very little is as it seems or black and white. The first half of the book concerns Molly and Oliver being separately pursued as various aspects of Jackals' geography and politics are revealed (and the political systems are a hoot). Once we find out what is going on the pursued then must try to confront and thwart the danger, not only to them but to their country and the world.
The threads finally come together in a cataclysmic ending. The plot does unravel a little as everything happens at once and there are plenty of clever twists. There is a certain about of deus ex machina in the ending but I would rather that than a tedious few pages of exposition. The good guys win. The bad guys are vanquished. And it's all very entertaining.
Now I do accept that it is a challenging read and some people will not take to it so I can't recommend it without saying, read an excerpt first. If you like reading it (even if you don't as yet understand what half of it means) then read all of it. You will not be disappointed.
Rated: Some violence
Molly Templar is an orphan scratching a living in a poor house. But someone wants her very badly - badly enough to kill anyone who gets in the way. But who would want a poor orphan girl and why?
Oliver Brooks is an outcast. He was lost for two years in the feymist when he was younger. He must have been changed but shows no signs, he appears to be completely normal. But he still needs to report to the authorities regularly and lives in virtual house arrest with his uncle. Until his uncle is killed and Oliver barely escapes.
So begins The Court Of The Air, a stupendous rolling epic set in the strange land of Jackals, a place which is sort of like Victorian England but is also completely different. There are guns and airships, bombs and politicians aplenty. There is also magic and gods stalk the shadows of the world. Sentient steam driven robots have their own country and their own religion.
This is one of those immersive novels. Nothing is explained as it is seen from the viewpoint of the main characters, and they don't need to explain their own world to themselves. This might deter some readers because although there are some familiar concepts many are new or reworked in subtly different ways so that assumptions are dangerous. Personally I enjoy being thrown into the deep end and having to work at understanding the world of the author. I was definitely in my element.
Hunt has an amazing imagination. He is like the curator of a museum of wonders, allowing quick glimpses at the shiny trinkets before twitching aside the curtain to the rather more sinister exhibits he keeps in the basement. He also has a prose style that is frequently poetic and full of brilliant metaphor and simile. One of my favourites was describing a camera as having its nose pointing sadly downwards. And the writing is dense, very dense. I took my time over this book because it was worth it to extract every nuance and vibe conveyed by the words on the page.
The plot is sprawling and convoluted. Oliver and Molly are the main characters but there are others on all sides of the conflict and very little is as it seems or black and white. The first half of the book concerns Molly and Oliver being separately pursued as various aspects of Jackals' geography and politics are revealed (and the political systems are a hoot). Once we find out what is going on the pursued then must try to confront and thwart the danger, not only to them but to their country and the world.
The threads finally come together in a cataclysmic ending. The plot does unravel a little as everything happens at once and there are plenty of clever twists. There is a certain about of deus ex machina in the ending but I would rather that than a tedious few pages of exposition. The good guys win. The bad guys are vanquished. And it's all very entertaining.
Now I do accept that it is a challenging read and some people will not take to it so I can't recommend it without saying, read an excerpt first. If you like reading it (even if you don't as yet understand what half of it means) then read all of it. You will not be disappointed.
Rated: Some violence
Phil Leader (619 KP) rated The Great Zoo of China in Books
Nov 13, 2019
The Chinese government have been working for years to create the ultimate tourist attraction, a very special zoo stocking with only one kind of animal - dragons. Long considered a myth the Chinese have found that they do exist and now they are ready to astound the world by showing of these amazing creatures and the fantastic zoo they have created to house them.
CJ Cameron is one of those invited to attend a special press preview tour, on behalf of National Geographic. A renowned expert on all types of reptiles she takes her brother Hamish with her as a photographer as part of a small and select group so that they can be the first to reveal the zoo to the world.
But on this special day, the dragons have their own plan and soon the Chinese are fighting for control of the dragons and the zoo they have created, with Cameron and the other group of journalists caught in the middle as the fearsome beasts rampage through the complex. Cameron must rely on her wits and experience with crocodiles and alligators to survive.
The obvious four word description of this book is 'Jurassic Park with dragons' but also superficially that does describe it's also missing the point of both books. Indeed Reilly acknowledges the Jurassic Park angle, both in an off the cuff remark by Hamish at the start of the book and also in the interview at the back. Jurassic Park has Michael Crichton in full science-as-thriller mode, pondering the latest advances (at the time) of both DNA and fossil discoveries and then giving a glimpse of how these beasts must have been when they ruled the world. The thrill comes from the dinosaurs themselves, they are the stars of the book.
In The Great Zoo of China the dragons are very much a McGuffin. Any suitably fearsome creature would have done, real, historical, mythical or completely imagined. They are simply a powerful threat to humans and agents capable of wreaking huge amounts of death and destruction, as would be expected of Reilly. The star of the show is Cameron, and to a lesser extent her brother (and a few others).
Cameron is Reilly's first lead female character in an action role (The Tournament being a completely different kind of book) and this works really well in the novel, both in terms of setup and plot and she makes a convincing heroine using her knowledge and intelligence to combat each threat.
Of course there are moments where the reader has to suspend their belief. Reilly doesn't aim for gritty realism, he goes for the big and impressive set pieces, almost certain death and narrow escapes that clearly would be impossible in the real world. His novels are very much blockbuster movies transferred to the written word, with the added bonus that the special effects come free courtesy of the reader's imagination.
As usual the plot drives at a breathtaking pace although the real story doesn't start until Reilly has taken us on a tour of his ultimate zoo and shown off his dragons before letting them off the leash.
Yes some of it is pure hokum and there are a couple of plot holes, but at the end of the day this was not written to win any literary prizes. This was written to entertain and thrill and it does that with ease.
Rated: Strong language and graphic violence (i.e. lots of people eaten by dragons)
CJ Cameron is one of those invited to attend a special press preview tour, on behalf of National Geographic. A renowned expert on all types of reptiles she takes her brother Hamish with her as a photographer as part of a small and select group so that they can be the first to reveal the zoo to the world.
But on this special day, the dragons have their own plan and soon the Chinese are fighting for control of the dragons and the zoo they have created, with Cameron and the other group of journalists caught in the middle as the fearsome beasts rampage through the complex. Cameron must rely on her wits and experience with crocodiles and alligators to survive.
The obvious four word description of this book is 'Jurassic Park with dragons' but also superficially that does describe it's also missing the point of both books. Indeed Reilly acknowledges the Jurassic Park angle, both in an off the cuff remark by Hamish at the start of the book and also in the interview at the back. Jurassic Park has Michael Crichton in full science-as-thriller mode, pondering the latest advances (at the time) of both DNA and fossil discoveries and then giving a glimpse of how these beasts must have been when they ruled the world. The thrill comes from the dinosaurs themselves, they are the stars of the book.
In The Great Zoo of China the dragons are very much a McGuffin. Any suitably fearsome creature would have done, real, historical, mythical or completely imagined. They are simply a powerful threat to humans and agents capable of wreaking huge amounts of death and destruction, as would be expected of Reilly. The star of the show is Cameron, and to a lesser extent her brother (and a few others).
Cameron is Reilly's first lead female character in an action role (The Tournament being a completely different kind of book) and this works really well in the novel, both in terms of setup and plot and she makes a convincing heroine using her knowledge and intelligence to combat each threat.
Of course there are moments where the reader has to suspend their belief. Reilly doesn't aim for gritty realism, he goes for the big and impressive set pieces, almost certain death and narrow escapes that clearly would be impossible in the real world. His novels are very much blockbuster movies transferred to the written word, with the added bonus that the special effects come free courtesy of the reader's imagination.
As usual the plot drives at a breathtaking pace although the real story doesn't start until Reilly has taken us on a tour of his ultimate zoo and shown off his dragons before letting them off the leash.
Yes some of it is pure hokum and there are a couple of plot holes, but at the end of the day this was not written to win any literary prizes. This was written to entertain and thrill and it does that with ease.
Rated: Strong language and graphic violence (i.e. lots of people eaten by dragons)
Heather Cranmer (2721 KP) rated Alee: an Every Girl novel in Books
Dec 2, 2019
I love realistic fiction books that are a bit dark. When I first read the synopsis of Alee by Nicole Loufas, I was instantly hooked. I ended up devouring this novel in a short time!
The book starts out with Alee as a 17 year old high school senior. After sleeping with her boyfriend's best friend, she dumps her boyfriend for being too selfish. After being slut shamed at school, Alee finds comfort in her best friend Bryn. However, while at swim practice, Bryn is shot and killed. Around that time, Alee reconnects with her father that left her and her mother when she was 5, but even he isn't really there being as he's a homeless drug addict. With everything going wrong, Alee finds solace in Laine, her now ex-boyfriend's best friend - the one she slept with. The book talks briefly about Alee's life until the age of 21 where it really focuses on what is going on with Alee. When a major life even happens, Alee is thrown into a downward spiral that she may not ever escape.
I thought the plot for Alee was written beautifully. It's a story that most people can relate to in some way. I was sucked into the plot, and I felt like I was a ghost watching Alee's life unfold from the age of 17 to 21. There are a few minor plot twists which are interesting, but there are no cliff hangers. All of my questions were answered by the end of the book. The pacing for Alee is mostly perfect. There are a few, very rare, times where the pacing slows down, but it instantly picks right back up. I was never bored while reading Alee.
The characters in Alee felt very realistic and fleshed out. In fact, I felt like I knew all of these characters at one point in my life. Alee is such a strong character. She has had so much bad happen to her. It's as if she can't catch a break. It was interesting to follow Alee's thoughts on everything that would happen to her. She tried to stay positive even when her world was crashing down. I absolutely loved Alee, and I kept wanting something positive to happen to her. Laine seemed like such a great guy, and it was obvious how much Alee meant to him (and him to Alee). I loved reading about the love between Laine and Alee. I liked how Loufas made them feel like a real couple by giving them problems as well and not some Hollywood romance. I never really liked Benny. He was well written, but I always felt like I couldn't trust him. Throughout the book, I just kept wishing that he'd stay away from Alee!
Alee is a dark read, and it has quite a few strong triggers. These include gun violence, death, murder, suicide, rape, drug use, alcoholism, miscarriage, profanity, mentions of underage sex, and sexual situations (although not too graphic).
All in all, Alee was a very interesting and emotional read. If you are a fan of sunshine and rainbow books, Alee is not for you. However, if you're after a gritty, beautifully written realistic fiction novel that discuses tough issues, then Alee is the book you've been waiting for. I would definitely recommend Alee by Nicole Loufas to those aged 17+. Alee is one of those books that will keep you thinking about everything that happened in it long after you've finished reading it.
The book starts out with Alee as a 17 year old high school senior. After sleeping with her boyfriend's best friend, she dumps her boyfriend for being too selfish. After being slut shamed at school, Alee finds comfort in her best friend Bryn. However, while at swim practice, Bryn is shot and killed. Around that time, Alee reconnects with her father that left her and her mother when she was 5, but even he isn't really there being as he's a homeless drug addict. With everything going wrong, Alee finds solace in Laine, her now ex-boyfriend's best friend - the one she slept with. The book talks briefly about Alee's life until the age of 21 where it really focuses on what is going on with Alee. When a major life even happens, Alee is thrown into a downward spiral that she may not ever escape.
I thought the plot for Alee was written beautifully. It's a story that most people can relate to in some way. I was sucked into the plot, and I felt like I was a ghost watching Alee's life unfold from the age of 17 to 21. There are a few minor plot twists which are interesting, but there are no cliff hangers. All of my questions were answered by the end of the book. The pacing for Alee is mostly perfect. There are a few, very rare, times where the pacing slows down, but it instantly picks right back up. I was never bored while reading Alee.
The characters in Alee felt very realistic and fleshed out. In fact, I felt like I knew all of these characters at one point in my life. Alee is such a strong character. She has had so much bad happen to her. It's as if she can't catch a break. It was interesting to follow Alee's thoughts on everything that would happen to her. She tried to stay positive even when her world was crashing down. I absolutely loved Alee, and I kept wanting something positive to happen to her. Laine seemed like such a great guy, and it was obvious how much Alee meant to him (and him to Alee). I loved reading about the love between Laine and Alee. I liked how Loufas made them feel like a real couple by giving them problems as well and not some Hollywood romance. I never really liked Benny. He was well written, but I always felt like I couldn't trust him. Throughout the book, I just kept wishing that he'd stay away from Alee!
Alee is a dark read, and it has quite a few strong triggers. These include gun violence, death, murder, suicide, rape, drug use, alcoholism, miscarriage, profanity, mentions of underage sex, and sexual situations (although not too graphic).
All in all, Alee was a very interesting and emotional read. If you are a fan of sunshine and rainbow books, Alee is not for you. However, if you're after a gritty, beautifully written realistic fiction novel that discuses tough issues, then Alee is the book you've been waiting for. I would definitely recommend Alee by Nicole Loufas to those aged 17+. Alee is one of those books that will keep you thinking about everything that happened in it long after you've finished reading it.
Darren (1599 KP) rated This Is England (2007) in Movies
Dec 2, 2019
Verdict: Gritty, Hard Hitting Reality Check
Story: This is England starts as young boy Shaun (Turgoose) is struggling with the death of his father in conflict in 1983, he gets picked on at school, he doesn’t fit in, until a group of skinheads led by Woody (Gilgun) welcoming him into their circle of friends for an afternoon of trouble, while his mother Cynth (Hartley) isn’t completely happy with this group, she does see him being happy for the first time in years.
When the other leader of the group Combo (Graham) gets out of prisons, he brings a more aggressive nature to what the gang wants to be, despite Woody, just wanting it to be friends hanging out.
Thoughts on This is England
Characters – Shaun is a 12-year-old boy that has suffered with the loss of his own father’s death in the Falklands, he gets bullied by the other school kids and has always just been left feeling alone in the world. The only people that let him in are Woody and the gang of skin heads who just want to hang out and soon gets drawn into a darker side by the more aggressive leaders of the gang. Combo is the older leader of the gang that doesn’t hold back with his hatred to other races in his country, he will fight anybody who goes again his gang too, being a horrendous role model for Shaun. Cynth is the mother of Shaun, she wants to see her son enjoying his life more but is getting worried about his own life choices. Woody is the member of the skin head gang that invites Shaun into the gang, he wants to help him fight back against the bullies, by offering somebody to hang out with.
Performances – Thomas Turgoose in the leading role is fantastic as we see just how he is dealing with his own grief in all the wrong places. Stephen Graham steals the show with his hyper aggressive character, while the rest of the cast do make us feel like we are watching mates hanging out.
Story – The story here follows a 12-year-old boy that ends up joining a skinhead gang after he struggles to find a way to deal with the grief in his life from his father’s death. The story does tackle just how difficult grief could be for the children of the victims of war, with Shaun having his school friends pick on him because of his father’s death, which in todays, not the 80s wouldn’t be acceptable in anyway, with everybody being more supportive. The idea of joining the gang and just how the gang soon starts to consume his life, effecting his behaviour shows how being given the wrong lines to follow will not make life any easier. We do see how the world has changed since the 80s and how the skinhead culture should never be forced onto anybody.
Crime – The crime world we get placed into here it, involves the violent behaviour of the skinhead gangs to anybody that doesn’t fit into their profile.
Settings – The film is set in the midlands of the UK which does show the neighbours that would have been struggling in the 1980s.
Scene of the Movie – The first day out with the gang.
That Moment That Annoyed Me – 12-year-old dating an 18-year-old seems weird.
Final Thoughts – This film does show the violence being pushed onto people if they can’t deal with grief when they have nobody else in their lives.
Overall: Violent Drama.
Story: This is England starts as young boy Shaun (Turgoose) is struggling with the death of his father in conflict in 1983, he gets picked on at school, he doesn’t fit in, until a group of skinheads led by Woody (Gilgun) welcoming him into their circle of friends for an afternoon of trouble, while his mother Cynth (Hartley) isn’t completely happy with this group, she does see him being happy for the first time in years.
When the other leader of the group Combo (Graham) gets out of prisons, he brings a more aggressive nature to what the gang wants to be, despite Woody, just wanting it to be friends hanging out.
Thoughts on This is England
Characters – Shaun is a 12-year-old boy that has suffered with the loss of his own father’s death in the Falklands, he gets bullied by the other school kids and has always just been left feeling alone in the world. The only people that let him in are Woody and the gang of skin heads who just want to hang out and soon gets drawn into a darker side by the more aggressive leaders of the gang. Combo is the older leader of the gang that doesn’t hold back with his hatred to other races in his country, he will fight anybody who goes again his gang too, being a horrendous role model for Shaun. Cynth is the mother of Shaun, she wants to see her son enjoying his life more but is getting worried about his own life choices. Woody is the member of the skin head gang that invites Shaun into the gang, he wants to help him fight back against the bullies, by offering somebody to hang out with.
Performances – Thomas Turgoose in the leading role is fantastic as we see just how he is dealing with his own grief in all the wrong places. Stephen Graham steals the show with his hyper aggressive character, while the rest of the cast do make us feel like we are watching mates hanging out.
Story – The story here follows a 12-year-old boy that ends up joining a skinhead gang after he struggles to find a way to deal with the grief in his life from his father’s death. The story does tackle just how difficult grief could be for the children of the victims of war, with Shaun having his school friends pick on him because of his father’s death, which in todays, not the 80s wouldn’t be acceptable in anyway, with everybody being more supportive. The idea of joining the gang and just how the gang soon starts to consume his life, effecting his behaviour shows how being given the wrong lines to follow will not make life any easier. We do see how the world has changed since the 80s and how the skinhead culture should never be forced onto anybody.
Crime – The crime world we get placed into here it, involves the violent behaviour of the skinhead gangs to anybody that doesn’t fit into their profile.
Settings – The film is set in the midlands of the UK which does show the neighbours that would have been struggling in the 1980s.
Scene of the Movie – The first day out with the gang.
That Moment That Annoyed Me – 12-year-old dating an 18-year-old seems weird.
Final Thoughts – This film does show the violence being pushed onto people if they can’t deal with grief when they have nobody else in their lives.
Overall: Violent Drama.
Becs (244 KP) rated Marrow Charm in Books
Dec 20, 2019
Dark and magical!!
Trigger Warnings: cannibalism, death, murder, gore, slavery, injury, abduction, absent parent(s), death of a parent(s), manipulation, violence
I was honestly surprised that I ended up loving this novel as much as I did. I had extremely high expectations for it and IT. DELIVERED. When I first picked it up, it took a good minute to actually get into the story. But once it clicked into place, I was devouring Marrow Charm with a thirst. It is heart-wrenching, action packed, enemies to lovers (kinda, a girl can dream), dark and oh so magical!
Marrow Charm follows a morally gray heroine, Azzy Brimvine in a world destroyed by magic. The magic plaguing the lands caused humans to retreat underground. But every so often, magical borne plagues will wipe out masses of human cities. These plagues create aberrations by striking those with magic. When Azzy’s brother is infected, she sets out with her mentor to the Above determined to save him. But, the world in the Above is not all gum drops and unicorns. It is plagued with monsters and humans, wild and cunning. Azzy must brave the perils that litter the Above to reach her brother before the Gate is opened.
Marrow Charm is a bit slow in the begin, but as you continue on it does pick up quite quickly. Once you hit that sweet spot though, your attention is gripped to the point where you don’t even want to put the book down because you are just enthralled in the complex world and characters. I would say the book starts picking up a few chapters in. This could also be a me only thing as I was slumping a bit when I started Marrow Charm, and we all know how slumps can ruin a book!
I was enthralled with not only the characters and their stories, but also the world. Kristin’s writing style is eloquent and breathtaking, and they included a couple of different themes throughout the story! Such as, family and friendship. It was really nice to see both of these take place when the main character had such a life of hardship. And don’t get me started on the complexity of the characters and world!
The characters are written in a way that draws the reader to them but they are also realistic in a way where their actions and thoughts are extremely relatable. This was really interesting to experience when reading, as I was not expecting to enjoy the characters as much as I did. The complexity of the world was also something that surprised me! There was no clear “good-side” or “bad-side” and the descriptions of everything was extremely well-done! You can tell that there is a higher, dark presence that is interwoven into the world but what it is, is unknown. Even at the ending of the novel. This was kind of a bummer, as I wanted to know what that presence was. But it also set it up nicely for book two: Skin Curse.
I can’t gush about Marrow Charm enough! It’s seriously one of my top books of the year and I can’t stop recommending it to everyone. If you are a fan of dark tales with fantasy and magical elements but also a hint of realism, then this is the book for you! But be warned, it does read ‘heavy.’ In the end though, the ‘heavy’ presence makes sense.
You can also find this review on my blog: bookingwayreads.wordpress.com
I was honestly surprised that I ended up loving this novel as much as I did. I had extremely high expectations for it and IT. DELIVERED. When I first picked it up, it took a good minute to actually get into the story. But once it clicked into place, I was devouring Marrow Charm with a thirst. It is heart-wrenching, action packed, enemies to lovers (kinda, a girl can dream), dark and oh so magical!
Marrow Charm follows a morally gray heroine, Azzy Brimvine in a world destroyed by magic. The magic plaguing the lands caused humans to retreat underground. But every so often, magical borne plagues will wipe out masses of human cities. These plagues create aberrations by striking those with magic. When Azzy’s brother is infected, she sets out with her mentor to the Above determined to save him. But, the world in the Above is not all gum drops and unicorns. It is plagued with monsters and humans, wild and cunning. Azzy must brave the perils that litter the Above to reach her brother before the Gate is opened.
Marrow Charm is a bit slow in the begin, but as you continue on it does pick up quite quickly. Once you hit that sweet spot though, your attention is gripped to the point where you don’t even want to put the book down because you are just enthralled in the complex world and characters. I would say the book starts picking up a few chapters in. This could also be a me only thing as I was slumping a bit when I started Marrow Charm, and we all know how slumps can ruin a book!
I was enthralled with not only the characters and their stories, but also the world. Kristin’s writing style is eloquent and breathtaking, and they included a couple of different themes throughout the story! Such as, family and friendship. It was really nice to see both of these take place when the main character had such a life of hardship. And don’t get me started on the complexity of the characters and world!
The characters are written in a way that draws the reader to them but they are also realistic in a way where their actions and thoughts are extremely relatable. This was really interesting to experience when reading, as I was not expecting to enjoy the characters as much as I did. The complexity of the world was also something that surprised me! There was no clear “good-side” or “bad-side” and the descriptions of everything was extremely well-done! You can tell that there is a higher, dark presence that is interwoven into the world but what it is, is unknown. Even at the ending of the novel. This was kind of a bummer, as I wanted to know what that presence was. But it also set it up nicely for book two: Skin Curse.
I can’t gush about Marrow Charm enough! It’s seriously one of my top books of the year and I can’t stop recommending it to everyone. If you are a fan of dark tales with fantasy and magical elements but also a hint of realism, then this is the book for you! But be warned, it does read ‘heavy.’ In the end though, the ‘heavy’ presence makes sense.
You can also find this review on my blog: bookingwayreads.wordpress.com
Lee (2222 KP) rated The Gentlemen (2020) in Movies
Jan 5, 2020
After the big budget train wreck that was King Arthur: Legend of the Sword in 2017, and the big budget Disney remake of Aladdin last year, Guy Ritchie has returned to the comedy gangster roots where he made his name more than two decades ago. It’s the kind of movie that I’m not really a fan of if I’m honest, and I didn’t even like the look of the trailer for The Gentlemen either, but I gave it a shot. I’m glad I did.
Matthew McConaughey is Mickey Pearson, a sharp suit wearing, self made millionaire. Mickey made his fortune by initially selling weed to students while studying with them at Oxford, before spending the next 20 years building up a nationwide marijuana empire. It’s a slick operation too - by striking up deals with British aristocrats who are struggling to maintain their large stately homes, Mickey has been able to setup 12 marijuana farms on their premises and kept them undetected. However, Mickey is now looking to sell up and retire so that he can buy himself one of those big stately homes for him and his ice queen wife (Michelle Dockery). But it’s not quite as easy as that. There are a number of interested parties who either want to screw the price down or just take the whole operation from under Mickey’s feet. And the king of the jungle isn’t having any of it.
The story plays out under the narration of sleazy reporter Fletcher (Hugh Grant), who has turned up on the doorstep of Mickey’s right hand man Raymond (Charlie Hunnam) one evening in order to try and blackmail his boss. Fletcher has been hired by a tabloid editor to dig up dirt on Mickey Pearson and has been closely following the events and players surrounding the sale of his business. Fletcher has decided that what he’s uncovered could be worth a hell of a lot more than the £150K promised by the newspaper and has turned his findings into a movie script which he then proceeds to describe to Raymond throughout the movie. Along the way, details are embellished by Fletcher to spice up certain moments that he feels are lacking in action, corrected by Raymond as we rewind to see the actual events.
The Gentlemen features a big ensemble cast, most of which give a brilliantly hilarious performance. Hugh Grant steals the show, with his campy Michael Caine. Along the way we meet Chinese rival Dry Eye (Henry Golding, redeeming himself after his wooden performance in Last Christmas recently) and Coach (another show stealer, played by Colin Farrell).
The pacing of The Gentlemen felt spot on for me, and as the story flipped back and forth in time, interspersed with Fletcher and Raymond’s comic interludes, I never felt bored. There are plenty of twists and turns, c-bombs and much more of what you’d expect from a Ritchie movie of this kind. But it also feels a lot slicker and more mainstream, with most of the violence occurring off screen - apart from the odd cocky young chav or drug addict getting the occasional well deserved slap!
Overall, I’m so glad I have this movie a chance. A great cast and a fun story with plenty of laugh out loud moments.
Matthew McConaughey is Mickey Pearson, a sharp suit wearing, self made millionaire. Mickey made his fortune by initially selling weed to students while studying with them at Oxford, before spending the next 20 years building up a nationwide marijuana empire. It’s a slick operation too - by striking up deals with British aristocrats who are struggling to maintain their large stately homes, Mickey has been able to setup 12 marijuana farms on their premises and kept them undetected. However, Mickey is now looking to sell up and retire so that he can buy himself one of those big stately homes for him and his ice queen wife (Michelle Dockery). But it’s not quite as easy as that. There are a number of interested parties who either want to screw the price down or just take the whole operation from under Mickey’s feet. And the king of the jungle isn’t having any of it.
The story plays out under the narration of sleazy reporter Fletcher (Hugh Grant), who has turned up on the doorstep of Mickey’s right hand man Raymond (Charlie Hunnam) one evening in order to try and blackmail his boss. Fletcher has been hired by a tabloid editor to dig up dirt on Mickey Pearson and has been closely following the events and players surrounding the sale of his business. Fletcher has decided that what he’s uncovered could be worth a hell of a lot more than the £150K promised by the newspaper and has turned his findings into a movie script which he then proceeds to describe to Raymond throughout the movie. Along the way, details are embellished by Fletcher to spice up certain moments that he feels are lacking in action, corrected by Raymond as we rewind to see the actual events.
The Gentlemen features a big ensemble cast, most of which give a brilliantly hilarious performance. Hugh Grant steals the show, with his campy Michael Caine. Along the way we meet Chinese rival Dry Eye (Henry Golding, redeeming himself after his wooden performance in Last Christmas recently) and Coach (another show stealer, played by Colin Farrell).
The pacing of The Gentlemen felt spot on for me, and as the story flipped back and forth in time, interspersed with Fletcher and Raymond’s comic interludes, I never felt bored. There are plenty of twists and turns, c-bombs and much more of what you’d expect from a Ritchie movie of this kind. But it also feels a lot slicker and more mainstream, with most of the violence occurring off screen - apart from the odd cocky young chav or drug addict getting the occasional well deserved slap!
Overall, I’m so glad I have this movie a chance. A great cast and a fun story with plenty of laugh out loud moments.
Kirk Bage (1775 KP) rated Mother! (2017) in Movies
Mar 3, 2020
Pretentious. Is a word that sends shivers down my spine much more than any pseudo horror movie. It conveys the idea that the creator of a work is out of control, resorting to shock value over intelligent content. If the creator meant it all, then it is not pretentious, only dangerous.
Aronofsky is a difficult beast, because you can’t escape the fact he might deserve to be called pretentious. Such a fierce and singular film-maker, whose hit rate for getting it right is about 1/2. Yet, you can’t deny he has a go! His films are visceral nightmares, even when he pares it down to an earthly tale like The Wrestler. He wants you to feel before thinking. Black Swan pissed people off for this reason too; lucky for him, on that occasion, it mostly worked.
At the artist’s behest, mother! is to be spelled with a small case m, and an exclamation mark. I mean, that is an indicator of this man’s intent. It annoys me, let’s make no bones about it. It also excites me, because he has to live up to it! Opening every critical door available, because if you set yourself up to make that kind of statement, then the work better back it up.
The metaphor is thinly veiled; fooling some at the start that we might be watching a latter day Rosemary’s Baby, or, at the least, an invasion film with clever horror undertones. The mood is marvelously tense in the first hour, as we observe two massively capable actors doing their jobs effortlessly. So watchable are Lawrence and Bardem, that you begin to create your own movie in your mind around what is actually happening. Your own imagination is the star of the first half of this strange film.
It almost isn’t a spoiler anymore, so I will say, that Bardem is God and Lawrence is Gaia, mother earth. Take that onboard from the start and the whole may be more “enjoyble”. Although, Aronofsky doesn’t want you to enjoy it, he wants you to react… remember that! Because in the last hour he will force you to do so, and you probably won’t want to.
As with Requiem For a Dream, you may find yourself applauding the technical skill over the storytelling. With this film as evidence, I am now convinced that his trick is to throw the kitchen sink at you in the hope you will join the dots and find something worth talking about, without him having to bother. If I provide enough spectacle, he muses, they might label me a genius someday. Well, they might. But I won’t.
Yes, it almost makes sense if you crowbar it to, but, come on, it isn’t enough! At least David Lynch makes the weirdness so abstract to defy meaning. Aronofsky is creating dreamscapes that pretend to have relevance and wind up hollow, for the simple fact that we are not fools.
Does the last act violence offend me then? No, not at all. It simply isn’t a powerful enough film to do that. Despite some fine scenes in isolation, the whole of mother! is dead in the water as the work of art it wants to be. My lasting thought of it all is… why is Michelle Pfeiffer not doing more? She is an indestructible gem…
Aronofsky is a difficult beast, because you can’t escape the fact he might deserve to be called pretentious. Such a fierce and singular film-maker, whose hit rate for getting it right is about 1/2. Yet, you can’t deny he has a go! His films are visceral nightmares, even when he pares it down to an earthly tale like The Wrestler. He wants you to feel before thinking. Black Swan pissed people off for this reason too; lucky for him, on that occasion, it mostly worked.
At the artist’s behest, mother! is to be spelled with a small case m, and an exclamation mark. I mean, that is an indicator of this man’s intent. It annoys me, let’s make no bones about it. It also excites me, because he has to live up to it! Opening every critical door available, because if you set yourself up to make that kind of statement, then the work better back it up.
The metaphor is thinly veiled; fooling some at the start that we might be watching a latter day Rosemary’s Baby, or, at the least, an invasion film with clever horror undertones. The mood is marvelously tense in the first hour, as we observe two massively capable actors doing their jobs effortlessly. So watchable are Lawrence and Bardem, that you begin to create your own movie in your mind around what is actually happening. Your own imagination is the star of the first half of this strange film.
It almost isn’t a spoiler anymore, so I will say, that Bardem is God and Lawrence is Gaia, mother earth. Take that onboard from the start and the whole may be more “enjoyble”. Although, Aronofsky doesn’t want you to enjoy it, he wants you to react… remember that! Because in the last hour he will force you to do so, and you probably won’t want to.
As with Requiem For a Dream, you may find yourself applauding the technical skill over the storytelling. With this film as evidence, I am now convinced that his trick is to throw the kitchen sink at you in the hope you will join the dots and find something worth talking about, without him having to bother. If I provide enough spectacle, he muses, they might label me a genius someday. Well, they might. But I won’t.
Yes, it almost makes sense if you crowbar it to, but, come on, it isn’t enough! At least David Lynch makes the weirdness so abstract to defy meaning. Aronofsky is creating dreamscapes that pretend to have relevance and wind up hollow, for the simple fact that we are not fools.
Does the last act violence offend me then? No, not at all. It simply isn’t a powerful enough film to do that. Despite some fine scenes in isolation, the whole of mother! is dead in the water as the work of art it wants to be. My lasting thought of it all is… why is Michelle Pfeiffer not doing more? She is an indestructible gem…
JT (287 KP) rated Killing Them Softly (2012) in Movies
Mar 10, 2020
There was quite a significant gap between films for writer/director Andrew Dominik, five years in fact. His last feature length outing The Assassination of Jesse James by the Coward Robert Ford was a Western epic and here he has teamed up with Brad Pitt again for Killing Them Softly, one with a significantly shorter run time.
Pitt plays Jackie Cogan a gun for hire who is called in to clean up the mess made after a mob protected card game is robbed and the criminal economy takes an unexpected nose dive. With the criminal underworld unsure of who to trust and with no games being run it’s up to Cogan to eliminate those responsible and get trust restored.
The film is also set against real footage of Bush and Obama referring to the struggling US economy and the need for the country to pull together as a community to get itself back on track, which is ironic given the narrative that Dominik is conveying. The group behind the heist are hardly your career criminals, Frankie (Scoot McNairy) and Russell (Ben Mendelsohn) are a pair of down and outs looking for some fast cash.
These guys are a highlight, prepping for the robbery with yellow rubber gloves, masks and a sawn off shotgun so short it would take everyone out who’s in the room. Mendelsohn is especially solid, his appearance as a disheveled drug taking dog thief is one of the few comedic elements to an otherwise dry film.
Killing Them Softly is a film where you have to rely heavily on the acting, and there is plenty on show. Pitt of course is ever commanding in his role, slicked back hair and leather jacket he’s the archetypal hitman, he calls the shots and others listen.
Then there is James Gandolfini, no stranger to the world of fictional organized crime having been head of the most famous TV family, the Sopranos. Gandolfini is another hitman, called on by Pitt to assist in taking out one of the targets, however the only thing he’s capable of doing is consuming large amounts of booze and women.
Add into the mix Ray Liotta (another with a fictional mafia past) who’s responsible for knocking off his own card game in the beginning, he’s the innocent party this time around and is whacked in a spectacular slow motion capture drive by. Dominik’s script is nowhere near as tight or as in depth as Chopper, it becomes confused at times and it’s hard to know exactly where it is supposed to lead us.
There is no question that the acting is top draw and there are some great scenes of dialogue that leaves you wanting more, of course it does seem to drift on a bit too much and the short sharp cuts between actors can get annoying.
It’s fair to say it has its share of brutal violence, poor Markie Trattman (Liotta) is on the receiving end of one of cinemas heaviest beatings, and when the hits are made there is no getting away from the realism to them, blood will fly.
At the end of the film Cogan has been short changed for his work, and as an audience you might feel short changed that the film promised was not the one returned?
Pitt plays Jackie Cogan a gun for hire who is called in to clean up the mess made after a mob protected card game is robbed and the criminal economy takes an unexpected nose dive. With the criminal underworld unsure of who to trust and with no games being run it’s up to Cogan to eliminate those responsible and get trust restored.
The film is also set against real footage of Bush and Obama referring to the struggling US economy and the need for the country to pull together as a community to get itself back on track, which is ironic given the narrative that Dominik is conveying. The group behind the heist are hardly your career criminals, Frankie (Scoot McNairy) and Russell (Ben Mendelsohn) are a pair of down and outs looking for some fast cash.
These guys are a highlight, prepping for the robbery with yellow rubber gloves, masks and a sawn off shotgun so short it would take everyone out who’s in the room. Mendelsohn is especially solid, his appearance as a disheveled drug taking dog thief is one of the few comedic elements to an otherwise dry film.
Killing Them Softly is a film where you have to rely heavily on the acting, and there is plenty on show. Pitt of course is ever commanding in his role, slicked back hair and leather jacket he’s the archetypal hitman, he calls the shots and others listen.
Then there is James Gandolfini, no stranger to the world of fictional organized crime having been head of the most famous TV family, the Sopranos. Gandolfini is another hitman, called on by Pitt to assist in taking out one of the targets, however the only thing he’s capable of doing is consuming large amounts of booze and women.
Add into the mix Ray Liotta (another with a fictional mafia past) who’s responsible for knocking off his own card game in the beginning, he’s the innocent party this time around and is whacked in a spectacular slow motion capture drive by. Dominik’s script is nowhere near as tight or as in depth as Chopper, it becomes confused at times and it’s hard to know exactly where it is supposed to lead us.
There is no question that the acting is top draw and there are some great scenes of dialogue that leaves you wanting more, of course it does seem to drift on a bit too much and the short sharp cuts between actors can get annoying.
It’s fair to say it has its share of brutal violence, poor Markie Trattman (Liotta) is on the receiving end of one of cinemas heaviest beatings, and when the hits are made there is no getting away from the realism to them, blood will fly.
At the end of the film Cogan has been short changed for his work, and as an audience you might feel short changed that the film promised was not the one returned?
MelanieTheresa (997 KP) Oct 18, 2019
Andy K (10823 KP) Oct 18, 2019