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Veronica Pena (690 KP) rated Darker (Fifty Shades as Told by Christian, #2) in Books

Jan 12, 2020  
Darker (Fifty Shades as Told by Christian, #2)
Darker (Fifty Shades as Told by Christian, #2)
E.L. James | 2017 | Erotica, Fiction & Poetry, Romance
8
7.3 (4 Ratings)
Book Rating
I far more enjoyed this novel than it's counterpart. Along the lines of my original review of its predecessor, I think that Christian is a far more interesting character than Ana. Ana's major character traits are that she's a virgin and kind of has mommy issues. I find his point of view, his thoughts, and his dreams, or nightmares rather, much more compelling than anything Ana really has to say. I think that he is a much stronger character and much more realistic than she is.

I originally rated this novel a 5/5 because I do truly love the story, I like the mystery, the thrill, the sex, I think it's great. I revised it, though, because as soon as I get into a good rhythm, reading 20 pages and feeling like it's been 5 minutes, I get pulled out of the story by something so small and seemingly irrelevant like a phrase or wording or the way they do something. It pulls me out of the story and forces me to remember that the writing isn't all that good. I've said previously about the dialogue and that always gets me - again, they sound English and they're not!!!! I'm not sure if E.L. James had an English editor either, but it seems like she could've because I think an American one would've caught those things.

Overall, I think that this is the best book of the 4 thus far - Fifty Shades of Grey, Grey, Fifty Shades Darker, and Darker. While I have enjoyed them all, somewhat of a guilty pleasure, I'm eager to read the final chapter of the trilogy and rage about how there isn't a Christian perspective. Stay tuned.
  
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JT (287 KP) rated Bridesmaids (2011) in Movies

Mar 10, 2020  
Bridesmaids (2011)
Bridesmaids (2011)
2011 | Comedy
6
7.5 (10 Ratings)
Movie Rating Watch
This was quite a nice change of pace from the regular rom-coms we have seen. The dull and somewhat boring 27 Dresses, Runaway Bride and Bride Wars as examples all try to leave you feeling fluffy and emotionally satisfied.

Bridesmaids is simply The Hangover for females. With brilliant ad-libbing and standout scenes it only lets itself down by trying to fill the humour gaps with a genuine romance for Kristen Wiig‘s Annie. Beneficial to the film is producer Judd Apatow who has brought us some fantastic comedies such as The 40-Year Old Virgin and Knocked Up to name a few. Each with a collection of colourful and extremely funny characters – Bridesmaids is not a lot different.

Here he almost certainly lends a helping hand in making sure this misfit group of women can cause as much havoc as possible, and they do. Laugh out loud moments such as a trip to the bridal shop after some rather dodgy food is a disgusting but hilarious highlight, as is the plane trip to Vegas in which a nervous Annie mixes pills and scotch and tries to slip into first class.

One of the highlights was the supporting role of Melissa McCarthy as Megan, almost a female version of the loveable Zach Galifianakis‘ character Alan in The Hangover . She nearly steals the show, but if not for a great performance from Wig. Given the film’s high budget it did very well to profit such a huge sum worldwide so it must have hit the right notes with film goers.

Overall I enjoyed Bridesmaids a lot. The actresses not following the the script and add-libbing takes a lot of skill, more so to make the scene funny, so hats off to that.
  
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Marc Riley recommended The Lamb Lies Down On Broadway by Genesis in Music (curated)

 
The Lamb Lies Down On Broadway by Genesis
The Lamb Lies Down On Broadway by Genesis
1974 | Pop, Rock
(0 Ratings)
Album Favorite

"This album is a real folly. I don't want to defend Phil Collins for a second, and when I see footage of the Slipperman [a naked lumpy monster with inflatable genitalia who emerged onto the stage by crawling out of a giant penis - Ed] I just chuckle at the thought that it just didn't make any sense to Phil Collins and it really pissed him off. He didn't like seeing Peter Gabriel in this costume. Gabriel didn't give a fuck though, he just wanted to do this piece of theatre. Just round the corner from here is the Palace Theatre, and that's where I saw them do The Lamb Lies Down On Broadway, two nights running, when I was 15. We just used to sneak into all the gigs, me and my mates. We were desperate to get into this one because we'd seen them on the Whistle Test but we couldn't get in for love nor money. We were stood outside and the guy who ran Virgin Records on Lever Street was there. I used to go to that shop three or four times a week to buy all my albums, and at about five to eight he came to the door and he recognised me from the shop because I used to ask him for advice, and he beckoned me over and put a ticket in my hand. It was sixth row from the front, and I was just blown away by it. It was one of the greatest things I've ever seen. It was presented as theatre. There were a lot of props. There was a big mesh cage that Gabriel performed in, there were a load of strobes going off. How did they represent a wall of nothingness sweeping across Times Square? Just a bit of smoke I think."

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