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Justin Young recommended track Dancing Queen by ABBA in Gold: Greatest Hits by ABBA in Music (curated)

 
Gold: Greatest Hits by ABBA
Gold: Greatest Hits by ABBA
1993 | Rock

Dancing Queen by ABBA

(0 Ratings)

Track Watch

"I didn’t really know about ABBA when I was growing up, they’re one of those bands you think you’d get into through your parents, but my parents didn’t listen to them. I think the first time I heard them properly was in Muriel’s Wedding, obviously that wasn’t a cool thing so they became a kind of guilty pleasure, but when Mamma Mia! came out in my late teens I was ‘Damn, all of these songs are so fucking good.’ “I have this list of songs in my head that I think are perfect, obviously that’s completely subjective, but they’re untouchable pop masterpieces like ‘God Only Knows’, ‘Bridge Over Troubled Water’, ‘Waterloo Sunset’ and ABBA have so many of them. There’s a humanity in their songs but they also feel like ‘how could anyone have made something so perfect?’ The writing, the production, the arrangements, even the way their voices sound, it has the same effect as when siblings sing. Their voices are unbelievable, sometimes I think ‘is that a weird harmony?’ but it’s just the way their voices sound together, it’s incredible. “This song makes me well up because it’s so perfect, but it’s also so silly, it makes me want to throw my hands in the air, I want to dance when I hear it and I want to smile. You feel silly when you hear it, you feel camp and like a character in Muriel’s Wedding or Mamma Mia! when it comes on. It’s an amazing feeling and that is the power music isn’t it? “The other thing you have to remember is that one of the things that made The Beatles so amazing and such an interesting proposition and a reason why people really like The Velvet Underground as well, is because they changed the way songs were written, they rewrote the rulebook. Before then all music essentially sounded the same, everyone was using the same three or four chords and melodies, that kind of Rockabilly and Rock and Roll, all operating in the same framework, even the blues, The Stones and The Beach Boys, until they started breaking the rules too. But ABBA were making this music only ten or twenty years after pop music as we know it began to exist and it’s so innovative. “You know when people talk about their favourite bands? They’re a band who if you’re in a car, someone could put on an hour of ABBA and I’d like every song and there’s bands who I consider to be my favourite bands who I couldn’t say that about. It’s banger after banger, I guess it depends what mood you’re in, actually I was listening to them in a car the other day and someone told me to turn it off! “It’s mind-bending how good they are when they’re at their best. I think music is more often than not written about as art, but it’s also entertainment and whilst what they do is this incredible art it’s also so entertaining. It’s funny, we’ve been speaking about music for the last half an hour but this is the first time where we’ve talked about music making us happy and that’s really important. Music should make you happy and ‘Dancing Queen’ definitely does that."

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Palm Springs (2020)
Palm Springs (2020)
2020 | Comedy
Cristin Milioti - a breakout comedy role (1 more)
Nice variants on Groundhog Day
May be too raunchy for some (or for lockdown family viewing) (0 more)
Did anyone order Groundhog for Two?
Nyles (Andy Samberg) is reliving the same day over and over again at a wedding in Palm Springs. Suddenly joining him in the loop is fellow wedding guest Sarah (Cristin Milioti). The no-hoper man has given up trying to find a way to break the spell. Can the more intelligent woman succeed? Or if not, can they find satisfaction and – who knows – love in the never-ending grind of eternity?

Positives:
- So, it's obviously a retread of "Groundhog Day" (so 1/5 for originality), but it has some fresh fun with the concept.
- It starts off at the "town dance" stage of G/D, where Bill Murray's character has lived enough lives to perfect everything. This is a smart move, and allows those of the audience 'in the know' (which I would guess is 80%+) the joy of getting to the fun bits early.
- It also luxuriates in having two (actually, more than two) people experiencing the 'phenomenon'. This leads to some truly hilarious scenes of Nyles and Sarah living life to the max.
- Because this dynamic duo can talk to each other, we get deeper existential discussion about the downsides of eternity and what life is all about.
- The best comedies also have some element of pathos as well, to mix the highs with some lows, and this movie does that nicely. The despair felt by Nyles at one point in the movie is heartfelt and moving.
- The element of female empowerment in here (no spoilers) is very 2020's and entertaining.
- The mushroom-induced hallucinations (again, no spoilers) made me laugh.
- I wasn't familiar with either Samberg (who is a regular in TVs "Brooklyn Nine-Nine") or Milioti. Samberg was fine, but came across a bit "Saturday Night Live cookie-cutter". Milioti though is a real comedic find, nicely filling the sort of young-kooky-woman space that the younger Sarah Silverman used to do in movies. One to watch.

Negatives:
- The movie starts off at such a pace that the minority of the audience not familiar with the "Groundhog Day" concepts will have a "WTF" attitude and possibly turn them off during the first 20 minutes. (There is explanation, but it takes this long).
- The movie is rude. Very rude. This doesn't bother me, but it does shift the viewing options away from the "Groundhog Day" set and more towards the "Hangover" set. This will limit the audience, so I'm not sure it was a wise move by the writers.

Thoughts:
Of all the films showing this week, this one seems to have the most hype through social media: "SEE THIS, YOU'LL LOVE IT" screamed the posts. And - don't get me wrong - it's pretty good and has more than the requisite half-dozen laugh-out-loud moments to merit being called a comedy. But - perhaps my expectations were too high - it's no where near, in my book anyway the 5* classic that "Groundhog Day" was. Any any movie that borrows so much from the plot of that film has to be prepared to be directly compared and rated against it.

(For the full graphical review, please check out the version on One Mann's Movies here: https://bob-the-movie-man.com/2021/04/14/palm-springs-did-anyone-order-groundhog-for-two/ . Thanks).
  
The Mule (2018)
The Mule (2018)
2018 | Crime, Drama, Mystery
It won me over!
Earl Stone has a lot of regrets in his life. He was a career man and maybe spent too much time drinking with his buddies. His family hates him as he also was remiss at many family functions throughout his life including his daughter's wedding.

When he is truly down on his luck financially, he hears about a job offer to good to be true. Why not just do some "driving" to earn some extra money? Who cares what the cargo is right? He decides to take the job and then decides having money in his life is too good to pass up. His financial situation improves substantially and he then decides to try and make up for lost time with his family.

Things with his new career become complicated and he even is becoming known to the DEA. He unknowingly evades them several times as his stock among the cartel improves.

I thought the film started slow and for some reason the editing in the first hour really bothered me. It seemed like a bunch of random scenes put together in a random way. Not sure if I can explain why.

The acting and screenplay were sometimes good, sometimes not good. I thought Eastwood the actor was amazing, but Bradley Cooper and Laurence Fishburne just phoned this one in.

The 2nd half of the film was much more interesting and won me over in the end. The fact that Eastwood is almost 90 himself and is still acting and directing is incredible and I salute him wholeheartedly for that.

  
Show all 7 comments.
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Kevin Phillipson (10072 KP) Jan 7, 2019

Definitely will check this one out

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Andy K (10823 KP) Jan 7, 2019

Thanks guys!

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JT (287 KP) rated The Mule (2018) in Movies

Mar 10, 2020  
The Mule (2018)
The Mule (2018)
2018 | Crime, Drama, Mystery
With the internet flower business putting him into foreclosure, Earl Stone (Eastwood) must find alternative ways to make money. A man who was more dedicated to things growing in the ground than the family he neglected until it was too late he turns up at his granddaughter’s birthday party and doesn’t get a warm welcome.

Leaving with a business card and the offer to drive and deliver goods – no questions asked. Initially reluctant, Earl accepts the offer unbeknown to him the type of cargo he would be carrying.

Grizzled and back to doing what he does best, Clint Eastwood commands a screen presence like no other.

Eastwood’s grizzled charisma is not lost and he strikes up a friendly bond with some members of the cartel as his popularity rises. This puts him on the radar of DEA agents Bates (Bradley Cooper) and Treviño (Michael Peña) who piece together clues as to the identity of the mysterious driver known to the cartel as ‘El Tata’.

While there is a sufficient amount of tension, the film focuses on Earl desperately trying to reconnect with his family and make amends for all the times he wasn’t there – including his daughter’s wedding.

When we’re not in the passenger seat we’re following the DEA as they close in on ‘El Tata’. Changes in hierarchy within the cartel threaten to turn everything on its head and Earl is forced to make a number of decisions that will ultimately save him and his family.

The Mule has some heart-warming moments and is blessed with a strong cast. It’s not as gritty as Gran Torino but it worked for me.