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Awix (3310 KP) rated At the Earth's Core (1976) in Movies
Nov 10, 2018 (Updated Nov 10, 2018)
Second in Amicus's series of Burroughs-inspired pulp adventures with Doug McClure. Adventurers seeking to drill through the mountains from England to Wales take a wrong turn and end up in a terrifying wasteland dominated by sub-human beasts; it takes them a while to figure out their mistake. It turns out the Earth's core is ruled by evil giant pterodactyls with hypnotic powers - having taken a fancy to the local princess (Munro), the beefier of the visitors (McClure) resolves to sort the situation out.
One of the final examples of the kind of cheap and cheerful genre movie that the success of Star Wars the following year was to transform utterly. This one is notable for some of the worst man-in-a-suit monster effects ever seen outside Japan, the closest thing to a bad performance ever given by Peter Cushing, and an oddly inconsistent tone - much of it is rather juvenile, but some of the violence is a bit heavy for what often feels like a knockabout kid's film (the Earth's core is a wholly abstinent place - there isn't even the suggestion of funny business between McClure and Munro). The Iron Mole model is actually not bad, and the prog rock soundtrack certainly makes it distinctive. Kind of fun, in the end. Contains the line 'You can't mesmerise me, I'm British!'
One of the final examples of the kind of cheap and cheerful genre movie that the success of Star Wars the following year was to transform utterly. This one is notable for some of the worst man-in-a-suit monster effects ever seen outside Japan, the closest thing to a bad performance ever given by Peter Cushing, and an oddly inconsistent tone - much of it is rather juvenile, but some of the violence is a bit heavy for what often feels like a knockabout kid's film (the Earth's core is a wholly abstinent place - there isn't even the suggestion of funny business between McClure and Munro). The Iron Mole model is actually not bad, and the prog rock soundtrack certainly makes it distinctive. Kind of fun, in the end. Contains the line 'You can't mesmerise me, I'm British!'
David McK (3734 KP) rated Wraith Squadron (Star Wars: X-Wing, #5) in Books
Jan 30, 2019
How best to describe 'X-Wing: Wraith Squadron', the fifth book in the Star Wars series of books (loosely) based on the old video-games? I think the following exchange from the early part of the novel sums it up best (with Wedge speaking):
' " .. I'd originally thought that Rogue Squadron would be used opportunistically: a strike mission would reveal a ground-based weakness, and we'd have the training and supplies ot go down and perform the necessary ground mission. The way it turned out, we keep landing full-fledged commando missions. So I think we need another Commando X-Wing squadron, one where we choose pilots so as to have a full range of intrusion and subversion skills. Rogue Sqaudron was designed as a fighter unit first, commando unit second; this time, I want to go the other way around."
...
"I want pilots no one else want. Washouts. Pilots staring court-martials in the face. Trouble-makers and screw-ups." '
The rest of the novel deals, primarily, with the formation of that unit and their first mission, concentrating in particular on two members of that unit and their own internal battle against themselves.
While not the strongest of spin-off novels (and, maybe, slightly longer than it needs to be), this is still an enjoyable enough diversion for a couple of days light reading.
' " .. I'd originally thought that Rogue Squadron would be used opportunistically: a strike mission would reveal a ground-based weakness, and we'd have the training and supplies ot go down and perform the necessary ground mission. The way it turned out, we keep landing full-fledged commando missions. So I think we need another Commando X-Wing squadron, one where we choose pilots so as to have a full range of intrusion and subversion skills. Rogue Sqaudron was designed as a fighter unit first, commando unit second; this time, I want to go the other way around."
...
"I want pilots no one else want. Washouts. Pilots staring court-martials in the face. Trouble-makers and screw-ups." '
The rest of the novel deals, primarily, with the formation of that unit and their first mission, concentrating in particular on two members of that unit and their own internal battle against themselves.
While not the strongest of spin-off novels (and, maybe, slightly longer than it needs to be), this is still an enjoyable enough diversion for a couple of days light reading.
David McK (3734 KP) rated A Princess of Mars (Barsoom, #1) in Books
Jan 30, 2019
To most people, if you mention the name Edgar Rice Burroughs the first thing that they will think of, in all likelihood, is his creation of the character Tarzan. Alongside this, however, he also wrote the <i>Barsoom</i> series of books, of which this is the first (published in 1912).
Commonly regarded as classics of the Pulp Sci-Fi genre of books, and with the new Disney movie <i>John Carter of Mars</i> recently released (even if it is getting a panning from the critics), and finally with <i>The John Carter collection</i> (consisting of <i>A Princess of Mars</i>, <i>The Gods of Mars</i>, <i>The Warlord of Mars</i>, <i>Thuvia, Maid of Mars</i> and <i>The Chessmen of Mars</i>) available on Apple's ibooks stores for 99p, how could I resist picking them up?
Having now read the first book, it's easy to see the influence these particular novels had on later writings and popular culture. James Cameron is on record as stating this particular work as an influence on his movie <i>Avatar</i>, while it is also possible to trace elements of <i>Star Wars</i> (inspired by <i>Flash Gordon</i>, itself inspired by this) back to this work.
In short: this is pretty much a prime example of early pulp SF!
Commonly regarded as classics of the Pulp Sci-Fi genre of books, and with the new Disney movie <i>John Carter of Mars</i> recently released (even if it is getting a panning from the critics), and finally with <i>The John Carter collection</i> (consisting of <i>A Princess of Mars</i>, <i>The Gods of Mars</i>, <i>The Warlord of Mars</i>, <i>Thuvia, Maid of Mars</i> and <i>The Chessmen of Mars</i>) available on Apple's ibooks stores for 99p, how could I resist picking them up?
Having now read the first book, it's easy to see the influence these particular novels had on later writings and popular culture. James Cameron is on record as stating this particular work as an influence on his movie <i>Avatar</i>, while it is also possible to trace elements of <i>Star Wars</i> (inspired by <i>Flash Gordon</i>, itself inspired by this) back to this work.
In short: this is pretty much a prime example of early pulp SF!
David McK (3734 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 23, 2019 (Updated Apr 28, 2020)
Let's face it: no matter what JJ Abrams did, he was never going to please everyone.
Personally, I feel he wasn't helped by the fact that there was no clear over-arching strand to the sequel trilogy; no guiding hand (as it were) such as with Kevin Feige's role in the MCU, leaving each director free to do their own thing, to ignore what had went before or (as in this case) to blatantly attempt to fix what many see as the flaws of the previous film.
Set up as both the capper to this particular trilogy, and to the 9-movie Skywalker saga as a whole, Abrams was definitely NOT in an enviable position ...
It's hard to talk about this movie without giving too much of the plot away: I think it's fairly safe to say that Palpatine returns (he's in the trailers) for reasons, that the issue of Reys parentage is - again - brought up, and that this was intended to be Leia's movie (before Carrie Fisher passed away) in much the same way as The Force Awakens was Hans and that The Last Jedi was Luke's.
It also very much has a 'Return of the Jedi' feel to it, and seemingly lifts from the 'Legends' series of no-longer-canon Star Wars spin-offs, with the inclusion of the Katana fleet in all but name.
Personally, I feel he wasn't helped by the fact that there was no clear over-arching strand to the sequel trilogy; no guiding hand (as it were) such as with Kevin Feige's role in the MCU, leaving each director free to do their own thing, to ignore what had went before or (as in this case) to blatantly attempt to fix what many see as the flaws of the previous film.
Set up as both the capper to this particular trilogy, and to the 9-movie Skywalker saga as a whole, Abrams was definitely NOT in an enviable position ...
It's hard to talk about this movie without giving too much of the plot away: I think it's fairly safe to say that Palpatine returns (he's in the trailers) for reasons, that the issue of Reys parentage is - again - brought up, and that this was intended to be Leia's movie (before Carrie Fisher passed away) in much the same way as The Force Awakens was Hans and that The Last Jedi was Luke's.
It also very much has a 'Return of the Jedi' feel to it, and seemingly lifts from the 'Legends' series of no-longer-canon Star Wars spin-offs, with the inclusion of the Katana fleet in all but name.
Barry Newman (204 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Jan 11, 2020
Contains spoilers, click to show
Well JJ Abrams certainly had a helluva job to do here, wrapping up a 42 year saga whilst addressing the criticisms made of episode 8 and creating an entertaining movie. Whilst this isn't a complete disaster like the 'Game Of Thrones' ending I still couldn't help but come out of this feeling underwhelmed and disappointed. I wanted wow instead it was just ok and completely lacking in the magic and memorable moments we have come to expect from the series. The first half of the film felt very muddled and disjointed, it did get better in the second half but overall the storytelling felt very safe. I think that was particularly reflected in the decision to resurrect Emperor Palpatine which personally I didn't like. Whilst certainly the weakest of the new trilogy it's not boring, it's a fast paced adventure that does answer some unanswered questions and there's still plenty of fun to be had seeing all the spectacular effects millions of Disney dollars can buy. Adam Driver and Daisy Ridley also continue to turn in decent performances as Rey and Kylo Ren (shame the same can't really be said for the rest of the cast). So as the finale to the 9 film Star Wars saga it's sorely lacking but as a bog standard action blockbuster it's reasonably entertaining.
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Mark @ Carstairs Considers (2514 KP) rated The Overlook (Harry Bosch, #13; Harry Bosch Universe, #16) in Books
Sep 26, 2020
Fast Paced Fast Read
LAPD Detective Harry Bosch has recently transferred to the Los Angeles Homicide Special department, and his first case finds him at an overlook on Mulholland Drive where a doctor was shot in the back of the head. Bosch has hardly gotten the basics of the case when the FBI shows up. As jurisdictional wars break out, Bosch tries to keep his focus on solving the crime. Can he do it?
I was surprised to find this book was shorter than normal for a Harry Bosch novel, but when I learned it originally appeared in serialized form, it made sense. The book doesn’t skimp on twists and turns; they are still packed into the pages. I had part of the solution figured out early, but it was just a small part of it. Bosch is dealing with a ticking clock, and that means that any personal sub-plots are left out of the book. Because of the shorter length, the characters aren’t as well developed as usual, but this lack of character growth is a minor issue. What bothered me more was some of Bosch’s actions here. Normally, I enjoy his efforts to skirt the rules, but in this case, I felt he went a bit too far. Still, Harry’s many fans will enjoy this fast-paced entry to the series.
I was surprised to find this book was shorter than normal for a Harry Bosch novel, but when I learned it originally appeared in serialized form, it made sense. The book doesn’t skimp on twists and turns; they are still packed into the pages. I had part of the solution figured out early, but it was just a small part of it. Bosch is dealing with a ticking clock, and that means that any personal sub-plots are left out of the book. Because of the shorter length, the characters aren’t as well developed as usual, but this lack of character growth is a minor issue. What bothered me more was some of Bosch’s actions here. Normally, I enjoy his efforts to skirt the rules, but in this case, I felt he went a bit too far. Still, Harry’s many fans will enjoy this fast-paced entry to the series.