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Ivana A. | Diary of Difference (1171 KP) rated A Game of Thrones in Books
Oct 19, 2018
Full review can be found on my blog: www.diaryofdifference.com
This book will shake and break your heart. This book will make you realise that life is anything but gentle. But this book will also bring you the greatest adventure you have yet to see.
I have bought my whole book collection back in 2014. I have been procrastinating with this series for four years. And today, while writing this review, I thank the old gods and the new, for convincing me to read the first book.
I am probably one of the last people that have reviewed this book, and I assume you all already know a lot about the Game of Thrones series.
It is a book about one Iron Throne, and all the wars, fights, betrayals are about who will be sitting on that throne, and who will be in charge of all kingdoms.
Now, starting off, I am still not sure why people would send armies and armies of soldiers in order to win the throne, when it seems that no matter who becomes a king, that person gets instantly killed. And no kingdom respects each other, and kings and lords keep fighting off and wasting resources for a lost purpose, so there’s that as well.
We have many houses, Stark, Lannister, Baratheon, Tully, Arryn, Targaryen, Tyrell, Greyjoy, Martell, etc - and they all feature with something unique to their house. Most importantly, they all either want the throne, want revenge or want them both.
But just to clarify - I loved the book!
George R.R. Martin is a genius! He has created this amazing world, and characters that are so alive that make you either hate them or love them, but with all your heart. He has created relationships so tangled and stories so well written, that he puts other authors to shame.
The book is written from a third person perspective, and each chapter features a character. And with each chapter, George moves the time gradually, so we are not stuck in a loop of time pause. I enjoyed this method quite a lot! It kept the story line going very smoothly.
‘’Most men would rather deny a hard truth than face it.’’
There were so many characters I admired. But my connection with these characters in this book is unlike any other connection I have made. I usually either love or hate a character. But here, I judged actions, and relationships, and things people said and did!
I liked Eddard Stark’s bravery, and his manliness, but I didn’t like the fact that he was too honest for his own good.
‘’Can a man still be brave if he’s afraid?
‘’That’s the only time a man an be brave’’.
I loved Arya’s fierceness, but I didn’t like her stubbornness.
‘’For the second time today Arya reflected that life was not fair.’’
I liked Sansa’s politeness, and girlishness. She had all the perfect manners, but she also would betray family for love.
I loved Jon Snow’s story, and how he overcame his past, and learned to live with it.
‘’Let me give you some counsel, bastard.‘’ Lannister said. ‘’Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.’’
I loved many other characters for things they did, and hated many others, but I cherished the difference in each and every character, and that was the beauty in it - that even though an author can create so many characters, he can make them so different from each other.
In this book, you will encounter everything: mostly mean people, ready to kill everyone and anyone standing in the way of their plans. You will read about a story of a family that falls apart, a kingdom that vanishes, a fight between kings, how a little girl will learn life in one day, how a mother will watch her children disappear, one by one.
This book will shake and break your heart. This book will make you realise that life is anything but gentle. But this book will also bring you the greatest adventure you have yet to see.
I have bought my whole book collection back in 2014. I have been procrastinating with this series for four years. And today, while writing this review, I thank the old gods and the new, for convincing me to read the first book.
I am probably one of the last people that have reviewed this book, and I assume you all already know a lot about the Game of Thrones series.
It is a book about one Iron Throne, and all the wars, fights, betrayals are about who will be sitting on that throne, and who will be in charge of all kingdoms.
Now, starting off, I am still not sure why people would send armies and armies of soldiers in order to win the throne, when it seems that no matter who becomes a king, that person gets instantly killed. And no kingdom respects each other, and kings and lords keep fighting off and wasting resources for a lost purpose, so there’s that as well.
We have many houses, Stark, Lannister, Baratheon, Tully, Arryn, Targaryen, Tyrell, Greyjoy, Martell, etc - and they all feature with something unique to their house. Most importantly, they all either want the throne, want revenge or want them both.
But just to clarify - I loved the book!
George R.R. Martin is a genius! He has created this amazing world, and characters that are so alive that make you either hate them or love them, but with all your heart. He has created relationships so tangled and stories so well written, that he puts other authors to shame.
The book is written from a third person perspective, and each chapter features a character. And with each chapter, George moves the time gradually, so we are not stuck in a loop of time pause. I enjoyed this method quite a lot! It kept the story line going very smoothly.
‘’Most men would rather deny a hard truth than face it.’’
There were so many characters I admired. But my connection with these characters in this book is unlike any other connection I have made. I usually either love or hate a character. But here, I judged actions, and relationships, and things people said and did!
I liked Eddard Stark’s bravery, and his manliness, but I didn’t like the fact that he was too honest for his own good.
‘’Can a man still be brave if he’s afraid?
‘’That’s the only time a man an be brave’’.
I loved Arya’s fierceness, but I didn’t like her stubbornness.
‘’For the second time today Arya reflected that life was not fair.’’
I liked Sansa’s politeness, and girlishness. She had all the perfect manners, but she also would betray family for love.
I loved Jon Snow’s story, and how he overcame his past, and learned to live with it.
‘’Let me give you some counsel, bastard.‘’ Lannister said. ‘’Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.’’
I loved many other characters for things they did, and hated many others, but I cherished the difference in each and every character, and that was the beauty in it - that even though an author can create so many characters, he can make them so different from each other.
In this book, you will encounter everything: mostly mean people, ready to kill everyone and anyone standing in the way of their plans. You will read about a story of a family that falls apart, a kingdom that vanishes, a fight between kings, how a little girl will learn life in one day, how a mother will watch her children disappear, one by one.
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BankofMarquis (1832 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 22, 2019
These X-Men end not with a Bang but with a Whimper
"This is how it ends,not with a bang, but with a whimper".
Running a successful movie franchise is a tricky thing. For every franchise that ends successfully (the original Harry Potter series, the recent Avengers), there are many, many more that just sort of peter out (The Hunger Games, The Maze Runner, every version of Star Trek), and, unfortunately, this run of the X-MEN is finishing up with a look of boredom and disinterest.
And that's too bad for the DARK PHOENIX story line had great, dramatic potential to go with a series of whiz-bang special effect set pieces that should have been spectacular. Telling the tale of erswhile X-Men "hero", Jean Grey, who is turned into a villain and battles her former mates, DARK PHOENIX is filled with missed opportunities.
Let's start with the lackluster Direction and lame script - both by Simon Kinberg - a Producer and sometime writer who is making his Feature Film Directorial debut with this film. He should stay with Producing. His direction is limp and uninspired which fits in well with his uninspiring dialogue and clunky interactions and plot machinations.
At least the top notch actors can save this turkey, right?
Nope. For the most part, they are just as uninspired and mediocre as the direction and writing and that is too bad for they are a strong collection of performers. James McAvoy is just lost as Charles Xavier. I can see the look in his eyes as he is thinking to himself "what is my character trying to do here"? I didn't believe for a second that he believed anything his character was saying and doing. Same goes for the usually reliable Nicholas Hoult as Hank McCoy/Beast. The script has these two at odds with each and they both act these scenes with a "we don't buy this contrived fight either" chagrined look.
The usually reliable Jessica Chastain is wasted as the main villain in this film, a mysterious figure who serves as the anti-Charles Xavier mentor to Jean Grey (Sophie Turner, more on her later). It looks to me that she was given the "George Lucas/Natalie Portman/Star Wars: Episode 1" acting guideline - be one note and monotonous and take out any hint of emotion. Which also takes out any hint of interest.
As for Turner, I'm sorry to say this about an actress that I generally loved in GAME OF THRONES, but she is just plain bad in her role as the conflicted Jean Grey. Her character is torn between the good and the bad, but instead of acting that, she says it over and over again "I don't know what's happening to me", "I feel torn". She (and Director/Writer Kinberg) violate the #1 rule in movies - "Show, don't tell". They "tell" over and over and don't take the time to show. Disappointing wouldn't begin to describe my reaction to Turner's performance.
At least Jennifer Lawrence is there to ground this film and bring some of her star power, right? Nope. She waltzes through the few scenes she has in this film with the look of "I am contractually obligated to be here".
Well...how about Even Peters who was a bit of a breakout as Quicksilver? Nope...they, inexplicably, sideline his character fairly early on in this film.
The only saving grace in this movie is the great Michael Fassbender as Magneto. He was a welcome, charismatic presence in this film that drew my attention - and interest - the second he appeared on screen. It was great to see him and I found myself rooting for him - no matter what. Doesn't matter that Magneto's presence in this film is shoe-horned in. You could take his character out of this film and the outcomes probably wouldn't change a bit. But...I don't care...at least there was someone interesting to watch.
At least there are decent action scenes, right? Nope. Kinberg chooses to use the quick/cut edit confuse the audience style of action to cover mistakes in both choreography and geography and figures a quick cut and an explosion can cover lack of emotional commitment and interesting fight choreography.
This film closes this Chapter on these X-Men and (besides Fassbender and an "AVENGERS ASSEMBLE" moment that was pretty cool) I say good riddance. With Disney's purchase of Fox and Marvel, the X-Men can now be incorporated into the Marvel Cinematic Universe and that can only be an improvement on this.
Letter Grade C+ (Fassbender's performance keeps this from being a total failure)
5 stars out of 10 and you can take that to the Bank(OfMarquis)
Running a successful movie franchise is a tricky thing. For every franchise that ends successfully (the original Harry Potter series, the recent Avengers), there are many, many more that just sort of peter out (The Hunger Games, The Maze Runner, every version of Star Trek), and, unfortunately, this run of the X-MEN is finishing up with a look of boredom and disinterest.
And that's too bad for the DARK PHOENIX story line had great, dramatic potential to go with a series of whiz-bang special effect set pieces that should have been spectacular. Telling the tale of erswhile X-Men "hero", Jean Grey, who is turned into a villain and battles her former mates, DARK PHOENIX is filled with missed opportunities.
Let's start with the lackluster Direction and lame script - both by Simon Kinberg - a Producer and sometime writer who is making his Feature Film Directorial debut with this film. He should stay with Producing. His direction is limp and uninspired which fits in well with his uninspiring dialogue and clunky interactions and plot machinations.
At least the top notch actors can save this turkey, right?
Nope. For the most part, they are just as uninspired and mediocre as the direction and writing and that is too bad for they are a strong collection of performers. James McAvoy is just lost as Charles Xavier. I can see the look in his eyes as he is thinking to himself "what is my character trying to do here"? I didn't believe for a second that he believed anything his character was saying and doing. Same goes for the usually reliable Nicholas Hoult as Hank McCoy/Beast. The script has these two at odds with each and they both act these scenes with a "we don't buy this contrived fight either" chagrined look.
The usually reliable Jessica Chastain is wasted as the main villain in this film, a mysterious figure who serves as the anti-Charles Xavier mentor to Jean Grey (Sophie Turner, more on her later). It looks to me that she was given the "George Lucas/Natalie Portman/Star Wars: Episode 1" acting guideline - be one note and monotonous and take out any hint of emotion. Which also takes out any hint of interest.
As for Turner, I'm sorry to say this about an actress that I generally loved in GAME OF THRONES, but she is just plain bad in her role as the conflicted Jean Grey. Her character is torn between the good and the bad, but instead of acting that, she says it over and over again "I don't know what's happening to me", "I feel torn". She (and Director/Writer Kinberg) violate the #1 rule in movies - "Show, don't tell". They "tell" over and over and don't take the time to show. Disappointing wouldn't begin to describe my reaction to Turner's performance.
At least Jennifer Lawrence is there to ground this film and bring some of her star power, right? Nope. She waltzes through the few scenes she has in this film with the look of "I am contractually obligated to be here".
Well...how about Even Peters who was a bit of a breakout as Quicksilver? Nope...they, inexplicably, sideline his character fairly early on in this film.
The only saving grace in this movie is the great Michael Fassbender as Magneto. He was a welcome, charismatic presence in this film that drew my attention - and interest - the second he appeared on screen. It was great to see him and I found myself rooting for him - no matter what. Doesn't matter that Magneto's presence in this film is shoe-horned in. You could take his character out of this film and the outcomes probably wouldn't change a bit. But...I don't care...at least there was someone interesting to watch.
At least there are decent action scenes, right? Nope. Kinberg chooses to use the quick/cut edit confuse the audience style of action to cover mistakes in both choreography and geography and figures a quick cut and an explosion can cover lack of emotional commitment and interesting fight choreography.
This film closes this Chapter on these X-Men and (besides Fassbender and an "AVENGERS ASSEMBLE" moment that was pretty cool) I say good riddance. With Disney's purchase of Fox and Marvel, the X-Men can now be incorporated into the Marvel Cinematic Universe and that can only be an improvement on this.
Letter Grade C+ (Fassbender's performance keeps this from being a total failure)
5 stars out of 10 and you can take that to the Bank(OfMarquis)
Bob Mann (459 KP) rated Mortal Engines (2018) in Movies
Sep 28, 2021
At last, the hilarious Brexit comedy we’ve all been waiting for.
As comedy goes it’s classic gold! London has been transferred, presumably via a futuristic big-arsed forklift truck of some kind, onto a huge chassis and is now chugging its way across mainland Europe. Needing fuel, it has the capability to gobble-up other roving towns and cities (take that Barnier!) which London ‘digests’ (smoke that Tusk!). Curiously, the captured cities’ inhabitants are not exterminated but integrated into the City’s population: so much for any anti-immigration policy! (LOL).
But all doesn’t go entirely smoothly for the UK capital. The Lord Mayor of London (Patrick Malahide) declares “We should never have gone into Europe. It’s the biggest mistake we ever made”. (Classic: how we SNORTED with laughter!)
Cities on wheels. London in hot pursuit of a Bavarian mining town. (Some things you just write, and then have to do a double take!). (Source: Universal Pictures International).
Stuffing it squarely to the ‘remainers’, London makes its own future. “It’s time to show the world how strong London can be”. Having conquered most of Europe, it’s time to set its sights on new markets to conquer: so London takes the Chinese on! (Now the tears of laughter are flowing freely!) Trade deals have never been more entertaining since “Star Wars: The Phantom Menace”!
Well, perhaps not
OK, so in the interests of ‘advertising standards’, I’d better make clear before you rush out to the cinema expecting a comedy feature that my tongue is firmly in my cheek here. For “Mortal Engines” is the latest sci-fi feature from Peter Jackson. But when viewed from a Brexit perspective, it’s friggin’ hilarious!
In terms of plot, this (like “Waterworld”) makes clever use of the Universal logo to set the agenda. The world has been decimated with a worldwide war – though clearly one that selectively destroyed bits of London and not others! – and the survivors must try to survive in any way they can. Settlements are divided between those that are ‘static’ and those (like London) that are mobile and constantly evolving: “Municipal Darwinism” as it is hysterically described. But London, or rather the power-crazed Londoner Thaddeus Valentine (Hugo Weaving), wants revolution rather than evolution and he is working on development of one of the super-weapons that started the world’s demise in the first place.
But Hester Shaw (Hera Hilmar), separated when young from her mother Pandora (yes, she has a box and we’ve seen it: wink, wink) is intent on stopping him, since she is on a personal path of vengence. Teaming up with Londoner Tom (Robert Sheehan) and activist Anna Fang (Jihae) they must face both Thaddeus and the ever-relentless Shrike (Stephen Lang) to try to derail the destructive plan.
“I’m not subtle”
So says Anna Fang, but then neither is this movie. The film is loud and action-filled and (as a significant plus) visually extremely impressive with it. I’m not a great fan of excessive CGI but here it is essential, and the special-effects team do a great job. The production design is tremendous – a lot of money has been thrown at this – and the costume design inventive, a high-spot (again snortworthy) being the Beefeater guards costumes!
Where the film really crashes, like a post-Brexit stock market, is with the dialogue. The screenplay by Jackson himself, with his regular writers Fran Walsh and Phillipa Boyens contains some absolute clunkers, notwithstanding the unintended LOL-worthy Brexit irony. It’s jaw-droppingly bad, believe me.
The turns
The only real “name” in the whole film is Jackson-favourite Hugo Weaving. Just about everyone else in the cast is pretty well unknown, and in many cases it shows. Standing head and shoulders though for me over the rest of the cast was Icelandic actress Hera Hilmar, who strikes a splendidly feisty pose as the mentally and physically scarred Hester. I look forward to seeing what she does next.
Plagerism: the movie
Story-wise, there’s not a sci-fi film that’s not been looted, and a number of other films seem to be plundered too. (I can’t comment on how much of this comes from the source book by Philip Reeve). The Londonmobile looks for all the world like Monty Python’s “Crimson Permanent Assurance Company”; the teenage female lead is Sarah Connors, relentlessly pursued by The Terminator; the male lead is archaologist cum hot-shot pilot Indiana Solo, leather jacket and all; there is a Blade Runner moment; a battle that is a meld of “The Great Wall” and Morannon from “The Lord of the Rings: The Two Towers”; a less sophisticated aerial location from “The Empire Strikes Back”; and another classic Star Wars moment (without the words being actually said!).
A case of the Jackson Pollocks
Now I’m loathe to say anything bad about director Peter Jackson, after his breathtakingly memorable “They Shall Not Grown Old“. And the film has its moments of flair, most memorably a “life flashing before your eyes scene” that I found genuinely moving. But overall, as an actioner, it’s a bit of a mess.
It’s a long way from being the worse film I’ve seen this year by a long stroke – it kept me interested and amused in equal measure for the running time. But I think given it’s initially bombed at the Box Office, any plans Jackson had to deliver a series of these movies might need to be self-funded.
But all doesn’t go entirely smoothly for the UK capital. The Lord Mayor of London (Patrick Malahide) declares “We should never have gone into Europe. It’s the biggest mistake we ever made”. (Classic: how we SNORTED with laughter!)
Cities on wheels. London in hot pursuit of a Bavarian mining town. (Some things you just write, and then have to do a double take!). (Source: Universal Pictures International).
Stuffing it squarely to the ‘remainers’, London makes its own future. “It’s time to show the world how strong London can be”. Having conquered most of Europe, it’s time to set its sights on new markets to conquer: so London takes the Chinese on! (Now the tears of laughter are flowing freely!) Trade deals have never been more entertaining since “Star Wars: The Phantom Menace”!
Well, perhaps not
OK, so in the interests of ‘advertising standards’, I’d better make clear before you rush out to the cinema expecting a comedy feature that my tongue is firmly in my cheek here. For “Mortal Engines” is the latest sci-fi feature from Peter Jackson. But when viewed from a Brexit perspective, it’s friggin’ hilarious!
In terms of plot, this (like “Waterworld”) makes clever use of the Universal logo to set the agenda. The world has been decimated with a worldwide war – though clearly one that selectively destroyed bits of London and not others! – and the survivors must try to survive in any way they can. Settlements are divided between those that are ‘static’ and those (like London) that are mobile and constantly evolving: “Municipal Darwinism” as it is hysterically described. But London, or rather the power-crazed Londoner Thaddeus Valentine (Hugo Weaving), wants revolution rather than evolution and he is working on development of one of the super-weapons that started the world’s demise in the first place.
But Hester Shaw (Hera Hilmar), separated when young from her mother Pandora (yes, she has a box and we’ve seen it: wink, wink) is intent on stopping him, since she is on a personal path of vengence. Teaming up with Londoner Tom (Robert Sheehan) and activist Anna Fang (Jihae) they must face both Thaddeus and the ever-relentless Shrike (Stephen Lang) to try to derail the destructive plan.
“I’m not subtle”
So says Anna Fang, but then neither is this movie. The film is loud and action-filled and (as a significant plus) visually extremely impressive with it. I’m not a great fan of excessive CGI but here it is essential, and the special-effects team do a great job. The production design is tremendous – a lot of money has been thrown at this – and the costume design inventive, a high-spot (again snortworthy) being the Beefeater guards costumes!
Where the film really crashes, like a post-Brexit stock market, is with the dialogue. The screenplay by Jackson himself, with his regular writers Fran Walsh and Phillipa Boyens contains some absolute clunkers, notwithstanding the unintended LOL-worthy Brexit irony. It’s jaw-droppingly bad, believe me.
The turns
The only real “name” in the whole film is Jackson-favourite Hugo Weaving. Just about everyone else in the cast is pretty well unknown, and in many cases it shows. Standing head and shoulders though for me over the rest of the cast was Icelandic actress Hera Hilmar, who strikes a splendidly feisty pose as the mentally and physically scarred Hester. I look forward to seeing what she does next.
Plagerism: the movie
Story-wise, there’s not a sci-fi film that’s not been looted, and a number of other films seem to be plundered too. (I can’t comment on how much of this comes from the source book by Philip Reeve). The Londonmobile looks for all the world like Monty Python’s “Crimson Permanent Assurance Company”; the teenage female lead is Sarah Connors, relentlessly pursued by The Terminator; the male lead is archaologist cum hot-shot pilot Indiana Solo, leather jacket and all; there is a Blade Runner moment; a battle that is a meld of “The Great Wall” and Morannon from “The Lord of the Rings: The Two Towers”; a less sophisticated aerial location from “The Empire Strikes Back”; and another classic Star Wars moment (without the words being actually said!).
A case of the Jackson Pollocks
Now I’m loathe to say anything bad about director Peter Jackson, after his breathtakingly memorable “They Shall Not Grown Old“. And the film has its moments of flair, most memorably a “life flashing before your eyes scene” that I found genuinely moving. But overall, as an actioner, it’s a bit of a mess.
It’s a long way from being the worse film I’ve seen this year by a long stroke – it kept me interested and amused in equal measure for the running time. But I think given it’s initially bombed at the Box Office, any plans Jackson had to deliver a series of these movies might need to be self-funded.
Rachel King (13 KP) rated Eternal Rider (Lords of Deliverance, #1, Demonica, #6) in Books
Feb 11, 2019
I loved that this book took a concept that I am very familiar with, the Four Horsemen from Revelation, and turned it on its head. For all of the repetitiveness of fantasy fiction using the same species over and over again - from mermaids to vampires - the horsemen are definitely new vehicles for enticing literature.
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
Kristy H (1252 KP) rated Dark Sacred Night in Books
Mar 6, 2019
Well-plotted mystery
Renee Ballard is working her usual late night shift when she finds a man going through files at the station. It turns out this stranger is Harry Bosch, a retired detective, who is working on a cold case that has turned personal. Ballard sends him on his way, but begins looking into the files Bosch was flipping through. Once she does, she becomes interested in the case too: fifteen-year-old Daisy, a runaway who was horrifically murdered, her body left on the streets. Ballard begins investigating the case as well, forming an alliance with Bosch and attempting to find out what happened to Daisy nearly a decade ago.
I was a little leery when I learned that Connelly was going to combine Renee's story with my beloved Harry Bosch's (let's just say I love Bosch too much to share him), but this book was really excellent, and I found myself enjoying the two of them together. The narrative switches between Ballard and Bosch, so we still get to hear from each character separately: it's just their stories and lives that start to overlap. This overlap happened pretty naturally, and honestly, their burgeoning partnership/friendship was fun to see. There's a moment in the book when someone asks the pair how they want some files, and Ballard responds "digital" and Bosch, "print," and we get a sense of the fact that--no matter how clever and similar they are--Bosch is truly our old school guy and Ballard is the new blood. So combining forces might not be so bad after all.
I love Harry Bosch. I've loved him for about seven years now, since I discovered this series, and I will always adore him, and I don't like that he's aging, and yeah. I'm attached. Reading his sections was like being back with an old friend. Connelly has Bosch's character and voice so perfected by now. I don't want to reveal too much, but this book ties back to the previous a bit (though it will work on its own), so we see Bosch struggling with some of the choices he made in the last book and figuring out exactly where he stands in his career. I won't lie: it's hard to see him age and even to be fallible.
I really tried to read this one slowly and savor it, as Connelly books (especially with Bosch) just don't come along every day. I love how Connelly seems to know so much (e.g., police procedures, gang wars and rituals, even about surfing), but it never feels like he's over explaining anything. Even better, you always get such a good story. I enjoy how he ties so many of his disparate plot pieces together, or comes back to something you think is totally unrelated. And there's always some sort of recent pop culture worked in (a bit of the #MeToo movement pops up here).
There's a lot going on this book--after all, we get cases from both Bosch and Ballard, plus their shared pursuit of justice for Daisy, but it all works in Connelly's deft hands. He is the master of interlocking stories. Overall, I really enjoyed this one. I was fascinated to see Bosch and Ballard interact, and I was so glad to have another episode featuring my beloved Bosch. If you're a Bosch fan, I think you'll like this one. And if you just enjoy a good, well-plotted mystery, I highly recommend this one as well.
I was a little leery when I learned that Connelly was going to combine Renee's story with my beloved Harry Bosch's (let's just say I love Bosch too much to share him), but this book was really excellent, and I found myself enjoying the two of them together. The narrative switches between Ballard and Bosch, so we still get to hear from each character separately: it's just their stories and lives that start to overlap. This overlap happened pretty naturally, and honestly, their burgeoning partnership/friendship was fun to see. There's a moment in the book when someone asks the pair how they want some files, and Ballard responds "digital" and Bosch, "print," and we get a sense of the fact that--no matter how clever and similar they are--Bosch is truly our old school guy and Ballard is the new blood. So combining forces might not be so bad after all.
I love Harry Bosch. I've loved him for about seven years now, since I discovered this series, and I will always adore him, and I don't like that he's aging, and yeah. I'm attached. Reading his sections was like being back with an old friend. Connelly has Bosch's character and voice so perfected by now. I don't want to reveal too much, but this book ties back to the previous a bit (though it will work on its own), so we see Bosch struggling with some of the choices he made in the last book and figuring out exactly where he stands in his career. I won't lie: it's hard to see him age and even to be fallible.
I really tried to read this one slowly and savor it, as Connelly books (especially with Bosch) just don't come along every day. I love how Connelly seems to know so much (e.g., police procedures, gang wars and rituals, even about surfing), but it never feels like he's over explaining anything. Even better, you always get such a good story. I enjoy how he ties so many of his disparate plot pieces together, or comes back to something you think is totally unrelated. And there's always some sort of recent pop culture worked in (a bit of the #MeToo movement pops up here).
There's a lot going on this book--after all, we get cases from both Bosch and Ballard, plus their shared pursuit of justice for Daisy, but it all works in Connelly's deft hands. He is the master of interlocking stories. Overall, I really enjoyed this one. I was fascinated to see Bosch and Ballard interact, and I was so glad to have another episode featuring my beloved Bosch. If you're a Bosch fan, I think you'll like this one. And if you just enjoy a good, well-plotted mystery, I highly recommend this one as well.
Hazel (1853 KP) rated And I Darken (The Conqueror's Saga #1) in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
And I Darken</i> is the first book in a brand new saga, <i>The Conquerors</i>, by bestselling author Kiersten White. Aimed at young adults, it is set at the time of the Ottoman Empire, providing a brief historical lesson as well as an entertaining story.
Inspired by Vlad the Impaler, the tale begins in Transylvania, 1453 with the birth of Lada, a daughter for the ruler of Wallachia, Vlad Dracula (no relation to the vampire). Despite the expectation that women are quiet, docile and mere possessions, Lada grows up with a vicious temper, as wild and fierce as a boar, unlike her younger brother, Radu, who is very cautious by nature. The siblings, caught up in their father’s politics, are sent away to another city. Lada however cannot be tamed, and is quick to insult or physically assault anyone who tries to put her in her place, even her new friend who so happens to be in line to become sultan of the Ottoman Empire.
As the children grow up they begin to involve themselves in the running of the empire, providing advice and companionship to the new sultan. Both Lada and Radu experience strong feelings for their friend, which they try to suppress - Radu, because it is improper (for that time period), and Lada, because she wants to be a strong, independent warrior with the same rights as all men.
<i>And I Darken</i> is extremely political but not in the same vein as politics today. Back in the 1400s, constitutional disagreements lead directly to wars, usually caused by the greed of the ever-expanding empire. Whilst these events are taking place, the true story line surfaces, exploring three very strong relationships. Despite Lada’s façade she is a young woman who cares deeply but does not let her feelings get in the way of achieving greatness. Jealousies and misunderstandings challenge the bonds between friends and siblings, resulting in a cliffhanger to encourage the read to eagerly await the next installment.
Although based on true events, <i>And I Darken</i> is mostly a fantasy. Lada has the characteristics and behaviour of Vlad the Impaler, something that would not have been possible at the time for a woman, but other than references to various battles, there are no other correlations.
The relationships focused on in the narrative can be frustrating at times, and it is easy to become annoyed at the key characters’ actions. Often I felt like giving up on the book, as I was not interesting in the gruesome fighting scenes, and not particularly keen on either Lada or Radu. Although I can admire Lada for her strengths and aspirations and agree that she is right to want more in her life as a woman, I found her malicious behavior difficult to respect.
Overall, <i>And I Darken</i> is a bold attempt by Kiersten White to combine history, romance and young adult fiction, particularly as the characters who would be considered teenagers today, were deemed adults during that time period, resulting in them being much more mature than many of today’s readers. This series is suitable for male and female readers alike as it contains an equal measure of bloody action and budding romance. Sadly, despite my high hopes, this book was not for me.
And I Darken</i> is the first book in a brand new saga, <i>The Conquerors</i>, by bestselling author Kiersten White. Aimed at young adults, it is set at the time of the Ottoman Empire, providing a brief historical lesson as well as an entertaining story.
Inspired by Vlad the Impaler, the tale begins in Transylvania, 1453 with the birth of Lada, a daughter for the ruler of Wallachia, Vlad Dracula (no relation to the vampire). Despite the expectation that women are quiet, docile and mere possessions, Lada grows up with a vicious temper, as wild and fierce as a boar, unlike her younger brother, Radu, who is very cautious by nature. The siblings, caught up in their father’s politics, are sent away to another city. Lada however cannot be tamed, and is quick to insult or physically assault anyone who tries to put her in her place, even her new friend who so happens to be in line to become sultan of the Ottoman Empire.
As the children grow up they begin to involve themselves in the running of the empire, providing advice and companionship to the new sultan. Both Lada and Radu experience strong feelings for their friend, which they try to suppress - Radu, because it is improper (for that time period), and Lada, because she wants to be a strong, independent warrior with the same rights as all men.
<i>And I Darken</i> is extremely political but not in the same vein as politics today. Back in the 1400s, constitutional disagreements lead directly to wars, usually caused by the greed of the ever-expanding empire. Whilst these events are taking place, the true story line surfaces, exploring three very strong relationships. Despite Lada’s façade she is a young woman who cares deeply but does not let her feelings get in the way of achieving greatness. Jealousies and misunderstandings challenge the bonds between friends and siblings, resulting in a cliffhanger to encourage the read to eagerly await the next installment.
Although based on true events, <i>And I Darken</i> is mostly a fantasy. Lada has the characteristics and behaviour of Vlad the Impaler, something that would not have been possible at the time for a woman, but other than references to various battles, there are no other correlations.
The relationships focused on in the narrative can be frustrating at times, and it is easy to become annoyed at the key characters’ actions. Often I felt like giving up on the book, as I was not interesting in the gruesome fighting scenes, and not particularly keen on either Lada or Radu. Although I can admire Lada for her strengths and aspirations and agree that she is right to want more in her life as a woman, I found her malicious behavior difficult to respect.
Overall, <i>And I Darken</i> is a bold attempt by Kiersten White to combine history, romance and young adult fiction, particularly as the characters who would be considered teenagers today, were deemed adults during that time period, resulting in them being much more mature than many of today’s readers. This series is suitable for male and female readers alike as it contains an equal measure of bloody action and budding romance. Sadly, despite my high hopes, this book was not for me.
Gareth von Kallenbach (980 KP) rated X-Men Origins - Wolverine (2009) in Movies
Aug 14, 2019
The 2009 summer movie season has arrived with the releases of “X-Men Origins: Wolverine”, which once again stars Hugh Jackman in the role of the razor clawed Wolverine.
The film follows the characters origins in the mid 1800’s and how circumstances forced a young Logan to leave his home and spend the years hiding who he was.
With the only link to his past, a fellow mutant named Victor (Liev Schrieber), Logan and Victor ride out the years side by side taking part in wars ranging from The Civil War to Vietnam all the while trying as best as they can to hide their true nature.
When Victor starts to enjoy killing too much, and Logan tries to intercede, the duo find themselves the subject of unwanted attention in the guise of an officer named William Styker (William Houston), who recruits the duo to be part of a special team.
Victor and Logan find themselves part of a team of special powered operatives which includes the marksman Agent Zero (Daniel Henney), the Blade twirling Deadpool (Ryan Reynolds), The Blob (Kevin Durand), Bolt (Dominic Monaghan), and more. When an operation goes too far, Logan turns his back on the team for a peaceful life as a lumberjack and lives for years in peace with a woman named Kayla (Lynn Collins) very much in love.
Try as Logan may to escape his past, he is unable to when Stryker arrives and tells him that someone is hunting down the former team. Logan ignores the warning and is devastated when Victor is revealed to be behind the killings and strikes a devastating blow to Logan.
With nowhere to go, Logan agrees to Stryker’s plan and undergoes an experiment which infuses his body with the indestructible Adamantium but soon finds himself again on the run when he is betrayed and learns the true nature of Stryker’s plans.
In a race against time, Logan must find the mysterious Island where Stryker has captured several mutants for his experiments and exact his revenge.
The new film was plagued by rumors of issues, which were heightened by reported reshoots and script changes, but thankfully manages to pull together to be an enjoyable summer film. Some may say the film took a bit to get up to the action sequences, but thanks to the great play between Jackman and Schrieber, the film keeps your attention.
There are some solid action sequences in the film and Jackman does not disappoint as we gain insights into the mercurial nature of Wolverine, and how various aspects of his character such as his memory loss came to be.
I would have liked to have seen more action in the film as the main action scenes were a bit to restrained and infrequent for my liking. When I go to a summer movie, I expect to be blown away by the action, and with this one, I had a sense of being underwhelmed by the films action sequences, even the climactic battle.
This is not to say the film is bad, simply that it lacks the needed gear to shift the film into overdrive. I did enjoy Jackman’s performance and it was great seeing the new characters in the film especially Gambit. Fans with sharp eyes will note many characters pop up in cameos and there are some real surprise visits in the film. In the end, “X-Men Origins: Wolverine” is better than the last X-Men film and should prove enough life in the series for future projects.
The film follows the characters origins in the mid 1800’s and how circumstances forced a young Logan to leave his home and spend the years hiding who he was.
With the only link to his past, a fellow mutant named Victor (Liev Schrieber), Logan and Victor ride out the years side by side taking part in wars ranging from The Civil War to Vietnam all the while trying as best as they can to hide their true nature.
When Victor starts to enjoy killing too much, and Logan tries to intercede, the duo find themselves the subject of unwanted attention in the guise of an officer named William Styker (William Houston), who recruits the duo to be part of a special team.
Victor and Logan find themselves part of a team of special powered operatives which includes the marksman Agent Zero (Daniel Henney), the Blade twirling Deadpool (Ryan Reynolds), The Blob (Kevin Durand), Bolt (Dominic Monaghan), and more. When an operation goes too far, Logan turns his back on the team for a peaceful life as a lumberjack and lives for years in peace with a woman named Kayla (Lynn Collins) very much in love.
Try as Logan may to escape his past, he is unable to when Stryker arrives and tells him that someone is hunting down the former team. Logan ignores the warning and is devastated when Victor is revealed to be behind the killings and strikes a devastating blow to Logan.
With nowhere to go, Logan agrees to Stryker’s plan and undergoes an experiment which infuses his body with the indestructible Adamantium but soon finds himself again on the run when he is betrayed and learns the true nature of Stryker’s plans.
In a race against time, Logan must find the mysterious Island where Stryker has captured several mutants for his experiments and exact his revenge.
The new film was plagued by rumors of issues, which were heightened by reported reshoots and script changes, but thankfully manages to pull together to be an enjoyable summer film. Some may say the film took a bit to get up to the action sequences, but thanks to the great play between Jackman and Schrieber, the film keeps your attention.
There are some solid action sequences in the film and Jackman does not disappoint as we gain insights into the mercurial nature of Wolverine, and how various aspects of his character such as his memory loss came to be.
I would have liked to have seen more action in the film as the main action scenes were a bit to restrained and infrequent for my liking. When I go to a summer movie, I expect to be blown away by the action, and with this one, I had a sense of being underwhelmed by the films action sequences, even the climactic battle.
This is not to say the film is bad, simply that it lacks the needed gear to shift the film into overdrive. I did enjoy Jackman’s performance and it was great seeing the new characters in the film especially Gambit. Fans with sharp eyes will note many characters pop up in cameos and there are some real surprise visits in the film. In the end, “X-Men Origins: Wolverine” is better than the last X-Men film and should prove enough life in the series for future projects.
Night Reader Reviews (683 KP) rated The Dark Prince: The Beginning in Books
Jan 10, 2020
Honest Review for Free Copy of Book
The Dark Prince by Kyle Jackson contains elves, both dark, and light (but not the kind that helps Santa), can be found as main characters in this story. There are also dwarves, gods, dragons, and fae. Demons from the lower planes even make large appearances at various times.
The first book in The Dark Prince series introduces readers to Prince Lexxendae Tal’ Dier, a half-dark elf and half demi-god. His mother is Xeron, a demi-goddess exiled to the mortal plane by the other gods due to her being cruel to humans. She ends up marrying the King of the dark elves and gives him three sons. Price Lexxendae is the eldest of the three princes but he wars with his other evil personality. With the help of Segromor, a necromancer, and a friend of his father, Lexxendae learns how to create a mental barrier to hold back his evil side.
Xeron frames Lexxendae for the murder of his father in an attempt to get Lexxendae out of her way in her quest for more power. Segromor saves Lexxendae and sets him on a great quest for a legendary weapon that can kill a god. While Lexxendae is on his journey and making some surprising new friends his brothers are reluctantly teaming up to fight a new evil that threatens the entire island. Xeron is slowly losing her mind and questioning her choices in turning away or destroying everyone who cared about her and tried to get close to her. Meanwhile, on the realm of the gods they are watching all this unfold on their human children and some are starting to talk of rebelling.
What I liked best was that while I thought the story would drop Lex’s mother in favor of Lex himself I was surprised to find it just branched off instead. Lex’s mother played an important role in the entire story. Also seeing what the Gods were thinking about regarding the events playing out on Earth was interesting. Even though the Gods sent Lex’s mother to Earth they still regularly watched her instead of just leaving the humans to our fate. What I did not like all that much was once Lex’s brothers go to war the book seriously begins to drag. Lex’s journey keeps its pace nicely yet the rest of the book seems to lose its speed. There were also numerous places where the tense of words was so wrong that it was extremely obvious, even to me.
The target readers for this book are teens and young adults who enjoy fantasy. Even though the story is about a Prince it is not a mushy love story in any way and it will interest most anyone. There is one minor sex scene that readers should be aware of. Overall I give this book a rating of 3 out of 4. This book contains all the elements of most fantasy stories. The plotline is strong while multiple branches are being told at the same time. The war slowing down the pace of the book and the errors that even I noticed is why I did not give the book a perfect score.
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The first book in The Dark Prince series introduces readers to Prince Lexxendae Tal’ Dier, a half-dark elf and half demi-god. His mother is Xeron, a demi-goddess exiled to the mortal plane by the other gods due to her being cruel to humans. She ends up marrying the King of the dark elves and gives him three sons. Price Lexxendae is the eldest of the three princes but he wars with his other evil personality. With the help of Segromor, a necromancer, and a friend of his father, Lexxendae learns how to create a mental barrier to hold back his evil side.
Xeron frames Lexxendae for the murder of his father in an attempt to get Lexxendae out of her way in her quest for more power. Segromor saves Lexxendae and sets him on a great quest for a legendary weapon that can kill a god. While Lexxendae is on his journey and making some surprising new friends his brothers are reluctantly teaming up to fight a new evil that threatens the entire island. Xeron is slowly losing her mind and questioning her choices in turning away or destroying everyone who cared about her and tried to get close to her. Meanwhile, on the realm of the gods they are watching all this unfold on their human children and some are starting to talk of rebelling.
What I liked best was that while I thought the story would drop Lex’s mother in favor of Lex himself I was surprised to find it just branched off instead. Lex’s mother played an important role in the entire story. Also seeing what the Gods were thinking about regarding the events playing out on Earth was interesting. Even though the Gods sent Lex’s mother to Earth they still regularly watched her instead of just leaving the humans to our fate. What I did not like all that much was once Lex’s brothers go to war the book seriously begins to drag. Lex’s journey keeps its pace nicely yet the rest of the book seems to lose its speed. There were also numerous places where the tense of words was so wrong that it was extremely obvious, even to me.
The target readers for this book are teens and young adults who enjoy fantasy. Even though the story is about a Prince it is not a mushy love story in any way and it will interest most anyone. There is one minor sex scene that readers should be aware of. Overall I give this book a rating of 3 out of 4. This book contains all the elements of most fantasy stories. The plotline is strong while multiple branches are being told at the same time. The war slowing down the pace of the book and the errors that even I noticed is why I did not give the book a perfect score.
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Gareth von Kallenbach (980 KP) rated Divergent (2014) in Movies
Aug 6, 2019
One Choice, decided your friends. One Choice, defines your beliefs. One Choice, determines your loyalties – Forever. ONCE CHOICE CAN TRANSFORM YOU”
Beatrice Prior lives in a futuristic version of Chicago wherein it is divided into five different distinct factions. Each faction is dedicated to following one single virtue. The first faction is Abnegation, known as the “stiffs” of the community. It was formed by those who blame selfishness for human nature’s errors; thereby eliminating anything that can be seen as being selfish. Dauntless was formed by those who blamed cowardice for society’s problems; thereby finding bravery by facing ones fears. Erudite- the “brains” of the operation. Run by those who blamed human ignorance for the faults of society. They formed Erudite as a way of eliminating ignorance and darkness from human minds. Amity- the “flower children” who dislike war, was formed in order to keep a peaceful society that would be free from conflict and sadness caused by wars and instigation. Candor- a faction formed by those who blame duplicity and deception, who believe that dishonesty is the key fault in human nature which began evil and war. There are also those who do not fit into any of the factions. Those people are called The Factionless and are people who are poor and live on the streets. There are few who possess the traits of all five factions. They are called The Divergent. Being a Divergent is considered extremely dangerous because their minds can not be controlled.
The only way to find out which faction one belongs to is by taking an aptitude test. It’s not until the ceremony that a person chooses to join a faction according to the test results. Beatrice doesn’t have the luxury of knowing which faction she belongs to because her test results came back as inconclusive meaning she is in fact a Divergent. She chooses to leave her mother and father behind in Abnegation and decides to join Dauntless while her brother is placed into Erudite. The family is torn apart without knowing her secret of being a Divergent. After she arrives into Dauntless she is forced to be brave by overcoming obstacles, finding love and making friends while finding herself in a war that tries to overthrow the government.
I was pleasantly surprised with how much action this film has. Without reading the books prior to screening the film, it is hard to say if the film follows closely to the book Honestly I did not have high hopes for the film and I’m not sure why other than its story being somewhat similar to The Hunger Games in all of its dystopian glory. I am glad to report that though the two stories are alike they are unique in their own way. One is not better than the other, they are just different and should not be misconstrued as being the same type of story. The acting is exceptional! The actors are perfect at portraying their characters. After being sucked in from beginning to end it not only left me wanting more but it left me wanting to know the characters more. I am left with wanting to read the series of books that much more!
“I feel like someone breathed new air into my lungs. I am not Abnegation. I am not Dauntless.
I am Divergent.”
Beatrice Prior lives in a futuristic version of Chicago wherein it is divided into five different distinct factions. Each faction is dedicated to following one single virtue. The first faction is Abnegation, known as the “stiffs” of the community. It was formed by those who blame selfishness for human nature’s errors; thereby eliminating anything that can be seen as being selfish. Dauntless was formed by those who blamed cowardice for society’s problems; thereby finding bravery by facing ones fears. Erudite- the “brains” of the operation. Run by those who blamed human ignorance for the faults of society. They formed Erudite as a way of eliminating ignorance and darkness from human minds. Amity- the “flower children” who dislike war, was formed in order to keep a peaceful society that would be free from conflict and sadness caused by wars and instigation. Candor- a faction formed by those who blame duplicity and deception, who believe that dishonesty is the key fault in human nature which began evil and war. There are also those who do not fit into any of the factions. Those people are called The Factionless and are people who are poor and live on the streets. There are few who possess the traits of all five factions. They are called The Divergent. Being a Divergent is considered extremely dangerous because their minds can not be controlled.
The only way to find out which faction one belongs to is by taking an aptitude test. It’s not until the ceremony that a person chooses to join a faction according to the test results. Beatrice doesn’t have the luxury of knowing which faction she belongs to because her test results came back as inconclusive meaning she is in fact a Divergent. She chooses to leave her mother and father behind in Abnegation and decides to join Dauntless while her brother is placed into Erudite. The family is torn apart without knowing her secret of being a Divergent. After she arrives into Dauntless she is forced to be brave by overcoming obstacles, finding love and making friends while finding herself in a war that tries to overthrow the government.
I was pleasantly surprised with how much action this film has. Without reading the books prior to screening the film, it is hard to say if the film follows closely to the book Honestly I did not have high hopes for the film and I’m not sure why other than its story being somewhat similar to The Hunger Games in all of its dystopian glory. I am glad to report that though the two stories are alike they are unique in their own way. One is not better than the other, they are just different and should not be misconstrued as being the same type of story. The acting is exceptional! The actors are perfect at portraying their characters. After being sucked in from beginning to end it not only left me wanting more but it left me wanting to know the characters more. I am left with wanting to read the series of books that much more!
“I feel like someone breathed new air into my lungs. I am not Abnegation. I am not Dauntless.
I am Divergent.”