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Laura Doe (1350 KP) rated Wish You Were Here in Books
Jan 26, 2022
I didn’t quite realise how much this book would resonate with me until I started reading it. It reminded me sometimes about the awful things that we have lived through the past 2 years but also reminded me how strong people can be.
Diana and Finn are living in New York as the Covid-19 pandemic is beginning, they have planned to go on a once in a lifetime holiday to The Galápagos Islands just as the world seems to be shutting down. Finn, being a surgical resident, has been told that he can’t take time off, even pre planned holidays. While Diana, who is an art specialist working for Sotheby’s, knows that she needs to take time off as a deal she had brokered for a painting has fallen through. Finn tells Diana to go anyway as he doesn’t want to make her sick since he’s working in the hospital.
We then follow Diana exploring the beautiful, scenic Isabela island, and meeting a family who take her in and look after her when she becomes stranded there. She explores the island and although she doesn’t speak the language she manages to get by because she needs to. She has no phone service and very limited access to the internet so she has no way to contact the outside world, but it doesn’t seem to matter too much when you’re in paradise.
The second part of the book was a complete surprise, but a pleasant one. It reminded me of exactly how we were at the start of the pandemic, wiping down anything that came from outside, not opening mail for days and for some of us stripping as soon as we came in from work for fear we’d brought the virus home with us. I am a support worker and so had no choice but to go into work and look after people that had Covid-19 because as much as I was scared, I knew that they needed me more. One line that sticks in my head is also one that I thought myself: “Well if I catch it, I catch it” and that became my opinion for a lot of the pandemic.
It was a nice change that not everything was tied up with a neat little bow at the end of this book, as that’s how life is sometimes. I really enjoyed this book and I feel like it will be one of those that helps us to remember the pandemic in years to come.
Diana and Finn are living in New York as the Covid-19 pandemic is beginning, they have planned to go on a once in a lifetime holiday to The Galápagos Islands just as the world seems to be shutting down. Finn, being a surgical resident, has been told that he can’t take time off, even pre planned holidays. While Diana, who is an art specialist working for Sotheby’s, knows that she needs to take time off as a deal she had brokered for a painting has fallen through. Finn tells Diana to go anyway as he doesn’t want to make her sick since he’s working in the hospital.
We then follow Diana exploring the beautiful, scenic Isabela island, and meeting a family who take her in and look after her when she becomes stranded there. She explores the island and although she doesn’t speak the language she manages to get by because she needs to. She has no phone service and very limited access to the internet so she has no way to contact the outside world, but it doesn’t seem to matter too much when you’re in paradise.
The second part of the book was a complete surprise, but a pleasant one. It reminded me of exactly how we were at the start of the pandemic, wiping down anything that came from outside, not opening mail for days and for some of us stripping as soon as we came in from work for fear we’d brought the virus home with us. I am a support worker and so had no choice but to go into work and look after people that had Covid-19 because as much as I was scared, I knew that they needed me more. One line that sticks in my head is also one that I thought myself: “Well if I catch it, I catch it” and that became my opinion for a lot of the pandemic.
It was a nice change that not everything was tied up with a neat little bow at the end of this book, as that’s how life is sometimes. I really enjoyed this book and I feel like it will be one of those that helps us to remember the pandemic in years to come.
Chris Sawin (602 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 6, 2019
Before you read this review of Fast & Furious Presents: Hobbs & Shaw, I just want you to know that I can’t stand this franchise. I gave up keeping up with them after Furious 7 and felt like the Fast & Furious franchise peaked/was tolerable around Fast Five and never really went anywhere worthwhile before or since. I have not seen all the films and really only seemed to watch every other entry, but whether you’re in a heist or a drag race that lethal dose of masculinity being projectile vomited all over you by an entire cast (women included) for two hours straight is dull and tiresome. In fact, just call this franchise “Dull & Tiresome” from here on out and I doubt anyone would notice. It’s even got “tire” in there for car…stuff.
Ignoring the fact that screenwriters Chris Morgan (writer of every Fast and Furious entry since Tokyo Drift) and Drew Pearce (writer and director of the flop known as Hotel Artemis) were involved, I actually like David Leitch’s work (co-director of John Wick, director of Deadpool 2 and Atomic Blonde) even if he is probably going to screw up that Enter the Dragon remake. The trailers also made Hobbs & Shaw look like the stupid kind of action film I might enjoy; a bunch of fight scenes and chase sequences that give the middle finger to physics. But when a big moment in the film is a group of the good guys willingly bringing a bunch of sharp sticks to a battle where the villains are loaded to the teeth with highly advanced firearms, then you know you’ve jumped headfirst into the deep end of ridiculous without a special needs helmet.
The film is quick to point out that even though Luke Hobbs (Dwayne Johnson) is in Los Angeles and Deckard Shaw (Jason Statham) is in London, they’re essentially similar characters. Hobbs is a big dude who likes to Hulk smash everything while Shaw likes to think he has more class and finesse to his ass beatings and exaggerated torture devices. Despite their different cultures and supposedly unique way of approaching their work, they do nothing but talk trash, jack things up, simultaneously kick unsuspecting guys in the balls, and track stuff that needs tracking because that’s what trackers do. They reluctantly join forces and are in constant competition with one another to find some CT17 virus, which is currently inside Shaw’s MI6 operative sister Hattie Shaw (Vanessa Kirby) and is being hunted by formerly dead, cyber genetically altered, and current superhuman criminal mastermind Brixton Lore (Idris Elba). Don’t get too attached to the whole virus thing since even the film can’t keep up with what the hell it’s supposed to be.
The highlight of Hobbs & Shaw is the amount of cameos it’s able to squeeze into its excruciating two-hour-and-fifteen-minute runtime. The film utilizes about a third of the cast of a certain sequel to a certain film starring a certain Regenerating Degenerate and that cast is responsible for the humor that works best in whatever this spinoff is supposed to accomplish. Idris Elba is unbelievably cool as Brixton Lore. He’s this cocky and unstoppable bad ass who has a history with Shaw and his car chase on his self-driving motorcycle where he slides under a bus in slow motion is too sick for words. Vanessa Kirby has this on-screen presence that outshines the consistent bickering between Hobbs and Shaw. She’s the one capable female character in the film (Helen Mirren sitting behind glass doesn’t count) who seems to be the only one thinking logically, but it took her doing the dumbest thing imaginable at the beginning of the film to get that way.
This action film smorgasbord rides on the chemistry between Dwayne Johnson and Jason Statham, but that gets old as soon as they start sort-of working together. Their incessant ribbing of each other, desire to always outdo one another, and nonstop unfiltered machismo being this palpable elephant in the room leads to nothing but verbal dick size comparisons and leaves you thinking that maybe they’ll make out or grope each other by the end of the film. Spoiler alert: maybe they’re saving that for the sequel.
There isn’t enough of a differentiation between action sequences in Hobbs & Shaw to make it feel worthwhile. There’s chemistry between the cast that is undeniable and some of its outrageousness is entertaining, but it all begins to feel similar and falls apart far sooner than it should. For those who care, there is a mid-credits and after-credits scene but neither is surprising. The cheesy motivational speeches, forced heartfelt stories, and, “all technology in the world doesn’t beat heart,” mumbo jumbo doesn’t help matters. The supposed story for this film is basically a dunce cap disguised as a pocket protector. There are intelligent elements used in ludicrous ways and maybe that’s what could describe the Fast & Furious franchise as a whole. You can bury a diamond in a dog turd and say it’s extravagant and that it’s valuable, but it’s still a dog turd that smells awful and lingers long after it’s been flushed away.
Ignoring the fact that screenwriters Chris Morgan (writer of every Fast and Furious entry since Tokyo Drift) and Drew Pearce (writer and director of the flop known as Hotel Artemis) were involved, I actually like David Leitch’s work (co-director of John Wick, director of Deadpool 2 and Atomic Blonde) even if he is probably going to screw up that Enter the Dragon remake. The trailers also made Hobbs & Shaw look like the stupid kind of action film I might enjoy; a bunch of fight scenes and chase sequences that give the middle finger to physics. But when a big moment in the film is a group of the good guys willingly bringing a bunch of sharp sticks to a battle where the villains are loaded to the teeth with highly advanced firearms, then you know you’ve jumped headfirst into the deep end of ridiculous without a special needs helmet.
The film is quick to point out that even though Luke Hobbs (Dwayne Johnson) is in Los Angeles and Deckard Shaw (Jason Statham) is in London, they’re essentially similar characters. Hobbs is a big dude who likes to Hulk smash everything while Shaw likes to think he has more class and finesse to his ass beatings and exaggerated torture devices. Despite their different cultures and supposedly unique way of approaching their work, they do nothing but talk trash, jack things up, simultaneously kick unsuspecting guys in the balls, and track stuff that needs tracking because that’s what trackers do. They reluctantly join forces and are in constant competition with one another to find some CT17 virus, which is currently inside Shaw’s MI6 operative sister Hattie Shaw (Vanessa Kirby) and is being hunted by formerly dead, cyber genetically altered, and current superhuman criminal mastermind Brixton Lore (Idris Elba). Don’t get too attached to the whole virus thing since even the film can’t keep up with what the hell it’s supposed to be.
The highlight of Hobbs & Shaw is the amount of cameos it’s able to squeeze into its excruciating two-hour-and-fifteen-minute runtime. The film utilizes about a third of the cast of a certain sequel to a certain film starring a certain Regenerating Degenerate and that cast is responsible for the humor that works best in whatever this spinoff is supposed to accomplish. Idris Elba is unbelievably cool as Brixton Lore. He’s this cocky and unstoppable bad ass who has a history with Shaw and his car chase on his self-driving motorcycle where he slides under a bus in slow motion is too sick for words. Vanessa Kirby has this on-screen presence that outshines the consistent bickering between Hobbs and Shaw. She’s the one capable female character in the film (Helen Mirren sitting behind glass doesn’t count) who seems to be the only one thinking logically, but it took her doing the dumbest thing imaginable at the beginning of the film to get that way.
This action film smorgasbord rides on the chemistry between Dwayne Johnson and Jason Statham, but that gets old as soon as they start sort-of working together. Their incessant ribbing of each other, desire to always outdo one another, and nonstop unfiltered machismo being this palpable elephant in the room leads to nothing but verbal dick size comparisons and leaves you thinking that maybe they’ll make out or grope each other by the end of the film. Spoiler alert: maybe they’re saving that for the sequel.
There isn’t enough of a differentiation between action sequences in Hobbs & Shaw to make it feel worthwhile. There’s chemistry between the cast that is undeniable and some of its outrageousness is entertaining, but it all begins to feel similar and falls apart far sooner than it should. For those who care, there is a mid-credits and after-credits scene but neither is surprising. The cheesy motivational speeches, forced heartfelt stories, and, “all technology in the world doesn’t beat heart,” mumbo jumbo doesn’t help matters. The supposed story for this film is basically a dunce cap disguised as a pocket protector. There are intelligent elements used in ludicrous ways and maybe that’s what could describe the Fast & Furious franchise as a whole. You can bury a diamond in a dog turd and say it’s extravagant and that it’s valuable, but it’s still a dog turd that smells awful and lingers long after it’s been flushed away.
Ivana A. | Diary of Difference (1171 KP) rated The Rumour in Books
Nov 8, 2018
The Rumour by Lesley Kara [BOOK REVIEW]
The Rumour is Lesley Kara’s debut novel, a gripping book about what people are capable of doing when they feel threatened and exposed. A thriller about paranoia, fear and suspense unlike anything you have read before.
When Joanna moved into a small town, all she wants to do is be happy, with her son Alfie and her mother being beside her. Her son Alfie had troubles with bullies in the big city, and all his mum wants for him right now is for him to be happy and fit in the crowd.
And when a rumour starts hovering around that a woman that has killed a child a long time ago is living in the town, under a new identity, Joanna decides to share this rumour around with her friends, in hope that this will hopefully result in Alfie making some friends.
But what happens when a simple comment goes all wrong, and starts spreading like a virus? And what if this rumour happens to be true? What if there is indeed a killer living undercover in this small town, and is very upset and wants to punish those who share this rumour around? Starting with Alfie…
*
The Rumour was a thrilling read for me, as I haven’t read anything similar before. We see the story from Joanne’s point of view, but mostly, we see the story from a perspective of a mother.
We see a woman who is overthinking everything regarding her child, always asking herself twice whether she has made the right choice, and always wondering whether her child is safe.
And I am not a parent, but I can imagine that every parent over-worries about their children. Even at some point all of us would wonder whether this is normal, or we are just being paranoid again? And this initial moment has lead Joanne to become anxious and insecure, and feeling like something is wrong constantly.
I loved the plot around the child-killer, and how it slowly was developing throw a lot of characters.
I certainly did not expect that twist a few chapters before the end, and the final twist in the last chapters. This gave the story a whole new ‘’wow’’ factor, and I was really pleased.
I wouldn’t put it on my shelf of 5-star books, as I couldn’t get the biting nails moment. However, this books keeps you reading through, and I can’t wait to read more from Lesley. She is a great author.
Thank you to NetGalley and Random House UK, Transworld Publishers, for giving me an ARC copy of this book in exchange for an honest review.
When Joanna moved into a small town, all she wants to do is be happy, with her son Alfie and her mother being beside her. Her son Alfie had troubles with bullies in the big city, and all his mum wants for him right now is for him to be happy and fit in the crowd.
And when a rumour starts hovering around that a woman that has killed a child a long time ago is living in the town, under a new identity, Joanna decides to share this rumour around with her friends, in hope that this will hopefully result in Alfie making some friends.
But what happens when a simple comment goes all wrong, and starts spreading like a virus? And what if this rumour happens to be true? What if there is indeed a killer living undercover in this small town, and is very upset and wants to punish those who share this rumour around? Starting with Alfie…
*
The Rumour was a thrilling read for me, as I haven’t read anything similar before. We see the story from Joanne’s point of view, but mostly, we see the story from a perspective of a mother.
We see a woman who is overthinking everything regarding her child, always asking herself twice whether she has made the right choice, and always wondering whether her child is safe.
And I am not a parent, but I can imagine that every parent over-worries about their children. Even at some point all of us would wonder whether this is normal, or we are just being paranoid again? And this initial moment has lead Joanne to become anxious and insecure, and feeling like something is wrong constantly.
I loved the plot around the child-killer, and how it slowly was developing throw a lot of characters.
I certainly did not expect that twist a few chapters before the end, and the final twist in the last chapters. This gave the story a whole new ‘’wow’’ factor, and I was really pleased.
I wouldn’t put it on my shelf of 5-star books, as I couldn’t get the biting nails moment. However, this books keeps you reading through, and I can’t wait to read more from Lesley. She is a great author.
Thank you to NetGalley and Random House UK, Transworld Publishers, for giving me an ARC copy of this book in exchange for an honest review.
JT (287 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Mar 10, 2020
As an action connoisseur I know what I like. I’m easily pleased and not overly bothered by plot. It doesn’t always have to make sense, and set pieces can be incoherently over the top. This is why Fast & Furious Presents: Hobbs & Shaw is so enjoyable.
It’s clear to see that out of the franchise’s many characters Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) have been by far the most entertaining. Johnson arrived in Fast & Furious 5 as the agent tasked with capturing Dominic Toretto (Vin Diesel) and his crew, while Statham’s debut was via a mid-credits scene during Fast & Furious 6 which connected to Fast and Furious: Tokyo Drift.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham. They are not pleased at having to work together in order to locate a deadly virus called ‘Snowflake’. The pair engage in a number of funny put-downs and quips that start to build a love hate relationship. By the end of the film it’s pretty much guaranteed they are going to be back for a sequel.
Fast & Furious is well known for pushing boundaries when it comes to action sequences and this installment continues the trend. From running down a high-rise building to a chase through the streets of London, culminating with a totally bonkers helicopter finale that must be seen to be believed. The fight scenes are well choreographed and slick, all catering to the actor in question, with a vast array of objects at hand to be used as lethal weapons.
Idris Elba‘s Brixton Lore is an admirable villain. With built in cybernetic augmentations he has a spidey sense that is second to none. But he doesn’t get the screen time he deserves and his back story feels rushed. That said, his motorbike has a distinct Transformers feel about it and not surprisingly it emanates a familiar sound during a high speed pursuit.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham.
As if all of that wasn’t enough, there are a couple of great cameos thrown which actually work quite well [we won’t spoil them]. Helen Mirren pops up as Queenie, the matriarch of the Shaw family and Deckard’s sister Hattie (Vanessa Kirby) has an integral role to play.
Whatever you might think of the franchise or how tired it has become, there is no getting away from the fact that it has made a shed load of money. Things certainly don’t look like slowing down either, with the release of Fast & Furious 9 due out next year – although it could be minus this dynamic duo.
It’s clear to see that out of the franchise’s many characters Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) have been by far the most entertaining. Johnson arrived in Fast & Furious 5 as the agent tasked with capturing Dominic Toretto (Vin Diesel) and his crew, while Statham’s debut was via a mid-credits scene during Fast & Furious 6 which connected to Fast and Furious: Tokyo Drift.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham. They are not pleased at having to work together in order to locate a deadly virus called ‘Snowflake’. The pair engage in a number of funny put-downs and quips that start to build a love hate relationship. By the end of the film it’s pretty much guaranteed they are going to be back for a sequel.
Fast & Furious is well known for pushing boundaries when it comes to action sequences and this installment continues the trend. From running down a high-rise building to a chase through the streets of London, culminating with a totally bonkers helicopter finale that must be seen to be believed. The fight scenes are well choreographed and slick, all catering to the actor in question, with a vast array of objects at hand to be used as lethal weapons.
Idris Elba‘s Brixton Lore is an admirable villain. With built in cybernetic augmentations he has a spidey sense that is second to none. But he doesn’t get the screen time he deserves and his back story feels rushed. That said, his motorbike has a distinct Transformers feel about it and not surprisingly it emanates a familiar sound during a high speed pursuit.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham.
As if all of that wasn’t enough, there are a couple of great cameos thrown which actually work quite well [we won’t spoil them]. Helen Mirren pops up as Queenie, the matriarch of the Shaw family and Deckard’s sister Hattie (Vanessa Kirby) has an integral role to play.
Whatever you might think of the franchise or how tired it has become, there is no getting away from the fact that it has made a shed load of money. Things certainly don’t look like slowing down either, with the release of Fast & Furious 9 due out next year – although it could be minus this dynamic duo.
Jesters_folly (230 KP) rated Cooties (2015) in Movies
Aug 14, 2021
Contains spoilers, click to show
First off a warning, Cooties is a Zombie film where the zombies are children so, if you don't like violence against children than this really isn't the film for you.
Clint (Elijah Wood) moves back to his home town to work on his book and takes a job as a substitute teacher at his old school. On his first day a virus breaks out that turns all the children into zombies. Clint and the other teachers fight to escaper the school and find out what is happening.
Cooties is quite a self aware film, in one of the first scenes Clint askes his mother what she thought of his book and she tells him that the the characters are unlikable, the plot makes no sense and it's boring, the first one of those is true, most of the characters are unlikable, at least at the start of the film. The pre-zombie children are brats and the teachers range from meek to bullies. Making the children unlikable is necessary because of what happens later.
Some of the teachers do undergo character growth, as I said they start off unlikable but a few of them become more likeable as we find out what made them become teachers and how they react to the situation.
Saying that though, Cooties is not an overly cleaver film, it's a zombie film that uses horror tropes; people are trapped in small rooms, there are air vents, people get eaten and, despite how it starts there is no big message to the film. I say despite how it starts because I did think that it was going to be a big 'Anti Meat' film but any sigh of that is forgotten very soon and, apart from a slight pro-teacher message the film soon becomes another zombie flick, it doesn't even have the usual political undertones like the night of the living dead film.
Over all Cooties is generally a good zombie film but I think it will lose a big chunk of it's audience because it becomes quite violent as the teaches have to fight the children to get out.
Don't expect anything great, Cooties is just another zombie film with a gimmick that some will find distasteful but, if you like your zombie films with a bit of humour and mindless action and you can look past the fact the zombies are children then give Cooties a go.
One last thing, I did find myself asking, if the air vent is big enough to fit to small adults side by side then it must have been big enough for a large man so any one could have gone on the mission.
Clint (Elijah Wood) moves back to his home town to work on his book and takes a job as a substitute teacher at his old school. On his first day a virus breaks out that turns all the children into zombies. Clint and the other teachers fight to escaper the school and find out what is happening.
Cooties is quite a self aware film, in one of the first scenes Clint askes his mother what she thought of his book and she tells him that the the characters are unlikable, the plot makes no sense and it's boring, the first one of those is true, most of the characters are unlikable, at least at the start of the film. The pre-zombie children are brats and the teachers range from meek to bullies. Making the children unlikable is necessary because of what happens later.
Some of the teachers do undergo character growth, as I said they start off unlikable but a few of them become more likeable as we find out what made them become teachers and how they react to the situation.
Saying that though, Cooties is not an overly cleaver film, it's a zombie film that uses horror tropes; people are trapped in small rooms, there are air vents, people get eaten and, despite how it starts there is no big message to the film. I say despite how it starts because I did think that it was going to be a big 'Anti Meat' film but any sigh of that is forgotten very soon and, apart from a slight pro-teacher message the film soon becomes another zombie flick, it doesn't even have the usual political undertones like the night of the living dead film.
Over all Cooties is generally a good zombie film but I think it will lose a big chunk of it's audience because it becomes quite violent as the teaches have to fight the children to get out.
Don't expect anything great, Cooties is just another zombie film with a gimmick that some will find distasteful but, if you like your zombie films with a bit of humour and mindless action and you can look past the fact the zombies are children then give Cooties a go.
One last thing, I did find myself asking, if the air vent is big enough to fit to small adults side by side then it must have been big enough for a large man so any one could have gone on the mission.
Acanthea Grimscythe (300 KP) rated The Coldest Girl in Coldtown in Books
May 16, 2018
Actual rating: 3.5. Rounded to 4.
I don’t really tend to read a lot of vampire books anymore, especially when they’ve been labeled young adult. Holly Black’s The Coldest Girl in Coldtown is definitely an exception to that habit. I needed a break from flipping pages and wanted to get in a little bit of time gaming. When I saw The Coldest Girl in Coldtown available for an immediate audio book borrow from OverDrive, I decided to give it a shot. I’d heard of Holly Black, even if I hadn’t read any of her work.
Black’s novel takes vampirism and spreads it in the same manner that most post-apocalyptic novels spread the infectious diseases that create zombies. Vampires are romanticized, as they often are, especially in young adult books, and in this case, they no longer live in the shadows; rather, they have taken up residence in government organized areas known as Coldtowns. Those that have been infected with the vampire virus are also holed up within the walls of this cities, and there’s no shortage of food, because people are dying to get in.
Waking up after passing out at a party, the main character, a young woman named Tana, finds herself amidst a massacre: people she knows have been slaughtered by vampires. The only survivors are her, an ex-boyfriend, and a strange boy. Her ex is infected, and the boy is a vampire. Deciding to turn him in for a bounty, and worried that her ex will become a vampire himself, the trio travel to Coldtown. It isn’t long before Tana finds herself caught up in what could loosely be described as vampire politics. Amongst betrayal, she must persevere in order to guarantee her own survival.
The majority of the story is told from Tana’s perspective, with a few chapters written in Gavriel, the vampire’s, and another one, maybe two, from her younger sister’s, Pearl’s, point-of-view. These changes exist solely to expound on certain events that have led the characters to where they are, such as Gavriel’s past — which is, undoubtedly, one of my favorite parts of the book. Each chapter also begins with an excerpt, usually from a poem that deals with death, the undead, or vampires.
Voices make a huge impact on listening to audio books, especially for me. If I can’t stand the voice, I will not finish the book more than likely. In the case of The Coldest Girl in Coldtown, the narrator, Christine Lakin, is absolutely amazing. Her voice is pleasant to listen to, and there is a clear difference between the way each of the characters speak.
The Coldest Girl in Coldtown isn’t among my favorite reads, perhaps because I prefer the more traditional approaches to vampires, but it is, undoubtedly, an fun journey. If you like your vampires a bit on the softer side of the spectrum, this one is definitely worth picking up.
I don’t really tend to read a lot of vampire books anymore, especially when they’ve been labeled young adult. Holly Black’s The Coldest Girl in Coldtown is definitely an exception to that habit. I needed a break from flipping pages and wanted to get in a little bit of time gaming. When I saw The Coldest Girl in Coldtown available for an immediate audio book borrow from OverDrive, I decided to give it a shot. I’d heard of Holly Black, even if I hadn’t read any of her work.
Black’s novel takes vampirism and spreads it in the same manner that most post-apocalyptic novels spread the infectious diseases that create zombies. Vampires are romanticized, as they often are, especially in young adult books, and in this case, they no longer live in the shadows; rather, they have taken up residence in government organized areas known as Coldtowns. Those that have been infected with the vampire virus are also holed up within the walls of this cities, and there’s no shortage of food, because people are dying to get in.
Waking up after passing out at a party, the main character, a young woman named Tana, finds herself amidst a massacre: people she knows have been slaughtered by vampires. The only survivors are her, an ex-boyfriend, and a strange boy. Her ex is infected, and the boy is a vampire. Deciding to turn him in for a bounty, and worried that her ex will become a vampire himself, the trio travel to Coldtown. It isn’t long before Tana finds herself caught up in what could loosely be described as vampire politics. Amongst betrayal, she must persevere in order to guarantee her own survival.
The majority of the story is told from Tana’s perspective, with a few chapters written in Gavriel, the vampire’s, and another one, maybe two, from her younger sister’s, Pearl’s, point-of-view. These changes exist solely to expound on certain events that have led the characters to where they are, such as Gavriel’s past — which is, undoubtedly, one of my favorite parts of the book. Each chapter also begins with an excerpt, usually from a poem that deals with death, the undead, or vampires.
Voices make a huge impact on listening to audio books, especially for me. If I can’t stand the voice, I will not finish the book more than likely. In the case of The Coldest Girl in Coldtown, the narrator, Christine Lakin, is absolutely amazing. Her voice is pleasant to listen to, and there is a clear difference between the way each of the characters speak.
The Coldest Girl in Coldtown isn’t among my favorite reads, perhaps because I prefer the more traditional approaches to vampires, but it is, undoubtedly, an fun journey. If you like your vampires a bit on the softer side of the spectrum, this one is definitely worth picking up.
Darren (1599 KP) rated Rec 3: Genesis (2012) in Movies
Jun 20, 2019
Story: We start by seeing friends and family coming together for the wedding of our two leads Clara and Koldo. The wedding goes perfectly but as they after party continues one of the guests starts coming off sick and the quarantine team turn up. One an infected guest starts to spread the virus all hell lets loose and we have to follow our groom and a few friends as they try to find safety and watch how he has to find his bride. All this while the bride tries to escape but refuses to leave without her groom.
With the first two in the series being set in the same building it is nice to see something different and with the wedding we get a one night chaos idea. It has the basic escape from the zombie like creatures that we have seen before with the self-sacrifice but lacks the unique kills. It ends up turning into a romantic escape as the two want to find each other and end up getting all their friends and family killed. It is very basic but does what you ask it too. (6/10)
Actor Review
Leticia Dolera: Clara bride who escapes with a priest and a few friends but once she releases her groom is not out she wants to go back and armed with chainsaw she goes back for him. Leticia gives a good performance. (7/10)
Diego Martin: Koldo groom who escapes and tries to save the people he is with before going back in his armour to save his bride. Diego gives a good performance. (7/10)
Support Cast: Friends and family back up the support cast and end up becoming victims while our heroes try to escape.
Director Review: Paco Plaza – Paco makes a solid bloody zombie film that has some good kills but lacks what made the first one special. (5/10)
Horror: Never really reaches the levels of the first ones. (3/10)
Settings: Fresh setting for the series works because it shows how one of the greatest moments of a couple’s life could turn into the biggest nightmare in a matter of moments. (8/10)
Special Effects: Great effects used for the kills and zombies images. (9/10)
Suggestion: This is one for the horror fans to try, it is bloodier that the first too but lacks the suspense they had. (Try It)
Best Part: Chainsaw time
Worst Part: No suspense
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: There is a fourth in the series.
Opening Credits Rating: We get to see photos of the two leads as they grow up until they are about to get married. (7/10)
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 20 Minutes
Tagline: You may now kiss the bride
Overall: That moment when zombies crash your wedding
https://moviesreview101.com/2014/12/05/rec-3-genesis-2012/
With the first two in the series being set in the same building it is nice to see something different and with the wedding we get a one night chaos idea. It has the basic escape from the zombie like creatures that we have seen before with the self-sacrifice but lacks the unique kills. It ends up turning into a romantic escape as the two want to find each other and end up getting all their friends and family killed. It is very basic but does what you ask it too. (6/10)
Actor Review
Leticia Dolera: Clara bride who escapes with a priest and a few friends but once she releases her groom is not out she wants to go back and armed with chainsaw she goes back for him. Leticia gives a good performance. (7/10)
Diego Martin: Koldo groom who escapes and tries to save the people he is with before going back in his armour to save his bride. Diego gives a good performance. (7/10)
Support Cast: Friends and family back up the support cast and end up becoming victims while our heroes try to escape.
Director Review: Paco Plaza – Paco makes a solid bloody zombie film that has some good kills but lacks what made the first one special. (5/10)
Horror: Never really reaches the levels of the first ones. (3/10)
Settings: Fresh setting for the series works because it shows how one of the greatest moments of a couple’s life could turn into the biggest nightmare in a matter of moments. (8/10)
Special Effects: Great effects used for the kills and zombies images. (9/10)
Suggestion: This is one for the horror fans to try, it is bloodier that the first too but lacks the suspense they had. (Try It)
Best Part: Chainsaw time
Worst Part: No suspense
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: There is a fourth in the series.
Opening Credits Rating: We get to see photos of the two leads as they grow up until they are about to get married. (7/10)
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 20 Minutes
Tagline: You may now kiss the bride
Overall: That moment when zombies crash your wedding
https://moviesreview101.com/2014/12/05/rec-3-genesis-2012/
Charlie Cobra Reviews (1840 KP) rated Train to Busan (2016) in Movies
Jul 7, 2020 (Updated Oct 22, 2020)
Thrillingly Unique and Entertaining Addition to the Zombie Film
Contains spoilers, click to show
This movie was great and the unique concept of having the survivors on a train was different from any zombie I've ever seen. Seok-woo is a divorced business man who never has time for his daughter, whose only wish for her birthday is to see her mother. After reluctantly agreeing to take her by train a zombie apocalypse occurs and they have to survive on the train. The scenes on the train were pretty amazing and really intense. Having to fight zombies in close quarters at times with no weapons made them incredibly tense, especially the ones where they had to sneak past them in the dark. As I said before a big thing that bothered me was that in certain scenes it appeared as if the zombies didn't actually attack the people to eat them but just bite them spreading the virus like World War Z. This was a serious let down for me in World War Z and the only reason I didn't make a bigger deal about it in this one is because there were scenes where a zombie was scene eating someone one that's already on the ground and also where they swarm someone who was already bitten, more than likely eating them. See to me the two greatest reasons why zombie are scary and so popular is because they combine two big fears that people have on a primal way. 1 is the fear of death and the dead, people don't want to die of course, but people are also afraid of dead things, dead people, animals etc.. And then 2 being eaten alive. That I think is something nobody would even wish on their worst enemy, so that's why zombies are such a scary movie monster. But when you change them to being infected instead of reanimated corpses and instead of eating the living they are trying to spread a disease by biting people and not eating them, it takes away from the horror part of it. I really liked the scene where the man with the pregnant wife, Seok-woo and the young baseball player gear up to make their way to the back cars to save their family members. I also liked the special effects used, everything except that deer in the beginning of the movie, which wasn't that terrible in the big scope of things but it reminded me of that prairie dog in the beginning of Crystal Skull (which was big red flag for that film). I have to say that this was really one of the better zombie films out there and I hear there is an animated prequel that was realized a month later and now talks about a sequel. I give this movie a 7/10.
BankofMarquis (1832 KP) rated Don't Look Up (2021) in Movies
Jan 9, 2022
A Brilliant Satire
Satire is a tricky thing to get right, there is a balance between humor and pathos that must be struck in order to drive home the point.
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
KittyMiku (138 KP) rated Resurrection: A Zombie Novel in Books
May 23, 2019
Resurrection: A Zombie Novel by Michael J. Totten is a marvelous book about a post-apocalyptic world in which a virus leaves millions of humans in a crazed state that makes them only wish to eat the flesh of their fellow mankind. With so many twists and turns, you are able to develop ideas on how the characters were before the virus spread, how they have changed, and different things that could easily affect how you would view another human. It was delightful to be able to read about some of the history leading up to the outbreak on each character, while being able to learn what made them tick. The way the characters interact had me laughing from time to time as they are so different and stubborn in their own ways that it makes it hard for them to agree on things. I loved how it brought up a lot of different ideas and thoughts one might have before an outbreak like this happens as well as how it could change the way one might feel or think once they realize they may be the last alive to help set up a new society. Not to mention, how some things we know can go out the window when your life is depending on you being super careful and cautious out the window.
Watching the characters deal with issues with their first major problem, other survivors definitely gave me the impression that in a world with no rules, people no longer try to make friends or even help each other out. I had felt completely anxious and sad that other healthy humans couldn’t be bothered to be kind to our main group of characters. I understand they had their reason, but it did remind me how in real life, without a zombie outbreak, the majority of the human race will only look out for themselves and what they believe belongs to them. It was refreshing to see how even though sometimes you don’t get along with your team, how a common enemy can pull you together, even if the enemy is survivors who could be potential assets to your group. I also found that the idea of us, humans, and thinking we know a ton, to be quite lacking.
Totten had brought a valuable point up in the book, whether he meant to or not. If something should happen, where we needed to live off the earth and a huge portion of our population is dead, or heavily diseased and dangerous to be near, how would be survive? A lot of people take for granted the fact they have heat, running water, electricity, and food, so without out being able to just purchase it and having to resort to growing it and such, our survivors would need to learn a lot of information. I enjoyed the idea of the characters going to look for books on farming, building, and anything else they would need to learn how to do, but it got me thinking about how everything today is slowly becoming that of a digital world. Yes there are still libraries out there with millions of books, but most libraries are in areas that could easily be surrounded by the infected. Even in Resurrection, that could be an issue and yet when Kyle brings up they could just obtain the books to teach them how to do things, the other characters didn’t seem as concerned about the idea, as I was upon reading that. After all, reading how they have to be careful just going to a sporting goods store and all the concerns they have when doing things, makes the idea of going into a library very worrisome.
However, it wasn’t just the knowledge most people don’t have that brought this story to my mind in some serious thought, it was seeing how something as simple as knowing your blood type and how blood transfusion work, seems to leave you in times of panic. We all know that certain blood types just can’t be mixed with others and often this knowledge isn’t needed. Most of us don’t even know our blood types, myself included, because we just don’t always see the need to know such information, or we just simply forget it. So I wasn’t surprised that the characters didn’t know their blood types off the back of their hand, but I found how simple things we have learned since grade school about other people’s blood containing diseases and even allergic reactions if placed in your own body without proper care could just disappear until after doing just that. I can’t say I would have thought of it either, but at the same time I would like to think that it’s something I wouldn’t feel right about. Though, how could any of us be sure we would do something different?
Totten seemed to be able to use the characters to remind us of how important some of the things we take for granted are. I enjoyed seeing how friendships can be broken or made easily, how teamwork is important in the matter of survival, and how people would truly act in a post-apocalyptic world. To see common sense that we have go out the window in some situations and in other situations seem create stealthy humans with common sense and the ability to have sound judgement. Not everyone would have been able to write about such a world, and have characters make mistakes that leave you shaking your head. To be able to see the characters as imperfect humans doing their best to get by in the world, definitely makes this novel a delightful read. I would rate Resurrection: A Zombie Novel 5 stars out of 5 stars. Definitely a must read for the zombie lover. I would say if you love zombie movies and shows, you would find this book right up your alley. With characters you could relate to, and situations that aren’t impossible to imagine, you will fall in love with the writing style and story that Michael Totten gave to us in this short, page turner.
Watching the characters deal with issues with their first major problem, other survivors definitely gave me the impression that in a world with no rules, people no longer try to make friends or even help each other out. I had felt completely anxious and sad that other healthy humans couldn’t be bothered to be kind to our main group of characters. I understand they had their reason, but it did remind me how in real life, without a zombie outbreak, the majority of the human race will only look out for themselves and what they believe belongs to them. It was refreshing to see how even though sometimes you don’t get along with your team, how a common enemy can pull you together, even if the enemy is survivors who could be potential assets to your group. I also found that the idea of us, humans, and thinking we know a ton, to be quite lacking.
Totten had brought a valuable point up in the book, whether he meant to or not. If something should happen, where we needed to live off the earth and a huge portion of our population is dead, or heavily diseased and dangerous to be near, how would be survive? A lot of people take for granted the fact they have heat, running water, electricity, and food, so without out being able to just purchase it and having to resort to growing it and such, our survivors would need to learn a lot of information. I enjoyed the idea of the characters going to look for books on farming, building, and anything else they would need to learn how to do, but it got me thinking about how everything today is slowly becoming that of a digital world. Yes there are still libraries out there with millions of books, but most libraries are in areas that could easily be surrounded by the infected. Even in Resurrection, that could be an issue and yet when Kyle brings up they could just obtain the books to teach them how to do things, the other characters didn’t seem as concerned about the idea, as I was upon reading that. After all, reading how they have to be careful just going to a sporting goods store and all the concerns they have when doing things, makes the idea of going into a library very worrisome.
However, it wasn’t just the knowledge most people don’t have that brought this story to my mind in some serious thought, it was seeing how something as simple as knowing your blood type and how blood transfusion work, seems to leave you in times of panic. We all know that certain blood types just can’t be mixed with others and often this knowledge isn’t needed. Most of us don’t even know our blood types, myself included, because we just don’t always see the need to know such information, or we just simply forget it. So I wasn’t surprised that the characters didn’t know their blood types off the back of their hand, but I found how simple things we have learned since grade school about other people’s blood containing diseases and even allergic reactions if placed in your own body without proper care could just disappear until after doing just that. I can’t say I would have thought of it either, but at the same time I would like to think that it’s something I wouldn’t feel right about. Though, how could any of us be sure we would do something different?
Totten seemed to be able to use the characters to remind us of how important some of the things we take for granted are. I enjoyed seeing how friendships can be broken or made easily, how teamwork is important in the matter of survival, and how people would truly act in a post-apocalyptic world. To see common sense that we have go out the window in some situations and in other situations seem create stealthy humans with common sense and the ability to have sound judgement. Not everyone would have been able to write about such a world, and have characters make mistakes that leave you shaking your head. To be able to see the characters as imperfect humans doing their best to get by in the world, definitely makes this novel a delightful read. I would rate Resurrection: A Zombie Novel 5 stars out of 5 stars. Definitely a must read for the zombie lover. I would say if you love zombie movies and shows, you would find this book right up your alley. With characters you could relate to, and situations that aren’t impossible to imagine, you will fall in love with the writing style and story that Michael Totten gave to us in this short, page turner.