"I almost forgot about this one. It’s funny how easy it is to miss the things right in front of you, but this record, more than any other, is the most loved record of my life. I know it’s a compilation, not a proper album, etc, but all LPs are compilations of sorts and many of the songs on here didn't appear on LPs. Also, the LPs of that early era were stuffed full of covers that could have been played by anyone, so this is the most representative.
 
I’ve listened to it as a record all my life. The copy I picture right now is the copy that was in the flip-down compartment of my parents’ Grundig stereogram that they got as a wedding present. Like Angel Delight, the Ford Cortina, G-Plan furniture or Clark’s shoes, this LP was a ubiquitous object of their generation: a part of everyone’s life. That’s what it was to me as a kid – part of my life. It was my first taste of music, before I could speak, before I could describe what I was listening to. It’s still with me and I will always listen to it until I’m dead. It is part of life.
 
The context around this music has changed for me. When I was a toddler I had no idea how it came into existence. It was just there. Then I realised it was people who made it. Then I idolised them. Then I reckoned Lennon was probably a prick. Then I realised he was just a guy who wrote good songs, but became too rich and famous for his mental health.
 
I picked this rather than one of this band’s famous albums, even though each has such a strong identity, as it means so much to me. I know there are complexities of ideas, ground-breaking experimentation, revolutionary themes and era-defining moments elsewhere, but this is what defined me. It’s also their best period. It starts with 'Please Please Me'. It ends with 'Paperback Writer'. That’s The Beatles for me. Well, my Beatles. Well, The Beatles on the front cover. There’s that other band peering through their moustaches and beards from the back cover with the same name. Yeah, I love that band too, but not in the same way. The Red Album is the purest record ever made. I don’t know what it is – rock & roll, rock, pop, faux classical… I don’t care. I know the context, I know what it is and I know that nothing has ever or will ever be as great, just as I did when I was a toddler."

"The moment I got into Crowded House, I was on tour – actually I went to see a Stevie Wonder gig in Wembley and I was like 'the guy doing the sound is brilliant.' And I thought it would be incredible if I could get him to do sound for me [which he did]. Anyway, I was at his desk one afternoon and he was playing Crowded House. I think he bought the cd for me and I just played the album and thought 'oh my God.' It was very different but very odd, there are some odd songs on there, especially as they were coming out of Split Enz as well who I knew a little about. So, I just grew to love it. I met my now wife as she used to work for EMI and had been doing promo for Crowded House's gigs in Denmark and what have you and had also been at Montreux – she was a mad fan as well. And 'Don't Dream' Is Our song, [shows me his wedding ring] – we have some of the lyrics inscribed here. I've had the pleasure – or the embarrassment – to tell Neil Finn this once. I saw him in a café in LA. And I thought 'do not, under any circumstances, tell him about ring' and before I knew it, I was going over telling him about the ring. I couldn't stop myself! By this time, I had seen them twenty times. But I was just there, in front of him going 'ummm..ehhh…ah fuck it!' But he was really polite and gentle and spoke about our mutual friend who used to be my musical director but was also producing Neil's album. How did he even know who I was?! I've seen Crowded House in so many different style of venues. I drove to Bristol to see them at the Bierkellar and so there was only three of them - there was no sign of Tim Finn… have you seen them live? No? Ah, fucking hell! They're amazing. I saw them at Hammersmith Odeon at one point and their drummer needed a piss mid-gig. So Neil Finn just started noodling and they ran around and swapped instruments and just started playing this nonsense song they made up on the spot. I just thought 'what is going on'! Every time I've seen them, they just make shit up. And I love that about them. Because they can be also so sincere about a lyric or a song they're gonna play. But where was I? Oh yeah, Bristol. Tim and Neil had just had a big bust-up. Tim had had enough. So that was quite a weird night. One of my favourite bands in terms of the music they make but also, as a live band, they're hard to beat."