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Westeros is at war. Great houses clash, dragons rule the sky, and the army of the dead threatens the...
Movie Metropolis (309 KP) rated The Hunger Games: Catching Fire (2013) in Movies
Jun 10, 2019
The Hunger Games franchise has come at a time that is almost certain to gather box-office success. After Harry Potter finished two years ago and The Twilight Saga bowed out just 12 months ago, teenagers and young adults have been craving for a new series of blockbusters to ‘sink their teeth into’.
The first film of this new dawn, based on Suzanne Collins’ successful book, was released in March last year and greeted with warm reviews and a staggering box-office performance, a gross just shy of $700m to be a little more precise.
However, rumoured tensions between director Gary Ross and studio Color Force meant that despite its impressive takings, he was not to helm its sequel, Catching Fire. Taking over from him is Francis Lawrence, director of I am Legend, Constantine and Water for Elephants, but can he better what preceded him?
The series centres around an annual ‘games’, in which people aged between 12 and 18 must fight to the death in a custom made arena, leaving only one victor, who is showered with riches for the rest of their lives.
Jennifer Lawrence, returning to the series after her first Oscar win this year, plays Katniss Everdeen, a plucky young teen who fresh from winning the previous Hunger Games tournament alongside her beau Peeta Mellark, played by Josh Hutcherson, travel through the land of Panem (a post-apocalyptic America) to spread their story and persuade others to take part in the vicious tournament.
However, after angering the Capitol, run by cold-hearted President Snow (Donald Sutherland) who becomes increasingly concerned that an up-rising is brewing, it is decided that previous victors must once again take part, to show that even they are not above the law.
For those fresh to the series, I warn you not to watch this film without seeing the first, as much of the plot will be near incomprehensible and your enjoyment will suffer as a result.
The film starts slowly, giving enough backstory before the inevitable return to the arena. Thankfully despite its large running time of 146 minutes, it never falters and after allowing the audience to see how the world has changed, it is back into the new and improved arena for the 75th Hunger Games.
Gone is the shaky handy-cam of director Gary Ross, and in its place we are treated to sweeping shots of numerous landscapes; from the coal-mining community of District 12, to the bright lights of the Capitol and even the large arena which has been given a radical overhaul to make it even more challenging than ever.
The acting is simply sublime by all accounts. Jennifer Lawrence, fresh from the honour of an Oscar plays Katniss with such a subtle grace that she is mesmerising to watch, a real treat for fans of J-Law and of course Suzanne Collins’ character. Liam Hemsworth returns to the series as Katniss’ secret love interest Gale, but he is sorely underused. Josh Hutcherson’s Peeta Mellark is as irritating as ever and lacks a backbone, but this is more to do with the script than Hutcherson’s abilities as an actor.
Woody Harrelson, Elizabeth Banks, Stanley Tucci also return, with the latter being a real stand-out in a film which is filled with quirky and unusual characters.
Those of you who have read my review of the previous film will know that I wasn’t a fan of its lacklustre special effects. Thankfully my prayers were answered and due to a budget that has almost doubled, the effects are glorious. The Capitol is perhaps the best use of the CGI, where the first film looked like a Star Wars: Episode I rip-off, here we really feel like the city is living and breathing for the very first time.
Unfortunately, it seems like the special effects team are still struggling with CGI fire as the computer generated flames are still laughable in their realism.
At 146 minutes, Catching Fire was always going to numb your backside, but you don’t care, the film is an absolute treat to watch. Director Francis Lawrence has retained the violent nature of the series despite its ridiculous 12A certification and manages to get around those limitations with style and flair.
Yes, if I was pushed I’d say it was a little over-long, the CGI flames still look ridiculous and the ending is far too abrupt, but if those are the only faults I can find in a film, then clearly it is more than worth the increasingly expensive price of a cinema admission ticket.
https://moviemetropolis.net/2013/11/23/hunger-games-catching-fire-review/
The first film of this new dawn, based on Suzanne Collins’ successful book, was released in March last year and greeted with warm reviews and a staggering box-office performance, a gross just shy of $700m to be a little more precise.
However, rumoured tensions between director Gary Ross and studio Color Force meant that despite its impressive takings, he was not to helm its sequel, Catching Fire. Taking over from him is Francis Lawrence, director of I am Legend, Constantine and Water for Elephants, but can he better what preceded him?
The series centres around an annual ‘games’, in which people aged between 12 and 18 must fight to the death in a custom made arena, leaving only one victor, who is showered with riches for the rest of their lives.
Jennifer Lawrence, returning to the series after her first Oscar win this year, plays Katniss Everdeen, a plucky young teen who fresh from winning the previous Hunger Games tournament alongside her beau Peeta Mellark, played by Josh Hutcherson, travel through the land of Panem (a post-apocalyptic America) to spread their story and persuade others to take part in the vicious tournament.
However, after angering the Capitol, run by cold-hearted President Snow (Donald Sutherland) who becomes increasingly concerned that an up-rising is brewing, it is decided that previous victors must once again take part, to show that even they are not above the law.
For those fresh to the series, I warn you not to watch this film without seeing the first, as much of the plot will be near incomprehensible and your enjoyment will suffer as a result.
The film starts slowly, giving enough backstory before the inevitable return to the arena. Thankfully despite its large running time of 146 minutes, it never falters and after allowing the audience to see how the world has changed, it is back into the new and improved arena for the 75th Hunger Games.
Gone is the shaky handy-cam of director Gary Ross, and in its place we are treated to sweeping shots of numerous landscapes; from the coal-mining community of District 12, to the bright lights of the Capitol and even the large arena which has been given a radical overhaul to make it even more challenging than ever.
The acting is simply sublime by all accounts. Jennifer Lawrence, fresh from the honour of an Oscar plays Katniss with such a subtle grace that she is mesmerising to watch, a real treat for fans of J-Law and of course Suzanne Collins’ character. Liam Hemsworth returns to the series as Katniss’ secret love interest Gale, but he is sorely underused. Josh Hutcherson’s Peeta Mellark is as irritating as ever and lacks a backbone, but this is more to do with the script than Hutcherson’s abilities as an actor.
Woody Harrelson, Elizabeth Banks, Stanley Tucci also return, with the latter being a real stand-out in a film which is filled with quirky and unusual characters.
Those of you who have read my review of the previous film will know that I wasn’t a fan of its lacklustre special effects. Thankfully my prayers were answered and due to a budget that has almost doubled, the effects are glorious. The Capitol is perhaps the best use of the CGI, where the first film looked like a Star Wars: Episode I rip-off, here we really feel like the city is living and breathing for the very first time.
Unfortunately, it seems like the special effects team are still struggling with CGI fire as the computer generated flames are still laughable in their realism.
At 146 minutes, Catching Fire was always going to numb your backside, but you don’t care, the film is an absolute treat to watch. Director Francis Lawrence has retained the violent nature of the series despite its ridiculous 12A certification and manages to get around those limitations with style and flair.
Yes, if I was pushed I’d say it was a little over-long, the CGI flames still look ridiculous and the ending is far too abrupt, but if those are the only faults I can find in a film, then clearly it is more than worth the increasingly expensive price of a cinema admission ticket.
https://moviemetropolis.net/2013/11/23/hunger-games-catching-fire-review/
Merissa (13358 KP) rated Secrets In Shadows (Shadow Creek #1) in Books
Aug 11, 2017
Secrets In Shadows (Shadow Creek #1) by Leah Blake
Secrets in Shadows is the first book in the Shadow Creek series, and it starts with a bang! Rex is held within what could be a vicious circle - his father didn't want to be a wolf, so concentrated on fitting in with the human world and passed no information onto his family. Unfortunately, that meant that Rex and his brother grew up knowing very little about what it means, and how to survive. When they are attacked, they head for the only sanctuary they know. It is here that Rex learns just how bratty he has been, and figures out what he must do to change. I'm glad he figured it out, because he was a pain to begin with! Devon is the strong, silent type, and doesn't want a mate, let alone someone like Rex. However, that doesn't stop him from helping Rex when some hyenas get out of hand.
Being the first book, there is a lot to take in as you figure out a new world, new rules, new wars. It never feels like an info-dump though, and is spread out throughout the book. With no editing or grammatical errors that disrupted my reading flow, I was engrossed with the story and found the pacing to be just right for me. I have no hesitation in recommending this book for all fans of #M_M #PNR.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Being the first book, there is a lot to take in as you figure out a new world, new rules, new wars. It never feels like an info-dump though, and is spread out throughout the book. With no editing or grammatical errors that disrupted my reading flow, I was engrossed with the story and found the pacing to be just right for me. I have no hesitation in recommending this book for all fans of #M_M #PNR.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
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ClareR (5991 KP) rated The City of Tears (The Burning Chambers #2) in Books
Feb 6, 2021
The story of Minou and Piet continues, starting with their idyllic lives in Puivert: Minou is the chatelaine, and Piet has returned from fighting for the Huguenot cause. They have two children: Marta, a precocious little girl, and their baby son Jean-Jacques. As a family they decide to travel to Paris for the wedding of the Catholic Marguerite de Valois (the King’s sister) and the Protestant Henri of Navarre (the first Bourbon King of France - and I never know whether to think of the biscuit or the drink whenever I hear the word ‘Bourbon’ 🤷🏼♀️). Their union is hoped to end the religious wars in France.
But of course nothing goes to plan. Cardinal Valentin is there in his role as the Duke of Guise’s confessor, and he’s out for revenge. The St. Bartholomew’s Day Massacre tears Minou and Piet’s family apart so that it is forever changed.
I don’t want to give too much away, but I will say that Minou and Piet end up in Amsterdam. In Amsterdam their is a peaceful change in power from Catholic to Protestant. It’s interesting to see how their lives change, and how they are able to live in relative peace and cooperation with their Catholic friends and neighbours. It’s no less exciting than The Burning Chambers though. The family’s adventures take them back to France and in to more danger.
I loved all of the historical detail, and the thoughts and beliefs around religion at this time - and I cannot wait to read the next TWO books in this series! I’m hooked!
Many thanks to The Pigeonhole for this serialisation - it was outstanding!
But of course nothing goes to plan. Cardinal Valentin is there in his role as the Duke of Guise’s confessor, and he’s out for revenge. The St. Bartholomew’s Day Massacre tears Minou and Piet’s family apart so that it is forever changed.
I don’t want to give too much away, but I will say that Minou and Piet end up in Amsterdam. In Amsterdam their is a peaceful change in power from Catholic to Protestant. It’s interesting to see how their lives change, and how they are able to live in relative peace and cooperation with their Catholic friends and neighbours. It’s no less exciting than The Burning Chambers though. The family’s adventures take them back to France and in to more danger.
I loved all of the historical detail, and the thoughts and beliefs around religion at this time - and I cannot wait to read the next TWO books in this series! I’m hooked!
Many thanks to The Pigeonhole for this serialisation - it was outstanding!