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<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
If sin were visible, what would the world be like? That is the premise of this brand new, original historical novel by Dan Vyletta. Bordering on steam-punk, <i>Smoke</i> is set in a Victorian England unlike any version ever documented before. Instead of an era of peace and posterity, it is full of wickedness and chaos. For an unexplained reason whenever a human acts with malicious intention or has a sinful thought their body emits a plume of smoke, staining their clothes and surrounding area with a coating of soot.
The story begins in an Oxford boarding school where two friends, Thomas and Charlie, are being taught that Smoke is bad and that they must learn to control it. However during the Christmas holidays, which both boys spend at a prodigious manor, they discover alternative views regarding Smoke, and are spooked by the Lady Naylor’s fascination. With their lives in sudden danger, Thomas and Charlie, along with Livia – Lady Naylor’s daughter – flee with the knowledge of a sinister, scientific intent that they do not understand.
From this point onwards the tale becomes darker and much more violent as the three friends try to work out Livia’s mother’s plans and endeavor to prevent her from carrying them out. All the while they are trying to deal with the effects of Smoke, which they have long given up trying to suppress.
Written from a large variety of viewpoints, <i>Smoke</i> is full of mystery and suspense, making it difficult to work out whom to trust. The reader has the same amount of knowledge as the protagonists and thus comes to the same conclusions at the same time, making reader and character feel like they are working together to identify the unknown.
It is unclear whether this is a young adult novel or intended for older readers. The key characters are only sixteen and are a trio of friends – two boys and a girl – which is something that since the dawn of <i>Harry Potter</i> has become fairly common place in YA literature. Also, Lady Naylor is reminiscent of the antagonist in Philip Pullman’s <i>His Dark Materials</i>. On the other hand, the language, whilst fitting for the time period, is far too formal to flow in a way that a book for teenagers would expect. There is also no attempt to sugarcoat or conceal the violence that takes place throughout a large section of the novel.
<i>Smoke</i> gets off to a shaky start leaving the reader feeling bewildered. The idea of Smoke and soot is not introduced in a clear manner, instead being thrown out there where everyone has to try and find the author’s wavelength and pick up the pieces as they go. Once the action begins – the escape from the manor – the story picks up the pace and becomes far more exciting before, sadly, diminishing into a confusing, violent jumble of a narrative that is tedious to try and follow. The conclusion, unfortunately, is also unclear, providing more questions that it actually solves.
I have very mixed feelings about this book. At times I enjoyed it, yet it also felt a chore to read. I found the concept rather confusing, unresolved and, on the whole, disappointing. <i>Smoke </i>is not a book I would easily recommend to anyone; even those who I know enjoy this particular genre. To be perfectly honest, I am glad I have finished it and do not need to read it anymore.
If sin were visible, what would the world be like? That is the premise of this brand new, original historical novel by Dan Vyletta. Bordering on steam-punk, <i>Smoke</i> is set in a Victorian England unlike any version ever documented before. Instead of an era of peace and posterity, it is full of wickedness and chaos. For an unexplained reason whenever a human acts with malicious intention or has a sinful thought their body emits a plume of smoke, staining their clothes and surrounding area with a coating of soot.
The story begins in an Oxford boarding school where two friends, Thomas and Charlie, are being taught that Smoke is bad and that they must learn to control it. However during the Christmas holidays, which both boys spend at a prodigious manor, they discover alternative views regarding Smoke, and are spooked by the Lady Naylor’s fascination. With their lives in sudden danger, Thomas and Charlie, along with Livia – Lady Naylor’s daughter – flee with the knowledge of a sinister, scientific intent that they do not understand.
From this point onwards the tale becomes darker and much more violent as the three friends try to work out Livia’s mother’s plans and endeavor to prevent her from carrying them out. All the while they are trying to deal with the effects of Smoke, which they have long given up trying to suppress.
Written from a large variety of viewpoints, <i>Smoke</i> is full of mystery and suspense, making it difficult to work out whom to trust. The reader has the same amount of knowledge as the protagonists and thus comes to the same conclusions at the same time, making reader and character feel like they are working together to identify the unknown.
It is unclear whether this is a young adult novel or intended for older readers. The key characters are only sixteen and are a trio of friends – two boys and a girl – which is something that since the dawn of <i>Harry Potter</i> has become fairly common place in YA literature. Also, Lady Naylor is reminiscent of the antagonist in Philip Pullman’s <i>His Dark Materials</i>. On the other hand, the language, whilst fitting for the time period, is far too formal to flow in a way that a book for teenagers would expect. There is also no attempt to sugarcoat or conceal the violence that takes place throughout a large section of the novel.
<i>Smoke</i> gets off to a shaky start leaving the reader feeling bewildered. The idea of Smoke and soot is not introduced in a clear manner, instead being thrown out there where everyone has to try and find the author’s wavelength and pick up the pieces as they go. Once the action begins – the escape from the manor – the story picks up the pace and becomes far more exciting before, sadly, diminishing into a confusing, violent jumble of a narrative that is tedious to try and follow. The conclusion, unfortunately, is also unclear, providing more questions that it actually solves.
I have very mixed feelings about this book. At times I enjoyed it, yet it also felt a chore to read. I found the concept rather confusing, unresolved and, on the whole, disappointing. <i>Smoke </i>is not a book I would easily recommend to anyone; even those who I know enjoy this particular genre. To be perfectly honest, I am glad I have finished it and do not need to read it anymore.
Andy K (10821 KP) rated The House That Jack Built (2018) in Movies
Nov 15, 2019
Into the disturbing mind of a serial killer..
The human mind is still one of those ultimate enigmas of life. How does it work exactly? Nature vs. nurture? What causes some of us to devote their lives to philanthropy and helping others whilst others of us are deeply disturbed devoting their existence to the destruction of life for their twisted, demented pleasure?
The story of Jack is a exercise in the extreme. From the opening moments of THTJB, the audience is quickly brought into Jack's world and not released for 2 1/2 hours of brutality.
Jack finds himself in his bright red rape van when he passes a damsel in distress in the form of a woman with a flat tire. He stops and reluctantly agrees to drive her to the nearest auto repair place for assistance. When the plight becomes more complicated, Jack reluctantly agrees to further drive the woman around. Growing impatient with her constant blather and insults at Jack's personality, Jack quickly reaches his limit and destroys the woman quickly using her broken car jack which happens to be lying right next to him in the front seat.
That is just the beginning.
The film is set to 5 "incidents" and an "epilogue" which chronicle several years in Jack's life, including other relationships with woman, his family and random encounters he has all used to fuel his addiction with death. Without detailing them all here, his journey for carnage includes extreme actions including multiple murders, corpse manipulation and even human trophies.
If you are a fan of writer/director Lars von Trier, this will be nothing new to you if you have seen some of his other films including Antichrist, Nymphomaniac or Dogville. His films usually require a strong stomach, but do not shock for shock's sake alone. The vivid imagery in all his films is used not only to proper the narrative, to show the audience something they have not seen before and cross the lines between art and film. His films will repulse some. I won't squabble with those who cannot handle his type of film-making; however, maybe my inner film snob relishes those who give me something different, something to think about after I have finished watching and thought out interesting characters you almost never see any more.
With THTJB, he delves into the human mind well providing voice-over to let us in to what Jack is thinking and maybe helps us include a glimmer of understanding with it. Jack's acts are loathsome, morbid, violent, criminal and terrible, but somehow I was still fascinated by him which comes with good writing. In an interview I watched after viewing the film, von Trier explained he loved writing for Jack because you never knew quite what he was going to say. Several times within the film he is "caught" in an awkward situation and is able to talk himself out of it with absurd, yet believable rhetoric. You certainly don't root for him since his actions are reprehensible, but you are interested in what happens next.
Matt Dillon was overlooked during awards season of 2018. The Academy should've looked his way as they did for Sir Anthony Hopkins in 1991. His performance is gritty, deeply disturbing and very believable. He made Jack seem sympathetic at times even through his extreme violent nature. Sometimes subtle, sometimes over the top. I can't remember a performance of his which was more striking.
A film by Lars von Trier will always propel your intellect after your viewing is complete and this film is no exception. Some of the images the movie provides (not just the kill scenes) are unforgettable, some beautiful, but all very thought out and aligned with precision. He is undoubtedly one of the most unique directors working in film today and I continually look forward to his subsequent offerings!
The story of Jack is a exercise in the extreme. From the opening moments of THTJB, the audience is quickly brought into Jack's world and not released for 2 1/2 hours of brutality.
Jack finds himself in his bright red rape van when he passes a damsel in distress in the form of a woman with a flat tire. He stops and reluctantly agrees to drive her to the nearest auto repair place for assistance. When the plight becomes more complicated, Jack reluctantly agrees to further drive the woman around. Growing impatient with her constant blather and insults at Jack's personality, Jack quickly reaches his limit and destroys the woman quickly using her broken car jack which happens to be lying right next to him in the front seat.
That is just the beginning.
The film is set to 5 "incidents" and an "epilogue" which chronicle several years in Jack's life, including other relationships with woman, his family and random encounters he has all used to fuel his addiction with death. Without detailing them all here, his journey for carnage includes extreme actions including multiple murders, corpse manipulation and even human trophies.
If you are a fan of writer/director Lars von Trier, this will be nothing new to you if you have seen some of his other films including Antichrist, Nymphomaniac or Dogville. His films usually require a strong stomach, but do not shock for shock's sake alone. The vivid imagery in all his films is used not only to proper the narrative, to show the audience something they have not seen before and cross the lines between art and film. His films will repulse some. I won't squabble with those who cannot handle his type of film-making; however, maybe my inner film snob relishes those who give me something different, something to think about after I have finished watching and thought out interesting characters you almost never see any more.
With THTJB, he delves into the human mind well providing voice-over to let us in to what Jack is thinking and maybe helps us include a glimmer of understanding with it. Jack's acts are loathsome, morbid, violent, criminal and terrible, but somehow I was still fascinated by him which comes with good writing. In an interview I watched after viewing the film, von Trier explained he loved writing for Jack because you never knew quite what he was going to say. Several times within the film he is "caught" in an awkward situation and is able to talk himself out of it with absurd, yet believable rhetoric. You certainly don't root for him since his actions are reprehensible, but you are interested in what happens next.
Matt Dillon was overlooked during awards season of 2018. The Academy should've looked his way as they did for Sir Anthony Hopkins in 1991. His performance is gritty, deeply disturbing and very believable. He made Jack seem sympathetic at times even through his extreme violent nature. Sometimes subtle, sometimes over the top. I can't remember a performance of his which was more striking.
A film by Lars von Trier will always propel your intellect after your viewing is complete and this film is no exception. Some of the images the movie provides (not just the kill scenes) are unforgettable, some beautiful, but all very thought out and aligned with precision. He is undoubtedly one of the most unique directors working in film today and I continually look forward to his subsequent offerings!
Darren (1599 KP) rated Rambo: Last Blood (2019) in Movies
Sep 26, 2019
Characters – John Rambo is the war veteran we all know, he has retired to a small ranch away from the world, where he has created a series of tunnels, he has helped raise Gabrielle and wants her to achieve what he couldn’t in life, with college in her future. When she goes missing, John turns the switch he keeps on the off button, becoming the soldier that will kill anybody in his way, dealing with the traumas of war and not caring about the consequences, he starts a war with the Mexican gang, one that he is prepared to end. Gabrielle is like a daughter to John, he help raise her with her love of horse riding helping their bond, she is ready for college, but the one question she wants more than anything is why her father left her, which sees her go against John’s request to Mexico in search for him. She gets drugged at forced into prostitution, with no way of escaping her captors. Victor and Hugo Martinez are running the operation, they use the girls up and sell them, they use the gang numbers to deal with any unwanted attention, including John and if a girl escapes, they will make them pay. They are pretty much routine Mexican villains though.
Performances – Sylvester Stallone is back in one of his favourite franchises, he does keep John looking a lot more like a true veteran that is still haunted by his nightmares of war, even if he is mumbling his way through the film. Yvette Monreal fills her role with ease, naïve young girl, while both Oscar Jaenada and Sergio Peris-Mencheta don’t put a foot wrong in the villainous roles.
Story – The story here follows a retired calm John Rambo that is called into action when his adoptive daughter gets taken by a gang in Mexico and he will go to any lengths to get his revenge at save her. When it comes to this style of action film, the story doesn’t need to be very deep at all, in fact the basic plot is broken down as war veteran takes on gang who took family member, lots of bodies left lying. We do get glimpses at the idea that John is still dealing with the traumas of his experiences in war, though they are very small, if we didn’t have these, we could have easily have had just another older military person doing the same thing, it didn’t need to be Rambo for the most part. Saying this, it was nice to see Rambo returning to what made his actions popular in the First Blood, with his stealth ability over the countless bullets flying around. This is everything you want and need from a Rambo movie when it comes to the story.
Action/Western – The action in the film does take it time to get going, but when Rambo starts, my word this is one of the most graphic action movies you will see, certain sequences will make John Wick’s kills look like a Disney movie.
Settings – The film does use the Mexico setting for the fish out of water when it comes to John wanting to take the fight to them, so he makes them bring to the fight to him, showing us how deadly he is when he knows the land. The settings are key to the final act of the movie.
Special Effects – The effects are brutal, when it comes to the injuries people were wincing in the cinema at certain moments, they don’t hold back in anyway.
Scene of the Movie – Whole final act.
That Moment That Annoyed Me – Certain stories don’t seem to get an ending.
Final Thoughts – This is one of the most violent action films that you will ever see, it uses the brutal action to highlight Rambo’s military skills and doesn’t hold back in anyway.
Overall: Graphic, Violent, Rambo’s Back.
Performances – Sylvester Stallone is back in one of his favourite franchises, he does keep John looking a lot more like a true veteran that is still haunted by his nightmares of war, even if he is mumbling his way through the film. Yvette Monreal fills her role with ease, naïve young girl, while both Oscar Jaenada and Sergio Peris-Mencheta don’t put a foot wrong in the villainous roles.
Story – The story here follows a retired calm John Rambo that is called into action when his adoptive daughter gets taken by a gang in Mexico and he will go to any lengths to get his revenge at save her. When it comes to this style of action film, the story doesn’t need to be very deep at all, in fact the basic plot is broken down as war veteran takes on gang who took family member, lots of bodies left lying. We do get glimpses at the idea that John is still dealing with the traumas of his experiences in war, though they are very small, if we didn’t have these, we could have easily have had just another older military person doing the same thing, it didn’t need to be Rambo for the most part. Saying this, it was nice to see Rambo returning to what made his actions popular in the First Blood, with his stealth ability over the countless bullets flying around. This is everything you want and need from a Rambo movie when it comes to the story.
Action/Western – The action in the film does take it time to get going, but when Rambo starts, my word this is one of the most graphic action movies you will see, certain sequences will make John Wick’s kills look like a Disney movie.
Settings – The film does use the Mexico setting for the fish out of water when it comes to John wanting to take the fight to them, so he makes them bring to the fight to him, showing us how deadly he is when he knows the land. The settings are key to the final act of the movie.
Special Effects – The effects are brutal, when it comes to the injuries people were wincing in the cinema at certain moments, they don’t hold back in anyway.
Scene of the Movie – Whole final act.
That Moment That Annoyed Me – Certain stories don’t seem to get an ending.
Final Thoughts – This is one of the most violent action films that you will ever see, it uses the brutal action to highlight Rambo’s military skills and doesn’t hold back in anyway.
Overall: Graphic, Violent, Rambo’s Back.
Bob Mann (459 KP) rated Venom: Let There Be Carnage (2021) in Movies
Oct 28, 2021
Lots of hens… but turkeys would be more appropriate.
I was not a great fan of the original Venom, although I did find aspects of it to like. Unfortunately, for me, the sequel – “Venom: Let There Be Carnage” – delivered even less. And I found aspects of it positively distasteful.
Plot Summary:
Eddie Brock (Tom Hardy) is living uncomfortably in San Francisco with his symbiotic friend Venom. Anne (Michelle Williams), his ex-girlfriend, and her new fiancee Dan (Reid Scott) are keeping his secret.
With Venom’s help, Eddie gets the evidence needed to send the psychopathic mass murderer Cletus Kasady (Woody Harrelson) to the electric chair. But with a lost love, Frances (Naomie Harris), to rescue and a burning desire for revenge against Brock and Detective Mulligan (Stephen Graham) who captured him, Kasady is not going to go quietly into the night.
Certification:
US: PG-13. UK: 15.
Talent:
Starring: Tom Hardy, Michelle Williams, Woody Harrelson, Naomie Harris, Reid Scott, Stephen Graham.
Directed by: Andy Serkis.
Written by: Kelly Marcel and Tom Hardy.
“Venom: Let There Be Carnage” Review: Positives:
While most of the cast seem to be doing sequel-paint-by-numbers, I thought Naomie Harris was superb as the shrieking ‘X-woman-style’ villain. (I’m embarrassed to say that it took me until the end titles to realise she WAS Naomie Harris!)
Some of the comedy lines between Brock and Venom made me chuckle.
Negatives:
My main beef was with the script and that came down to two primary issues:
Firstly, virtually nothing happens. It’s not too much of an understatement to say that the whole plot can be summarized as a) a villain is introduced; b) the villain teams with another villain and c) Venom defeats them. It’s just all so bland and linear, without any sort of discernable story arc.
For a movie pitched more at the comedy end of the Marvel spectrum, the script is unpleasantly violent. (And, yes, before Marvel fan-boys attack me with comments, I know that this Sony/Marvel offering is NOT part of the official universe). There are numerous points at which I thought “Ugh!” and a nasty taste entered my mouth: the butchering of a ‘Family man’ prison guard, pleading for his life; the brains of a very polite young grocery store boy being senselessly smashed in; and the massacre of a priest in his own cathedral. (Actually, I have no idea what happened with the priest during the “power-up” scene – – a cut by the censors perhaps?) My issue is that, tonally speaking, there is a horrible mismatch between these unnecessarily violent scenes and the lighthearted and flippant nature of the rest. It’s like putting a vicious gang-bang rape in the middle of “Ant Man“.
Sorry. I know he has a lot of fans, but I’m not a great fan of Tom Hardy’s acting style here. “Legend” proved what class he could deliver. But this performance seems to be streets away from that. An acting colleague last week commented that he was looking forward to the interactions between Hardy and Harrelson. But I found both to be underwhelming.
I found the visual effects for the emerged Venom to be utterly unconvincing. There were times when it looked like nothing more than a puppet on strings.
I’m normally a fan of Marco Beltrami‘s scores. But I found the music in here to be intrusive and distracting. And that’s before some (to my ears) pretty awful rap-based tracks over the closing titles.
Summary Thoughts on “Venom: Let There Be Carnage”
You’ll already judge from my balance of comments that this one just didn’t work for me. Even as a “park your brain at the door” action movie, I thought it felt lazy and lacklustre.
My advice? Save your money and go and watch “The Last Duel” instead.
Plot Summary:
Eddie Brock (Tom Hardy) is living uncomfortably in San Francisco with his symbiotic friend Venom. Anne (Michelle Williams), his ex-girlfriend, and her new fiancee Dan (Reid Scott) are keeping his secret.
With Venom’s help, Eddie gets the evidence needed to send the psychopathic mass murderer Cletus Kasady (Woody Harrelson) to the electric chair. But with a lost love, Frances (Naomie Harris), to rescue and a burning desire for revenge against Brock and Detective Mulligan (Stephen Graham) who captured him, Kasady is not going to go quietly into the night.
Certification:
US: PG-13. UK: 15.
Talent:
Starring: Tom Hardy, Michelle Williams, Woody Harrelson, Naomie Harris, Reid Scott, Stephen Graham.
Directed by: Andy Serkis.
Written by: Kelly Marcel and Tom Hardy.
“Venom: Let There Be Carnage” Review: Positives:
While most of the cast seem to be doing sequel-paint-by-numbers, I thought Naomie Harris was superb as the shrieking ‘X-woman-style’ villain. (I’m embarrassed to say that it took me until the end titles to realise she WAS Naomie Harris!)
Some of the comedy lines between Brock and Venom made me chuckle.
Negatives:
My main beef was with the script and that came down to two primary issues:
Firstly, virtually nothing happens. It’s not too much of an understatement to say that the whole plot can be summarized as a) a villain is introduced; b) the villain teams with another villain and c) Venom defeats them. It’s just all so bland and linear, without any sort of discernable story arc.
For a movie pitched more at the comedy end of the Marvel spectrum, the script is unpleasantly violent. (And, yes, before Marvel fan-boys attack me with comments, I know that this Sony/Marvel offering is NOT part of the official universe). There are numerous points at which I thought “Ugh!” and a nasty taste entered my mouth: the butchering of a ‘Family man’ prison guard, pleading for his life; the brains of a very polite young grocery store boy being senselessly smashed in; and the massacre of a priest in his own cathedral. (Actually, I have no idea what happened with the priest during the “power-up” scene – – a cut by the censors perhaps?) My issue is that, tonally speaking, there is a horrible mismatch between these unnecessarily violent scenes and the lighthearted and flippant nature of the rest. It’s like putting a vicious gang-bang rape in the middle of “Ant Man“.
Sorry. I know he has a lot of fans, but I’m not a great fan of Tom Hardy’s acting style here. “Legend” proved what class he could deliver. But this performance seems to be streets away from that. An acting colleague last week commented that he was looking forward to the interactions between Hardy and Harrelson. But I found both to be underwhelming.
I found the visual effects for the emerged Venom to be utterly unconvincing. There were times when it looked like nothing more than a puppet on strings.
I’m normally a fan of Marco Beltrami‘s scores. But I found the music in here to be intrusive and distracting. And that’s before some (to my ears) pretty awful rap-based tracks over the closing titles.
Summary Thoughts on “Venom: Let There Be Carnage”
You’ll already judge from my balance of comments that this one just didn’t work for me. Even as a “park your brain at the door” action movie, I thought it felt lazy and lacklustre.
My advice? Save your money and go and watch “The Last Duel” instead.
tonidavis (353 KP) rated Buffy the Vampire Slayer - Season 5 in TV
Jul 10, 2017
The Body (2 more)
Anya Speech
The Gift
The lets kick you in the feels season
Whilst I hate the introduction of Dawn I really enjoyed this series there where two absolute sound out episode first being:
The Body- This is without a doubt one of the best ever episode ive seen dealing with greif and death the episode is heart breaking from start to finish Anya's speech is the most powerful moment for me.
"I don't understand how this all happens. How we go through this. I mean, I knew her, and then she's- There's just a body, and I don't understand why she just can't get back in it and not be dead anymore. It's stupid. It's mortal and stupid. And-and Xander's crying and not talking, and-and I was having fruit punch, and I thought, well, Joyce will never have any more fruit punch ever, and she'll never have eggs, or yawn or brush her hair, not ever, and no one will explain to me why."
However ever character had a part that was monumental in explain death I also liked Tara explanation of its always sudden even if expected. Xander's need for violent outburst WIllow's need for changing clothes. This is one of the most memorable episode of Buffy.
The second stand out episode is The Gift:
"Dawn, listen to me. Listen. I love you. I will *always* love you. But this is the work that I have to do. Tell Giles... tell Giles I figured it out. And, and I'm okay. And give my love to my friends. You have to take care of them now. You have to take care of each other. You have to be strong. Dawn, the hardest thing in this world... is to live in it. Be brave. Live. For me."
The thing that got to me most this episode was Spike face in the last scene
The Body- This is without a doubt one of the best ever episode ive seen dealing with greif and death the episode is heart breaking from start to finish Anya's speech is the most powerful moment for me.
"I don't understand how this all happens. How we go through this. I mean, I knew her, and then she's- There's just a body, and I don't understand why she just can't get back in it and not be dead anymore. It's stupid. It's mortal and stupid. And-and Xander's crying and not talking, and-and I was having fruit punch, and I thought, well, Joyce will never have any more fruit punch ever, and she'll never have eggs, or yawn or brush her hair, not ever, and no one will explain to me why."
However ever character had a part that was monumental in explain death I also liked Tara explanation of its always sudden even if expected. Xander's need for violent outburst WIllow's need for changing clothes. This is one of the most memorable episode of Buffy.
The second stand out episode is The Gift:
"Dawn, listen to me. Listen. I love you. I will *always* love you. But this is the work that I have to do. Tell Giles... tell Giles I figured it out. And, and I'm okay. And give my love to my friends. You have to take care of them now. You have to take care of each other. You have to be strong. Dawn, the hardest thing in this world... is to live in it. Be brave. Live. For me."
The thing that got to me most this episode was Spike face in the last scene
Mark @ Carstairs Considers (2204 KP) rated The Sentry in Books
Apr 23, 2019
Wrong Place, Wrong Time – But for Whom?
It all started because Joe Pike stopped to put air in his tires. While he is at the service station, he notices two suspicious men about to enter a sandwich stop across the street. Pike follows them and stops them from beating up the owner, Wilson Smith. When Pike is waiting to talk to the police, he meets Wilson’s niece, Dru Rayne. Both of them are refuges from New Oreleans, feeling after Hurricane Katrina five years before the story starts. When trouble comes for the duo again, Dru calls Pike, who brings his friend and partner Elvis Cole in to help. Elvis begins to uncover clues that things aren’t quite what they appear to be. What has the innocent act of stopping at a service station and doing a good deed gotten the duo into?
Thanks to the multiple view point narration, we have an idea what else might be happening before Pike and Cole do, but that doesn’t mean we aren’t interested. There is so much going on that what we are privy to is only a small part of the story. There are plenty of twists as this thriller works its way to the climax. Along the way we get new insight into both Joe Pike and Elvis Cole. We do see a few of the recurring characters, but they don’t get enough page time for any real development. The new characters are engaging enough to help keep us invested in the story. Even though we get some passages from Cole’s point of view, his humor is missing here, and I would have enjoyed it. Even by this series’ standards, this book is violent. While these books always have more language and violence than my normal cozy mysteries, I felt what we got here could have been tone down without impacting the story in the slightest.
Thanks to the multiple view point narration, we have an idea what else might be happening before Pike and Cole do, but that doesn’t mean we aren’t interested. There is so much going on that what we are privy to is only a small part of the story. There are plenty of twists as this thriller works its way to the climax. Along the way we get new insight into both Joe Pike and Elvis Cole. We do see a few of the recurring characters, but they don’t get enough page time for any real development. The new characters are engaging enough to help keep us invested in the story. Even though we get some passages from Cole’s point of view, his humor is missing here, and I would have enjoyed it. Even by this series’ standards, this book is violent. While these books always have more language and violence than my normal cozy mysteries, I felt what we got here could have been tone down without impacting the story in the slightest.
Neon's Nerd Nexus (360 KP) rated Upgrade (2018) in Movies
May 14, 2019
Reboot
#upgrade #upgrademovie is insane & possibly the biggest surprise of the year. Its dark, dirty, gritty, raw & I absolutely #loved every second of it. Upgrade clearly wears its influences on its sleeve right from the start, there's elements of #Dredd, #Robocop, #TheMatrix & also #Terminator & its style is a straight #nostalgic mash up of #80s & #90s #scifi. What's so good about it however is amongst all this influence is an intricately woven style of its own. Its a low budget #film but you wouldn't know it as cgi is fantastic/minimal & works so well with some of the best #practicaleffects I've seen in ages. Gore is so realistic/#savage & shocking at one point I almost stood up out my seat in sheer shock. Cinematography is #beautiful/creative & at times wouldnt look out of place in a #bladerunner film. Environments look nasty, hostile & damn right grimy giving the film such a raw & depressing quality like it too is also a character. Ive always loved #loganmarshallgreen his physical acting here is next level. How he moves his body in this movie is out of this world impressive (especially when the system takes over his body). He plays the role perfect making his body act robotic while his face reacts with sheer fear & panic (its not only hilarious but terrible & utterly fascinating too). Camera work when he's moving is seriously impressive too moving in almost a robotic kind of way twisting, turning & jolting with every move #logan makes. With an unnerving/memorable score & an over all message of #technology enslaving us all/how no matter how much we hate machines we all eventually become reliant on them in some way Upgrade is a must see. Its not very often a small film like this comes along so we must all go see it to encourage directors to make more. One hell of a great time & a film I can't wait to own. #odeon #odeonlimitless #filmbuff #filmcritic #filmreview #saturdaynight #horror #gore #violent #cyberpunk #grindhouse
Neon's Nerd Nexus (360 KP) rated The Meg (2018) in Movies
May 14, 2019
Jason
#themeg all be it a highly forgettable film manages to be an extreamly enjoyable #shark romp that ends just before it begins to out stay its welcome. Sitting somewhere between #Theshallows & #deepbluesea #meg is an an American-Chinese co-production & it shows. There's an incredible amount of #chinese cast members here witch is very refreshing to see in a big #American #blockbuster & they all do a fantastic job at acting too. China locations are also #beautiful to look at & there's a fantastic sense of depth to the #ocean visuals making for some gorgeously tense silent under #water scenes. Cgi is alright for the most part & does a good job with its highly detailed shark models. Surprisingly #jasonstatham is the star of the show here & when he wasnt on screen I was longing for more time with him rather than the shark itself. Not only is he extremely #charming & charismatic he's absolutely hilarious, clearly realising what type of movie he signed up for & just having a ton of fun. Its a very silly film which plays to its advantage but the problems come when it tries to get to serious, it just kills the flow & makes the film #grind to a halt at times. Over all the message was alright too with its themes of how the human ego leads us to being so #cocky & sure of ourselves that we believe we are superior & invulnerable only to be shot down or knocked off guard by something more primitive. Major influences from old #japanese #monster #movies are a nice touch & characters are all very likable but they seem to have no cares for each other at all which all though odd actually does work in the films favour. A bit repetitive after a while with an abrupt anticlimactic ending Meg is well worth a watch & a ton of #silly forgettable #fun. Way less violent than I expected too. #odeon #odeonlimitless #friyay #gore #horror #scary #themegmovie #review #filmbuff #sharknado
Sassy Brit (97 KP) rated Playing With Death in Books
Jun 6, 2019
^^ I am familiar with Simon Scarrow’s Roman novels, so was excited to try this one out, as it is something new from an established author. With Playing with Death, Scarrow is co-writing writing this novel with Lee Francis, and it is NOT a historical novel! My goodness. This could be the death of him, or so I thought. But actually, it wasn’t bad.
^^ This is what I’d call a technological thriller and it highlights how the use of gaming via Artificial Intelligence and virtual reality technology could be detrimental to society, even in our world as it is today.
^^ Rose Blake is an FBI agent with a strange new case to investigate, and it is one that will take her beyond anything she can at first imagine, as murder and online gaming intertwine and the boundaries of what she knows to be true are stretched to the limit. To top it all she is feeling distanced from her husband, Jeff, who works as Senetor Kelly’s media manager with very little downtime, plus her own job is (as you would imagine) very demanding and often cutting into her family time, putting a strain their marriage.
^^ It’s a violent, fast-paced story with lots of twists and turns, and as a lover of thrillers, I thoroughly enjoyed Scarrow’s refreshing change of genre. My dad is a huge fan of Scarrow, however, I’m not sure how he’ll take to this since it’s about technology of which I doubt he’ll be interested in. I’m hoping he’ll try it out though. Saying that, this new genre is a great way to reach out to new readers, who may have not read any of his previous historical books.
Overall: I look forward to seeing if this is the start of a new series, as I would like to see how this enjoyable book, develops into more exciting stories.
^^ This is what I’d call a technological thriller and it highlights how the use of gaming via Artificial Intelligence and virtual reality technology could be detrimental to society, even in our world as it is today.
^^ Rose Blake is an FBI agent with a strange new case to investigate, and it is one that will take her beyond anything she can at first imagine, as murder and online gaming intertwine and the boundaries of what she knows to be true are stretched to the limit. To top it all she is feeling distanced from her husband, Jeff, who works as Senetor Kelly’s media manager with very little downtime, plus her own job is (as you would imagine) very demanding and often cutting into her family time, putting a strain their marriage.
^^ It’s a violent, fast-paced story with lots of twists and turns, and as a lover of thrillers, I thoroughly enjoyed Scarrow’s refreshing change of genre. My dad is a huge fan of Scarrow, however, I’m not sure how he’ll take to this since it’s about technology of which I doubt he’ll be interested in. I’m hoping he’ll try it out though. Saying that, this new genre is a great way to reach out to new readers, who may have not read any of his previous historical books.
Overall: I look forward to seeing if this is the start of a new series, as I would like to see how this enjoyable book, develops into more exciting stories.
