"Oasis definitely did change my life when I first heard them! [Bell later played bass and rhythm guitar in Oasis, 1999-2009.] They were like a breath of fresh air. To put it into context, Ride were working on the third album, Carnival Of Light, and we were taking a bit of a break. We were starting to get a bit frayed at the edges and we were starting to pull in different directions musically, too. “We were really shooting for a kind of West Coast Byrdsy California sound mixed with a little bit of Led Zeppelin and a little bit of classic rock. I think we were also subconsciously trying to make a cleaner record, because we’d stopped getting played on the radio… but then along comes Oasis sounding like the Jesus And Mary Chain meets the Sex Pistols and just completely blew everything out of the water! “As we’re talking about guitars, I should just say that I think Noel’s really underrated as a lead guitar player. His playing is like a John Squire-y thing, but there’s a lot more muscle behind it. He kind of trademarked his own style, which has become something that everyone uses now – that massively overdriven sound with quite a lot of delay on it. [His playing] just sounded epic."

"You can hear it's making, in the same way you can hear Joni in her lonely love cabin. Just the idea of the moon cast out on the water. That paints a picture. I can hear excitement and new love all over that Melody's Echo Chamber record. When my last relationship ended a few years ago now, I pissed off to New York for a bit, just to sort of gather my thoughts, and I would take to sitting in a cafe with my headphones on, listening to a piece of music and I had put together words to it in a book. And I remember being quite pleased with something I had just written, taking my headphones off, and that music, Melody's Echo Chamber, was playing on the sound system in the cafe. I listened to it, spellbound, you could just feel the excitement in it. I was listening to that, and I just looked away, who is this? And I shut my book and felt like giving up music. It was just so fucking good. And actually at the end of a tune, you hear them all whooping in the studio. It's like when you hear the Kinks whooping during 'Victoria' – when you're hitting a certain level of energy, bang on the nose, you're allowed to record yourself whooping at your own efforts I think."