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Halloween 5: The Revenge of Michael Myers (1989)
Halloween 5: The Revenge of Michael Myers (1989)
1989 | Horror
3
6.1 (10 Ratings)
Movie Rating
The fall of the franchise.
Jamie Lloyd (Danielle Harris) now has a psychic connection with Michael Myers, she has visions showing who and where he is going to kill next.

If that sounds dumb to you, then trust me, the movie will feel dumb too.
Halloween 5 feels more like a Friday the 13th movie, filled with dumb teens getting picked off one by one, featuring some unrealistic subplot to distinguish it from other entries.
Gone is the eerie suspense, the music is a shadow of the original's score. Gone too is the tension of asking "where is Michael?" As Jamie's visions literally show us where he is.

 There is also a weird change, in Halloween 4 Leslie L. Rohland played the part of Lindsey Wallace, shown as a friend to both Jamie and Rachel (Ellie Cornell), Leslie did not return for H5. In Halloween 5, they cast Wendy Foxworth as Tina Williams. What's confusing is Leslie and Tina are very similar to one another, they look alike and their characters were similar. In H5 they played off like Tina had known Jamie from before. So it begs the question, if you had to recast why not keep the same character? And if you had to change character, why not cast someone unlike Leslie? I don't know but it's always bugged me.

There are a couple of good things to say about it. Some death scenes are intense and brutal, the ending is good, intense with a decent twist.

Overall though, Halloween 5: The Revenge of Michael Myers is the first entry in the series that really truly disappointed me, mostly due to its dumb story.
  
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Adam Green recommended Is This It by The Strokes in Music (curated)

 
Is This It by The Strokes
Is This It by The Strokes
2001 | Rock
8.0 (4 Ratings)
Album Favorite

"I can't say enough about this album. I heard that when The Stooges came out everyone thought they were retro garage band not realising they were pointing the way forward to punk. Every song on Is This It is amazing. I played 'Modern Age' for my daughter the other day, and just for that song alone it could be one of the greatest albums. I was there for the making of the record and I was so blown away by their dedication to making this perfect music and executing it perfectly every night. It was crazy. These guys would really yell at each other if they missed one chord or beat. They were perfectionists. They were the first band of my age group who were great. There's a level of precision that The Strokes brought to making their music and their approach to it – the way Fab tried to emulate a drum machine in his playing – it feels obvious to people now but it was counter-intuitive at the time, no one had done that. Everything about Is This It was a statement in the opposite direction to what everyone else was doing. Before this the trend was for people make albums that sounded like they were performed in arena, they're soaked with reverb, Is This It is this weird insular record with the distorted vocals. People were confused by the decisions that were made when it was made when it came out, but now you hear it copied infinitely. It's funny that for a band that were criticised for being retro they've now come to define their own times."

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