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Charlie Cobra Reviews (1840 KP) rated The Cured (2017) in Movies
Jul 7, 2020 (Updated Oct 29, 2020)
A Provocative And Fresh Concept; An Emotional Tale & Thrilling Social Commentary Drama
Contains spoilers, click to show
This movie was pretty great. Not to hype it up too much but this was exactly as advertised in being a "Fresh Take" on the zombie genre. The story is that 5 years after the zombie virus outbreak, there was a cure found that works on 75% of the population. Now that those who were once zombies are being released back into society there is a slew of problems brewing. I liked how this was a pretty smart and unique concept because it makes you think, what would happen in real life in this scenario. This is kind of a commentary on society as a whole and shows how we react to things. Some people are mad about these Cured because they are murderers who killed people while they were infected. Some people see the situation as they were sick and didn't have control of themselves. The military acts as there care-takers in a way sort of like a probation/parole thing where they are given jobs and have to check in. If they don't then they risk being incarcerated again. There start to be incident where Cured are attacked in public and discriminated against for having been infected. This leads to resentment for the rest of the public by the Cured and a sort of underground movement/terrorist group for the rights of the Cured. There really is a lot of thought put into this film and I think it warrants a second viewing to see how everything lines up but I thought it was really good. I give this movie a 8/10 and it gets my "Must See Seal of Approval."
Charlie Cobra Reviews (1840 KP) rated Swamp Thing in TV
Jul 7, 2020
One of DC's Current Bests
Swamp Thing is a 2019 superhero horror/drama tv series developed by Gary Dauberman and Mark Verheiden with Executive Producers James Wan, Len Wiseman and Michael Clear. It was produced by Big Shoe Productions, Inc., Atomic Monster Productions, DC Entertainment and Warner Bros. Television and distributed by Warner Bros. Entertainment. The show stars Crystal Reed, Virginia Madsen, Andy Bean, Derek Mears, Jessica Beals, and Will Patton.
Abby Arcane (Crystal Reed) returns to her hometown of Marais, Louisiana investigating a deadly swamp-borne virus for the CDC . She develops a bond with Alec Holland (Andy Bean), a disgraced scientist who dies tragically soon after, but Holland may not be dead after all, as Abby discovers the mysteries of the swamp transform him into Swamp Thing.
This show is really cool. It makes me want to go back and watch the old movies to compare how they hold up. I was amazed with how dark they kept the story with the rating being TV-MA and there being so much blood and gore. The actors are great and there are some amazing performances but I also feel that some characters are not introduced well and just kind of come out of nowhere. They feel kind of unnecessary or just extra but I love the tone and horror vibe the show has going and what feels like a bigger story arc they are trying to setup with "the Green" and "the darkness" in the swamp of Marais. The visual effects are really top notch and Swamp Thing himself looks impressive. I give this show a 9/10 and it also gets my "Must See Seal of Approval".
I just really hope it doesn't stay cancelled and that they get another season, it really deserves it.
Abby Arcane (Crystal Reed) returns to her hometown of Marais, Louisiana investigating a deadly swamp-borne virus for the CDC . She develops a bond with Alec Holland (Andy Bean), a disgraced scientist who dies tragically soon after, but Holland may not be dead after all, as Abby discovers the mysteries of the swamp transform him into Swamp Thing.
This show is really cool. It makes me want to go back and watch the old movies to compare how they hold up. I was amazed with how dark they kept the story with the rating being TV-MA and there being so much blood and gore. The actors are great and there are some amazing performances but I also feel that some characters are not introduced well and just kind of come out of nowhere. They feel kind of unnecessary or just extra but I love the tone and horror vibe the show has going and what feels like a bigger story arc they are trying to setup with "the Green" and "the darkness" in the swamp of Marais. The visual effects are really top notch and Swamp Thing himself looks impressive. I give this show a 9/10 and it also gets my "Must See Seal of Approval".
I just really hope it doesn't stay cancelled and that they get another season, it really deserves it.
Eleanor Luhar (47 KP) rated The Legacy in Books
Jun 24, 2019
When I first read Malley's The Declaration series this third novel hasn't yet been released. And then I kind of forgot about the series until the end of last year.
Anna and Peter have found a safe residence in the countryside thanks to the Underground, the resistance movement against the use of Longevity. But their safety is being compromised as some unknown "illness" is spreading through the Legals - killing people who are supposed to live forever. People are pointing the finger at everyone around them, fear spreading even quicker than the virus.
Jude and Sheila are living in the main Underground facility, but are forced to move base when their leader, Pip, hands himself in and a brick comes flying in through their window. Meanwhile, Peter's ring is of high importance to Richard Pincent, who has arranged with some unknown Underground member for it to be sent to him.
Without Pip, Jude has to take over. But he wasn't expecting his half-brother to arrive, especially without the rest of his family. And now Sheila's disappeared...
Why are people dying? Are the Underground really to blame?
And then, when he didn't think things could any worse, Jude sees Pip talking to Richard Pincent's closest friend and guard, as if they were friends.
Is this really the end of the Underground? Have they finally lost?
I noticed a lot of typos and punctuation mistakes, which gave the book a bit of an unprofessional, juvenile feel. But I've always loved this series and honestly I found the book so easy to read and enjoyable, despite the mistakes. There are some really interesting twists, and the story focuses a lot on characters other than Anna an d Peter which is nice.
4 stars for this book.
Anna and Peter have found a safe residence in the countryside thanks to the Underground, the resistance movement against the use of Longevity. But their safety is being compromised as some unknown "illness" is spreading through the Legals - killing people who are supposed to live forever. People are pointing the finger at everyone around them, fear spreading even quicker than the virus.
Jude and Sheila are living in the main Underground facility, but are forced to move base when their leader, Pip, hands himself in and a brick comes flying in through their window. Meanwhile, Peter's ring is of high importance to Richard Pincent, who has arranged with some unknown Underground member for it to be sent to him.
Without Pip, Jude has to take over. But he wasn't expecting his half-brother to arrive, especially without the rest of his family. And now Sheila's disappeared...
Why are people dying? Are the Underground really to blame?
And then, when he didn't think things could any worse, Jude sees Pip talking to Richard Pincent's closest friend and guard, as if they were friends.
Is this really the end of the Underground? Have they finally lost?
I noticed a lot of typos and punctuation mistakes, which gave the book a bit of an unprofessional, juvenile feel. But I've always loved this series and honestly I found the book so easy to read and enjoyable, despite the mistakes. There are some really interesting twists, and the story focuses a lot on characters other than Anna an d Peter which is nice.
4 stars for this book.
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Lyndsey Gollogly (2893 KP) rated The Last Cabin Girl in Books
Aug 28, 2023
114 of 235
Kindle
The Last Cabin Girl
By
Tom Swyers
⭐️⭐️
As the pandemic begins, Josie Thompson is a struggling waitress, mom of two great kids. She wants a fresh start far from her abusive husband, the confining small town she calls home, and a long-held secret her family refuses to disclose.
But Josie isn’t going anywhere. After murder victims turn up floating in the river near her isolated cabin, the FBI quickly charges her in one of the killings. Thankfully, she’s freed on bond, but charges for the other deaths loom. The FBI thinks she’s a serial killer.
If convicted, she faces life in prison and a future forever apart from her children. Josie can’t let that happen. She must venture out of her comfort zone to prove her innocence, even if it means confronting her issues, including a growing fear of COVID-19.
Can she trust anyone to help? A friendly detective and former police officer? Her estranged lawyer-brother, David Thompson? Her cryptic parents? A wealthy bachelor who has eyes for her?
In a town where things are not what they seem and not everyone can be trusted, can Josie clear her name, or will her own dark secrets be her undoing?
I honestly don’t know what I just read. I hate giving 2 star reviews but I just don’t know what I feel about this book. It started well but I think there were to many ideas thrown into it I found it became completely bizarre towards the end I mean I can see what the author wanted to to do was twist , turn and shock but all it did for me was twist, turn and confuse. We have the covid 19 virus, conspiracy, incest and espionage that didn’t gel well in my opinion. So sorry 🙈
Kindle
The Last Cabin Girl
By
Tom Swyers
⭐️⭐️
As the pandemic begins, Josie Thompson is a struggling waitress, mom of two great kids. She wants a fresh start far from her abusive husband, the confining small town she calls home, and a long-held secret her family refuses to disclose.
But Josie isn’t going anywhere. After murder victims turn up floating in the river near her isolated cabin, the FBI quickly charges her in one of the killings. Thankfully, she’s freed on bond, but charges for the other deaths loom. The FBI thinks she’s a serial killer.
If convicted, she faces life in prison and a future forever apart from her children. Josie can’t let that happen. She must venture out of her comfort zone to prove her innocence, even if it means confronting her issues, including a growing fear of COVID-19.
Can she trust anyone to help? A friendly detective and former police officer? Her estranged lawyer-brother, David Thompson? Her cryptic parents? A wealthy bachelor who has eyes for her?
In a town where things are not what they seem and not everyone can be trusted, can Josie clear her name, or will her own dark secrets be her undoing?
I honestly don’t know what I just read. I hate giving 2 star reviews but I just don’t know what I feel about this book. It started well but I think there were to many ideas thrown into it I found it became completely bizarre towards the end I mean I can see what the author wanted to to do was twist , turn and shock but all it did for me was twist, turn and confuse. We have the covid 19 virus, conspiracy, incest and espionage that didn’t gel well in my opinion. So sorry 🙈
Merissa (12681 KP) rated Loveborne in Books
May 30, 2023
LOVEBORNE is a brilliant story set in a post-apocalyptic world where a virus has wiped out half of the population. Sound familiar? Well, this one is worse than Covid because what triggers it is love! People are now touch-starved, working and living in solitude, apart from a few risk-seekers (riskeers) who are prepared to take that chance.
I loved the twists and turns this story took, with Alias discovering his own feelings and sorting out what to do with them. Everything about it was unexpected and nothing went the way I thought it would - which is a very good thing! The one big surprise didn't really come as a surprise as I had figured that out but I still thoroughly enjoyed how it was written and the character's development. There is lots of action in this that is completely relevant to the storyline, along with some tender and steamy moments between the two MCs.
The one thing I wanted more from was Deon. He was very much a closed book, not giving much away at all. And I really wanted more from him. Every other character was brilliant, moving the story along in their own way, but with Deon, it just felt a little flat. And I hate writing that, I really do!
This is the first novel by this author I have read and, based on this, I would definitely read more of her work. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 30, 2023
I loved the twists and turns this story took, with Alias discovering his own feelings and sorting out what to do with them. Everything about it was unexpected and nothing went the way I thought it would - which is a very good thing! The one big surprise didn't really come as a surprise as I had figured that out but I still thoroughly enjoyed how it was written and the character's development. There is lots of action in this that is completely relevant to the storyline, along with some tender and steamy moments between the two MCs.
The one thing I wanted more from was Deon. He was very much a closed book, not giving much away at all. And I really wanted more from him. Every other character was brilliant, moving the story along in their own way, but with Deon, it just felt a little flat. And I hate writing that, I really do!
This is the first novel by this author I have read and, based on this, I would definitely read more of her work. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 30, 2023
Hazel (1853 KP) rated Station Eleven in Books
May 30, 2017
Horrifyingly Plausible
This ARC was provided by the publisher via NetGalley in exchange for an honest review
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between Station Eleven and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled Station Eleven.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of King Lear. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of King Lear, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two Station Eleven comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with Station Eleven is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, Station Eleven is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between Station Eleven and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled Station Eleven.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of King Lear. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of King Lear, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two Station Eleven comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with Station Eleven is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, Station Eleven is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
Hazel (1853 KP) rated Station Eleven in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between <i>Station Eleven</i> and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled <i>Station Eleven</i>.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of <i>King Lear</i>. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of <i>King Lear</i>, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two <i>Station Eleven</i> comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with <i>Station Eleven</i> is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, <i>Station Eleven</i> is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between <i>Station Eleven</i> and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled <i>Station Eleven</i>.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of <i>King Lear</i>. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of <i>King Lear</i>, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two <i>Station Eleven</i> comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with <i>Station Eleven</i> is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, <i>Station Eleven</i> is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.