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LeftSideCut (3776 KP) rated Mortal Kombat (2021) in Movies
May 7, 2021
Contains spoilers, click to show
After all the hype I tried desperately hard not to buy into, Mortal Kombat turned out to be exactly what I expected...
The whole film suffers from an excruciatingly piss poor script (with the exception of Kano's anal bead comment at Lui Kang of course). Every character gets to announce their name unnecessarily at every opportunity, phrases from the game are shouted when the they don't really make sense in the moment, and the narrative is just about held together by bizarre edits and cuts. I can only assume that anyone not familiar with the source material may have a few issues following what the fuck is going on at certain points, even when the pacing takes a hard dip around the mid point.
Having Cole (a non-game character written for the movie) as the main lead is a shot in the foot - the character himself isn't unlikable by any stretch, but he's a little bland, and his inclusion means that a lot of familiar characters are sort of pushed to the side, and moulded around his story. Without naming names, unless they do some ret-conning in the inevitable sequels, I take issues with a few big characters being killed off so early in a proposed franchise. If these deaths stick, then there's some seriously wasted content being thrown away.
All of these negatives however are surrounded by a number of positives. For the most part, the fight scenes are entertaining enough, but the climactic duels are pretty damn awesome. The action is complimented with decent CG work (I kind of miss weird-puppet Goro but he did look pretty great in this one).
The gory moments are pretty full on as they should be and the cast are pretty solid. Some great turns from Hiroyuki Sanada, Max Huang, and Josh Lawson in particular. The film manages to pack in a tonne of references to the wider MK lore as well which is a nice touch for fans.
Overall, Mortal Kombat is dumb and trashy, but manages to be a whole heap of fun with some spectacular violence to boot. It might not be the best video game adaption out there, but it's a far cry from being a bad one.
Between this, Sonic, and Detective Pikachu, I truly, and possibly naively, hope that the era of shit video game films has passed - all eyes on Uncharted to carry on the trend.
The whole film suffers from an excruciatingly piss poor script (with the exception of Kano's anal bead comment at Lui Kang of course). Every character gets to announce their name unnecessarily at every opportunity, phrases from the game are shouted when the they don't really make sense in the moment, and the narrative is just about held together by bizarre edits and cuts. I can only assume that anyone not familiar with the source material may have a few issues following what the fuck is going on at certain points, even when the pacing takes a hard dip around the mid point.
Having Cole (a non-game character written for the movie) as the main lead is a shot in the foot - the character himself isn't unlikable by any stretch, but he's a little bland, and his inclusion means that a lot of familiar characters are sort of pushed to the side, and moulded around his story. Without naming names, unless they do some ret-conning in the inevitable sequels, I take issues with a few big characters being killed off so early in a proposed franchise. If these deaths stick, then there's some seriously wasted content being thrown away.
All of these negatives however are surrounded by a number of positives. For the most part, the fight scenes are entertaining enough, but the climactic duels are pretty damn awesome. The action is complimented with decent CG work (I kind of miss weird-puppet Goro but he did look pretty great in this one).
The gory moments are pretty full on as they should be and the cast are pretty solid. Some great turns from Hiroyuki Sanada, Max Huang, and Josh Lawson in particular. The film manages to pack in a tonne of references to the wider MK lore as well which is a nice touch for fans.
Overall, Mortal Kombat is dumb and trashy, but manages to be a whole heap of fun with some spectacular violence to boot. It might not be the best video game adaption out there, but it's a far cry from being a bad one.
Between this, Sonic, and Detective Pikachu, I truly, and possibly naively, hope that the era of shit video game films has passed - all eyes on Uncharted to carry on the trend.
LoganCrews (2861 KP) rated Final Fantasy: The Spirits Within (2001) in Movies
Sep 20, 2020
I have almost nothing new to add, everything you've heard is true: the animation is almost religiously astounding for the time and even now (in spite of some expected hiccups for the rudimentary motion capture of the time: i.e. speed being an issue - anything that moves above 0.1 MPH has an unsightly motion blur all over it and all the running looks like mall-jogging), CGI wouldn't look this good for years and years afterward but the thing moves at a snail's pace with an oddly apparent avoidance of any sort of fun. Certainly still weird and visually prepossessing enough to get a pass (if this didn't have its unforgettable photorealistic animation it would suck just as hard as any other generic sci-fi fodder, this is home to some truly bracing imagery) - but what the actual hell were they thinking with this writing? All the characters are nonentities in their own story (delivered with similarly boring voice acting by an all-star cast, which most animated films would later replicate directly) and whatever remnants of a story are left behind in the rubble *do* have the potential to be poignant and thought-provoking but are rather just passively mentioned a time or two by way of banal exposition into a mess of things that don't add up to anything more than a stupid story. Can't believe they thought this would work with... anyone (especially fans of the character-driven games given that they turned this into some odd but rather bland alien film for some confounding reason lol) considering all the massive amounts of money they shoveled into it - and minus a few more points for being another tech-heavy future fantasy set in a world that's entirely grey and decrepit. However, the last half hour is some squarely invigorating, enigmatic spectacle that finds an intense beauty in how mind-boggling and glamorous it all is - you'd think the whole thing is always one second away from collapsing into the best of non-western genre surreality. In fact It seems almost unreal in and of itself to be watching something so conventional yet so unrestrained and auteurish. Really needed like eight movies to fully explore these themes but I'm also kind of glad they didn't - half epic and half yawnsville but the epic is more epic than the yawnsville is yawnsville.
ClareR (5950 KP) rated The Last Thing To Burn in Books
Jan 12, 2021
The Last Thing to Burn is the first of Will Dean’s books that I’ve read, and it most definitely won’t be my last. I had to keep reminding myself to breathe throughout this book - ‘suspense’ is not a strong enough word! If I could have read through my hands covering my eyes, I would have, because you could see what was coming next , and you just couldn’t stop it from coming! And then it would be even more horrific than I thought it was going to be. I mean, Will Dean seems to be such a nice person on Twitter, his St Bernard, Bernie, is gorgeous - how can things like this even come out of his head and on to paper?!
My dad lives in Lincolnshire, and to get to where he lives (Boston), we have to drive through what seems to be miles and miles of flat farmland (filled mainly with cruciferous vegetables, if my nose remembers correctly!), so it was easy to see how hard it would be for Jane to escape. You can see for a long way - uninterrupted by hills, or indeed anything else at all! This was such a good choice of location. It was that feeling of being trapped by your environment, even though Jane wasn’t exactly locked away. Jane’s every move is monitored on CCTV when her ‘husband’ isn’t there. And if she breaks any of his rules, she is punished. Not physically - instead he takes one of her very few belongings, and burns it whilst she watches.
This is a story of abuse, imprisonment and survival. No matter how much he seeks to control her, “Jane” is free to think and remember what it was like to be free. Whilst I was reading this, that’s all I wanted for her - freedom.
I don’t know whether the phrase “I loved every minute of this book” reflects all that well on me. I mean, it’s pretty horrific. But love it I did. I’d recommend this book to anyone - and then rub my hands together, whilst cackling evilly... Ok, that is a bit weird. But really. Just read the book.
Many thanks to the Hodder and Stoughton and NetGalley for providing me with a copy of this book to read and review.
My dad lives in Lincolnshire, and to get to where he lives (Boston), we have to drive through what seems to be miles and miles of flat farmland (filled mainly with cruciferous vegetables, if my nose remembers correctly!), so it was easy to see how hard it would be for Jane to escape. You can see for a long way - uninterrupted by hills, or indeed anything else at all! This was such a good choice of location. It was that feeling of being trapped by your environment, even though Jane wasn’t exactly locked away. Jane’s every move is monitored on CCTV when her ‘husband’ isn’t there. And if she breaks any of his rules, she is punished. Not physically - instead he takes one of her very few belongings, and burns it whilst she watches.
This is a story of abuse, imprisonment and survival. No matter how much he seeks to control her, “Jane” is free to think and remember what it was like to be free. Whilst I was reading this, that’s all I wanted for her - freedom.
I don’t know whether the phrase “I loved every minute of this book” reflects all that well on me. I mean, it’s pretty horrific. But love it I did. I’d recommend this book to anyone - and then rub my hands together, whilst cackling evilly... Ok, that is a bit weird. But really. Just read the book.
Many thanks to the Hodder and Stoughton and NetGalley for providing me with a copy of this book to read and review.
Eleanor Luhar (47 KP) rated The Returners in Books
Jun 24, 2019
I have a vague recollection of reading this some time in the past which is kind of ironic considering the topic of the book itself. While I felt a repeated deja vu throughout this book, I can't seem to remember when I actually would have read it before. I also couldn't remember much of the main plot, which is pretty weird.
Anyway, the review.
It's a good book. honestly, the opening paragraph of this review sums the book up quite well - it's good, but not overly memorable. When you read it, you often think, "this is good" or "cool" or whatever, but a few months later you'll forget all about it. At least, that's how I felt.
Gemma Malley is an author I used to love when I was in my preteens, and I'm not sure if that's why her books feel very adolescent to me, or if it's because they actually are. Basically, I feel too old for them now. The protagonists are usually "cool" mid-teens, who the reader is supposed to look up to in some way. But I'm older than most characters and actually find their attitudes a bit pathetic and petty.
The story was good but I felt like there were a few loopholes, honestly. The idea of the "Returners" is interesting but not developed enough - who actually 'controls' them? Where did they come from? What is their real purpose? I felt like their purpose was a bit wishy-washy. Douglas's refusal to change his attitude because it "isn't their role" or whatever just sounded a bit... lame. Like a cop-out, I guess. I really would've liked to know more about the Returners and why they actually exist.
It's only short and this may contribute to it feeling quite young, but it is well written and really enjoyable to read. Will is almost an anti-hero, and as the reader I both loved and hated him. His thoughts and attitudes were quite sporadic and it was sometimes hard to keep up, but that may have been the intention. I did like how we learned things at the same time as Will - we followed him through his own story. It was also really interesting how Will decided to handle the life he'd been forced into.
4 stars.
Anyway, the review.
It's a good book. honestly, the opening paragraph of this review sums the book up quite well - it's good, but not overly memorable. When you read it, you often think, "this is good" or "cool" or whatever, but a few months later you'll forget all about it. At least, that's how I felt.
Gemma Malley is an author I used to love when I was in my preteens, and I'm not sure if that's why her books feel very adolescent to me, or if it's because they actually are. Basically, I feel too old for them now. The protagonists are usually "cool" mid-teens, who the reader is supposed to look up to in some way. But I'm older than most characters and actually find their attitudes a bit pathetic and petty.
The story was good but I felt like there were a few loopholes, honestly. The idea of the "Returners" is interesting but not developed enough - who actually 'controls' them? Where did they come from? What is their real purpose? I felt like their purpose was a bit wishy-washy. Douglas's refusal to change his attitude because it "isn't their role" or whatever just sounded a bit... lame. Like a cop-out, I guess. I really would've liked to know more about the Returners and why they actually exist.
It's only short and this may contribute to it feeling quite young, but it is well written and really enjoyable to read. Will is almost an anti-hero, and as the reader I both loved and hated him. His thoughts and attitudes were quite sporadic and it was sometimes hard to keep up, but that may have been the intention. I did like how we learned things at the same time as Will - we followed him through his own story. It was also really interesting how Will decided to handle the life he'd been forced into.
4 stars.
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