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Kara Skinner (332 KP) rated To The One I Love in Books
Jun 12, 2019
Husband and Wife Write Letters to the Bitter End
Contains spoilers, click to show
Genre: Contemporary
Word Count: 3,880
Average Smashwords Rating: 5 out of 5 stars
My rating: 2.5 out of 5 stars
Through letters, Jonathan and Emily profess their love for each other. You can see snapshots of their lives as they meet and marry, and part ways. Time is fluid in this, with only the Chinese zodiac signs to give you an idea about how much time has passed.
This story was way too short and everything happened way too fast. It was like watching a television show for the first time and skipping entire seasons between episodes.
For instance, the mothers of the two main characters got into a fist fight at the engagement party and at least one of them was arrested for it. Why did the fight start? Do the mothers have a history of being violent? Maybe they have bad history.
The ending was abrupt. It implied a violent ending that had no foreshadowing in the previous letters. The story is a series of romantic snapshots into these people’s’ lives, but I would have preferred a little more reality with some context to what was happening.
The writing drove me crazy at times, too. Mostly it was witty, passionate and made me smile.
What other lovers? Whoever came before you fell out of existence at your first caress. You are my only…for now through eternity.
But sometimes it was pretentious and absurdly wordy.
“Fleeting and cold is my opinion of email, text and phone calls. I make no apologies for my old fashioned views on modern technology. It may not be instant, and might take a bit more effort (of which you are more than worthy!), but I prefer to sit and put pen to paper.”
It wasn’t bad. But it wasn’t great, either. Bascomville and Grind are both better literary romances.
Word Count: 3,880
Average Smashwords Rating: 5 out of 5 stars
My rating: 2.5 out of 5 stars
Through letters, Jonathan and Emily profess their love for each other. You can see snapshots of their lives as they meet and marry, and part ways. Time is fluid in this, with only the Chinese zodiac signs to give you an idea about how much time has passed.
This story was way too short and everything happened way too fast. It was like watching a television show for the first time and skipping entire seasons between episodes.
For instance, the mothers of the two main characters got into a fist fight at the engagement party and at least one of them was arrested for it. Why did the fight start? Do the mothers have a history of being violent? Maybe they have bad history.
The ending was abrupt. It implied a violent ending that had no foreshadowing in the previous letters. The story is a series of romantic snapshots into these people’s’ lives, but I would have preferred a little more reality with some context to what was happening.
The writing drove me crazy at times, too. Mostly it was witty, passionate and made me smile.
What other lovers? Whoever came before you fell out of existence at your first caress. You are my only…for now through eternity.
But sometimes it was pretentious and absurdly wordy.
“Fleeting and cold is my opinion of email, text and phone calls. I make no apologies for my old fashioned views on modern technology. It may not be instant, and might take a bit more effort (of which you are more than worthy!), but I prefer to sit and put pen to paper.”
It wasn’t bad. But it wasn’t great, either. Bascomville and Grind are both better literary romances.
JT (287 KP) rated Starred Up (2014) in Movies
Mar 16, 2020
Violent and to the point (1 more)
Great acting
Prison Isn't Suppoed To Be A Holiday Camp
Prison dramas don’t get much grittier than this. Not since Scum has there been one with as much brutal tour de force. Eric (Jack O’Connell) is ‘starred up’. A term used to describe violent young offenders moved straight into an adult prison. Once he gets inside he comes face to face with the only person that might be able to control him, his father Neville (Ben Mendelsohn).
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
JT (287 KP) rated The Fall Of The Essex Boys (2013) in Movies
Mar 23, 2020
Violent (1 more)
Acting is OK
British grit
Loosely based on a true story surrounding the brutal shooting of three infamous drug dealers from Essex in December 1995, it’s a surprise that this is the fourth film to tell the tale.
After films such as Essex Boys, Rise of the Footsoldier and most recently Bonded by Blood you’d wonder why director Paul Tanter chose to helm this version, had this not already been done? Then you sit down to watch it and you realise that it’s a film in its own right, with powerful performances from British actors that need to be seen and heard in their delivery.
If you don’t know the story by now, and it’s one of underworld folk law, it follows three of Essex’s toughest and hardest drug-dealing criminals, who came to a gruesome end when they wanted to go one step too far.
Pat Tate, Tony Tucker and Craig Rolfe want to corner the drug trafficking market, they’re in it for the long haul and to make serious cash. The trio is vicious to the point of no return and will stop at nothing to get what they want and no one will stand in their way.
The film is told by Darren Nicholls (Nick Nevern) who himself narrates for a portion of the film, giving us the story as it unfolds before us. He’s up to his neck in it, and he wants a way out, seemingly with nowhere to turn he has to go into the lion’s den while keeping himself close to a friend on the outside that is looking for a similar end game.
It’s violent but then you have to expect that, the acting is genuinely disturbing and Tanter’s sharp direction keeps the viewer on tenterhooks. It’s a film that is not going to be for everyone, but fans of the director as well as the genre will love it.
After films such as Essex Boys, Rise of the Footsoldier and most recently Bonded by Blood you’d wonder why director Paul Tanter chose to helm this version, had this not already been done? Then you sit down to watch it and you realise that it’s a film in its own right, with powerful performances from British actors that need to be seen and heard in their delivery.
If you don’t know the story by now, and it’s one of underworld folk law, it follows three of Essex’s toughest and hardest drug-dealing criminals, who came to a gruesome end when they wanted to go one step too far.
Pat Tate, Tony Tucker and Craig Rolfe want to corner the drug trafficking market, they’re in it for the long haul and to make serious cash. The trio is vicious to the point of no return and will stop at nothing to get what they want and no one will stand in their way.
The film is told by Darren Nicholls (Nick Nevern) who himself narrates for a portion of the film, giving us the story as it unfolds before us. He’s up to his neck in it, and he wants a way out, seemingly with nowhere to turn he has to go into the lion’s den while keeping himself close to a friend on the outside that is looking for a similar end game.
It’s violent but then you have to expect that, the acting is genuinely disturbing and Tanter’s sharp direction keeps the viewer on tenterhooks. It’s a film that is not going to be for everyone, but fans of the director as well as the genre will love it.
