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Emma @ The Movies (1786 KP) rated Peter Rabbit 2: The Runaway (2021) in Movies
Jul 3, 2021
When I imagined the first time back into my Cineworld I was of course envisioning an epic first film back, something monumental... I succumbed to peer pressure and saw Peter Rabbit 2, but it was in a double bill with Spiral, what a combo. Bunnies and butchery.
Following Thomas and Bea's wedding, things start to change for this country family. Bea's story has become so popular that there's a book deal on the horizon, and the family head off to the big city to talk to the publisher. But Peter isn't happy about the way things are changing. He wanders off into the city streets where he meets a mysterious stranger that shows him a new way of living where he can be the bunny he wants to be.
Where do I begin? Peter doesn't like being cast as a brat, disappears and... does some brattish things. It's on brand for the bunny, so feels right for this second outing.
The animal antics felt right throughout the film, but the humans one... no so much. I know I'm probably overthinking about this film a little, but I honestly don't think this situation would have happened at all, not with the sort of person Bea was. That's the card we were dealt though so I guess we have to accept it.
I found the film to be very slow going at the start, it essentially wasn't very different from the first. Thankfully, somewhere at the midpoint it does pick up and you get more of the crazy action that, let's face it, was the only reasons that us adults are seeing this. (Apart from Hannah, Hannah is here for some Gleeson goodness as well as the bunnies.)
It seems a little daft to go over most of the things about this film as it really is a carbon copy where everything but the storyline is concerned. There are a few moments that even taking artistic license into account didn't sit right with me, but they would all constitute spoilers so I won't elaborate, rest assured though, you will have the same quibbles if you watch it.
Peter Rabbit 2 The Runaway. (not that anyone remembers the second bit), would have been good competition with the first had the beginning had the same pace as the rest of the film. What we've got is a sequel that is really just for the kids to enjoy, we'll just hang around for the action.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/peter-rabbit-2-runaway-movie-review.html
Following Thomas and Bea's wedding, things start to change for this country family. Bea's story has become so popular that there's a book deal on the horizon, and the family head off to the big city to talk to the publisher. But Peter isn't happy about the way things are changing. He wanders off into the city streets where he meets a mysterious stranger that shows him a new way of living where he can be the bunny he wants to be.
Where do I begin? Peter doesn't like being cast as a brat, disappears and... does some brattish things. It's on brand for the bunny, so feels right for this second outing.
The animal antics felt right throughout the film, but the humans one... no so much. I know I'm probably overthinking about this film a little, but I honestly don't think this situation would have happened at all, not with the sort of person Bea was. That's the card we were dealt though so I guess we have to accept it.
I found the film to be very slow going at the start, it essentially wasn't very different from the first. Thankfully, somewhere at the midpoint it does pick up and you get more of the crazy action that, let's face it, was the only reasons that us adults are seeing this. (Apart from Hannah, Hannah is here for some Gleeson goodness as well as the bunnies.)
It seems a little daft to go over most of the things about this film as it really is a carbon copy where everything but the storyline is concerned. There are a few moments that even taking artistic license into account didn't sit right with me, but they would all constitute spoilers so I won't elaborate, rest assured though, you will have the same quibbles if you watch it.
Peter Rabbit 2 The Runaway. (not that anyone remembers the second bit), would have been good competition with the first had the beginning had the same pace as the rest of the film. What we've got is a sequel that is really just for the kids to enjoy, we'll just hang around for the action.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/peter-rabbit-2-runaway-movie-review.html
Darren (1599 KP) rated The Mountain Between Us (2017) in Movies
Oct 14, 2019
Characters – Ben Bass is a surgeon, he needs to get back to New York to perform an operation, when the crash happens, he focuses on aiming to stay at the crash site believing he will get rescued, reluctant to follow Alex’s idea to find their own way out. His skills as a doctor are key to survive this one. Alex is a photographer heading home for her wedding, she does get hurt in the crash and wants to go in search of help rather than wait. These two are professionals that make decisions based on logic over panic which is why even if they are opposite, their discussions make sense.
Performances – Idris Elba and Kate Winslet are the only ones that get any major screen time, they are both great in this film as we see them both playing to their strengths.
Story – The story here follows two strangers who are involved in a plane crash in a mountain range and must put their differences a side to survive while searching and hoping for rescue. This is a survival movie at heart with a weak romance movie on the side, we go through the normal can they survive situations, each one becoming deadlier as they go along and leaving us guessing how rather than if they will get rescued, it seems to clear to say that they won’t make it because of it only being a two person. The fact that the dog is the most interesting character doesn’t help us out here and the timing we go through just seems weak when it comes to telling us how long they have been there, we get the odd scene, but learn nothing about moments inbetween.
Action/Adventure/Romance – The action comes from the scene in which the plane crashed, it is shot well but is the only one we see. The adventure side of the film shows us just what the two must go through to survive their ordeal. The romance between them seems to just get tagged in for no particular reasons.
Settings – The film puts us in the middle of nowhere in a mountain range, it looks stunning with views from the top, the biggest problem with the setting is we just don’t get the full scale of the situation.
Scene of the Movie – The crash scene.
That Moment That Annoyed Me – Not explaining the time period there are lost for.
Final Thoughts – This is a standard movie with a simple story that gets everything it needs to in the film without being anything overly memorable.
Overall: Standard and safe.
Performances – Idris Elba and Kate Winslet are the only ones that get any major screen time, they are both great in this film as we see them both playing to their strengths.
Story – The story here follows two strangers who are involved in a plane crash in a mountain range and must put their differences a side to survive while searching and hoping for rescue. This is a survival movie at heart with a weak romance movie on the side, we go through the normal can they survive situations, each one becoming deadlier as they go along and leaving us guessing how rather than if they will get rescued, it seems to clear to say that they won’t make it because of it only being a two person. The fact that the dog is the most interesting character doesn’t help us out here and the timing we go through just seems weak when it comes to telling us how long they have been there, we get the odd scene, but learn nothing about moments inbetween.
Action/Adventure/Romance – The action comes from the scene in which the plane crashed, it is shot well but is the only one we see. The adventure side of the film shows us just what the two must go through to survive their ordeal. The romance between them seems to just get tagged in for no particular reasons.
Settings – The film puts us in the middle of nowhere in a mountain range, it looks stunning with views from the top, the biggest problem with the setting is we just don’t get the full scale of the situation.
Scene of the Movie – The crash scene.
That Moment That Annoyed Me – Not explaining the time period there are lost for.
Final Thoughts – This is a standard movie with a simple story that gets everything it needs to in the film without being anything overly memorable.
Overall: Standard and safe.
Phillip McSween (751 KP) rated Swing Time (1936) in Movies
Aug 14, 2020
Entertaining Despite Some Flaws
Fucking blackface, am I right? I’ll warn you now if you plan to watch Swing Time: There is a blackface scene. In spite of this touch of ignorance, as a black man, I have to say that I rather enjoyed the movie. The plot: When John Garnet (Fred Astaire) gets cold feet on his wedding day, his fiance opts to give him another chance if he can find a way to earn $25,000. John is all for it until he falls in love with a dance instructor and tries to find every way in the world to avoid making the money.
Acting: 10
Beginning: 6
In the beginning John’s dance troupe tries to distract him by keeping him from getting married. They feel like if he doesn’t go through with it, he can keep working with them. Despite their efforts, it was much more annoying than it was funny. Not a great way to kick off the story.
Characters: 10
Cinematography/Visuals: 8
For the most part, the movie is cinematically gorgeous. I loved the dance numbers, well most of them anyway. It all reverts back to that damn blackface scene. It was an unnecessary piece of the film that did absolutely nothing for the story. Other than that, the movie is shot in a gorgeous fashion.
Conflict: 10
Most of the conflict stems from John’s rising feelings for Penelope the dance instructor (Ginger Rogers). You get the sense that they are meant to be together but John is working towards trying to be with another woman. You hope before the story’s end that he ends up in the right place. It’s a journey getting there.
Entertainment Value: 8
Memorability: 10
Pace: 10
Plot: 2
The premise and the way it unfolds is a miss for me. Fortunately the characters and setpieces were enough to carry the movie. it was a really hard buy-in for me.
Resolution: 10
While not perfect, the ending is a satisfying completion to the story. You can definitely see it coming the closer you get, but it’s still good. Great closure for the main characters.
Overall: 84
Not my favorite of the classics, Swing Time still deserves its place in history. As far as the blackface is concerned, I think we owe it to ourselves not to shy away from things that happened in history. Even the bad things. In spite being on the wrong side of history, I enjoyed it.
Acting: 10
Beginning: 6
In the beginning John’s dance troupe tries to distract him by keeping him from getting married. They feel like if he doesn’t go through with it, he can keep working with them. Despite their efforts, it was much more annoying than it was funny. Not a great way to kick off the story.
Characters: 10
Cinematography/Visuals: 8
For the most part, the movie is cinematically gorgeous. I loved the dance numbers, well most of them anyway. It all reverts back to that damn blackface scene. It was an unnecessary piece of the film that did absolutely nothing for the story. Other than that, the movie is shot in a gorgeous fashion.
Conflict: 10
Most of the conflict stems from John’s rising feelings for Penelope the dance instructor (Ginger Rogers). You get the sense that they are meant to be together but John is working towards trying to be with another woman. You hope before the story’s end that he ends up in the right place. It’s a journey getting there.
Entertainment Value: 8
Memorability: 10
Pace: 10
Plot: 2
The premise and the way it unfolds is a miss for me. Fortunately the characters and setpieces were enough to carry the movie. it was a really hard buy-in for me.
Resolution: 10
While not perfect, the ending is a satisfying completion to the story. You can definitely see it coming the closer you get, but it’s still good. Great closure for the main characters.
Overall: 84
Not my favorite of the classics, Swing Time still deserves its place in history. As far as the blackface is concerned, I think we owe it to ourselves not to shy away from things that happened in history. Even the bad things. In spite being on the wrong side of history, I enjoyed it.
Kristy H (1252 KP) rated Big Summer in Books
May 7, 2020
Well this was an unexpected yet enjoyable read. It's far less serious than Weiner's previous book, the expansive and beautiful Mrs. Everything, but I think it's exactly the read we need for these times. I finished feeling happy and grateful for what I had in my life. Big Summer was a wonderful distraction from real life.
This is a fun story featuring our engaging plus-size heroine, Daphne, who is still struggling to find herself as an adult. Many of her scars and insecurities come from her so-called friendship with Drue, who was more of a user than a friend. After Drue hurt Daphne one time too many, she hasn't seen her in six years. But she's still powerless to say no to her, especially when she's begging for her to attend her high society wedding.
"You are susceptible to Drue Cavanaugh. She's your Kryptonite."
I found Daphne to be sweet albeit in need of a backbone at times. Her journey to self-actualization is certainly engaging. Big Summer takes a huge turn about halfway through, giving me a big surprise, but I loved it, honestly. I'm glad I hadn't read about the twist--a lot of reviews give it away, but I won't. Let's just say that Drue and her minions can be quite twisted at times, and there's a lot to unravel and unwrap here in terms of motivations and backstory. Big Summer starts with a little snippet set in the early 1990s, setting us up for the story ahead. We also learn about Daphne and Drue's past and all about their friendship.
This is such a sweet, sometimes silly (oh how I love Daphne's parents), and real read. Goodness, the pieces about Daphne's weight can be so heartbreaking. There's a section where she remembers her grandmother caring for her for a summer and basically giving her her weight insecurities, as she put Daphne on her first diet, making her aware of being heavier. Oh man. Weiner is an excellent writer, and she brings Daphne to life here, making her such a true person, whom we want to root for, hug, and love.
And she gives us a book about family, love, and reminds us to be grateful for what we have. The grass isn't always greener on the other side, per se. Always important, but even so more right now. I loved this one, with its escapist nature and twisty yet heartfelt storyline. 4+ stars.
This is a fun story featuring our engaging plus-size heroine, Daphne, who is still struggling to find herself as an adult. Many of her scars and insecurities come from her so-called friendship with Drue, who was more of a user than a friend. After Drue hurt Daphne one time too many, she hasn't seen her in six years. But she's still powerless to say no to her, especially when she's begging for her to attend her high society wedding.
"You are susceptible to Drue Cavanaugh. She's your Kryptonite."
I found Daphne to be sweet albeit in need of a backbone at times. Her journey to self-actualization is certainly engaging. Big Summer takes a huge turn about halfway through, giving me a big surprise, but I loved it, honestly. I'm glad I hadn't read about the twist--a lot of reviews give it away, but I won't. Let's just say that Drue and her minions can be quite twisted at times, and there's a lot to unravel and unwrap here in terms of motivations and backstory. Big Summer starts with a little snippet set in the early 1990s, setting us up for the story ahead. We also learn about Daphne and Drue's past and all about their friendship.
This is such a sweet, sometimes silly (oh how I love Daphne's parents), and real read. Goodness, the pieces about Daphne's weight can be so heartbreaking. There's a section where she remembers her grandmother caring for her for a summer and basically giving her her weight insecurities, as she put Daphne on her first diet, making her aware of being heavier. Oh man. Weiner is an excellent writer, and she brings Daphne to life here, making her such a true person, whom we want to root for, hug, and love.
And she gives us a book about family, love, and reminds us to be grateful for what we have. The grass isn't always greener on the other side, per se. Always important, but even so more right now. I loved this one, with its escapist nature and twisty yet heartfelt storyline. 4+ stars.
Bob Mann (459 KP) rated Central Intelligence (2016) in Movies
Sep 29, 2021
Great poster. So-so film.
“Saving the World Takes a Little Hart and a Big Johnson”. I doubt I have ever passed a film poster before and dissolved into paroxysms of mirth, so this film at least wins one award with me.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
Lyndsey Gollogly (2893 KP) rated Smoulder ( Anita Blake book 29) in Books
Mar 27, 2023
Contains spoilers, click to show
‼️‼️ spoiler in review ‼️‼️
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
Gareth von Kallenbach (971 KP) rated Crazy Rich Asians (2018) in Movies
Jul 2, 2019
Crazy Rich Asians, Kevin Kwan’s romantic comedy has been delivered to the theaters with all of the glamour and glitz portrayed in the bestselling novel. This film features an all Asian Cast, a rarity, since the last American studio film to feature that was Joy Luck Club 25 years ago. This movie marks the first time Asians are cast as leads in a romantic comedy.
Rachel Chu’s (Constance Wu) journey to meet her boyfriend Nick Young’s (Henry Golding) family could be a bit of a fish out of water tale. Rachel is the daughter of a Chinese single mother who immigrated to America. Being an economics professor at NYU, is pretty prestigious accomplishment and Rachel loves what she does. She has been seeing Nick for over a year. He has his best friend’s wedding in Singapore and suggests that Rachel comes along to meet his friends and family.
Nick is from a well off family, a subject that he had never mentioned before. The first thing that tips her off is the treatment that they receive on the plane. When Rachel finds out that his family is well off, it does not change their relationship. However, she still does not realize how extensive the family finances are and is definitely not aware of the social status of the Youngs.
Singapore in all of its crisp and elegant beauty is a character in itself. We are taken to the many sites on the island as it is shown to Rachel. From the moment the couple arrive, they are met at the airport by Colin Khoo (Chris Pang), Nick’s best friend the groom and Araminta Lee (Sonoya Mizuno) the bride. They are taken to one of the Hawker’s Centre full of stalls, each specializing in a handful of dishes, some with a Michelin Star. We see an incredible smorgasbord in a quick cut of food porn. Nothing in Rachel’s first taste of town indicates the opulence that is to come.
Rachel goes to see Piek Goh(Awkwafina), her roommate during college. The Goh family is “new wealth” and we see the gilded display throughout to the point of excess. We meet Piek’s parents , Neenah (Chieng Mun Koh) and Wye Mun (Ken Jeong, bringing his brand of weird, creepy and awkward as Piek’s dad). The Gohs welcome Rachel with such warmth and treats her like family. This is where she learns how affluent and respected the Young’s are in Singapore. Piek takes it upon herself to provide her best friend with a fabulous suit of armor and education in order to survive the introduction to the world of the Youngs.
Meeting the Youngs is comparable to being introduced to the Royal Family of Singapore and Rachel was not aware of the social graces that are expected in the circles of the crazy rich. You can see that she is not accustomed to the superabundance that she is witnesses and is a little overwhelmed in trying to adapt. As Nick introduces her to his mother Eleanor (Michelle Yeoh), Rachel immediately gleams that his mother does not like her. Thus begins the power play between them. Eleanor doesn’t think that Rachel is an appropriate candidate to be the future Mrs. Young and Rachel wants to be accepted as she is and now feels the need to prove that she is good enough for Nick.
The only member of Nick’s family that Rachel has met is Astrid Young Teo (Gemma Chan) his cousin. If Eleanor is the Queen, then Astrid is the princess. She doesn’t walk, she glides. The societal cognoscenti hold her in high esteem. The women want to have her style and the men want to have her. With all the grace and beauty, she reigns in the land of the crazy rich. Rachel liked her some much that she says Astrid is who she wants to be when she grows up. Those who think that her life golden, is unaware that she has her own problems.
We are introduced to the wedding party and the extensive lavishness of the super rich of Asia. It may seem ridiculous and an exaggeration, but the lifestyle of the crazy rich and Asian is based on reality. As Rachel carefully steps through the social landmines that have appeared, she becomes more confident in her own ability and recognizes the game and how to play it.
I thoroughly enjoyed this movie, I wanted to see it again to catch all the things that I did not soak in from the first viewing. The story has a great balance of comedy and drama with Ken Jeong and Awkwafina gifting us with hilarious one liners and Constance Wu playing the confident woman learning how to find her footing. Henry Golding does exceptionally well on his first ever feature film, playing the man who has found love outside of the world of the Crazy Rich Asians.
This is an excellent romantic comedy that is served on a golden platter. Jon M. Chu has delivered a wonderfully delicious story that deserve to be watched over and over again. If you are a fan of the romantic comedy genre, take the time with this gem of a movie.
Rachel Chu’s (Constance Wu) journey to meet her boyfriend Nick Young’s (Henry Golding) family could be a bit of a fish out of water tale. Rachel is the daughter of a Chinese single mother who immigrated to America. Being an economics professor at NYU, is pretty prestigious accomplishment and Rachel loves what she does. She has been seeing Nick for over a year. He has his best friend’s wedding in Singapore and suggests that Rachel comes along to meet his friends and family.
Nick is from a well off family, a subject that he had never mentioned before. The first thing that tips her off is the treatment that they receive on the plane. When Rachel finds out that his family is well off, it does not change their relationship. However, she still does not realize how extensive the family finances are and is definitely not aware of the social status of the Youngs.
Singapore in all of its crisp and elegant beauty is a character in itself. We are taken to the many sites on the island as it is shown to Rachel. From the moment the couple arrive, they are met at the airport by Colin Khoo (Chris Pang), Nick’s best friend the groom and Araminta Lee (Sonoya Mizuno) the bride. They are taken to one of the Hawker’s Centre full of stalls, each specializing in a handful of dishes, some with a Michelin Star. We see an incredible smorgasbord in a quick cut of food porn. Nothing in Rachel’s first taste of town indicates the opulence that is to come.
Rachel goes to see Piek Goh(Awkwafina), her roommate during college. The Goh family is “new wealth” and we see the gilded display throughout to the point of excess. We meet Piek’s parents , Neenah (Chieng Mun Koh) and Wye Mun (Ken Jeong, bringing his brand of weird, creepy and awkward as Piek’s dad). The Gohs welcome Rachel with such warmth and treats her like family. This is where she learns how affluent and respected the Young’s are in Singapore. Piek takes it upon herself to provide her best friend with a fabulous suit of armor and education in order to survive the introduction to the world of the Youngs.
Meeting the Youngs is comparable to being introduced to the Royal Family of Singapore and Rachel was not aware of the social graces that are expected in the circles of the crazy rich. You can see that she is not accustomed to the superabundance that she is witnesses and is a little overwhelmed in trying to adapt. As Nick introduces her to his mother Eleanor (Michelle Yeoh), Rachel immediately gleams that his mother does not like her. Thus begins the power play between them. Eleanor doesn’t think that Rachel is an appropriate candidate to be the future Mrs. Young and Rachel wants to be accepted as she is and now feels the need to prove that she is good enough for Nick.
The only member of Nick’s family that Rachel has met is Astrid Young Teo (Gemma Chan) his cousin. If Eleanor is the Queen, then Astrid is the princess. She doesn’t walk, she glides. The societal cognoscenti hold her in high esteem. The women want to have her style and the men want to have her. With all the grace and beauty, she reigns in the land of the crazy rich. Rachel liked her some much that she says Astrid is who she wants to be when she grows up. Those who think that her life golden, is unaware that she has her own problems.
We are introduced to the wedding party and the extensive lavishness of the super rich of Asia. It may seem ridiculous and an exaggeration, but the lifestyle of the crazy rich and Asian is based on reality. As Rachel carefully steps through the social landmines that have appeared, she becomes more confident in her own ability and recognizes the game and how to play it.
I thoroughly enjoyed this movie, I wanted to see it again to catch all the things that I did not soak in from the first viewing. The story has a great balance of comedy and drama with Ken Jeong and Awkwafina gifting us with hilarious one liners and Constance Wu playing the confident woman learning how to find her footing. Henry Golding does exceptionally well on his first ever feature film, playing the man who has found love outside of the world of the Crazy Rich Asians.
This is an excellent romantic comedy that is served on a golden platter. Jon M. Chu has delivered a wonderfully delicious story that deserve to be watched over and over again. If you are a fan of the romantic comedy genre, take the time with this gem of a movie.
Kristy H (1252 KP) rated Our Kind of Cruelty: A Novel in Books
May 15, 2018
Eerily mesmerizing & creepy thriller
Mike Hayes had a terrible childhood, where he was neglected by his drunken mother and beaten by her string of hapless boyfriends. At ten, he was taken into care, eventually winding up with a nice couple. With their help, Mike went on to a good university, where he met Verity (V), with whom he fell madly in love. V helped Mike learn the ways of the world and society. They also played a sexual game called the Crave that brought them even closer together. However, after Mike went to New York for two years for work, their relationship ended. Even worse, Verity is now getting married to another man, Angus. At first, Mike is devastated. But soon, he realizes that V's wedding invitation is just another piece of Crave. As such, he must watch her, track her, and prepare his home for her inevitable return--all parts of the tense and careful game that is Crave.
Well, this was an interesting one. It was a pretty quick read, yet sometimes felt a bit long. It was definitely creepy, for sure. Hall has created a slow-burning thriller here, and you become eerily mesmerized by Mike's crazy. In fact, at times, I almost found myself rooting for him, despite the fact you knew he was unreliable, delusional, and not at all good for anyone in the novel. The book is less "edge-on-your-seat" thriller and more a character-driven study. Be prepared for Mike, Mike, and more Mike. The novel is told from his perspective and we're reliant entirely on his mindset. Because we know we can't trust said mindset, we're constantly waiting for something bad to happen. It's like watching a train wreck. A very twisted one.
That being said, the novel can be fascinating at times, but it also hard to know where it's going. As you're constantly waiting for something terrible to occur, you're waiting. And waiting. The novel moves slowly, with its intense focus on Mike, and his thoughts on Verity. I would have liked more insight to V, for instance, or the other people in Mike's life. So at that point, things can get feel drawn out. Not to mention, is Mike really this delusional, you wonder? Can he really believe what he's spouting? Needless to say the book is very effective at making you feel uncomfortable. It captures anger, longing, tension, and more (stalking?!) very well.
Overall, this novel drew me in with its creepy tone and compelling character of Mike. It's definitely slow-moving at times, but oddly fascinating as well.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Well, this was an interesting one. It was a pretty quick read, yet sometimes felt a bit long. It was definitely creepy, for sure. Hall has created a slow-burning thriller here, and you become eerily mesmerized by Mike's crazy. In fact, at times, I almost found myself rooting for him, despite the fact you knew he was unreliable, delusional, and not at all good for anyone in the novel. The book is less "edge-on-your-seat" thriller and more a character-driven study. Be prepared for Mike, Mike, and more Mike. The novel is told from his perspective and we're reliant entirely on his mindset. Because we know we can't trust said mindset, we're constantly waiting for something bad to happen. It's like watching a train wreck. A very twisted one.
That being said, the novel can be fascinating at times, but it also hard to know where it's going. As you're constantly waiting for something terrible to occur, you're waiting. And waiting. The novel moves slowly, with its intense focus on Mike, and his thoughts on Verity. I would have liked more insight to V, for instance, or the other people in Mike's life. So at that point, things can get feel drawn out. Not to mention, is Mike really this delusional, you wonder? Can he really believe what he's spouting? Needless to say the book is very effective at making you feel uncomfortable. It captures anger, longing, tension, and more (stalking?!) very well.
Overall, this novel drew me in with its creepy tone and compelling character of Mike. It's definitely slow-moving at times, but oddly fascinating as well.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Kristy H (1252 KP) rated The Beauty of the End in Books
Feb 13, 2018
Noah Calaway is a lawyer (though he's left his city practice) and semi-successful crime novelist who lives alone in a secluded cabin in Devon. A barely functioning alcoholic, Noah is stuck in the past, when he was in love with a beautiful girl, April Moon, "his goddess" and supposed the love of his life. April and Noah were schoolmates and Noah rescued April from a strange situation and her terrible home life. Over time, the two would run into each other and were even engaged for some time. But April left Noah shortly before the two's wedding, and he's never really recovered. However, years later, Noah receives a call from another of their friends, Will. April is in the hospital, nearly dead from an overdose, and even worse, she's suspected of murder. Noah makes the trip to her side, and begins sifting through the pieces of April's life, trying to figure out what happened. As he does, he uncovers a different April than the one he thought he knew--and much more.
This is a suspenseful and fascinating thriller. It alternates Noah's story with a tale of a young girl named Ella, whose tale is told in italics. Noah's story flashes back in forth in time as he recalls his various encounters with April, as well as describes the present day happenings. This is a little confusing at first--it takes some getting used to--but once you're in the groove, the book picks up speed and completely hooks you. This is a feat in itself because our main character, Noah, is not particularly likeable, a bit clueless, and really rather frustrating. The one we truly might empathize with, April, is in a coma, and we only learn about her life through various stories filtered by our potentially unreliable narrator.
But somehow, Howells makes it all work. She's really a master at unfurling the suspense. The story becomes crazily readable (hey, that's a term) quite quickly. The cast of characters is layered, complicated, and complex, but they add to the story and its intrigue in just the right way. The plot leaves you constantly guessing and trying to stay a step ahead. I found myself figuring some things out and kicking myself for missing others.
Overall, I really enjoyed this one. Parts of the plot and Noah's actions certainly frustrated me, but the storyline was exciting and fun to read.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 7/26.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This is a suspenseful and fascinating thriller. It alternates Noah's story with a tale of a young girl named Ella, whose tale is told in italics. Noah's story flashes back in forth in time as he recalls his various encounters with April, as well as describes the present day happenings. This is a little confusing at first--it takes some getting used to--but once you're in the groove, the book picks up speed and completely hooks you. This is a feat in itself because our main character, Noah, is not particularly likeable, a bit clueless, and really rather frustrating. The one we truly might empathize with, April, is in a coma, and we only learn about her life through various stories filtered by our potentially unreliable narrator.
But somehow, Howells makes it all work. She's really a master at unfurling the suspense. The story becomes crazily readable (hey, that's a term) quite quickly. The cast of characters is layered, complicated, and complex, but they add to the story and its intrigue in just the right way. The plot leaves you constantly guessing and trying to stay a step ahead. I found myself figuring some things out and kicking myself for missing others.
Overall, I really enjoyed this one. Parts of the plot and Noah's actions certainly frustrated me, but the storyline was exciting and fun to read.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 7/26.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Gareth von Kallenbach (971 KP) rated Fifty Shades Freed (2018) in Movies
Jun 19, 2019
The third and final entry in the “Fifty Shades” series has arrived with the release of “fifty Shades Freed”. The story opens with the wedding of Anastasia (Dakota Johnson), and Christian (Jamie Dornan), and follows their honeymoon in the lavish locales of France.
There getaway is cut short by an act of sabotage at Christian’s company and it soon becomes clear that a person from their past has taken things to a dangerous level which requires Christian to implement security measures for Anastasia and their extended family.
In between the intrigue presented by the threat, we also have numerous scenes of nudity and eroticism as Christian is not going to give up his dominating needs anytime soon.
Combine this with a new revelation that threatens to disrupt the crafted and controlled world he has created for himself and Anastasia; the tensions rise between them making a dangerous and stress-filled situation even more complicated.
While the film does have a better plot and is more engaging than the previous films in the series it is hampered by many of the same issues that hindered the series. The two leads have zero chemistry with one another and their supposedly highly erotic scenes are so routine and by the numbers they lack any form of excitement or real titillation. The film also has this message that behavior that would be considered highly unacceptable in others seems to get a pass for Christian as he is a handsome billionaire. He is a very selfish and controlling individual who demands obedience. While Anastasia does have a strong enough character to stand up to him, she tolerates behavior that would be considered unacceptable by many and seems very quick to give him a pass when lavish gifts and trips are bestowed upon her. I wonder how romantic and acceptable his behavior would be if he was a struggling musician who did not have the financial resources to create fantasies and buy his apologies. I know the film is supposed to be romantic fantasy but this really annoys me as he exhibits much of the behavior that is considered unacceptable and to be avoided at all costs, yet it is all wrapped up in a sweet bow of forgiveness.
That aside the series does seem to be losing steam as the last film earned less than the original film and “Fifty Shades Freed” is tracking to open well below the last film as well. Fans of the series will likely enjoy it as a satisfying finale, but I really expected more from the final moments of the series as after following the characters, the ending seemed very anti-climactic.
http://sknr.net/2018/02/08/fifty-shades-freed/
There getaway is cut short by an act of sabotage at Christian’s company and it soon becomes clear that a person from their past has taken things to a dangerous level which requires Christian to implement security measures for Anastasia and their extended family.
In between the intrigue presented by the threat, we also have numerous scenes of nudity and eroticism as Christian is not going to give up his dominating needs anytime soon.
Combine this with a new revelation that threatens to disrupt the crafted and controlled world he has created for himself and Anastasia; the tensions rise between them making a dangerous and stress-filled situation even more complicated.
While the film does have a better plot and is more engaging than the previous films in the series it is hampered by many of the same issues that hindered the series. The two leads have zero chemistry with one another and their supposedly highly erotic scenes are so routine and by the numbers they lack any form of excitement or real titillation. The film also has this message that behavior that would be considered highly unacceptable in others seems to get a pass for Christian as he is a handsome billionaire. He is a very selfish and controlling individual who demands obedience. While Anastasia does have a strong enough character to stand up to him, she tolerates behavior that would be considered unacceptable by many and seems very quick to give him a pass when lavish gifts and trips are bestowed upon her. I wonder how romantic and acceptable his behavior would be if he was a struggling musician who did not have the financial resources to create fantasies and buy his apologies. I know the film is supposed to be romantic fantasy but this really annoys me as he exhibits much of the behavior that is considered unacceptable and to be avoided at all costs, yet it is all wrapped up in a sweet bow of forgiveness.
That aside the series does seem to be losing steam as the last film earned less than the original film and “Fifty Shades Freed” is tracking to open well below the last film as well. Fans of the series will likely enjoy it as a satisfying finale, but I really expected more from the final moments of the series as after following the characters, the ending seemed very anti-climactic.
http://sknr.net/2018/02/08/fifty-shades-freed/