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"Erik Satie is something that, when I was at school, an English teacher who probably had a hangover, just said: "I'm gonna put on some music and you write something what comes into your mind." He put on the Erik Satie record - first time I heard it - and I thought, "Fuck, this is amazing." I really, clearly remember that day getting hold of some money and going to the record shop in town, and this is all they had, an interpretation of Satie involving Moog synthesisers. The synth sounds work so well with it. It gives a different angle, a different perspective. All the Satie records I've bought since are piano. All those amazing orchestrations by Debussy or Satie, orchestral interpretations. Satie is intrinsically very ascetic and plain. Really weird guy. I've lost the record now. I've got to find it! I think it's really, exceptionally brilliant."

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Austin Garrick recommended House (1986) in Movies (curated)

 
House (1986)
House (1986)
1986 | Comedy, Horror

"Seeing House for the first time is probably my fondest film-watching experience of the past couple of years. I’m drawn to the idea of creative purity, something House emanates in a way no other horror film I’ve ever seen does. That’s if you can even call it a horror film (the director himself doesn’t). Obayashi found his own moviemaking solution to Picasso’s lifelong goal of creating like a child: sourcing ideas for the script from his ten-year-old daughter. The result is a heartful, imaginative, creepy, weird, and wonderful dream come to life. It’s sort of like John Hughes, Miyazaki, Evil Dead 2–era Sam Raimi, and bizarre 1970s children’s TV rolled into one. The score in its more sincere moments is also incredible. I’m still in the totally infatuated honeymoon stage with this one, recommending it to people any chance I get."

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