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Kristy H (1252 KP) rated Secret Sisters in Books

Feb 13, 2018

Madeline and Daphne grew up as close as sisters, until, at the age of twelve, Maddie is attacked one night in her grandmother's hotel. Daphne saves her from a worse fate, but Madeline's grandmother and Daphne's mother separate the girls and each move far away from the hotel in Washington state--and all the secrets it holds. However, 18 years later, Madeline and Daphne find themselves back at the hotel, after the death of Madeline's grandmother. Madeline receives a call from the hotel's caretaker, Tom, which causes her to return. Scared and afraid, she returns with Jack Rayner, her recently hired new security consultant. But can Jack protect Madeline (and Daphne) from the secrets hiding in wait on the island?

Per usual, I can't remember why I put this book on my library list, but I probably read a review somewhere. I did not realize it was written by an author who has truly written hundreds of books under various pseudonyms and hence has probably a fairly formulaic approach to writing. The book is more enjoyable if you just sort of embrace that and give into the "cheesiness factor" -- otherwise, it's a little too much at times.

It's a decently plotted mystery - the romance portion seems rather lacking, though. The character development is really thin, and hence the characters' motives and actions all seem really overblown. A lot of their actions are extreme without any background to justify them. Madeline, Jack, Daphne, and Jack's brother, Abe, are interesting characters, but you just don't get enough about them to really know them, or know what's behind them - beyond grand sweeping gestures and ideas ("something bad happened, so she or he is beyond damaged FOREVER!"). The various characters presented as villains are even more caricatured - all the way down to a pyromaniac brother who is portrayed as one step away from the insane asylum at every second.

The plot keeps you guessing, somewhat, even if I figured it out pretty early on (it's so clearly thought to be someone, that you realize it can't possibly be that easy). It's kind of sad, because Jack and Maddie definitely had possibility, as did Daphne and Abe. I could see all four being follow-up/sequel characters if they had more definition and grit to them. This is a fairly quick read with a serviceable mystery plot, but mostly it leaves you wanting more (especially if you are looking for romance).

Kudos

Recollections of a Civil War Medical Cadet

Burt Green Wilder and Richard M. Reid

(0 Ratings) Rate It

Book

In July 1862, Burt Green Wilder left Boston to join Dr. Francis Brown, a surgeon working at...

Orphan X

Gregg Andrew Hurwitz

8.0 (2 Ratings) Rate It

Book

*The Nowhere Man is available for pre-order now* 'OUTSTANDING IN EVERY WAY' Lee Child *** 'Do you...

Gareth von Kallenbach (971 KP) rated Get Out (2017) in Movies

Jul 12, 2019

Get Out (2017)

2017 | Horror, Thriller

8.0

(208 Ratings)

Movie Rating

ritten and directed by Jordan Peele, “Get Out” is not so much an actual horror film but more of a dark comedy. The plot is filled with political undertones, spotlighting awkward racial interactions that are shadowed by systemic inequality.
Chris Washington (Daniel Kaluuya) and Rose Armitage (Allison Williams) are a vibrant young couple living in the city. He’s a photographer. Not sure what she does. He’s black. She’s white. After dating for four months, Rose convinces Chris to go on a trip to meet her parents. Chris is apprehensive at first and skeptical about how her parents will react to meeting their daughter’s black boyfriend. Rose laughs that off and everything seems fine as they head to the country.
From this point forward the film starts to build in creepiness. It almost has the feel of an M. Night Shayamalan movie like “The Village.” As the plot develops, the audience knows they are supposed to be suspecting something creepy and sinister hiding behind images of normalcy. So everything begins to take on this feel. Rose’s family lives in a creepily perfect mansion in the country. They have a creepily quiet black groundskeeper and a creepily happy black maid.
Fortunately, two things save this film from becoming a hokey Shyamalan style disappointment. The plot is executed in a comedic fashion and it isn’t completely predictable.
The entire film balances a creepy-funny style. Moments of white people awkwardly trying to appear not-racist also build a suspenseful feeling that something darker is behind the surface.
Rose’s mom Missy (Catherine Keener) specializes in hypnosis. It quickly becomes clear that Missy is using mind control tactics to basically enslave black people. Under her spell, her victims take a psychological fall into a dark abyss and are left in a robotic state. It would have been nice if this aspect of the plot was given more screen time.
The film picks up pace when Rose’s parents host a “family” get together that actually turns out to be essentially a “slave” auction. It almost takes too much time to get to this point in the plot. A few more moments, and it would begin to feel like trudging through a repetitious build up. From here forward, it becomes pretty fast paced as Chris desperately tries to escape a horrific fate.
“Get Out” probably won’t actually scare anyone, but it is highly entertaining in a very dark way.