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ClareR (5721 KP) rated Trust in Books

Jan 13, 2024  
Trust
Trust
Hernan Diaz | 2022 | Contemporary, Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
It took me a bit to get into Trust, but I’m glad I persevered, and that I went back and read the synopsis!

Trust is made up of four narratives about the same man. The first is a book written by Harold Vanner called ‘Bonds’. It tells the story of tycoon Benjamin Rask in the 1920’s and his role in the 1929 crash. It’s also about his wife, Helen, her love of the Arts, how she descends into mental illness and dies in a European asylum.

The second story is comprised of the notes that Andrew Revel, a Wall Street banker and tycoon, makes in order to write his autobiography. His wife Mildred also features, and her death from cancer, also in a treatment centre in Europe.

The third is written by Ida Partenza (my favourite part), where she is looking back on the time that she worked for Revel, ghost-writing his biography. She clearly intensely dislikes her employer, mainly because he lies throughout his storytelling, and is quite upfront about doing it. He’s also aware of her father being a political refugee from Italy, an anarchist, and there’s an underlying menace.

And the final part are the notes and diaries that Ida finds in the ‘present’ day written by Mildred, leading up to her death. They reveal the secrets that her husband would rather not know. Why these are still in a library that can be accessed by the public isn’t known, but the handwriting is pretty indecipherable, so that may well be the reason.

Obviously the first story is about the man in the last three, and we are asked to trust that the man who wrote the first is lying - and therefore trust that Andrew Revel is telling the truth. Clearly he isn’t. His wife’s notes back that up. Revel is a manipulative man, who doesn’t hesitate to ruin other people’s lives in order to protect his reputation.

I read this whole novel with horrified fascination. It’s a good one!
  
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BankofMarquis (1832 KP) rated Hustlers (2019) in Movies

Sep 19, 2019  
Hustlers (2019)
Hustlers (2019)
2019 | Drama
4
6.1 (23 Ratings)
Movie Rating Watch
Bland and boring DESPITE J-Lo's performance
When I first saw the trailer for the Jennifer Lopez "strippers get back at scummy Wall Street-types" film, HUSTLERS, I wasn't at all interested in seeing it But then I got wind of strong early reviews with some (very faint) Oscar talk about J-Lo's performance in this film, so I thought I'd check it out.

I should have trusted my instincts.

What a lame disappointment this film is. It starts out flat and then flattens out even further to produce a movie that starts at one (fairly low) level and then stays there the entire time.

HUSTLERS stars Constance Wu (CRAZY, RICH ASIANS) as a a young stripper who is taught the ropes of the stripping game by uber-stripper Jennifer Lopez (if you don't know who this is, then go ahead and skip to the rating of this film at the bottom of this review and move on). When J-Lo's character, Ramona, comes up with an idea to get back at the scummy Wall Street types AND make some money along the way, Wu's character, Destiny (of course) is a reluctant participant becoming - over time - the leader.

A potentially interesting, "based on True Events" story (this film is based on the real life exploits of Ramona as described in a New York Magazine story), this film just falls flat and I put the blame for this in 2 places.

Lets start with Director and Writer of the screenplay, Lorene Scafaria (SEEKING A FRIEND AT THE END OF THE WORLD). She wrote - and directed - this film like it is a modest-scaled, low-key independent film (much like the very good SEEKING A FRIEND...), but the second that this film cast Jennifer Lopez as the flashy leader Ramona, words like modest and low-key should have been thrown out the window but Scafaria chose not to do this, she downplays the best asset in her movie and plunks most of her effort on a lead who could not match Lopez star power wattage.

And that lead is Constance Wu - the other weak link in this chain. I thought she was "just fine" in CRAZY RICH ASIANS, blending into the scenery when more flamboyant personalities were on the screen (in CRA it was Michelle Yeoh's "tiger mom") and she blends into the scenery whenever J-Lo is on the screen in this film - and that just doesn't work here. She needed to step up and step out and match J-Lo blow for blow, but she backs up and backs away in these crucial moments, so when her character is on the screen alone - trying to get the audience's sympathies - I just didn't care.

What I did care about is Jennifer Lopez's performance as Ramona. She is the brightest spot in this film and brings her star power and natural charisma to the screen. The ultimate problem with this performance (and NO, it is NOT Oscar-worthy) is it feels that she is fighting the "low-key" headwinds of writer/director Scafaria the entire time.

Former Disney star Keke Palmer and current RIVERDALE star Lili Reinhart bring some fun and energy to the screen as the 3rd and 4th partners in this quartet of stripper Robin Hoods, but they are all too often sentenced to strut around in the background in tight outfits. I would have loved to see a movie with Lopez, Palmer and Reinhart that was more "out there" and less restrained.

Finally, two very good actresses - Julia Styles and Mercedes Ruehl - are in this film in "what-the-heck-are they-doing-in-this-film" roles that are underwritten and underutilized the talents of these actresses - another missed opportunity by Writer/Director Scafaria.

I've heard this film called a "female empowerment" film or "the stripper version of Goodfellas" and I couldn't disagree more. The only "empowering" part of this film is when the credits rolled and I could leave.

Letter Grade: C

4 stars (out of 10) and you can take that to the Bank(OfMarquis)