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Angry Birds Star Wars II
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The Force is strong with this one. Get ready for Angry Birds Star Wars II – the epic follow-up to...
The Wrath of Kings
Book
The Wrath of Kings is the first of a three part series set during the wars of the roses, a conflict...
Seeing Redd (The Looking Glass Wars #2)
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Book
Alyss of Wonderland's rule has only just begun, and already those who prefer chaos to peace are...
Bob Mann (459 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Sep 29, 2021
Putting the “Wars” back into “Star Wars”.
Expectations have been sky-high for this first in the ‘add-in’ series of Star Wars films. But with director Gareth Edwards at the helm, whose past movie track-record includes just the low-budget “Monsters” and the less than memorable “Godzilla“, I was frankly concerned.
But the English guy (with the Welsh name) has seriously delivered!
“Rogue One” (I have omitted the inane and irritating suffix “: A Star Wars Story”) tells the story behind the story of the original Episode IV: “A New Hope”. Felicity Jones (“The Theory of Everything“) plays Jyn Erso, daughter to Imperial weapons expert Mads Mikkelsen (“Doctor Strange“, “Casino Royale”). An interrupted childhood leads the delinquent Jyn on a personal journey to become a leader in the fragmenting Rebel Alliance, as a small band of heroes battle to obtain the plans for the Empire’s planet-zapping Death Star. Will they succeed (this is hardly a question worth asking given the start of Episode IV!) and at what cost?
I’m throwing it out there…. this is the best Star Wars film since “The Empire Strikes Back”. The story (John Knoll and Gary Whitta) is almost Shakespearean in its scope, leading to a moving and memorable finale. As a standalone episode within the Star Wars canon – chronologically positioned as it between “Star Wars Episode III: Revenge of the Sith” and “Star Wars Episode IV: A New Hope” – the film marvellously knits the two together bringing in cameos from Episode III as well as (very surprising) cameos from Episode IV, now nearly 40 years old. The screenplay (by Chris “About a Boy” Weitz and Tony Gilroy, writer of the “Bourne” films) is whip-smart with great lines.
For Star Wars fans the film is also chock full of ‘Easter Eggs’ from the original Star Wars. All of these are great fun but – frankly – some don’t make a lot of sense: for example, a chance encounter with a character in the streets of Jedha City doesn’t gel with what happens an hour or two later.
After Rey in last December’s “Star Wars: The Force Awakens” we again see another kick-ass heroine and a further cinematic nod towards girl-power in the movies. But this is a nuanced heroine with more than a hint of darkness about her. Felicity Jones plays her perfectly, reflecting her transition from teenage rebel to rebel-leading teen.
In general, the darkness continues throughout the supporting cast with some of the heroes – notably the impressive Diego Luna (“The Terminal”) as Cassian Andor – managing to do some very anti-heroic things at points in the story. The rest of the cast, and especially Donnie Yen and Wen Jiang as dynamic martial arts duo Chirrut Îmwe and Baze Malbus, generate the warm fuzzies enough for you – as the audience – to really care for what happens to them. This even extends to the lump of metal in the frame – the droid K-2SO (voiced by Alan Tudyk) – who could be the film’s Jar Jar Binks but manages instead to steal the best comic lines in the film.
Elsewhere Forest Whitaker (“Arrival“) is underused as rebel guerilla Saw Gerrera; Mads Mikkelsen adds gravitas to a key strategic role; and Ben Mendelsohn makes for a memorable Imperial villain. The only slightly irritating character in an otherwise stellar ensemble cast is pilot Rodhi Rook (played by Riz Ahmed from “Jason Bourne“): more for the rather pointless way his character is written than for the Londoner’s portrayal per se.
An equal member of the cast is the sublime music of Michael Giacchino, having the unenviable task of following John Williams into the Star Wars franchise. But he does a great job. After the shock of the non-traditional opening (and an abrupt and rather out of place Title shot) the style settles down, with some of the swelling music in the closing reel adding tremendously to the emotion of the finale.
The film is not quite perfect though. The first half of the film could have moved on a bit quicker to get to the breathtaking finale. And even though CGI has moved on significantly from the stick men and women walking around on the deck in “Titanic” in 1997, the state of the art (no spoilers, but you’ll know what I mean if you’ve seen the film) still has room for some improvement. (Perhaps the first of these scenes could have been as subliminal as the last for better effect).
An outstanding effort, and one I definitely want to watch again. The Bluray version will also be a ‘must-buy’ when it emerges, since – with 4 to 5 weeks of re-shoots done in the summer, and many scenes in the trailer not appearing in the final cut – there must be an enormous number of deleted (original?) scenes that may tell a very different story from the one we saw this week.
Disney must be so, so pleased at their very expensive investment in Star Wars, and fears that the Mouse would trash the brand seem to be – thankfully – unfounded.
But the English guy (with the Welsh name) has seriously delivered!
“Rogue One” (I have omitted the inane and irritating suffix “: A Star Wars Story”) tells the story behind the story of the original Episode IV: “A New Hope”. Felicity Jones (“The Theory of Everything“) plays Jyn Erso, daughter to Imperial weapons expert Mads Mikkelsen (“Doctor Strange“, “Casino Royale”). An interrupted childhood leads the delinquent Jyn on a personal journey to become a leader in the fragmenting Rebel Alliance, as a small band of heroes battle to obtain the plans for the Empire’s planet-zapping Death Star. Will they succeed (this is hardly a question worth asking given the start of Episode IV!) and at what cost?
I’m throwing it out there…. this is the best Star Wars film since “The Empire Strikes Back”. The story (John Knoll and Gary Whitta) is almost Shakespearean in its scope, leading to a moving and memorable finale. As a standalone episode within the Star Wars canon – chronologically positioned as it between “Star Wars Episode III: Revenge of the Sith” and “Star Wars Episode IV: A New Hope” – the film marvellously knits the two together bringing in cameos from Episode III as well as (very surprising) cameos from Episode IV, now nearly 40 years old. The screenplay (by Chris “About a Boy” Weitz and Tony Gilroy, writer of the “Bourne” films) is whip-smart with great lines.
For Star Wars fans the film is also chock full of ‘Easter Eggs’ from the original Star Wars. All of these are great fun but – frankly – some don’t make a lot of sense: for example, a chance encounter with a character in the streets of Jedha City doesn’t gel with what happens an hour or two later.
After Rey in last December’s “Star Wars: The Force Awakens” we again see another kick-ass heroine and a further cinematic nod towards girl-power in the movies. But this is a nuanced heroine with more than a hint of darkness about her. Felicity Jones plays her perfectly, reflecting her transition from teenage rebel to rebel-leading teen.
In general, the darkness continues throughout the supporting cast with some of the heroes – notably the impressive Diego Luna (“The Terminal”) as Cassian Andor – managing to do some very anti-heroic things at points in the story. The rest of the cast, and especially Donnie Yen and Wen Jiang as dynamic martial arts duo Chirrut Îmwe and Baze Malbus, generate the warm fuzzies enough for you – as the audience – to really care for what happens to them. This even extends to the lump of metal in the frame – the droid K-2SO (voiced by Alan Tudyk) – who could be the film’s Jar Jar Binks but manages instead to steal the best comic lines in the film.
Elsewhere Forest Whitaker (“Arrival“) is underused as rebel guerilla Saw Gerrera; Mads Mikkelsen adds gravitas to a key strategic role; and Ben Mendelsohn makes for a memorable Imperial villain. The only slightly irritating character in an otherwise stellar ensemble cast is pilot Rodhi Rook (played by Riz Ahmed from “Jason Bourne“): more for the rather pointless way his character is written than for the Londoner’s portrayal per se.
An equal member of the cast is the sublime music of Michael Giacchino, having the unenviable task of following John Williams into the Star Wars franchise. But he does a great job. After the shock of the non-traditional opening (and an abrupt and rather out of place Title shot) the style settles down, with some of the swelling music in the closing reel adding tremendously to the emotion of the finale.
The film is not quite perfect though. The first half of the film could have moved on a bit quicker to get to the breathtaking finale. And even though CGI has moved on significantly from the stick men and women walking around on the deck in “Titanic” in 1997, the state of the art (no spoilers, but you’ll know what I mean if you’ve seen the film) still has room for some improvement. (Perhaps the first of these scenes could have been as subliminal as the last for better effect).
An outstanding effort, and one I definitely want to watch again. The Bluray version will also be a ‘must-buy’ when it emerges, since – with 4 to 5 weeks of re-shoots done in the summer, and many scenes in the trailer not appearing in the final cut – there must be an enormous number of deleted (original?) scenes that may tell a very different story from the one we saw this week.
Disney must be so, so pleased at their very expensive investment in Star Wars, and fears that the Mouse would trash the brand seem to be – thankfully – unfounded.
Paul Smedley (141 KP) rated Solo: A Star Wars Story (2018) in Movies
Jun 1, 2018
Another side story winner!
Contains spoilers, click to show
Wow. Just wow. I was so worried for this being bad after so many reviews saying it was a let down but how wrong they were.
A lot of nods to other characters and story arcs as well as a string link to Star Wars Rebels (the animated series) of which I also loved.
It was good to see how the Millennium Falcon got its iconic shape and how it was won.
Oh and of course the origin of the 12 parsecs run!
Go watch it now!!
A lot of nods to other characters and story arcs as well as a string link to Star Wars Rebels (the animated series) of which I also loved.
It was good to see how the Millennium Falcon got its iconic shape and how it was won.
Oh and of course the origin of the 12 parsecs run!
Go watch it now!!
David McK (3798 KP) rated Isard's Revenge (Star Wars: X-Wing, #8) in Books
Jan 30, 2019
If, by and large, books can be compared to food - the classics being haute cuisine; the terrible books being dog-food - then the X-Wing series of Star Wars books (all written pre-Episode One, and based on the popular LucasArts games) could probably be best described as fast food: enjoyable enough in small doses but you wouldn't want to live on them and not always that memorable.
With regard to this book, which picks up from the end of Timothy Zahn's "The Last Command" (with the ending of that novel shown from a different perspective), it's also more than half way through before the jacket blurb begins to make sense.
With regard to this book, which picks up from the end of Timothy Zahn's "The Last Command" (with the ending of that novel shown from a different perspective), it's also more than half way through before the jacket blurb begins to make sense.
I Don't Want Curly Hair!
Book
NO! I do not want this BIG CURLY HAIR! It's messy and silly and just plain unfair. All Curly Haired...
Darth Vader and Friends
Book
In this funny and sweet new book in the bestselling Darth Vader(t) series, Eisner Award--winning...
Dean (6927 KP) rated The Mandalorian - Season 1 in TV
Jun 14, 2022
Looks great and some familiar settings (1 more)
Some good action scenes
This is the way
Finally got round to this as started Disney+ recently. Good to see something different set in the Star Wars universe. Set around 5 years after Return of the Jedi. The settings are familiar but not with any particular characters from any of the films. It's well shot and the SFX are good for a short series. Only downside some episodes were a bit slow and general quite short in length. One is under 30 minutes and generally only around 35-40 minutes long. It's enjoyable if not something that will blow your mind.
LeftSideCut (3776 KP) rated Star Wars: Episode VI – Return of the Jedi (1983) in Movies
Oct 13, 2019 (Updated Dec 20, 2019)
A great but flawed entry into a groundbreaking trilogy
Return of the Jedi is a good enough closing episode of the original Star Wars trilogy.
A lot of the great things about the previous two films are carried over - the awesome settings and location, the unbeatable John Williams score, and the epic sci-fi vision that started in 1977.
By this point, everyone is familiar with all of the characters. Luke, Leia, and Han all return, and aren't really in any need of any further character development at this point. Not necessarily a bad thing as ROTJ can concentrate on rounding off the story.
The most divisive element of this entry amongst Star Wars fans are of course the Ewoks. Their inclusion is certainly a hammier direction for the series. Some people loved it, some absolutely hated it, and how big of a part they play during the films climax.
I personally am indifferent. I don't hate the Ewoks, but they're partly what makes ROTJ inferior to the first two. Still, not a scratch on what's to come *cough* Jar Jar *cough*.
We're still treated to some iconic moments - Jabba the Hutt and the Rancor pit. Vader and Luke finally squaring off. The speeder bike chase.
This shows just how much Star Wars still delivers three films in.
All in all, ROTJ is still an integral part of one of the most beloved film franchises of all time, and will always be important to me!
A lot of the great things about the previous two films are carried over - the awesome settings and location, the unbeatable John Williams score, and the epic sci-fi vision that started in 1977.
By this point, everyone is familiar with all of the characters. Luke, Leia, and Han all return, and aren't really in any need of any further character development at this point. Not necessarily a bad thing as ROTJ can concentrate on rounding off the story.
The most divisive element of this entry amongst Star Wars fans are of course the Ewoks. Their inclusion is certainly a hammier direction for the series. Some people loved it, some absolutely hated it, and how big of a part they play during the films climax.
I personally am indifferent. I don't hate the Ewoks, but they're partly what makes ROTJ inferior to the first two. Still, not a scratch on what's to come *cough* Jar Jar *cough*.
We're still treated to some iconic moments - Jabba the Hutt and the Rancor pit. Vader and Luke finally squaring off. The speeder bike chase.
This shows just how much Star Wars still delivers three films in.
All in all, ROTJ is still an integral part of one of the most beloved film franchises of all time, and will always be important to me!