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Lindsay (1774 KP) rated Kentucky Weddings in Books
Feb 15, 2018
This book about the 3 oldest children. It starts out about Val Truelove. She and her siblings are to help pay for the younger siblings education. Val put her heart in the a prayer to god. She is reward with lottery ticket from her boss. She does not know that she wins or anything right away. She prays about it and ask her dad what to do. Doe's Val get her wish to make a wedding venture which is her dream. Doe's see get her wish and something un-expecting as well.
Heath wants to do something with is education but what does he do when his first love come to work at the farm. Heath not sure if he should do what he loves doing or get a real job. Does Heath and Jane get together? To find out you will need to read it.
Opies has a mind to work in her chosen career. But her sister buy her a date with a Batchlor of the month at an auctions and things get a little more strange and hard for her. Things start to get a better but their now story though out the three stories together.
Heath wants to do something with is education but what does he do when his first love come to work at the farm. Heath not sure if he should do what he loves doing or get a real job. Does Heath and Jane get together? To find out you will need to read it.
Opies has a mind to work in her chosen career. But her sister buy her a date with a Batchlor of the month at an auctions and things get a little more strange and hard for her. Things start to get a better but their now story though out the three stories together.
ClareR (5911 KP) rated Love Will Tear Us Apart in Books
Jun 8, 2018 (Updated Aug 14, 2018)
More communication needed!!
This book seems to be based around a couples inability to communicate with one another and the problems that goes on to cause. The couple are Kate and Paul, and they have been best friends since they were seven years old. This continues through their teenaged years and into adulthood. They have a pact at 15, that if they aren't married by 30, they'll marry each other. Kate is brought up pretty much by Paul's parents. Hers are too busy initially, and then Kate's mother dies. Her father is too busy and too detached from her by this point. She seems to live a lonely life and the only relief is Paul and his family. We meet them on holiday with their children in the lead up to their 10th wedding anniversary. They seem very distant from one another.
The story follows their childhood, teens, twenties and present day, all in the form of flashback chapters.
I really enjoyed this book: it's melancholy and just plain sad at times, but a well-written, thoughtful novel.
Many thanks to the author and The Pigeonhole (a social reading platform) for my copy of this book.
The story follows their childhood, teens, twenties and present day, all in the form of flashback chapters.
I really enjoyed this book: it's melancholy and just plain sad at times, but a well-written, thoughtful novel.
Many thanks to the author and The Pigeonhole (a social reading platform) for my copy of this book.
Awix (3310 KP) rated On Chesil Beach (2018) in Movies
Jun 1, 2018
Bleak British Repressed Sexuality a Go Go!
Handsomely mounted BBC film starts off looking like many another period-set literary adaptation, then turns into something rather different. Newlyweds Edward and Florence are on the brink of their wedding night; both are nervous, and struggling with the expectations society and their upbringing has placed upon them. (The fact that society hasn't bothered to educate them in the slightest about what can, or should, go on in the bedroom really doesn't help on this voyage into, or possibly out of, virgin territory.) Not all goes to plan; a small but genuine tragedy unfolds.
Not the kind of film you walk home from whistling, unless you're some kind of militant celibacy advocate, but an undeniably fine one (or so it seems to me): very good performances from the young stars, and well-judged direction. Initially the film seems like a slightly dark comedy-drama of manners (the excruciating scenes of people failing to have sex are very awkward to watch), but it develops into something profoundly moving and deeply sad before the end. Thank God for the permissive society.
Not the kind of film you walk home from whistling, unless you're some kind of militant celibacy advocate, but an undeniably fine one (or so it seems to me): very good performances from the young stars, and well-judged direction. Initially the film seems like a slightly dark comedy-drama of manners (the excruciating scenes of people failing to have sex are very awkward to watch), but it develops into something profoundly moving and deeply sad before the end. Thank God for the permissive society.
Awix (3310 KP) rated Fiddler: A Miracle of Miracles (2019) in Movies
Dec 13, 2019
Somewhat digressive documentary comes to celebrate Fiddler on the Roof, not critique it, as the title probably makes clear. Various interviewees recount the creation of the show, while others reflect on its cultural impact and continuing and enormous popularity (apparently there has been at least one performance somewhere in the world every single day since it first opened in 1964).
The stories and insights are interesting enough to keep you from wishing you'd just watched a DVD of the movie instead, and they have hunted up some fascinating footage to illustrate the film, ranging from the Temptations doing a very funky version of 'If I Were A Rich Man' to Lin-Manuel Miranda's wedding video. The film addresses the central paradox about this show - that something so very specific in time, place and outlook has such universal appeal and emotional power - but doesn't really attempt to explain it. This is probably quite wise, as it is one of the mysteries of great art. Worth a look if you like the show, which everyone with a heart and a soul who's actually seen it surely does.
The stories and insights are interesting enough to keep you from wishing you'd just watched a DVD of the movie instead, and they have hunted up some fascinating footage to illustrate the film, ranging from the Temptations doing a very funky version of 'If I Were A Rich Man' to Lin-Manuel Miranda's wedding video. The film addresses the central paradox about this show - that something so very specific in time, place and outlook has such universal appeal and emotional power - but doesn't really attempt to explain it. This is probably quite wise, as it is one of the mysteries of great art. Worth a look if you like the show, which everyone with a heart and a soul who's actually seen it surely does.
JT (287 KP) rated Annabelle Comes Home (2019) in Movies
Mar 2, 2020 (Updated Mar 10, 2020)
The Conjuring Universe has grown steadily over the years. The introduction of Annabelle was a sinister spin-off for a genre that was kicked started in terrifying style by James Wan. Since then it’s been up and down. The Conjuring spawned a sequel, with one more scheduled for next year. The Nun was introduced (poorly in my opinion) and with this, Annabelle has her trilogy.
Paranormal investigators Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) are back again. The opening events serve as a continuation of the first film. When they leave their daughter Judy (Mckenna Grace), in the hands of babysitter Mary Ellen (Madison Iseman) and her friend Daniela (Katie Sarife) the inquizitive trio release the unwanted entity into the house.
These films are a mine field of jump scares and elongated tension. But that seems to be lacking as it takes time to really get going. When it does it is nothing that we haven’t experienced before. There are a few effective moments. Ghosts with coins on their eyes and a woman in a wedding dress provide some spine chilling scenes – but that is as far as it goes.
Paranormal investigators Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) are back again. The opening events serve as a continuation of the first film. When they leave their daughter Judy (Mckenna Grace), in the hands of babysitter Mary Ellen (Madison Iseman) and her friend Daniela (Katie Sarife) the inquizitive trio release the unwanted entity into the house.
These films are a mine field of jump scares and elongated tension. But that seems to be lacking as it takes time to really get going. When it does it is nothing that we haven’t experienced before. There are a few effective moments. Ghosts with coins on their eyes and a woman in a wedding dress provide some spine chilling scenes – but that is as far as it goes.
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