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Rec 3: Genesis (2012)
Rec 3: Genesis (2012)
2012 | Horror, Thriller
6
6.4 (7 Ratings)
Movie Rating
If you enjoyed the success of the first two [Rec] films in which a reporter and camera crew where stuck in a apartment block over run with flesh eating tenants as a result of a strange virus then you’ll probably still enjoy this. The sequel followed on after the events of the first film and for this the location has changed from apartment block to a glamorous Spanish wedding.

The opening twenty minutes are shot from the viewpoint of a handheld camera by one of the guests as well as the occasional cut shot to the official wedding videographer. For Clara (Leticia Dolera) and Koldo (Diego Martín) this is the happiest day of their lives and we witness everything from the arrival of the guests, service and the wedding breakfast. The film then suddenly turns on its head when one of the guests starts showing the signs of a strange illness, then the shit hits the fan.

The handheld camera shot is abruptly dropped in a neat edit that adds in the title sequence, although we still get glimpses of flesh eating carnage from security cameras scattered around the venue. Clara and Koldo the pair are separated amidst all the mayhem and they have to fight their way back together, how romantic.

The first film’s apartment block location had the effectiveness of delivering high tension in a relatively enclosed and tight space, with Génesis the location is more vast and so at times it doesn’t feel as gripping, given also that some of the occurances happen in broad daylight.

Once the film gets going the gore is ramped up a few more levels, and when Clara turns into some sort of bridezilla complete with ripped wedding dress and chainsaw any more scares are lost in the comedy of death scenes for the unlucky few who choose to get in her way. It is certainly not the best of the three but it offers enough to keep the connections of the story-line going, perhaps even for one more film?
  
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Mark @ Carstairs Considers (2346 KP) rated One for the Books in Books

Aug 6, 2021 (Updated Aug 6, 2021)  
One for the Books
One for the Books
Jenn McKinlay | 2020 | Mystery
8
8.0 (1 Ratings)
Book Rating
Lindsey and Sully Face Complications on the Way Down the Aisle
With a week to go before her wedding, Lindsey suddenly realizes her small wedding is going to be larger than she had planned. That necessitates a trip to Bell Island, the island where Sully’s family lives and where the couple is planning to get married. Once there, Lindsey and Sully make a horrific discovery – the body of Steve Briggs, the justice of the peace who is supposed to marry them. Sully has been friends with Steve since they were both kids, so he takes the death hard. For Sully’s sake, they start seeing what they can uncover. Can they solve the crime, find a new officiant, and still get married as planned?

This is a book for the fans. If you are new to the series, I suggest you go back and read the earlier books before picking up this book because you’ll enjoy it more that way. I love spending time with these characters, and watching their relationships grow as the characters themselves evolve, and we get more of that here. Overall, the book could have used a good polish, but it was mostly minor stuff that was bothering me as I read. I was certainly interested in the story as I was reading. I especially appreciate the police chief here – she does her job, but is willing to listen to Lindsey and is up front when she is following the evidence but still open to other possibilities. While the wedding is the focus, the book does take place during December, and I enjoyed the bits of Christmas that slipped into the book as well. As usual, I laughed at some of the scenes as I was reading. I also might have teared up at the wedding itself. Fans will be rewarded with this book. If that isn’t you yet, be sure to check out the entire series.
  
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Love Wedding Repeat (2020)
Love Wedding Repeat (2020)
2020 | Comedy
Movie marketing departments, please repeat after me: "I will not mislead the audience with my blurb for the film."

Jack has to juggle with dramas at his sister's wedding to make sure a troublemaker doesn't ruin the whole day.

Love Wedding Repeat looks very much like every other romcom out there but its saving grace appeared to be an interesting cast and the fun alternate timelines we'd see as promised in the blurb... but don't get your hopes up on that last part. I rewatched the trailers to try and find out where I got the wrong end of the stick about this and I found it was only mildly implied, in fact, it's the synopsis that outright tells you "alternate versions of the same day".

What's given to us feels more like an accident, like they filmed heavy and then realised they were running out of time and needed to cram it in. The "alternate versions" are more of a footnote on the film and a wasted opportunity. You could have run the Groundhog Day-esque scenarios or had the comedy rewind sound and gone back to the beginning of the scene... but the comedy alternatives are really nowhere to be seen.

The lack of comedy doesn't stop there, for the most part the script isn't a great success, I don't think I even laughed once. It tries to rely on quite an aggressive humour (that might not make sense to you, but it does in my head!) and everything feels very forced.

A good cast can sometimes redeem those moments that don't land on the page but the majority of the characters are just forgettable. No one is particularly likeable and that was a real drawback when you add it onto all the other drawbacks.

Love Wedding Repeat feels terribly balanced, had any of the elements been even slightly better it could have made this more watchable, but alas, they weren't, so it wasn't. Simple as.

Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/love-wedding-repeat-movie-review.html
  
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Ang Lee recommended The Farewell (2019) in Movies (curated)

 
The Farewell (2019)
The Farewell (2019)
2019 | Comedy, Drama

"When I watched Lulu Wang’s “The Farewell,” it was a bit like revisiting my own past, as the young director who made “The Wedding Banquet” (1993). Both works center on a family celebration that’s based on a fundamental lie. In “The Wedding Banquet,” the wedding itself is a sham, an attempt to hide the main character’s gay identity from his Taiwanese family. In “The Farewell,” the banquet masks the fact that the grandmother Nai Nai (Shuzhen Zhao) is terminally ill, something that is known to everyone except her: the family hasn’t told her, and so the joyous celebration is also a disguised, melancholy farewell. As a film by an Asian American writer-director, “The Farewell” operates between two cultures, American and Chinese. This awkwardness is embodied in the character of Billi (Awkwafina), who was born in China but moved to the States when she was 6 years old. Her feeling of displacement is at the heart of the film’s two most affecting scenes: first, when Billi reveals to her mother how much she missed growing up in China, how lost she felt as a child in America; and second, Billi’s farewell to her grandmother when she returns to the States. Such a scene could easily have been very sentimental; instead, it’s stoic and moving and quiet — a testimony to Lulu Wang’s control of her material, and a lovely ending to a very heartfelt and personal film."

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