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BankofMarquis (1832 KP) rated The Menu (2022) in Movies
Nov 24, 2022
Puts the DARK in Dark Comedy
If a Film Comedy is Milk Chocolate and a Dark Comedy is Dark Chocolate, then the new film THE MENU (Directed by Mark Mylod - Game of Thrones) is the SPECIAL INTENSE (90%) Dark Chocolate of films.
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Fantastic Beasts: The Secrets of Dumbledore (2022) in Movies
Apr 30, 2022
The Magic is Fading
Alas, the magic is fading in the Wizarding World
The 3rd installment of the Fantastic Beasts saga, THE SECRETS OF DUMBLEDORE is satisfying enough for fans of the ongoing Wizarding World of Harry Potter universe and will be time well spent for those of you that have watched all 8 Harry Potter films and the first 2 FANTASTIC BEASTS films, but it is nothing…magical.
Picking up where the 2nd film (THE CRIMES OF GRINDEWALD) left off, the arch-nemesis of Dumbledore (a game Jude Law) is in power and looking to start a war with the Muggles (non-magic folk). A ragtag group of heroes (are there any other kind) led by Newt Scamander (Eddie Redmayne) are humanity’s only hope.
And…while this worked well in the first series of film…this setup falls rather flat as it has a “been there done that” feel to it that is not really elevated above the ordinary.
The reason are numerous:
First, Newt Scamander is no Harry Potter. While Eddie Redymayne plays an interesting, quirky, central character - a character who’s unique skills were needed to defeat the bad guy in the first film - he is, really, a secondary character, yet he is the one we follow throughout the film. Kind of like watching the Harry Potter films through the eyes of Neville Longbottom.
Secondly, Grindewald (this time played by Mads Mikkelsen, replacing Johnny Depp) is no Voldemort. Grindewald was an interesting character set up in the first film, but by this film, he is pretty bland (and pretty blandly played by Mikkeslen who is, frankly, miscast).
Thirdly, Dumbledore (Jude Law in a very good performance, one that needed to be larger and more central) is sidelined for most of this film - a film about the battle between Grindewald and Dumbledore, a stumble (plotwise) to be sure in an awkward attempt to keeping the Newt Scamander character front and center.
Fortunately, the supporting cast is strong from Dan Fogler’s muggle, Jacob Kowalski to his love, Queenie (Alison Sudol) to Newt’s brother, Theseus (Callum Turner) to Newt’s assistant Bunty (Victoria Yeates) to Dumbledore’s brother, Aberforth (Richard Coyle) - all have their moments and are interesting (enough) to watch.
Unfortunately, Ezra Miller’s conflicted villain, Credence is poorly written with a crescendo to his character that lands with a thud. And, the inexplicable reason that Katherine Waterston’s main character of Tina is sidelined (rumors are she conflicted with J.K. Rowling) just doesn’t land, so, consequently, 2 major pieces from the first 2 films just don’t work.
What does work in this film is the magical sequences, as handled by Harry Potter veteran David Yates (who has now helmed 6 films in the Wizarding World franchise), the magical scenes are truly…magical. They are fun to watch and the real reason to watch this film, but the story is weak with a misguided viewpoint character that diminishes the fantasy for all.
Rumors are that this was supposed to be a 5 film franchise, but with box office diminishing for each successive Fantastic Beasts films, the filmmakers wisely decided to wrap up most storylines in this film.
It’s time to say goodbye to FANTASTIC BEASTS, but it should be time for the Wizarding World to go the way of Star Wars, Marvel and Star Trek - streaming TV series that breathes new life - and new, interesting characters - to a sagging franchise.
In the meantime, FANTASTIC BEASTS: THE SECRETS OF DUMBLEDORE is “good enough” and since it is all we have at the moment, it will have to do.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)
The 3rd installment of the Fantastic Beasts saga, THE SECRETS OF DUMBLEDORE is satisfying enough for fans of the ongoing Wizarding World of Harry Potter universe and will be time well spent for those of you that have watched all 8 Harry Potter films and the first 2 FANTASTIC BEASTS films, but it is nothing…magical.
Picking up where the 2nd film (THE CRIMES OF GRINDEWALD) left off, the arch-nemesis of Dumbledore (a game Jude Law) is in power and looking to start a war with the Muggles (non-magic folk). A ragtag group of heroes (are there any other kind) led by Newt Scamander (Eddie Redmayne) are humanity’s only hope.
And…while this worked well in the first series of film…this setup falls rather flat as it has a “been there done that” feel to it that is not really elevated above the ordinary.
The reason are numerous:
First, Newt Scamander is no Harry Potter. While Eddie Redymayne plays an interesting, quirky, central character - a character who’s unique skills were needed to defeat the bad guy in the first film - he is, really, a secondary character, yet he is the one we follow throughout the film. Kind of like watching the Harry Potter films through the eyes of Neville Longbottom.
Secondly, Grindewald (this time played by Mads Mikkelsen, replacing Johnny Depp) is no Voldemort. Grindewald was an interesting character set up in the first film, but by this film, he is pretty bland (and pretty blandly played by Mikkeslen who is, frankly, miscast).
Thirdly, Dumbledore (Jude Law in a very good performance, one that needed to be larger and more central) is sidelined for most of this film - a film about the battle between Grindewald and Dumbledore, a stumble (plotwise) to be sure in an awkward attempt to keeping the Newt Scamander character front and center.
Fortunately, the supporting cast is strong from Dan Fogler’s muggle, Jacob Kowalski to his love, Queenie (Alison Sudol) to Newt’s brother, Theseus (Callum Turner) to Newt’s assistant Bunty (Victoria Yeates) to Dumbledore’s brother, Aberforth (Richard Coyle) - all have their moments and are interesting (enough) to watch.
Unfortunately, Ezra Miller’s conflicted villain, Credence is poorly written with a crescendo to his character that lands with a thud. And, the inexplicable reason that Katherine Waterston’s main character of Tina is sidelined (rumors are she conflicted with J.K. Rowling) just doesn’t land, so, consequently, 2 major pieces from the first 2 films just don’t work.
What does work in this film is the magical sequences, as handled by Harry Potter veteran David Yates (who has now helmed 6 films in the Wizarding World franchise), the magical scenes are truly…magical. They are fun to watch and the real reason to watch this film, but the story is weak with a misguided viewpoint character that diminishes the fantasy for all.
Rumors are that this was supposed to be a 5 film franchise, but with box office diminishing for each successive Fantastic Beasts films, the filmmakers wisely decided to wrap up most storylines in this film.
It’s time to say goodbye to FANTASTIC BEASTS, but it should be time for the Wizarding World to go the way of Star Wars, Marvel and Star Trek - streaming TV series that breathes new life - and new, interesting characters - to a sagging franchise.
In the meantime, FANTASTIC BEASTS: THE SECRETS OF DUMBLEDORE is “good enough” and since it is all we have at the moment, it will have to do.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)
Movie Metropolis (309 KP) rated King Arthur: Legend Of The Sword (2017) in Movies
Jun 10, 2019
Schrodinger's Film
There is a thought experiment that is used to help make sense of the Copenhagen Interpretation of Quantum Mechanics. Say you have a cat, a box and a fragile vial of poison. You put the cat and the poison in the box knowing that the vial may break, you lunatic.
At this point, so goes the thought experiment, until we can perceive whether or not the cat is dead, the cat is dead AND alive simultaneously, and it is only when you look into the box that you know whether you have a friend for life or a Korean meal.
I bring this up because I often insist that I prefer a bad movie with great moments than a movie that’s adequate across the board, but Guy Ritchie’s most recent film certainly puts that to the test. It’s almost my favourite film of the year but is full of nigh-unforgiveable blunders that I don’t think I can watch it again. But I don’t regret seeing it. King Arthur is both good and not good and the cat is still in the box.
Well, I might as well start with what’s good about the film. For one, the character of Arthur himself has a pretty interesting arc. Normally interpretations of the Arthur myth focus on the King bit, so despite it being yet another origin story, it at least is for a character who rarely gets one, and it’s an interesting spin on the reluctant hero arc.
In addition, the world itself feels like it desperately needs a hero. You get the sense that this world is falling apart, which is much better than some other chosen one narratives like Harry Potter, where even when Voldemort took over the wizarding world he didn’t seem to do anything. Also, this is a fantasy film that isn’t just Lord of the Rings again, but a more Celtic mystic mythology that is ripe for exploration.
Then there’s Jude Law, who is so moustache-twirlingly evil that he’s hilarious. He’s clearly having the time of his life playing this cartoon super villain and making him campy enough to be fun while still threatening and compelling when he needs to be.
Shame about the rest of the cast, who all have the same personality, that of “Ah’m just one o’ tha lads, apples and pears, apples and pears.” It’s like a Chelsea game but set in the Dark Ages. So it’s identical to a Chelsea game. The only exception is Astrid Frizbee’s mage, whose intense magic power is so devastating that she manages to put a sleep spell on the audience every time she opens her noise-hole and lets out a monotone bored drone.
There’s also the action, and Hollywood, we need to talk. I thought that shaky cam was just a phase, but I’ve seen you doing it again, and you need to stop. I’ve played VR games where you do nothing but ride particularly unstable cows and came out the other end less motion sick than your sword fighting scenes. Come on, you’re better than this, and we just what’s best for you, so just buy a steady-cam already.
Maybe it’s Guy Ritchie himself, though. Nothing in the film seems to last longer than three minutes aside Arthur’s whining. Sometimes it works, like the very snappy but informative way we see Arthur grow from stupid baby to stupid adult, and sometimes it’s stupid, like when an entire other movie’s worth of content gets squashed into an uninspired montage.
But that’s the great dilemma; the montages are good and bad, like the movie itself. You will only enjoy the movie if you enjoy the movie but if you don’t then you won’t. I write this piece a defeated critic, ladies and gentlemen. Is it worth seeing? I don’t really know. A bigger fan of Guy Ritchie or quantum mechanics than I will probably get something out of it and there are worse movies out there, but it also can’t help but disappoint somehow. The cat isn’t dead, but it has a bit of a cold.
https://moviemetropolis.net/2017/05/25/schrodingers-film-king-arthur-legend-of-the-sword-review/
At this point, so goes the thought experiment, until we can perceive whether or not the cat is dead, the cat is dead AND alive simultaneously, and it is only when you look into the box that you know whether you have a friend for life or a Korean meal.
I bring this up because I often insist that I prefer a bad movie with great moments than a movie that’s adequate across the board, but Guy Ritchie’s most recent film certainly puts that to the test. It’s almost my favourite film of the year but is full of nigh-unforgiveable blunders that I don’t think I can watch it again. But I don’t regret seeing it. King Arthur is both good and not good and the cat is still in the box.
Well, I might as well start with what’s good about the film. For one, the character of Arthur himself has a pretty interesting arc. Normally interpretations of the Arthur myth focus on the King bit, so despite it being yet another origin story, it at least is for a character who rarely gets one, and it’s an interesting spin on the reluctant hero arc.
In addition, the world itself feels like it desperately needs a hero. You get the sense that this world is falling apart, which is much better than some other chosen one narratives like Harry Potter, where even when Voldemort took over the wizarding world he didn’t seem to do anything. Also, this is a fantasy film that isn’t just Lord of the Rings again, but a more Celtic mystic mythology that is ripe for exploration.
Then there’s Jude Law, who is so moustache-twirlingly evil that he’s hilarious. He’s clearly having the time of his life playing this cartoon super villain and making him campy enough to be fun while still threatening and compelling when he needs to be.
Shame about the rest of the cast, who all have the same personality, that of “Ah’m just one o’ tha lads, apples and pears, apples and pears.” It’s like a Chelsea game but set in the Dark Ages. So it’s identical to a Chelsea game. The only exception is Astrid Frizbee’s mage, whose intense magic power is so devastating that she manages to put a sleep spell on the audience every time she opens her noise-hole and lets out a monotone bored drone.
There’s also the action, and Hollywood, we need to talk. I thought that shaky cam was just a phase, but I’ve seen you doing it again, and you need to stop. I’ve played VR games where you do nothing but ride particularly unstable cows and came out the other end less motion sick than your sword fighting scenes. Come on, you’re better than this, and we just what’s best for you, so just buy a steady-cam already.
Maybe it’s Guy Ritchie himself, though. Nothing in the film seems to last longer than three minutes aside Arthur’s whining. Sometimes it works, like the very snappy but informative way we see Arthur grow from stupid baby to stupid adult, and sometimes it’s stupid, like when an entire other movie’s worth of content gets squashed into an uninspired montage.
But that’s the great dilemma; the montages are good and bad, like the movie itself. You will only enjoy the movie if you enjoy the movie but if you don’t then you won’t. I write this piece a defeated critic, ladies and gentlemen. Is it worth seeing? I don’t really know. A bigger fan of Guy Ritchie or quantum mechanics than I will probably get something out of it and there are worse movies out there, but it also can’t help but disappoint somehow. The cat isn’t dead, but it has a bit of a cold.
https://moviemetropolis.net/2017/05/25/schrodingers-film-king-arthur-legend-of-the-sword-review/
Movie Metropolis (309 KP) rated Harry Potter and the Deathly Hallows - Part 1 (2010) in Movies
Jun 11, 2019
Here we stand, at the penultimate chapter of what has become one of the most loved franchises of all time, as well as the most profitable. Daniel Radcliffe, Emma Watson, Rupert Grint and co have grown and matured right before our very eyes and its this new-found maturity which shines through in this; the first film of the final book in the Harry Potter saga.
Deathly Hallows Part 1 is once again helmed by silver screen novice David Yates and after his disastrous attempt at fashioning a movie out of the Half Blood Prince; chills were beginning to set in when his name appeared alongside the huge advertising campaign. However, after 146 magical minutes, those niggling doubts were soon erased.
The Harry Potter series had become somewhat like a trusty old steed, you know it’s going to be there for you when its supposed to, but it no longer fills you with the same excitement it once did. However, I am pleased to announce that a completely new direction of filmmaking, albeit a little late, has revitalised the series.
For any of you out there who haven’t read the book or haven’t kept up with the films thus far, good luck understanding the many twist and turns as the plot throws you from scene to scene in a melee of storylines that are incomprehensible for anyone coming to the series for the first time. This is not to say it becomes a muddled mess, however. Gladly, criticisms are really kept to a bare minimum as Radcliffe, Watson and Grint move away from the once safe haven of Hogwarts and attempt to find the elusive horcruxes that were introduced in the previous film.
Moving the trio completely away from Hogwarts was a dangerous move by J.K Rowling but thankfully David Yates has managed to make it work with references about the films humble beginnings throughout. Unfortunately, this lack of solid ground has meant that many of the saga’s most precious actors and actresses are given very little screen time, allowing the suspense to build up for what is coming next year. Dame Maggie Smith is missing completely and even Alan Rickman, Helena Bonham Carter and Robbie Coltrane rarely have more than few words to say when they are on screen. On the plus side, Imelda Staunton and David Thewlis make a welcome return as Delores Umbridge and Remus Lupin respectively, proving their worth to the series with some great acting.
Ralph Fiennes obviously returning as Dark Lord Voldemort is fantastic and very much welcome after being absent from the 6th film.
Some new additions, including Rhys Ifans portrayal of Xenophilius Lovegood feel a little laboured and whilst being no means a bad actor, Ifans doesn’t fully suit the role and therefore leaves the scenes involving Mr. Lovegood wanting which is a shame because in the book, he became one of the most promising characters.
Praise must go to the special effects team who have been working on this latest instalment of the Potter saga. They are integrated so seamlessly into the film that you hardly even notice they are there; they are literally that perfect and work exceptionally well with David Yates’ fantastic cinematography and stunning scenery which is alongside Prisoner of Azkaban as the best in the series.
The climax is a little disappointing and abrupt but due to the film being 2 parts of 1 book; a natural ending was never on the cards. However, the filmmakers have definitely chosen a spot which will have audiences shouting at the screen in dismay after realising their final Harry Potter fix will not be in cinemas until July next year.
Overall, Harry Potter and the Deathly Hallows Part 1 is by far the most beautifully shot movie of 2010 and has some amazing action pieces coupled with fantastic special effects and mesmerising performances from practically every actor and actress involved who looked like they really wanted to be in their roles. Prisoner of Azkaban still clinches best film in the series so far but fans will certainly not be left wanting with this stunning take on J.K. Rowling’s final book.
https://moviemetropolis.net/2010/11/29/harry-potter-the-deathly-hallows-part-1-2010/
Deathly Hallows Part 1 is once again helmed by silver screen novice David Yates and after his disastrous attempt at fashioning a movie out of the Half Blood Prince; chills were beginning to set in when his name appeared alongside the huge advertising campaign. However, after 146 magical minutes, those niggling doubts were soon erased.
The Harry Potter series had become somewhat like a trusty old steed, you know it’s going to be there for you when its supposed to, but it no longer fills you with the same excitement it once did. However, I am pleased to announce that a completely new direction of filmmaking, albeit a little late, has revitalised the series.
For any of you out there who haven’t read the book or haven’t kept up with the films thus far, good luck understanding the many twist and turns as the plot throws you from scene to scene in a melee of storylines that are incomprehensible for anyone coming to the series for the first time. This is not to say it becomes a muddled mess, however. Gladly, criticisms are really kept to a bare minimum as Radcliffe, Watson and Grint move away from the once safe haven of Hogwarts and attempt to find the elusive horcruxes that were introduced in the previous film.
Moving the trio completely away from Hogwarts was a dangerous move by J.K Rowling but thankfully David Yates has managed to make it work with references about the films humble beginnings throughout. Unfortunately, this lack of solid ground has meant that many of the saga’s most precious actors and actresses are given very little screen time, allowing the suspense to build up for what is coming next year. Dame Maggie Smith is missing completely and even Alan Rickman, Helena Bonham Carter and Robbie Coltrane rarely have more than few words to say when they are on screen. On the plus side, Imelda Staunton and David Thewlis make a welcome return as Delores Umbridge and Remus Lupin respectively, proving their worth to the series with some great acting.
Ralph Fiennes obviously returning as Dark Lord Voldemort is fantastic and very much welcome after being absent from the 6th film.
Some new additions, including Rhys Ifans portrayal of Xenophilius Lovegood feel a little laboured and whilst being no means a bad actor, Ifans doesn’t fully suit the role and therefore leaves the scenes involving Mr. Lovegood wanting which is a shame because in the book, he became one of the most promising characters.
Praise must go to the special effects team who have been working on this latest instalment of the Potter saga. They are integrated so seamlessly into the film that you hardly even notice they are there; they are literally that perfect and work exceptionally well with David Yates’ fantastic cinematography and stunning scenery which is alongside Prisoner of Azkaban as the best in the series.
The climax is a little disappointing and abrupt but due to the film being 2 parts of 1 book; a natural ending was never on the cards. However, the filmmakers have definitely chosen a spot which will have audiences shouting at the screen in dismay after realising their final Harry Potter fix will not be in cinemas until July next year.
Overall, Harry Potter and the Deathly Hallows Part 1 is by far the most beautifully shot movie of 2010 and has some amazing action pieces coupled with fantastic special effects and mesmerising performances from practically every actor and actress involved who looked like they really wanted to be in their roles. Prisoner of Azkaban still clinches best film in the series so far but fans will certainly not be left wanting with this stunning take on J.K. Rowling’s final book.
https://moviemetropolis.net/2010/11/29/harry-potter-the-deathly-hallows-part-1-2010/
Emma @ The Movies (1786 KP) rated Hellboy (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Open, black and white apart from Nimue's red dress.
Production notes: Try and make it noir-esque, but we need it done quickly so don't be too bothered by any of the class that goes with it.
As openings go it summed up the backstory quite nicely and Ian McShane's voiceover was good, but despite all of that it wasn't saved from it being quite badly shot.
I didn't want to start this review by moaning, but it's nearly impossible as there's a lot to moan about. I think I'm going to get it all out of the way now and then move on.
That CGI... at one point I wrote down that it was Harry Potter bad, I'm talking Voldemort on the back of the head bad. I'm trying to think of an obvious effect where it was actually good but I'm drawing a blank. Gruagach, our pig-demon-thing, looked like he was wearing a Halloween mask, but had it been real life I suspect it would look better.
Generally the creature effects are terrible, I was briefly hopeful for the giants but then the fight started and things got progressively worse. The blood was a particularly bad offering. I was particularly annoyed with this scene because the bits where Hellboy is thrown around were actually quite good and with a little work it could have been amazing.
Major Ben Daimio, played by Daniel Dae Kim, also got some punishing CGI for his transformation, unfortunately the negativity doesn't stop there. I just couldn't understand what that accent was about... I just... what the... ugh.
He's not the only character that's treated badly. Alice has so much potential in her but it isn't until the end that she discovers what she's really capable of. I can't help but think that they could have used her more to boost the movie.
David Harbour as Hellboy doesn't have me convinced. he's got the laid back attitude and some of the banter that the part needs, but there was a spark missing for me. Perhaps he was slightly more horizontal than laid back.
Quite possibly the best scene in the movie is right at the end when we see the group back together briefly. This scene was so well done that I was a little irritated they didn't manage to replicate that earlier in the film.
Hellboy is probably too long, there are definitely pieces to cut out. As much as I love her, Big Mo has to go, I'd also cut out Baba Yaga. The effects were overly creepy and the scenes added hardly anything apart from what felt like an obvious set up for a sequel.
The story overall isn't that bad, I like the origin of Hellboy, although baby Hellboy felt a lot like they'd taken the Ally McBeal baby and painted it red. I also liked the fact that they didn't let him instantly take the easy route to victory, that really worked in his favour.
I've realised at this point that I haven't really mentioned Nimue. She's one of the main villains, I probably should have talked about her by now but apart from the assembly scene she's not overly memorable, much like most of the other bad guys.
As a last passing note I want to mention the music. I noticed it a lot and it was frequently very good, it certainly helped the transition scenes. I probably would have turned the volume down a bit, but it was a great selection so I don't think it's too much of a problem.
I should probably stop waffling at this point. Despite what has amounted to a lot of moaning and griping Hellboy wasn't a waste of my time. I know lots of you are going to disagree with me on that point. To be entertaining given all of those faults I nitpicked was a great achievement. It delivers on daft action and sometimes that's all I need to have an amusing time at the cinema. We probably just need to keep our fingers crossed for better effects if they come out with a sequel.
What you should do
I would go and see it at the cinema if I were you. If you can get past the fact it isn't Ron Perlman and there's a severe lack of kittens then you're bound to have some fun.
Movie thing you wish you could take home
Some spirit powers would be quite fun, minus the vomiting part.
Production notes: Try and make it noir-esque, but we need it done quickly so don't be too bothered by any of the class that goes with it.
As openings go it summed up the backstory quite nicely and Ian McShane's voiceover was good, but despite all of that it wasn't saved from it being quite badly shot.
I didn't want to start this review by moaning, but it's nearly impossible as there's a lot to moan about. I think I'm going to get it all out of the way now and then move on.
That CGI... at one point I wrote down that it was Harry Potter bad, I'm talking Voldemort on the back of the head bad. I'm trying to think of an obvious effect where it was actually good but I'm drawing a blank. Gruagach, our pig-demon-thing, looked like he was wearing a Halloween mask, but had it been real life I suspect it would look better.
Generally the creature effects are terrible, I was briefly hopeful for the giants but then the fight started and things got progressively worse. The blood was a particularly bad offering. I was particularly annoyed with this scene because the bits where Hellboy is thrown around were actually quite good and with a little work it could have been amazing.
Major Ben Daimio, played by Daniel Dae Kim, also got some punishing CGI for his transformation, unfortunately the negativity doesn't stop there. I just couldn't understand what that accent was about... I just... what the... ugh.
He's not the only character that's treated badly. Alice has so much potential in her but it isn't until the end that she discovers what she's really capable of. I can't help but think that they could have used her more to boost the movie.
David Harbour as Hellboy doesn't have me convinced. he's got the laid back attitude and some of the banter that the part needs, but there was a spark missing for me. Perhaps he was slightly more horizontal than laid back.
Quite possibly the best scene in the movie is right at the end when we see the group back together briefly. This scene was so well done that I was a little irritated they didn't manage to replicate that earlier in the film.
Hellboy is probably too long, there are definitely pieces to cut out. As much as I love her, Big Mo has to go, I'd also cut out Baba Yaga. The effects were overly creepy and the scenes added hardly anything apart from what felt like an obvious set up for a sequel.
The story overall isn't that bad, I like the origin of Hellboy, although baby Hellboy felt a lot like they'd taken the Ally McBeal baby and painted it red. I also liked the fact that they didn't let him instantly take the easy route to victory, that really worked in his favour.
I've realised at this point that I haven't really mentioned Nimue. She's one of the main villains, I probably should have talked about her by now but apart from the assembly scene she's not overly memorable, much like most of the other bad guys.
As a last passing note I want to mention the music. I noticed it a lot and it was frequently very good, it certainly helped the transition scenes. I probably would have turned the volume down a bit, but it was a great selection so I don't think it's too much of a problem.
I should probably stop waffling at this point. Despite what has amounted to a lot of moaning and griping Hellboy wasn't a waste of my time. I know lots of you are going to disagree with me on that point. To be entertaining given all of those faults I nitpicked was a great achievement. It delivers on daft action and sometimes that's all I need to have an amusing time at the cinema. We probably just need to keep our fingers crossed for better effects if they come out with a sequel.
What you should do
I would go and see it at the cinema if I were you. If you can get past the fact it isn't Ron Perlman and there's a severe lack of kittens then you're bound to have some fun.
Movie thing you wish you could take home
Some spirit powers would be quite fun, minus the vomiting part.
Ivana A. | Diary of Difference (1171 KP) rated Harry Potter and the Goblet of Fire in Books
Oct 5, 2020
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#1 <a href="https://www.goodreads.com/review/show/3217515684">Harry Potter and the Philosopher's Stone</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2371215543">Harry Potter and the Chamber of Secrets</a> - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3275165909">Harry Potter and the Prisoner of Azkaban</a> - ★★★★
#4 <a href="https://www.goodreads.com/review/show/3328396363">Harry Potter and the Goblet of Fire</a> - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-73.png"/>;
<b>Diving into the Harry Potter universe is a treat to my soul every time.</b>
There is something so familiar and comfortable to this world, especially Harry Potter and the Goblet of Fire, that always pulls me back to where it all started.
Since there is a lot of drama going on with the author at the moment, I want to say just this. While I do not agree with some of the author’s statements, her work meant a lot to me throughout my years, and I have chosen to draw a line between her personal life and her work. You may have a different opinion, and that is valid too.
Harry Potter and the Goblet of Fire by J.K. Rowling is one of my favorite books from the series. The year is filled with the Quidditch World Cup, the Triwizard Tournament, the fight for elves’ freedom, the beginning of the rising of evil and the terrible destiny of Cedric Diggory.
Harry has a weird dream about Voldemort at the beginning of the book. He lets Sirius Black know in a letter. Then, he and his friends, as well as the whole Weasley family attend the Quidditch World Cup, where there is an incident with Harry’s wand - that will start this book in a very dark way.
As the new school year of Hogwarts begins, Dumbledore has an exciting announcement to make. Hogwarts will be hosting the Triwizard tournament this year!
<b><i>“The Triwizard Tournament was first established some seven hundred years ago, as a friendly competition between the three largest European schools of wizardry - Hogwarts, Beauxbatons and Durmstrang. A champion was selected to represent each school, and the three champions competed in three magical tasks. The schools took it in turns to host the Tournament once every five years, and it was generally agreed to be a most excellent way of establishing ties between young witches and wizards of different nationalities - until, that is, the death toll mounted so high that the Tournament was discontinued.”</i></b>
When the Goblet of Fire selects the three champions for each house, everyone is ready to move on. Viktor Krum, from Durmstrang, was selected first, followed by Fleur Delacour of Beauxbatons. The Goblet selected Cedric Diggory as the Hogwarts Champion.
But then, the Goblet spits out one more name - Harry Potter!
But how is that possible, when Harry hasn’t put his name in?
<b><i>“Did you put your name into the Goblet of Fire, Harry?” Dumbledore asked calmly. </i></b>
Careful of the fact that someone wants Harry to be in danger, he still needs to compete in the three tasks of the tournament. I loved all three tasks and how smart some wizards had to be to overcome their challenges.
I also really loved the Yule Ball, and the atmosphere it had. Everyone seemed happier and forgot their worries for the evening. Things were calming down before the real storm began.
The part I loved the most, which wasn’t included in the movies, was Harmione’s fight for the rights of the elves. She fought that they deserved to be free and be paid for their work, not be slaves to witches and wizards. On top of all this, what I loved most was Dobby’s story in this whole situation.
<b>Also, did you know this?</b>
Hermione’s name is pronounced “Her-my-oh-nee”. I have somehow always known this at the back of my mind, but because it’s pronounced as “Her-my-nee” in the movies, I have been saying it like that for a very long time.
<b><i>“If you want to know what a man’s like, take a good look at how he treats his inferiors, not his equals.”</i></b>
Still a favourite and still amazing. After all this time? Always!
<b><i>“Understanding is the first step to acceptance, and only with acceptance can there be recovery.”</i></b>
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#1 <a href="https://www.goodreads.com/review/show/3217515684">Harry Potter and the Philosopher's Stone</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2371215543">Harry Potter and the Chamber of Secrets</a> - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3275165909">Harry Potter and the Prisoner of Azkaban</a> - ★★★★
#4 <a href="https://www.goodreads.com/review/show/3328396363">Harry Potter and the Goblet of Fire</a> - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-73.png"/>;
<b>Diving into the Harry Potter universe is a treat to my soul every time.</b>
There is something so familiar and comfortable to this world, especially Harry Potter and the Goblet of Fire, that always pulls me back to where it all started.
Since there is a lot of drama going on with the author at the moment, I want to say just this. While I do not agree with some of the author’s statements, her work meant a lot to me throughout my years, and I have chosen to draw a line between her personal life and her work. You may have a different opinion, and that is valid too.
Harry Potter and the Goblet of Fire by J.K. Rowling is one of my favorite books from the series. The year is filled with the Quidditch World Cup, the Triwizard Tournament, the fight for elves’ freedom, the beginning of the rising of evil and the terrible destiny of Cedric Diggory.
Harry has a weird dream about Voldemort at the beginning of the book. He lets Sirius Black know in a letter. Then, he and his friends, as well as the whole Weasley family attend the Quidditch World Cup, where there is an incident with Harry’s wand - that will start this book in a very dark way.
As the new school year of Hogwarts begins, Dumbledore has an exciting announcement to make. Hogwarts will be hosting the Triwizard tournament this year!
<b><i>“The Triwizard Tournament was first established some seven hundred years ago, as a friendly competition between the three largest European schools of wizardry - Hogwarts, Beauxbatons and Durmstrang. A champion was selected to represent each school, and the three champions competed in three magical tasks. The schools took it in turns to host the Tournament once every five years, and it was generally agreed to be a most excellent way of establishing ties between young witches and wizards of different nationalities - until, that is, the death toll mounted so high that the Tournament was discontinued.”</i></b>
When the Goblet of Fire selects the three champions for each house, everyone is ready to move on. Viktor Krum, from Durmstrang, was selected first, followed by Fleur Delacour of Beauxbatons. The Goblet selected Cedric Diggory as the Hogwarts Champion.
But then, the Goblet spits out one more name - Harry Potter!
But how is that possible, when Harry hasn’t put his name in?
<b><i>“Did you put your name into the Goblet of Fire, Harry?” Dumbledore asked calmly. </i></b>
Careful of the fact that someone wants Harry to be in danger, he still needs to compete in the three tasks of the tournament. I loved all three tasks and how smart some wizards had to be to overcome their challenges.
I also really loved the Yule Ball, and the atmosphere it had. Everyone seemed happier and forgot their worries for the evening. Things were calming down before the real storm began.
The part I loved the most, which wasn’t included in the movies, was Harmione’s fight for the rights of the elves. She fought that they deserved to be free and be paid for their work, not be slaves to witches and wizards. On top of all this, what I loved most was Dobby’s story in this whole situation.
<b>Also, did you know this?</b>
Hermione’s name is pronounced “Her-my-oh-nee”. I have somehow always known this at the back of my mind, but because it’s pronounced as “Her-my-nee” in the movies, I have been saying it like that for a very long time.
<b><i>“If you want to know what a man’s like, take a good look at how he treats his inferiors, not his equals.”</i></b>
Still a favourite and still amazing. After all this time? Always!
<b><i>“Understanding is the first step to acceptance, and only with acceptance can there be recovery.”</i></b>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Bob Mann (459 KP) rated Avengers: Endgame (2019) in Movies
Sep 28, 2021
The final curtain.
So… thanks again to work and family commitments, I’ve spent 7 days dodging social media to arrive at my showing of “Endgame” spoiler free… and was successful in doing so! It is of course impossible to write just about anything on this film without dropping spoilers. So I will keep this first part of the review short, but add some footnotes (indexed with <#> symbols) to a “spoiler section” below the trailer video. Proceed at your peril if you haven’t yet seen it!
The Plot
The MCU has delivered an impressively well-connected movie series. In the case of Thanos, this is a story-arc that started in the mid-credit “monkey” at the end of 2012’s “The Avengers” and, at the conclusion of “Avengers: Infinity War”, saw half the universe’s population drift away – Voldemort-style – into grey ash. This, of course, also wiped out half of our heroes (good trivia question for future years: who was the first we saw drift away? Answer below* ). This included Spider-Man (Tom Holland); Dr Strange (Benedict Cumberbatch); Black Panther (Chadwick Boseman); Nick Fury (Samuel L. Jackson); half of the remaining Guardians; The Wasp (Evangeline Lilly) and Dr Pym (Michael Douglas). Oblivious to all of this is Ant Man (Paul Rudd), still stranded in the ‘quantum realm’ following the demise of his colleagues, and with no one to flick the ‘return’ switch.
After some early action, Endgame’s story revolves around a desperate attempt by the remaining Avengers, led by Black Widow (Scarlett Johansson) and a ‘retired’ Tony Stark (Robert Downey Jnr) to undo the undoable. Can they succeed against all the odds? (With a new Spider-Man film due out in the summer, I’ll give you a guess!). Of more relevance perhaps is whether the team can stay unscathed from their encounter with the scheming and massively powerful Thanos (Josh Brolin)?
Thoughtful
The film will not be to every fan’s taste. After the virtually non-stop rip-roaring action of “Infinity War”, “Endgame” takes a far more contemplative approach to its first hour.
The film starts with a devastating prologue, and a great lesson in statistics: that you need a decent sized population to guarantee getting a 50:50 split! There is also a very surprising twist in the first 15 minutes or so that I didn’t see coming AT ALL.
But then things settle down into a far more sombre section of the film: short on action; long on character development. The world is grieving for its loss, unable to move on past the non-stop counselling sessions that everyone is getting. This first hour was, for me, by far, my favourite part of the film. Seeing how the characters we know and love have been impacted – some for better rather than for worse – was terrific. Mark Ruffalo’s Hulk (with a rather glib plot-point) takes on an hilarious new aspect; and Chris Hemsworth adds hugely comedic value as Thor, setting up in Scotland a “New Asgard” settlement in uncharacteristically laid-back fashion.
Cast
As an ensemble cast, everyone plays their parts extremely well. But it is just the breadth of the cast that astounds in this film: just about everyone who is anyone in the Marvel Universe – at least, those who are still alive (alive!) and not dead (dead!) – pop up for an appearance! This is great fun with, in one particular case, the opportunity to try some more rejuvenation of an old timer as previously done with Samuel L. Jackson in “Captain Marvel”.
Inevitably, some of these appearances are overly brief, and characters that I wanted to see developed more in this film (particularly Brie Larson’s Captain Marvel) get very little screen time. Drax (Dave Bautista) and Mantis (Pom Klementieff) barely get a single line each. So it will depend on where your loyalties lie as to whether you are satisfied with the coverage or not. (I personally find Chris Evans‘ Captain America a bit of a po-faced bore, so I wasn’t keen on the amount of screen time he had).
Stan Lee again gets another cameo in the bag before his demise: will this actually be his last live one?
Overall view
I enjoyed this movie. It could obviously NEVER live up to the over-hyped expectations of the fan base. But as a cinematic spectacle, for me, it delivered on its billing as a blockbuster finale, but one filled with a degree of nuance I was not expecting. The problem with the way that the plot have been structured (no spoilers – <#>) is that it is easy to pick holes in the storyline. Indeed, some dramatic options (that to me seemed obvious ones to ‘mine’) were left ‘unmined’ <##>; others were left inexplicably hanging <###>.
I suspect the reason for some of this is that the initial cut of this film probably ran to 5 hours rather than the – still bladder-testing – 3 hours as released. There were probably a bunch of scenes left on the cutting room floor that might allow things to make more sense in the extended BluRay release.
It’s at times slow, but for me never dull. It does suffer from one significant flaw though: the “Return of the King” disease. It doesn’t know when to quit. There was a natural MCU arc to follow and a perfect time at which to end it: but the directors (the Russo Brothers, Anthony Russo and Joe Russo) kept adding additional scenes that detracted from the natural ending <####>.
Above all, unlike I think all but one film in MCU history, there is NO “MONKEY” in the end credits: either mid-credit or end-credit! So, after the long title crawl (and some rather odd choices for end-title music by Alan Silvestri), if you are not to look bloody stupid as the lights come up, and face a storm of derision from your partner, then leave after the dramatic roll-call sequence of the film’s stars!
(*BTW, the answer to the trivia question is, I believe, Bucky.)
So… thanks again to work and family commitments, I’ve spent 7 days dodging social media to arrive at my showing of “Endgame” spoiler free… and was successful in doing so! It is of course impossible to write just about anything on this film without dropping spoilers. So I will keep this first part of the review short, but add some footnotes (indexed with <#> symbols) to a “spoiler section” below the trailer video. Proceed at your peril if you haven’t yet seen it!
The Plot
The MCU has delivered an impressively well-connected movie series. In the case of Thanos, this is a story-arc that started in the mid-credit “monkey” at the end of 2012’s “The Avengers” and, at the conclusion of “Avengers: Infinity War”, saw half the universe’s population drift away – Voldemort-style – into grey ash. This, of course, also wiped out half of our heroes (good trivia question for future years: who was the first we saw drift away? Answer below* ). This included Spider-Man (Tom Holland); Dr Strange (Benedict Cumberbatch); Black Panther (Chadwick Boseman); Nick Fury (Samuel L. Jackson); half of the remaining Guardians; The Wasp (Evangeline Lilly) and Dr Pym (Michael Douglas). Oblivious to all of this is Ant Man (Paul Rudd), still stranded in the ‘quantum realm’ following the demise of his colleagues, and with no one to flick the ‘return’ switch.
After some early action, Endgame’s story revolves around a desperate attempt by the remaining Avengers, led by Black Widow (Scarlett Johansson) and a ‘retired’ Tony Stark (Robert Downey Jnr) to undo the undoable. Can they succeed against all the odds? (With a new Spider-Man film due out in the summer, I’ll give you a guess!). Of more relevance perhaps is whether the team can stay unscathed from their encounter with the scheming and massively powerful Thanos (Josh Brolin)?
Thoughtful
The film will not be to every fan’s taste. After the virtually non-stop rip-roaring action of “Infinity War”, “Endgame” takes a far more contemplative approach to its first hour.
The film starts with a devastating prologue, and a great lesson in statistics: that you need a decent sized population to guarantee getting a 50:50 split! There is also a very surprising twist in the first 15 minutes or so that I didn’t see coming AT ALL.
But then things settle down into a far more sombre section of the film: short on action; long on character development. The world is grieving for its loss, unable to move on past the non-stop counselling sessions that everyone is getting. This first hour was, for me, by far, my favourite part of the film. Seeing how the characters we know and love have been impacted – some for better rather than for worse – was terrific. Mark Ruffalo’s Hulk (with a rather glib plot-point) takes on an hilarious new aspect; and Chris Hemsworth adds hugely comedic value as Thor, setting up in Scotland a “New Asgard” settlement in uncharacteristically laid-back fashion.
Cast
As an ensemble cast, everyone plays their parts extremely well. But it is just the breadth of the cast that astounds in this film: just about everyone who is anyone in the Marvel Universe – at least, those who are still alive (alive!) and not dead (dead!) – pop up for an appearance! This is great fun with, in one particular case, the opportunity to try some more rejuvenation of an old timer as previously done with Samuel L. Jackson in “Captain Marvel”.
Inevitably, some of these appearances are overly brief, and characters that I wanted to see developed more in this film (particularly Brie Larson’s Captain Marvel) get very little screen time. Drax (Dave Bautista) and Mantis (Pom Klementieff) barely get a single line each. So it will depend on where your loyalties lie as to whether you are satisfied with the coverage or not. (I personally find Chris Evans‘ Captain America a bit of a po-faced bore, so I wasn’t keen on the amount of screen time he had).
Stan Lee again gets another cameo in the bag before his demise: will this actually be his last live one?
Overall view
I enjoyed this movie. It could obviously NEVER live up to the over-hyped expectations of the fan base. But as a cinematic spectacle, for me, it delivered on its billing as a blockbuster finale, but one filled with a degree of nuance I was not expecting. The problem with the way that the plot have been structured (no spoilers – <#>) is that it is easy to pick holes in the storyline. Indeed, some dramatic options (that to me seemed obvious ones to ‘mine’) were left ‘unmined’ <##>; others were left inexplicably hanging <###>.
I suspect the reason for some of this is that the initial cut of this film probably ran to 5 hours rather than the – still bladder-testing – 3 hours as released. There were probably a bunch of scenes left on the cutting room floor that might allow things to make more sense in the extended BluRay release.
It’s at times slow, but for me never dull. It does suffer from one significant flaw though: the “Return of the King” disease. It doesn’t know when to quit. There was a natural MCU arc to follow and a perfect time at which to end it: but the directors (the Russo Brothers, Anthony Russo and Joe Russo) kept adding additional scenes that detracted from the natural ending <####>.
Above all, unlike I think all but one film in MCU history, there is NO “MONKEY” in the end credits: either mid-credit or end-credit! So, after the long title crawl (and some rather odd choices for end-title music by Alan Silvestri), if you are not to look bloody stupid as the lights come up, and face a storm of derision from your partner, then leave after the dramatic roll-call sequence of the film’s stars!
(*BTW, the answer to the trivia question is, I believe, Bucky.)