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Joe Wright’s 2011 film version of Hanna starring Saoirse Ronan, Cate Blanchett and Eric Bana is an odd movie. It isn’t bad. It just doesn’t work. The idea at its heart is great, as are some of the action sequences, there is just something over styled about it that is jarring. I’ve been back to it a few times to see if age helps, but it really doesn’t – Hanna the movie is an admirable failure.
So when Amazon announced they were resurrecting the character, the basic story and idea and the essential vibe of Hanna in 2019 as a series… I was pretty sceptical. I doubt to this day I would have watched it at all if I hadn’t stumbled across the trailer and been arrested by the presence of this young girl who had been cast in the main role. She looked wild and vulnerable at the same time, her eyes were piercing and something about her was just jumping off the screen. I went to IMDb as is my habit to find out who she was. Turns out her name was Esme Creed-Miles, the daughter of actors Samantha Morton and Charlie Creed-Miles.
Wow, yes, that made sense! I love Samantha Morton in anything – have done ever since she played Joanne Barnes in Cracker, aged 17. She has a ferocious beauty and edge of danger about her that is entirely feminine but also fearlessly strong and individual. Her roles have always been diverse, because she is capable of total power or intense vulnerability, sometimes in the same character, all laced with a focused intelligence that is quite rare. So, I had basically seen all of that in a two minute trailer staring a chip off the old block. Now I was excited to see it!
I wouldn’t say the set up of season one blew me away, but it did have enough going for it to keep me watching. Not as a binge watch, which usually indicates how much I am into something, but for sure as a steady desire to come back for more in time. Joel Kinnaman made a decent replacement as Erik, the father figure who teaches Hanna to survive, and Mireille Enos was doing a lovely job in the Cate Blanchett role as an ambiguous villain / ally. But it was all about Esme Creed-Miles, who was consistently delivering a performance of mesmerising quality – I could not take my eyes off her. As with the character she was playing there was some learning to be done in understanding the rules of this world, but she had obviously been trained well by a parent with huge experience in these things.
Season one ends with a tantalising cliffhanger, and there didn’t seem to be much of a wait to get back into it in season two, which felt more assured and more mature from the start. It came to me at a weird time in lockdown where I had no internet or means to watch anything I hadn’t downloaded already, which was a handful of films I’d already seen and season two of Hanna. I ended up watching each episode at least three times each, sometimes in a row, and sometimes going back… it just became a real companion to me in an odd way. I got hooked on it in a way I would find hard to describe – sometimes a show does that to us, even when objectively we know it isn’t the best, or most original, thing ever made.
It isn’t badly made by any means, but it is perhaps a little predictable at times. It has a high production standard, but still feels very much like TV and not a feature film in episodes. The action choreography is always great, as is the overall story arch. What is perhaps a little lacking is consistently strong dialogue, directing and supporting acting, especially when the cast of season two depends on a lot of teenagers, none of which have half the natural ability of Creed-Miles.
My main feeling about Hanna is to state I really enjoyed it, without overstating that it is any kind of genius, or is treading any new artistic ground. It is just a solid entertainment worth the time, and I will definitely be looking forward to season three. The entire project has a strong female core, and that is worth seeing in 2021. I suspect the main thing watching this will bring, however, is the genesis of a future superstar. Mark my words – Esme Creed-Miles just turned 21 and the film world is ready for the next Emma Stone, Jennifer Lawrence or… Samantha Morton.
So when Amazon announced they were resurrecting the character, the basic story and idea and the essential vibe of Hanna in 2019 as a series… I was pretty sceptical. I doubt to this day I would have watched it at all if I hadn’t stumbled across the trailer and been arrested by the presence of this young girl who had been cast in the main role. She looked wild and vulnerable at the same time, her eyes were piercing and something about her was just jumping off the screen. I went to IMDb as is my habit to find out who she was. Turns out her name was Esme Creed-Miles, the daughter of actors Samantha Morton and Charlie Creed-Miles.
Wow, yes, that made sense! I love Samantha Morton in anything – have done ever since she played Joanne Barnes in Cracker, aged 17. She has a ferocious beauty and edge of danger about her that is entirely feminine but also fearlessly strong and individual. Her roles have always been diverse, because she is capable of total power or intense vulnerability, sometimes in the same character, all laced with a focused intelligence that is quite rare. So, I had basically seen all of that in a two minute trailer staring a chip off the old block. Now I was excited to see it!
I wouldn’t say the set up of season one blew me away, but it did have enough going for it to keep me watching. Not as a binge watch, which usually indicates how much I am into something, but for sure as a steady desire to come back for more in time. Joel Kinnaman made a decent replacement as Erik, the father figure who teaches Hanna to survive, and Mireille Enos was doing a lovely job in the Cate Blanchett role as an ambiguous villain / ally. But it was all about Esme Creed-Miles, who was consistently delivering a performance of mesmerising quality – I could not take my eyes off her. As with the character she was playing there was some learning to be done in understanding the rules of this world, but she had obviously been trained well by a parent with huge experience in these things.
Season one ends with a tantalising cliffhanger, and there didn’t seem to be much of a wait to get back into it in season two, which felt more assured and more mature from the start. It came to me at a weird time in lockdown where I had no internet or means to watch anything I hadn’t downloaded already, which was a handful of films I’d already seen and season two of Hanna. I ended up watching each episode at least three times each, sometimes in a row, and sometimes going back… it just became a real companion to me in an odd way. I got hooked on it in a way I would find hard to describe – sometimes a show does that to us, even when objectively we know it isn’t the best, or most original, thing ever made.
It isn’t badly made by any means, but it is perhaps a little predictable at times. It has a high production standard, but still feels very much like TV and not a feature film in episodes. The action choreography is always great, as is the overall story arch. What is perhaps a little lacking is consistently strong dialogue, directing and supporting acting, especially when the cast of season two depends on a lot of teenagers, none of which have half the natural ability of Creed-Miles.
My main feeling about Hanna is to state I really enjoyed it, without overstating that it is any kind of genius, or is treading any new artistic ground. It is just a solid entertainment worth the time, and I will definitely be looking forward to season three. The entire project has a strong female core, and that is worth seeing in 2021. I suspect the main thing watching this will bring, however, is the genesis of a future superstar. Mark my words – Esme Creed-Miles just turned 21 and the film world is ready for the next Emma Stone, Jennifer Lawrence or… Samantha Morton.
Purple Phoenix Games (2266 KP) rated Com-Pet-Ability in Tabletop Games
Apr 14, 2020
I have two dogs: a Yorkshire Terrier and a Powderpuff Chinese Crested. I love them dearly, but I just cannot see myself having any more 4-legged mammal pets. We promised our son a pet fish when we move (or a whole aquarium community if my wife will allow), but other than that, we will NOT be adding more pets to our household. So when I heard about a game that requires you to collect cards so that you have five pets to take home I immediate gave the deer-in-headlights look. No, I would not have a pet deer.
ComPetAbility is a card game with two play modes: a mode for players aged 7+ and one for younger gamers. We will be taking a look at the game for older gamers. In this game mode a player is attempting to amass five pets that will be accepting of each other and not cause heck in your house.
DISCLAIMER: We were provided a copy of the game for the purposes of this review. I do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. -T
To setup, shuffle the large deck of cards and deal five to each player. Put the rest of the cards in the middle of the table as a draw pile, flip one over for the “shed” pile. You are now setup and ready to go!
The goal of the game is to begin a turn with five compatible pets (com-pet-able). This is achieved by having five cards whose three icons are satisfied with each other. For instance, turtles are compatible with every other type of animal, so the three icons on turtle cards are all green – compatible with all dogs, cats, and birds. Some dogs are compatible with other dogs but not cats, and some cats are compatible with other cats or kittens but not birds.
So on a turn, a player will choose a card to draw from either the draw pile or the shed pile to add to their hand. A turn ends when that player sheds (discards) a card to the shed pile. Turns continue in this fashion until a player begins their turn with five compatible animals. Players will then add up the points in their hands (the numbers in the upper right corner of the cards) of compatible animals. The player that ended the game with a completed set of five animal pets will score a bonus 10 points to add to their total. Whomever scores the highest is the winner of ComPetAbility!
Components. This is a stack of cards in a tin can. Yep, a tin can with a plastic lid. It’s very novel and lovely, but heck for someone who cares about how the games look and fit on their shelves. The game cards are good quality, which is handy because the game mode aimed at smaller children have them handling the cards a lot too so they have to be able to withstand that abuse. The art is cute, and the layout is easy to understand – even for young ones. No issues with the components from us (aside from the can not being a box, wink wink).
So here’s the thing with this one. We liked it. It is a great idea and is executed well. I don’t think I will pull this one out with adult gamers anymore though. The children’s mode of this game is what I hold dear, as my three-year-old LOVES it and “wins” every time. I have just played this one too many times where a player can be dealt either a winning hand or four of the five cards right away. I’m no designer, so I don’t know how to mitigate that besides chalking it up to “luck of the draw.” But that’s a negative for me, and perhaps I shouldn’t let it detract from an otherwise enjoyable game, but it’s what comes to mind every time I see on the shelf as a possibility for Game Night. However, if you like the theme, the style, and ease of play between two different modes then check it out. It can be used as a light filler, a gateway game, or children’s game. So for the pure flexibility of this one, Purple Phoenix Games gives it a canned (hehe) 13 / 18. The turtles are really cute, but the hybrid animals are kinda weird-lookin’.
ComPetAbility is a card game with two play modes: a mode for players aged 7+ and one for younger gamers. We will be taking a look at the game for older gamers. In this game mode a player is attempting to amass five pets that will be accepting of each other and not cause heck in your house.
DISCLAIMER: We were provided a copy of the game for the purposes of this review. I do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. -T
To setup, shuffle the large deck of cards and deal five to each player. Put the rest of the cards in the middle of the table as a draw pile, flip one over for the “shed” pile. You are now setup and ready to go!
The goal of the game is to begin a turn with five compatible pets (com-pet-able). This is achieved by having five cards whose three icons are satisfied with each other. For instance, turtles are compatible with every other type of animal, so the three icons on turtle cards are all green – compatible with all dogs, cats, and birds. Some dogs are compatible with other dogs but not cats, and some cats are compatible with other cats or kittens but not birds.
So on a turn, a player will choose a card to draw from either the draw pile or the shed pile to add to their hand. A turn ends when that player sheds (discards) a card to the shed pile. Turns continue in this fashion until a player begins their turn with five compatible animals. Players will then add up the points in their hands (the numbers in the upper right corner of the cards) of compatible animals. The player that ended the game with a completed set of five animal pets will score a bonus 10 points to add to their total. Whomever scores the highest is the winner of ComPetAbility!
Components. This is a stack of cards in a tin can. Yep, a tin can with a plastic lid. It’s very novel and lovely, but heck for someone who cares about how the games look and fit on their shelves. The game cards are good quality, which is handy because the game mode aimed at smaller children have them handling the cards a lot too so they have to be able to withstand that abuse. The art is cute, and the layout is easy to understand – even for young ones. No issues with the components from us (aside from the can not being a box, wink wink).
So here’s the thing with this one. We liked it. It is a great idea and is executed well. I don’t think I will pull this one out with adult gamers anymore though. The children’s mode of this game is what I hold dear, as my three-year-old LOVES it and “wins” every time. I have just played this one too many times where a player can be dealt either a winning hand or four of the five cards right away. I’m no designer, so I don’t know how to mitigate that besides chalking it up to “luck of the draw.” But that’s a negative for me, and perhaps I shouldn’t let it detract from an otherwise enjoyable game, but it’s what comes to mind every time I see on the shelf as a possibility for Game Night. However, if you like the theme, the style, and ease of play between two different modes then check it out. It can be used as a light filler, a gateway game, or children’s game. So for the pure flexibility of this one, Purple Phoenix Games gives it a canned (hehe) 13 / 18. The turtles are really cute, but the hybrid animals are kinda weird-lookin’.
Bob Mann (459 KP) rated Colossal (2016) in Movies
Sep 29, 2021
A Marvel-ous Indie Movie
Well!! I’ve been really surprised (in a good way) by two films this year, and both have involved monsters (the first being “A Monster Calls” back in January).
It’s really difficult to categorise “Colossal” – imdb classes it as a “Comedy, Action, Drama”. Comedy? Yes, but it’s a very dark comedy indeed. Action? Hmm, not really… if you go to this expecting ‘Godzilla 2’ or some polished Marvel-style film (not that I was!) you will be sorely disappointed. Drama? This is probably the nearest match, since at its heart this is a clever study on the people and relationships at the heart of a bizarre Sci-Fi event.
Anne Hathaway (“Les Miserables”) stars as Gloria, a borderline alcoholic-waster sponging off the good-natured but controlling Tim (Dan Stevens, “Beauty and the Beast”) in his New York apartment. When Tim’s patience finally runs out, Gloria returns to her hometown to an empty house and the attentions of a former school friend, bar owner Oscar (Jason Sudeikis), who clearly holds an unhealthy fascination with her. Borrowing an idea from “A Monster Calls”, at a specific time in the US morning a huge monster appears from thin air in Seoul, South Korea, killing people and smashing buildings in a seemingly uncoordinated and random way. Bizarrely, this only happens when Gloria is standing at a particular spot in a particular kid’s playground. Could the two events possibly be related?
I always like to categorize films in my head as being “like” others, but this one’s really difficult to pin down. It borrows its main premise from a famous scene in “E.T.” (indeed one also involving alcohol) but the film’s fantasy elements and dark undertones have more similarities in style to “Jumanji”. Then again, there are elements of the Kaufman about it in that it is as weird in some places as “Being John Malkovich”.
The film stays on ‘Whimsical Street’ for the first half of the film, but then takes a sharp left turn into ‘Dark Avenue’ (and for “dark” read “extremely black and sinister”). It then becomes a far more uncomfortable watch for the viewer. The metaphor of the monster for Gloria’s growing addiction is clear, but emerging themes of control, jealousy, violent bullying and small-town social entrapment also emerge.
Here the acting talents of Hathaway and Sudeikis really come to the fore: heavyweight Hollywood talent adding some significant ‘oomph’ to what is a fairly modest indie project. Hathaway is in kooky mode here, gurning to great comic effect, and this adds warmth to a not particularly likeable character. And Sudeikis (more commonly seen in lighter and frothier comedies like “We’re the Millers” and “Horrible Bosses”) is a surprise in the role delivering some real acting grit.
The writer and director is Spaniard Nacho Vigalondo. No, me neither. But he seems to have come from nowhere to deliver this high profile cinema release, and it would not be a surprise for me to see this nominated as an original screenplay come the awards season. His quirky style is refreshing. (Hell, delivering ANY novel new summer movie that is not part of a franchise or TV re-boot is refreshing!)
The film’s not perfect, and its disjointed style can be unsettling. While the lead characters are quite well defined, others are less so. Joel in particular, played by Austin Stowell (“Whiplash“, “Bridge of Spies“), is such an irritating doormat of a character that you just want to thump him yelling “Do Something you wimp” to his face!
I am normally the first to pick scientific holes in a story, but here the story is so “out there” that the details become irrelevant, and – like “Guardians of the Galaxy Vol 2” – the film revels in its absurdity. (There is however a jumbo jet sized hole in the plot if you think about it!) But some of the moments of revelation (particularly one set in a wood) are brilliantly done and you are never quite sure where the film is going to go next. I was concerned that the ending would not live up to the promise of the film, but I was not disappointed.
Like “A Monster Calls” the film will probably suffer at the box office by its marketing confusing the audience. People will assume it’s possibly a “monster movie” or maybe a piece of comedy fluff (particularly with Sudeikis in the cast), but in reality it’s neither of these. It won’t be to everyone’s tastes for sure, but in the bland desert of mainstream movie releases, here is an oasis of something interesting and novel and in my book definitely worthy of your movie dollar. Recommended.
It’s really difficult to categorise “Colossal” – imdb classes it as a “Comedy, Action, Drama”. Comedy? Yes, but it’s a very dark comedy indeed. Action? Hmm, not really… if you go to this expecting ‘Godzilla 2’ or some polished Marvel-style film (not that I was!) you will be sorely disappointed. Drama? This is probably the nearest match, since at its heart this is a clever study on the people and relationships at the heart of a bizarre Sci-Fi event.
Anne Hathaway (“Les Miserables”) stars as Gloria, a borderline alcoholic-waster sponging off the good-natured but controlling Tim (Dan Stevens, “Beauty and the Beast”) in his New York apartment. When Tim’s patience finally runs out, Gloria returns to her hometown to an empty house and the attentions of a former school friend, bar owner Oscar (Jason Sudeikis), who clearly holds an unhealthy fascination with her. Borrowing an idea from “A Monster Calls”, at a specific time in the US morning a huge monster appears from thin air in Seoul, South Korea, killing people and smashing buildings in a seemingly uncoordinated and random way. Bizarrely, this only happens when Gloria is standing at a particular spot in a particular kid’s playground. Could the two events possibly be related?
I always like to categorize films in my head as being “like” others, but this one’s really difficult to pin down. It borrows its main premise from a famous scene in “E.T.” (indeed one also involving alcohol) but the film’s fantasy elements and dark undertones have more similarities in style to “Jumanji”. Then again, there are elements of the Kaufman about it in that it is as weird in some places as “Being John Malkovich”.
The film stays on ‘Whimsical Street’ for the first half of the film, but then takes a sharp left turn into ‘Dark Avenue’ (and for “dark” read “extremely black and sinister”). It then becomes a far more uncomfortable watch for the viewer. The metaphor of the monster for Gloria’s growing addiction is clear, but emerging themes of control, jealousy, violent bullying and small-town social entrapment also emerge.
Here the acting talents of Hathaway and Sudeikis really come to the fore: heavyweight Hollywood talent adding some significant ‘oomph’ to what is a fairly modest indie project. Hathaway is in kooky mode here, gurning to great comic effect, and this adds warmth to a not particularly likeable character. And Sudeikis (more commonly seen in lighter and frothier comedies like “We’re the Millers” and “Horrible Bosses”) is a surprise in the role delivering some real acting grit.
The writer and director is Spaniard Nacho Vigalondo. No, me neither. But he seems to have come from nowhere to deliver this high profile cinema release, and it would not be a surprise for me to see this nominated as an original screenplay come the awards season. His quirky style is refreshing. (Hell, delivering ANY novel new summer movie that is not part of a franchise or TV re-boot is refreshing!)
The film’s not perfect, and its disjointed style can be unsettling. While the lead characters are quite well defined, others are less so. Joel in particular, played by Austin Stowell (“Whiplash“, “Bridge of Spies“), is such an irritating doormat of a character that you just want to thump him yelling “Do Something you wimp” to his face!
I am normally the first to pick scientific holes in a story, but here the story is so “out there” that the details become irrelevant, and – like “Guardians of the Galaxy Vol 2” – the film revels in its absurdity. (There is however a jumbo jet sized hole in the plot if you think about it!) But some of the moments of revelation (particularly one set in a wood) are brilliantly done and you are never quite sure where the film is going to go next. I was concerned that the ending would not live up to the promise of the film, but I was not disappointed.
Like “A Monster Calls” the film will probably suffer at the box office by its marketing confusing the audience. People will assume it’s possibly a “monster movie” or maybe a piece of comedy fluff (particularly with Sudeikis in the cast), but in reality it’s neither of these. It won’t be to everyone’s tastes for sure, but in the bland desert of mainstream movie releases, here is an oasis of something interesting and novel and in my book definitely worthy of your movie dollar. Recommended.
Chris Sawin (602 KP) rated Moonfall (2022) in Movies
Feb 5, 2022
Terribly written. (2 more)
Overacted.
Halle Berry.
Moonfall Review: It’s Raining Moon
Moonfall is a $146 million sci-fi disaster film directed by Roland Emmerich (Independence Day, Godzilla) and written by Emmerich, Harald Kloser (2012, 10000 BC), and Spenser Cohen (Extinction, The Expendables 4).
On January 12, 2011, during what is referred to as routine outer space maintenance (it’s a thing), an unidentified technological swarm caused significant damage to the astronaut’s shuttle; killing one of them and incapacitating the surviving two crew members. Brian Harper (Patrick Wilson) maneuvers the shuttle back to earth with no power while his navigator Jocinda Fowl (Halle Berry) is unconscious. Brian takes the fall as he’s labeled incompetent despite previously being an acclaimed hero and he loses his job with NASA.
Ten years later, the moon suddenly begins changing course as a hole 26-kilometers deep is discovered in the center of it. People on earth have three weeks before the moon begins falling to earth in city-sized pieces. While NASA scrambles to discover a solution, an orbital megastructure aficionado and conspiracy blogger named K.C. Houseman (John Bradley) knew about the moon’s shift in course before NASA and may end up being the savior of mankind.
The opening scene of Moonfall lets its audience know that they’re in for an excruciating two hours. Patrick Wilson and Halle Berry argue over the lyrics to Toto’s “Africa” as Wilson musically screeches the 80s rock ballad to annoying results. The film does a few things right like earth’s gravity being a complete dumpster fire and the ocean literally being at foot of everyone’s door like Bo Burnham talked about in Inside. But then introduces the aspect of orbital megastructure in an attempt to not adhere to believable physics while lethargically committing to it.
Flooding, earthquakes, and birds falling to the ground due to gravity alterations are the culmination of the insanity in Moonfall. The moon coming closer to earth also apparently means humans can lift trees above their head and jump over gaps left by fallen bridges with little effort. There’s an awkward car chase between some redneck looters and the main characters of the film.
It’s awkward due to the fact that it’s really funky visual effects (literally everything taking place on the road and in the background) with green screen (the actors driving the cars), but it’s difficult to distinguish what’s what in a bad way. The CGI and special effects in the film are that peculiar blend of not necessarily being bad, but are just off-putting enough to look weird in some capacity. It’s a high speed chase involving a gravity wave, which is mostly just cars and debris floating in the air as the sky turns red. Coincidentally enough, the disaster effects are the best part of the film because they do what they’re supposed to do without overstaying their welcome.
The dialogue in the film is atrocious and Halle Berry is a filter for most of the bad lines. Some of her gems include, “I don’t work for you, I work for the American people and I don’t like keeping them in the dark,” “I am…(the longest pause ever between one word and another)…thinking about our son,” and something overwhelmingly corny about earth’s hourglass and our time running out. Donald Sutherland can barely stomach a brief cameo appearance shared with Berry’s character before excusing himself to the loaded gun he left back in his room (yes, this actually happens).
The evacuation route in Moonfall seems to involve fleeing to Colorado. What is in Colorado and why that’s important is never really explained other than because everyone else is there. Jocinda Fowl becomes the lead director of NASA during the film and her ex-husband (played by Eme Ikwuakor) works for the military. Ikwuakor does nothing but squint like French Stewart the entire time. NASA wants to survey the activity of what’s transpiring on the moon, fly inside of its new fancy made hole, and come up with a plan to save earth in the process. The military just wants to blow up the moon with nukes; screw the consequences, this is America!
With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to enjoy here apart from KC Houseman’s house cat being named Fuzz Aldrin. With its idiotic premise, hammy dialogue involving some of the most exaggerated emotional speeches ever, stiff acting, unfunny humor, and purposely distorted CGI, Moonfall features an overwhelming amount of frenetic nonsense and has no excuse to be as boring as it is.
On January 12, 2011, during what is referred to as routine outer space maintenance (it’s a thing), an unidentified technological swarm caused significant damage to the astronaut’s shuttle; killing one of them and incapacitating the surviving two crew members. Brian Harper (Patrick Wilson) maneuvers the shuttle back to earth with no power while his navigator Jocinda Fowl (Halle Berry) is unconscious. Brian takes the fall as he’s labeled incompetent despite previously being an acclaimed hero and he loses his job with NASA.
Ten years later, the moon suddenly begins changing course as a hole 26-kilometers deep is discovered in the center of it. People on earth have three weeks before the moon begins falling to earth in city-sized pieces. While NASA scrambles to discover a solution, an orbital megastructure aficionado and conspiracy blogger named K.C. Houseman (John Bradley) knew about the moon’s shift in course before NASA and may end up being the savior of mankind.
The opening scene of Moonfall lets its audience know that they’re in for an excruciating two hours. Patrick Wilson and Halle Berry argue over the lyrics to Toto’s “Africa” as Wilson musically screeches the 80s rock ballad to annoying results. The film does a few things right like earth’s gravity being a complete dumpster fire and the ocean literally being at foot of everyone’s door like Bo Burnham talked about in Inside. But then introduces the aspect of orbital megastructure in an attempt to not adhere to believable physics while lethargically committing to it.
Flooding, earthquakes, and birds falling to the ground due to gravity alterations are the culmination of the insanity in Moonfall. The moon coming closer to earth also apparently means humans can lift trees above their head and jump over gaps left by fallen bridges with little effort. There’s an awkward car chase between some redneck looters and the main characters of the film.
It’s awkward due to the fact that it’s really funky visual effects (literally everything taking place on the road and in the background) with green screen (the actors driving the cars), but it’s difficult to distinguish what’s what in a bad way. The CGI and special effects in the film are that peculiar blend of not necessarily being bad, but are just off-putting enough to look weird in some capacity. It’s a high speed chase involving a gravity wave, which is mostly just cars and debris floating in the air as the sky turns red. Coincidentally enough, the disaster effects are the best part of the film because they do what they’re supposed to do without overstaying their welcome.
The dialogue in the film is atrocious and Halle Berry is a filter for most of the bad lines. Some of her gems include, “I don’t work for you, I work for the American people and I don’t like keeping them in the dark,” “I am…(the longest pause ever between one word and another)…thinking about our son,” and something overwhelmingly corny about earth’s hourglass and our time running out. Donald Sutherland can barely stomach a brief cameo appearance shared with Berry’s character before excusing himself to the loaded gun he left back in his room (yes, this actually happens).
The evacuation route in Moonfall seems to involve fleeing to Colorado. What is in Colorado and why that’s important is never really explained other than because everyone else is there. Jocinda Fowl becomes the lead director of NASA during the film and her ex-husband (played by Eme Ikwuakor) works for the military. Ikwuakor does nothing but squint like French Stewart the entire time. NASA wants to survey the activity of what’s transpiring on the moon, fly inside of its new fancy made hole, and come up with a plan to save earth in the process. The military just wants to blow up the moon with nukes; screw the consequences, this is America!
With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to enjoy here apart from KC Houseman’s house cat being named Fuzz Aldrin. With its idiotic premise, hammy dialogue involving some of the most exaggerated emotional speeches ever, stiff acting, unfunny humor, and purposely distorted CGI, Moonfall features an overwhelming amount of frenetic nonsense and has no excuse to be as boring as it is.
Mothergamer (1562 KP) rated the PlayStation 3 version of Fallout 3 in Video Games
Apr 3, 2019
I know. How could I have not played Fallout 3 or Fallout New Vegas? There are many games I haven't had a chance to play and as I've gotten older, I've become a little more discerning about which games I buy right away and sometimes I just miss a game or two here and there. I also wait until things go down in price and only really pay full price for a game if it's something I know I really want. Again, that comes with being an older nerd. At any rate, when I saw that I could buy Fallout 3 and Fallout New Vegas for 10 bucks, I did jump at the chance and I was excited to play. I started with Fallout 3 first of course and it was quite an interesting adventure.
The opening sequence was intriguing with the lone wanderer being born and of course this is so you can choose to be a boy or a girl and design your character and decide their race. I went with Asian girl and as I was picking out all the facial and hair designs, I wondered why there were several varying choices of bald. I mean, I get it. It's Fallout and with spiffy things like radiation poisoning hair falls out and people are bald, but so many choices of bald over actual hair. It was weird. I found a hair choice I liked and everything was great and I started my Fallout 3 story.
So the time jumps from baby to ten years old were interesting for getting to see how life was for my lone wanderer in Vault 101 and there was a birthday party for me where I get my very own Pipboy. Neat. Wandering around talking to everyone including a ridiculous bully named Butch (I was not nice to him and punched him. That was my freaking birthday dessert damn it!) was cool and it definitely sets the story up nicely. Then the time line jumps again and my character is 16 years old and has to take the G.O.A.T. (Generalized Occupational Aptitude Test for Fallout newbies) to decide what they'll be doing.
16 and ready to take the G.O.A.T. test.
A last time jump happens and the lone wanderer is 19 years old and the main story of Fallout 3 begins. The Overseer's daughter and my friend Amata, wakes me up to tell me that her dad is losing it because my dad has left the Vault. Initially I was shocked and wondering what the heck she was talking about, but it turns out it was true. Dad left and didn't say a damn thing to me about it so of course I have no idea what's going on. Amata tells me she'll help me to leave because she doesn't know what her dad will do, so here I am running around trying to escape the Vault and thinking, geeze this is a messed up situation.
I was trying to play the chaotic good path, so I didn't kill the Overseer out of respect for my friend even though her dad was a freaking paranoid psycho. I managed to escape Vault 101 and here was this vast world in front of me and I couldn't wait to explore especially since the setting was in Washington D.C. a place I was familiar with having grown up in Virginia. So I set out to explore what was now known as the Capital Wasteland. I discovered the town of Megaton and the people surviving in the Wasteland and picked up some quests as well. Megaton was definitely cool with all the different houses and the crazy atomic bomb that is just there in the center of town.
Enjoying the view of Megaton.
From there the big thing in Fallout 3 is finding my lone wanderer's dad and getting some answers about why he left and what exactly he was up to. There's all kinds of main quests and side quests for hours of game play giving the impression of a vast world. There's all kinds of danger in the Wasteland too ranging from Super Mutants to Mirelurks which definitely kept me on my toes. There's all kinds of weapons too and of course I liked that I could modify and build my own. You get companions who travel with you too and that includes everyone's favorite canine Dogmeat. I did like the fact that you could have two companions travel with you. I ended up choosing Dogmeat and my Super Mutant friend, Fawkes. They both worked really well together with taking down enemies. There's also two factions of the Brotherhood of Steel, the Brotherhood and the Brotherhood Outcasts. They seemed to have different ideas about what they should be doing. I did like Elder Lyons the leader of the Brotherhood of Steel though. There was a kindness and gentle wisdom to him that was incredibly likable. I did find it amusing to see Maxson and MacCready (they're in Fallout 4) as kids in Fallout 3. They seemed so different from who they are now. I actually liked Maxson better in 3 because he seemed a little kinder and a little more open.
Taking down a Mirelurk.
My lone wanderer did find her dad and got to actually talk to him about what he was up to. Project Purity was a cool concept; the idea of clean water for everyone in the Wasteland was great and the fact that he figured out how to make it work was also great. I just didn't understand why he couldn't tell his own kid what he was up to and instead just left without saying a word and his excuse was the Vault would keep me safe. Really? Sure. I was so safe with the Overseer and his goons trying to kill me. It was hard to stay angry with him though when he was so apologetic and then proceeded to say nice things to his kid about how proud of her he was for surviving and trying to be a good person.
Then, dad and daughter team up to work on Project Purity. I did do some side quests along the way before getting back to the main story. I enjoyed exploring the Capital Wasteland and seeing some familiar places such as the Lincoln Memorial and the Jefferson Memorial. There's even a quest where you can break in to the White House to get somewhere. Granted the majority of it is destroyed, but it was still a pretty neat quest.
Checking out the Jefferson Memorial with Dogmeat.
Of course in the main story, things don't go as planned thanks to the shady people simply known as The Enclave. That's where the Brotherhood of Steel comes in as you work towards the common goal of eliminating the Enclave who apparently have an issue with the idea of everyone in the Wasteland getting pure water that isn't irradiated for free. Again, I ran around and did more side quests for more level grinding and more things. I did like that I got a free house for helping the people of Megaton by quietly disarming that atom bomb before it blew everyone sky high. One of the vendors there sold themes for the Megaton house and I went with pre-war which was nice with a 50s retro feel.
Cool, I got my own house!
Did I enjoy Fallout 3? Absolutely. That isn't to say there weren't flaws. This is Game of the Year Edition so there was no excuse for a lot of the issues I had. This included all the DLC titles and these were fun to play. I especially liked the Broken Steel and Mothership Zeta quests. I also liked the nod to the Cthulhu mythos with the Dark Heart of Blackhall quest. The big thing was the constant game freezes. Mothership Zeta was especially bad with this and it got incredibly frustrating. I did all the tricks suggested; turning off the auto save and clearing some data. That helped a bit, but every once in a while the frame rate would drop and the game would freeze. It turned out this was a common problem on the PS3 and I found myself annoyed with it. Sure, it wasn't a big deal because I could just reload my last save and it would be fine. However, it does take away from the atmosphere of the game when that happens. There would also be odd glitches like Dogmeat walking up in the air above me or my character would disappear and there would be bits and pieces of me visible such as my hair and my hands. That was incredibly weird. The controls were a little clunky and I actually had to change the difficulty to very easy until I got used to them. It wasn't a big deal, but it was noticeable.
I love the Fallout series and there's so much to enjoy about them. However with things like this happening, Bethesda should be embarrassed. For as long as the game has been out, there's no excuse in not fixing known issues especially when it comes to dropped frame rates and the game freezing. It made me glad that I follow my mantra of save my game and save often.
Technical issues aside, I did have fun playing Fallout 3 and liked the story a lot. The characters were good and the different paths I could take for the storytelling were great because it did make me really think about what choices I wanted to make during my adventure. I'm glad I finally got the chance to play it and it was a great game. Now, I'm ready to check out Fallout New Vegas!
The opening sequence was intriguing with the lone wanderer being born and of course this is so you can choose to be a boy or a girl and design your character and decide their race. I went with Asian girl and as I was picking out all the facial and hair designs, I wondered why there were several varying choices of bald. I mean, I get it. It's Fallout and with spiffy things like radiation poisoning hair falls out and people are bald, but so many choices of bald over actual hair. It was weird. I found a hair choice I liked and everything was great and I started my Fallout 3 story.
So the time jumps from baby to ten years old were interesting for getting to see how life was for my lone wanderer in Vault 101 and there was a birthday party for me where I get my very own Pipboy. Neat. Wandering around talking to everyone including a ridiculous bully named Butch (I was not nice to him and punched him. That was my freaking birthday dessert damn it!) was cool and it definitely sets the story up nicely. Then the time line jumps again and my character is 16 years old and has to take the G.O.A.T. (Generalized Occupational Aptitude Test for Fallout newbies) to decide what they'll be doing.
16 and ready to take the G.O.A.T. test.
A last time jump happens and the lone wanderer is 19 years old and the main story of Fallout 3 begins. The Overseer's daughter and my friend Amata, wakes me up to tell me that her dad is losing it because my dad has left the Vault. Initially I was shocked and wondering what the heck she was talking about, but it turns out it was true. Dad left and didn't say a damn thing to me about it so of course I have no idea what's going on. Amata tells me she'll help me to leave because she doesn't know what her dad will do, so here I am running around trying to escape the Vault and thinking, geeze this is a messed up situation.
I was trying to play the chaotic good path, so I didn't kill the Overseer out of respect for my friend even though her dad was a freaking paranoid psycho. I managed to escape Vault 101 and here was this vast world in front of me and I couldn't wait to explore especially since the setting was in Washington D.C. a place I was familiar with having grown up in Virginia. So I set out to explore what was now known as the Capital Wasteland. I discovered the town of Megaton and the people surviving in the Wasteland and picked up some quests as well. Megaton was definitely cool with all the different houses and the crazy atomic bomb that is just there in the center of town.
Enjoying the view of Megaton.
From there the big thing in Fallout 3 is finding my lone wanderer's dad and getting some answers about why he left and what exactly he was up to. There's all kinds of main quests and side quests for hours of game play giving the impression of a vast world. There's all kinds of danger in the Wasteland too ranging from Super Mutants to Mirelurks which definitely kept me on my toes. There's all kinds of weapons too and of course I liked that I could modify and build my own. You get companions who travel with you too and that includes everyone's favorite canine Dogmeat. I did like the fact that you could have two companions travel with you. I ended up choosing Dogmeat and my Super Mutant friend, Fawkes. They both worked really well together with taking down enemies. There's also two factions of the Brotherhood of Steel, the Brotherhood and the Brotherhood Outcasts. They seemed to have different ideas about what they should be doing. I did like Elder Lyons the leader of the Brotherhood of Steel though. There was a kindness and gentle wisdom to him that was incredibly likable. I did find it amusing to see Maxson and MacCready (they're in Fallout 4) as kids in Fallout 3. They seemed so different from who they are now. I actually liked Maxson better in 3 because he seemed a little kinder and a little more open.
Taking down a Mirelurk.
My lone wanderer did find her dad and got to actually talk to him about what he was up to. Project Purity was a cool concept; the idea of clean water for everyone in the Wasteland was great and the fact that he figured out how to make it work was also great. I just didn't understand why he couldn't tell his own kid what he was up to and instead just left without saying a word and his excuse was the Vault would keep me safe. Really? Sure. I was so safe with the Overseer and his goons trying to kill me. It was hard to stay angry with him though when he was so apologetic and then proceeded to say nice things to his kid about how proud of her he was for surviving and trying to be a good person.
Then, dad and daughter team up to work on Project Purity. I did do some side quests along the way before getting back to the main story. I enjoyed exploring the Capital Wasteland and seeing some familiar places such as the Lincoln Memorial and the Jefferson Memorial. There's even a quest where you can break in to the White House to get somewhere. Granted the majority of it is destroyed, but it was still a pretty neat quest.
Checking out the Jefferson Memorial with Dogmeat.
Of course in the main story, things don't go as planned thanks to the shady people simply known as The Enclave. That's where the Brotherhood of Steel comes in as you work towards the common goal of eliminating the Enclave who apparently have an issue with the idea of everyone in the Wasteland getting pure water that isn't irradiated for free. Again, I ran around and did more side quests for more level grinding and more things. I did like that I got a free house for helping the people of Megaton by quietly disarming that atom bomb before it blew everyone sky high. One of the vendors there sold themes for the Megaton house and I went with pre-war which was nice with a 50s retro feel.
Cool, I got my own house!
Did I enjoy Fallout 3? Absolutely. That isn't to say there weren't flaws. This is Game of the Year Edition so there was no excuse for a lot of the issues I had. This included all the DLC titles and these were fun to play. I especially liked the Broken Steel and Mothership Zeta quests. I also liked the nod to the Cthulhu mythos with the Dark Heart of Blackhall quest. The big thing was the constant game freezes. Mothership Zeta was especially bad with this and it got incredibly frustrating. I did all the tricks suggested; turning off the auto save and clearing some data. That helped a bit, but every once in a while the frame rate would drop and the game would freeze. It turned out this was a common problem on the PS3 and I found myself annoyed with it. Sure, it wasn't a big deal because I could just reload my last save and it would be fine. However, it does take away from the atmosphere of the game when that happens. There would also be odd glitches like Dogmeat walking up in the air above me or my character would disappear and there would be bits and pieces of me visible such as my hair and my hands. That was incredibly weird. The controls were a little clunky and I actually had to change the difficulty to very easy until I got used to them. It wasn't a big deal, but it was noticeable.
I love the Fallout series and there's so much to enjoy about them. However with things like this happening, Bethesda should be embarrassed. For as long as the game has been out, there's no excuse in not fixing known issues especially when it comes to dropped frame rates and the game freezing. It made me glad that I follow my mantra of save my game and save often.
Technical issues aside, I did have fun playing Fallout 3 and liked the story a lot. The characters were good and the different paths I could take for the storytelling were great because it did make me really think about what choices I wanted to make during my adventure. I'm glad I finally got the chance to play it and it was a great game. Now, I'm ready to check out Fallout New Vegas!
Haley Mathiot (9 KP) rated Anything But Typical in Books
Apr 27, 2018
nything but Typical by Nora Raleigh Baskin anything-but-typical
Rating: 4.5/5
<b> My Summary: </b> <i> Jason is Autistic. Letters define his life, and he thinks in full complete sentences, no contractions, and perfect grammar. Every morning, a word pops into his head. He says it out loud while he brushes his teeth. He has been able to spell any word he has ever seen perfectly since the age of four, but he has no control over his body. When he gets stressed out, his hands start to fly away from his body, and his head begins to buzz, and feels like it’s going to fly away. He can’t keep his body together. He can’t talk to people very well, if at all. He can’t look at people’s faces, and he doesn’t respond to questions. He has no social skills. But, his mind is full of everything in the room—the sound of the air conditioner, the smell of his teacher’s shampoo, the light in the room, the echo of slamming doors… Jason has permission to come home from school when he needs too if he can’t handle it. Jason’s outlet is writing. He writes stories online at storyboard. He meets a girl named PhoenixBird online, and she loves his stories. They become friends. That’s a huge thing for Jason—they start talking about things like school drama and pets instead of grades and story ideas. She tells him that her name is Rebecca. They’re real friends now. But then Jason finds out that he has to meet his friend at the storyboard convention, and he’s afraid Rebecca won’t like him anymore because she will think he’s weird, just like everyone else who has met him. It’s the end of his world. Boy meets girl. Boy gets girl. Boy looses girl. Isn’t that the way all the stories go? </i>
<b> My Thoughts: </b> My brother is Autistic. Or rather, he has Aspergers syndrome, which is on the Autism spectrum. I thought I understood autistic kids pretty well. I was wrong.
From the first page I could hear Jason’s voice, the way he spoke, the way he thought. It was all very clear—and fascinating. I can’t really say much about this book, simply because it’s something you have to read for yourself and understand. You have to get inside Jason’s head and listen to what he has to say, and learn from him. He’s a brilliant person, and personally I think he understands some things better than most “normal” people.
<b> The Characters: </b> the characters were the most important aspect of this book. I could feel Jason’s confusion over little things that set him off and his stress about meeting his would-be girlfriend, and his wandering mind that went from one thought to another. Most people wouldn’t connect thoughts the way Jason did. But while I was inside his head, I understood that connection a little better. All the characters were very well developed and strong, too. Mother had her quirks and was technology-illiterate. Dad was quiet but wanted everyone to be happy. Little brother worshiped the ground Jason walked on and had his own little compulsions. Jason was my favorite character, though.
<b> The Plot: </b> the plot didn’t really matter in this book. Although it was very well thought out and executed, the point of this book was Jason and his mind, not what happened. With that in mind—the plot was very plausible, realistic, and easy to follow. There was a little bit of jumping around, from past tense to present, telling a story from his earlier experiences, but not much. Jason’s life is very interesting, because every day things mean different things to him than they do to us. Every little thing that we experience is special or different or scary or exhilarating for Jason.
<b> Writing: </b> This book is written in first person, so I was able to get inside Jason’s head from the very first sentence: “Most people like to talk in their own language.” The words were beautiful, and I was wrapped up in the immediately. I loved it.
<b> Recommendation: </b> I would want everyone to read this book—everyone. If you can read, you should read it. If your kid can’t read, read it out loud to them. If your grandma is blind, buy the audio book. It’s fantastic, enjoyable, and perfect for any age group.
<u> This is one of my favorite books that I’ve read in a long time. I’m going to make my mom read it, and all my friends read it, because it was so fantastic. Maybe now I can understand my autistic brother just a little bit more. </u>
<i> Thank you to Krissy at NPCCPL for providing this ARC for review. I did not receive any compensation in exchange for this review. Please see my disclaimer for more information. </i>
~Haleyknitz
Rating: 4.5/5
<b> My Summary: </b> <i> Jason is Autistic. Letters define his life, and he thinks in full complete sentences, no contractions, and perfect grammar. Every morning, a word pops into his head. He says it out loud while he brushes his teeth. He has been able to spell any word he has ever seen perfectly since the age of four, but he has no control over his body. When he gets stressed out, his hands start to fly away from his body, and his head begins to buzz, and feels like it’s going to fly away. He can’t keep his body together. He can’t talk to people very well, if at all. He can’t look at people’s faces, and he doesn’t respond to questions. He has no social skills. But, his mind is full of everything in the room—the sound of the air conditioner, the smell of his teacher’s shampoo, the light in the room, the echo of slamming doors… Jason has permission to come home from school when he needs too if he can’t handle it. Jason’s outlet is writing. He writes stories online at storyboard. He meets a girl named PhoenixBird online, and she loves his stories. They become friends. That’s a huge thing for Jason—they start talking about things like school drama and pets instead of grades and story ideas. She tells him that her name is Rebecca. They’re real friends now. But then Jason finds out that he has to meet his friend at the storyboard convention, and he’s afraid Rebecca won’t like him anymore because she will think he’s weird, just like everyone else who has met him. It’s the end of his world. Boy meets girl. Boy gets girl. Boy looses girl. Isn’t that the way all the stories go? </i>
<b> My Thoughts: </b> My brother is Autistic. Or rather, he has Aspergers syndrome, which is on the Autism spectrum. I thought I understood autistic kids pretty well. I was wrong.
From the first page I could hear Jason’s voice, the way he spoke, the way he thought. It was all very clear—and fascinating. I can’t really say much about this book, simply because it’s something you have to read for yourself and understand. You have to get inside Jason’s head and listen to what he has to say, and learn from him. He’s a brilliant person, and personally I think he understands some things better than most “normal” people.
<b> The Characters: </b> the characters were the most important aspect of this book. I could feel Jason’s confusion over little things that set him off and his stress about meeting his would-be girlfriend, and his wandering mind that went from one thought to another. Most people wouldn’t connect thoughts the way Jason did. But while I was inside his head, I understood that connection a little better. All the characters were very well developed and strong, too. Mother had her quirks and was technology-illiterate. Dad was quiet but wanted everyone to be happy. Little brother worshiped the ground Jason walked on and had his own little compulsions. Jason was my favorite character, though.
<b> The Plot: </b> the plot didn’t really matter in this book. Although it was very well thought out and executed, the point of this book was Jason and his mind, not what happened. With that in mind—the plot was very plausible, realistic, and easy to follow. There was a little bit of jumping around, from past tense to present, telling a story from his earlier experiences, but not much. Jason’s life is very interesting, because every day things mean different things to him than they do to us. Every little thing that we experience is special or different or scary or exhilarating for Jason.
<b> Writing: </b> This book is written in first person, so I was able to get inside Jason’s head from the very first sentence: “Most people like to talk in their own language.” The words were beautiful, and I was wrapped up in the immediately. I loved it.
<b> Recommendation: </b> I would want everyone to read this book—everyone. If you can read, you should read it. If your kid can’t read, read it out loud to them. If your grandma is blind, buy the audio book. It’s fantastic, enjoyable, and perfect for any age group.
<u> This is one of my favorite books that I’ve read in a long time. I’m going to make my mom read it, and all my friends read it, because it was so fantastic. Maybe now I can understand my autistic brother just a little bit more. </u>
<i> Thank you to Krissy at NPCCPL for providing this ARC for review. I did not receive any compensation in exchange for this review. Please see my disclaimer for more information. </i>
~Haleyknitz
Haley Mathiot (9 KP) rated Over the Holidays in Books
Apr 27, 2018
Summary: Vanessa is experiencing craziness from the holidays like she never has before: her husband’s relatives (who are extremely annoying) are visiting and taking over her holiday while he is out of town until Christmas eve, which means she has to entertain them, her sister is acting like she’s unrelated because she’s so wrapped up in her art (which she’s struggling with) and she’s trying desperately not to have an affair with the hansom playwright she’s working with…
My thoughts: It was really hard for me to see what the point of this book was, but i think it centered around holiday traditions, gifts, really weird relatives, and baking your pies instead of buying them from a store. there was no focus on the meaning of Christmas (Christ. hence, Christmas.) and i felt like the character’s decisions were not made based on what was right and the reason behind why it was right, but only to keep their dignity. the book seemed shallow in that sense. I really have a hard time understanding what these people were celebrating during Christmas—if you’re not celebrating the baby Jesus, what are you eating turkey for anyway?
The Plot: this book was a path through Christmas and New Year celebrations, so it took the four most important characters (Vanessa, her sister Thea, mother in-law Patience, and Patience’s daughter Libby) and told their Christmas stories from each of their perspectives. there were parts of the story that were really surprising—for instance, i didn’t expect what happened with Neil or Cal, and was very anxious to find out what happened.
The Characters: there were so many new characters all thrown at you at once in the beginning of the book, it’s a little tough to keep up with. Vanessa seemed to have her head on reasonably straight, which i liked. Thea though, out of all the characters, was the one who had the best grip on reality (maybe that’s just because she and I are both crazy temperamental artists, though). Patience (who was not patient) seemed trivial and silly and a little ditzy, which was perfect for her. I don’t think i was supposed to particularly like her. at least, i hope that’s the case. (because i didn’t.) Libby seemed melodramatic and had an overrated view of sex. but her love for her cousins made her endearing.
The Writing: there was a lot of swearing in this book. a lot. which really doesn’t bother me that much, because when i’m reading i skip over it and don’t really register it, but it might bother other people. the writing style in general seemed very casual, and some things were over described—i really don’t care if the toilet that she peed into was stainless steel or porcelain, and i don’t really want to know every detail of a woman’s Christmas shopping.
Recommendation and rating: I gave this book a 2 out of five, if you look on my side bar you see that I wrote “you might enjoy it, but you're really not missing anything if you skip it.” I rated it that way because I personally didn’t connect with this book (probably because of my view of Christmas being centered around Christ, not pie.) and would have lived to see tomorrow if I hadn’t read it. however, if you look below, there is a list of other blogs on this tour, and other people may tell you that it was fantastic. I guess this one just wasn’t for me. I would recommend this book to anyone who wants a light quick fun read, ages 16+
check out the rest of the blog tour:
*Rundpinne: http://www.rundpinne.blogspot.com
*Frugal Plus: http://frugalplus.com/
*The Life (And Lies) of an Inanimate Flying Object:
http://haleymathiot.blogspot.com/
*Drey’s Library: http://dreyslibrary.blogspot.com/
*Wendi’s Book Corner: http://wendisbookcorner.blogspot.com/
*Opinionated? Me? : http://readingwatchingliving.blogspot.com/
*Me, My Book and the Couch:
http://memybookandthecouch.blogspot.com/
*Libby’s Library News: http://www.libslibrary.blogspot.com/
*Bookin’ With Bingo: http://bookinwithbingo.blogspot.com/
*Books, Movies, and Chinese Food:
http://books-movies-chinesefood.blogspot.com/
*Psychotic State: http://www.psychoticstate.blogspot.com/
*Readaholic: http://bridget3420.blogspot.com/
*That’s A Novel Idea: http://thatsanovelidea.blogspot.com
*All About {N}: http://www.bookwormygirl.blogspot.com/
*Starting Fresh: http://startingfresh-gaby317.blogspot.com/
*A Sea of Books: http://aseaofbooks.blogspot.com/
*Just Another New Blog: http://justanothernewblog.blogspot.com/
*Blog Business World: http://www.blogbusinessworld.blogspot.com
*My Friend Amy: http://www.myfriendamysblog.com
*Cheryl’s Book Nook: http://cherylsbooknook.blogspot.com/
*One Person’s Journey Through A World of Books:
http://bookjourney.wordpress.com/
*I Read: http://sumanam.wordpress.com/
*So Many Books, So Little Time:
http://purplg8r-somanybooks.blogspot.com/
*Keep on Booking: http://keeponbooking.blogspot.com
*Reading at the Beach: http://ilratb.blogspot.com/
*Found Not Lost: http://jmomfinds.amoores.com/
*Brizmus Blogs Books: http://brizmusblogsbooks.blogspot.com/
*Book Reviews by Buuklvr81: http://www.buuklvr81.blogspot.com/
Thank you to Sarah Reidy from Pocket Books for providing me with my review copy.
win this copy of my book at haleymathiot.blogspot.com
My thoughts: It was really hard for me to see what the point of this book was, but i think it centered around holiday traditions, gifts, really weird relatives, and baking your pies instead of buying them from a store. there was no focus on the meaning of Christmas (Christ. hence, Christmas.) and i felt like the character’s decisions were not made based on what was right and the reason behind why it was right, but only to keep their dignity. the book seemed shallow in that sense. I really have a hard time understanding what these people were celebrating during Christmas—if you’re not celebrating the baby Jesus, what are you eating turkey for anyway?
The Plot: this book was a path through Christmas and New Year celebrations, so it took the four most important characters (Vanessa, her sister Thea, mother in-law Patience, and Patience’s daughter Libby) and told their Christmas stories from each of their perspectives. there were parts of the story that were really surprising—for instance, i didn’t expect what happened with Neil or Cal, and was very anxious to find out what happened.
The Characters: there were so many new characters all thrown at you at once in the beginning of the book, it’s a little tough to keep up with. Vanessa seemed to have her head on reasonably straight, which i liked. Thea though, out of all the characters, was the one who had the best grip on reality (maybe that’s just because she and I are both crazy temperamental artists, though). Patience (who was not patient) seemed trivial and silly and a little ditzy, which was perfect for her. I don’t think i was supposed to particularly like her. at least, i hope that’s the case. (because i didn’t.) Libby seemed melodramatic and had an overrated view of sex. but her love for her cousins made her endearing.
The Writing: there was a lot of swearing in this book. a lot. which really doesn’t bother me that much, because when i’m reading i skip over it and don’t really register it, but it might bother other people. the writing style in general seemed very casual, and some things were over described—i really don’t care if the toilet that she peed into was stainless steel or porcelain, and i don’t really want to know every detail of a woman’s Christmas shopping.
Recommendation and rating: I gave this book a 2 out of five, if you look on my side bar you see that I wrote “you might enjoy it, but you're really not missing anything if you skip it.” I rated it that way because I personally didn’t connect with this book (probably because of my view of Christmas being centered around Christ, not pie.) and would have lived to see tomorrow if I hadn’t read it. however, if you look below, there is a list of other blogs on this tour, and other people may tell you that it was fantastic. I guess this one just wasn’t for me. I would recommend this book to anyone who wants a light quick fun read, ages 16+
check out the rest of the blog tour:
*Rundpinne: http://www.rundpinne.blogspot.com
*Frugal Plus: http://frugalplus.com/
*The Life (And Lies) of an Inanimate Flying Object:
http://haleymathiot.blogspot.com/
*Drey’s Library: http://dreyslibrary.blogspot.com/
*Wendi’s Book Corner: http://wendisbookcorner.blogspot.com/
*Opinionated? Me? : http://readingwatchingliving.blogspot.com/
*Me, My Book and the Couch:
http://memybookandthecouch.blogspot.com/
*Libby’s Library News: http://www.libslibrary.blogspot.com/
*Bookin’ With Bingo: http://bookinwithbingo.blogspot.com/
*Books, Movies, and Chinese Food:
http://books-movies-chinesefood.blogspot.com/
*Psychotic State: http://www.psychoticstate.blogspot.com/
*Readaholic: http://bridget3420.blogspot.com/
*That’s A Novel Idea: http://thatsanovelidea.blogspot.com
*All About {N}: http://www.bookwormygirl.blogspot.com/
*Starting Fresh: http://startingfresh-gaby317.blogspot.com/
*A Sea of Books: http://aseaofbooks.blogspot.com/
*Just Another New Blog: http://justanothernewblog.blogspot.com/
*Blog Business World: http://www.blogbusinessworld.blogspot.com
*My Friend Amy: http://www.myfriendamysblog.com
*Cheryl’s Book Nook: http://cherylsbooknook.blogspot.com/
*One Person’s Journey Through A World of Books:
http://bookjourney.wordpress.com/
*I Read: http://sumanam.wordpress.com/
*So Many Books, So Little Time:
http://purplg8r-somanybooks.blogspot.com/
*Keep on Booking: http://keeponbooking.blogspot.com
*Reading at the Beach: http://ilratb.blogspot.com/
*Found Not Lost: http://jmomfinds.amoores.com/
*Brizmus Blogs Books: http://brizmusblogsbooks.blogspot.com/
*Book Reviews by Buuklvr81: http://www.buuklvr81.blogspot.com/
Thank you to Sarah Reidy from Pocket Books for providing me with my review copy.
win this copy of my book at haleymathiot.blogspot.com
Ryan Hill (152 KP) rated Suicide Squad (2016) in Movies
May 9, 2019 (Updated May 26, 2019)
"Oh, I'm not gonna kill you... I'm just gonna hurt you really, really bad."
Suicide Squad, aka Suicide Squandered, was one of my most anticipated movies of 2016. It would bring back to the big screen one of the most iconic comic book characters, Mr. J, and Harley Quinn would make her long awaited movie debut. It also promised to offer a different approach on the superhero genre, as it would star the villains instead of the good guys.
However, the movie delivers much less than what it teases. It begins on a high note, by introducing some characters in a fun, energetic and fast-paced way, in spite of the messy editing that makes these segments look like mini trailers. It goes downhill from there, showing only a couple of scenes more that could justify all the love these superhero movies get. Ultimately, what distinguishes these sequences from the mediocre ones are the characters in them and whether the audience cares for them or not.
Displaying some information on the screen about certain characters or telling their backstory doesn't necessarily contribute to their development, nor to the knowledge the viewer has about them. Therefore, it's impossible to care about all the characters and only those who are played by the (more) famous actors have any meaning to the audience.
Will Smith's Deadshot is the best of the bunch. Smith has this unique ability to deliver comedic lines that many comedians wish they had. His charisma drives most of the movie and so does his character's motivation. Right now, he could be the only character capable of leading a franchise of his own. Deadshot ended up establishing a mildly interesting dynamic with Joel Kinnaman's forgettable Rick Flag.
Margot Robbie's Harley Quinn is the other character we end up caring about. Robbie provides a fantastic performance and hits all the right notes. Her amazing backstory is only slightly explored and it has potential for a future psychological thriller movie. With the right script and direction, it could be an incredible film. People have already talked about her body and I can only add that she could possibly be right below Kate Hudson's Penny Lane on the sexiest female movie characters. She could.
I love all sorts of crazy and psychotic performances on screen. In fact, one of my favourites is Gary Oldman's in Leon. Jared Leto delivers another one of those performances. It's truly stellar, I loved his interpretation of the Joker and I believe Leto can still receive high praise for his extraordinary efforts. It could happen in the form of that Batman movie, by Matt Reeves.
Just to conclude my thought on the performances, I would like to add that Viola Davis is an excellent Amanda Waller, even more menacing that Cara Delevingne's witch, more on that later. Jai Courtney was great , he got all the best jokes. Jay Hernandez sounds a lot like Jon Bernthal's Frank Castle, doesn't he? His Diablo is the best character, out of the less interesting ones. I love Katana from CW's Arrow and it was disappointing to see that the screenwriters didn't care about her, even more so because Karen Fukuhara seems perfect for the role. Killer Croc has the best entrance on water ever.
A movie is as good as its villain, right? Indeed. Cara Delevingne's Enchantress could very well be the worst movie villain ever. Malekith is relegated to second place. Honestly, I don't know who's to blame. Sure, Delevingne's acting isn't top-notch, but the screenwriters made her dance (?) in a weird way and her voice is laughable. The final result is ridiculous and by far the worst aspect of the movie.
While Batman v Superman: Dawn of Justice was a dark film and proud to 'own that shit', Suicide Squad is ashamed to exhibit that dark side, which results in confusing tone shifts. One moment, it's clearly a DC movie, and another, it is a Marvel family friendly one. Therefore, the comedy sometimes doesn't land, at all. Besides, I also didn't find anything special about the way the action was shot. It was generic stuff, mostly.
Suicide Squad is a huge waste of potential, that could have benefited from some character development and sharp editing. Its greatest strenght is undoubtedly the work done by the talented cast. Could a different cut fix some of these issues? Probably, yes. I was going to attribute 6 stars to this, but a second watch didn't help, either. By the way, what was your favourite sequence? Spoiler alert: mine was the one in which Joker jumps into the acid to Harley.
However, the movie delivers much less than what it teases. It begins on a high note, by introducing some characters in a fun, energetic and fast-paced way, in spite of the messy editing that makes these segments look like mini trailers. It goes downhill from there, showing only a couple of scenes more that could justify all the love these superhero movies get. Ultimately, what distinguishes these sequences from the mediocre ones are the characters in them and whether the audience cares for them or not.
Displaying some information on the screen about certain characters or telling their backstory doesn't necessarily contribute to their development, nor to the knowledge the viewer has about them. Therefore, it's impossible to care about all the characters and only those who are played by the (more) famous actors have any meaning to the audience.
Will Smith's Deadshot is the best of the bunch. Smith has this unique ability to deliver comedic lines that many comedians wish they had. His charisma drives most of the movie and so does his character's motivation. Right now, he could be the only character capable of leading a franchise of his own. Deadshot ended up establishing a mildly interesting dynamic with Joel Kinnaman's forgettable Rick Flag.
Margot Robbie's Harley Quinn is the other character we end up caring about. Robbie provides a fantastic performance and hits all the right notes. Her amazing backstory is only slightly explored and it has potential for a future psychological thriller movie. With the right script and direction, it could be an incredible film. People have already talked about her body and I can only add that she could possibly be right below Kate Hudson's Penny Lane on the sexiest female movie characters. She could.
I love all sorts of crazy and psychotic performances on screen. In fact, one of my favourites is Gary Oldman's in Leon. Jared Leto delivers another one of those performances. It's truly stellar, I loved his interpretation of the Joker and I believe Leto can still receive high praise for his extraordinary efforts. It could happen in the form of that Batman movie, by Matt Reeves.
Just to conclude my thought on the performances, I would like to add that Viola Davis is an excellent Amanda Waller, even more menacing that Cara Delevingne's witch, more on that later. Jai Courtney was great , he got all the best jokes. Jay Hernandez sounds a lot like Jon Bernthal's Frank Castle, doesn't he? His Diablo is the best character, out of the less interesting ones. I love Katana from CW's Arrow and it was disappointing to see that the screenwriters didn't care about her, even more so because Karen Fukuhara seems perfect for the role. Killer Croc has the best entrance on water ever.
A movie is as good as its villain, right? Indeed. Cara Delevingne's Enchantress could very well be the worst movie villain ever. Malekith is relegated to second place. Honestly, I don't know who's to blame. Sure, Delevingne's acting isn't top-notch, but the screenwriters made her dance (?) in a weird way and her voice is laughable. The final result is ridiculous and by far the worst aspect of the movie.
While Batman v Superman: Dawn of Justice was a dark film and proud to 'own that shit', Suicide Squad is ashamed to exhibit that dark side, which results in confusing tone shifts. One moment, it's clearly a DC movie, and another, it is a Marvel family friendly one. Therefore, the comedy sometimes doesn't land, at all. Besides, I also didn't find anything special about the way the action was shot. It was generic stuff, mostly.
Suicide Squad is a huge waste of potential, that could have benefited from some character development and sharp editing. Its greatest strenght is undoubtedly the work done by the talented cast. Could a different cut fix some of these issues? Probably, yes. I was going to attribute 6 stars to this, but a second watch didn't help, either. By the way, what was your favourite sequence? Spoiler alert: mine was the one in which Joker jumps into the acid to Harley.
BackToTheMovies (56 KP) rated Haunted (2013) in Movies
Jun 12, 2019
About As Scary As A Trip To Seaworld
Contains spoilers, click to show
Haunted, a film Directed by Steven M Smith is an unusual addition to anyone's 'film' collection, as instantly you question whether this is even a film to begin with, the content is very documentary based, opening with factual accounts and a history of an abandoned railway museum. All of the opening shots are filmed in documentary format and this continues throughout the film even when found footage elements are introduced.
A TV crew will film a paranormal investigation and obtain evidence that proves we are not alone. Something Evil awaits them! They will all discover the truth, that we are not alone.
The above quote is taken directly from the synopsis on the website, contestants are invited to visit a haunted railway as part of the show of which they are filming, they are all packed into a limousine and taken to the event. The whole scenes within the limo following the group around SHOULD of been filmed by a professional camera and a professional cinematographer but it looks as thou the entire film has been shot on someone's mobile phone.
Budget constraints aside, decent camera's should of been used to document the entire film from introduction to the actual paranormal investigations, rather than Sony handycam's that cost £120. The only time still camera's are used is to document an almost news style report at the start of the film and a few segments in between. Using handycams this instantly brings us into frustrating territory of moving shaky pictures, blurred images, and camera operators with shaky hands. Very poor quality recording even for a documentary style shooting as you're watching a black screen for the duration, has anyone ever heard of night vision? Next the acting, now the contestants themselves are not in on the game, they are not aware of what's going on or what they have signed up too, however Jon our 'medium' gives the game away at every opportunity. The strategically placed actor in the movie is Jon Paul Gates a supposed 'medium' who describes what he is feeling and how strong a presence is in a particular area. I personally would of caught on very easily to this poor display as not only was the acting questionable, but his descriptions of certain ghosts and characters were so detailed that it was obvious they had been memorised from a script or prior knowledge. There is one scene where the ghost is apparently on top of Jon as he is weighed to the ground, I found this scene hysterical, I was literally crying with laughter of how poor he not only acted it out but how a ghost was piggy backing a ride around the railway yard.
For the first 30 minutes of the movie, the group have arrived, walked around some railway tracks and picked up some weird force that only Jon can feel yet no one around the group has even felt or experienced anything out of this world. Now Most Haunted the popular paranormal TV show would of thrust the audience into some action by now but for the opening 30 minutes of Haunted, nothing of the sort has happened, as it stands the documentary as I refuse to call it a film has displayed more history about the railways than anything remotely paranormal. Maybe a title change would be for the best? I am neither scared, nor intrigued at this moment in time, quite frankly I'm hoping this heats up and soon.
I feel as thou if this film was cut shorter, much shorter, with a voice over documentary style about where each group is going and what they are doing it would be much more easier to watch. Cut the best bits in, jump scares, certain happenings, instead of mundane walking around a railway yard, because as it stands I could grab a camera, head off out tonight and shoot an identical piece of footage, its neither scary nor intriguing. It needs to have production value and Haunted is really suffering from a lack of it as a result.
There is one event throughout the whole movie which is the main talking point and then the film has the audacity to kill people off towards the end after a whole run time of nothingness, no build up, no real meaning or reason why. It was basically like watching the worst episode of Most Haunted to find one of your group dead on the floor at the end of it, planned, boring and drawn out far too long.
Shorten the run time, have a voice over, documentary coverage and film, DON'T kill anyone off at the end with some cheesy fake characters who no one now believes and have a genuine vigil, no pranks or set ups and this could of been a cool little paranormal programme.
Sadly none of the above happened. What a shame. A few sequels are in the works, shorten the duration, fix the countless problems and maybe, just maybe show some true paranormal / experiences and I guarantee it will be more of a success !
A TV crew will film a paranormal investigation and obtain evidence that proves we are not alone. Something Evil awaits them! They will all discover the truth, that we are not alone.
The above quote is taken directly from the synopsis on the website, contestants are invited to visit a haunted railway as part of the show of which they are filming, they are all packed into a limousine and taken to the event. The whole scenes within the limo following the group around SHOULD of been filmed by a professional camera and a professional cinematographer but it looks as thou the entire film has been shot on someone's mobile phone.
Budget constraints aside, decent camera's should of been used to document the entire film from introduction to the actual paranormal investigations, rather than Sony handycam's that cost £120. The only time still camera's are used is to document an almost news style report at the start of the film and a few segments in between. Using handycams this instantly brings us into frustrating territory of moving shaky pictures, blurred images, and camera operators with shaky hands. Very poor quality recording even for a documentary style shooting as you're watching a black screen for the duration, has anyone ever heard of night vision? Next the acting, now the contestants themselves are not in on the game, they are not aware of what's going on or what they have signed up too, however Jon our 'medium' gives the game away at every opportunity. The strategically placed actor in the movie is Jon Paul Gates a supposed 'medium' who describes what he is feeling and how strong a presence is in a particular area. I personally would of caught on very easily to this poor display as not only was the acting questionable, but his descriptions of certain ghosts and characters were so detailed that it was obvious they had been memorised from a script or prior knowledge. There is one scene where the ghost is apparently on top of Jon as he is weighed to the ground, I found this scene hysterical, I was literally crying with laughter of how poor he not only acted it out but how a ghost was piggy backing a ride around the railway yard.
For the first 30 minutes of the movie, the group have arrived, walked around some railway tracks and picked up some weird force that only Jon can feel yet no one around the group has even felt or experienced anything out of this world. Now Most Haunted the popular paranormal TV show would of thrust the audience into some action by now but for the opening 30 minutes of Haunted, nothing of the sort has happened, as it stands the documentary as I refuse to call it a film has displayed more history about the railways than anything remotely paranormal. Maybe a title change would be for the best? I am neither scared, nor intrigued at this moment in time, quite frankly I'm hoping this heats up and soon.
I feel as thou if this film was cut shorter, much shorter, with a voice over documentary style about where each group is going and what they are doing it would be much more easier to watch. Cut the best bits in, jump scares, certain happenings, instead of mundane walking around a railway yard, because as it stands I could grab a camera, head off out tonight and shoot an identical piece of footage, its neither scary nor intriguing. It needs to have production value and Haunted is really suffering from a lack of it as a result.
There is one event throughout the whole movie which is the main talking point and then the film has the audacity to kill people off towards the end after a whole run time of nothingness, no build up, no real meaning or reason why. It was basically like watching the worst episode of Most Haunted to find one of your group dead on the floor at the end of it, planned, boring and drawn out far too long.
Shorten the run time, have a voice over, documentary coverage and film, DON'T kill anyone off at the end with some cheesy fake characters who no one now believes and have a genuine vigil, no pranks or set ups and this could of been a cool little paranormal programme.
Sadly none of the above happened. What a shame. A few sequels are in the works, shorten the duration, fix the countless problems and maybe, just maybe show some true paranormal / experiences and I guarantee it will be more of a success !
Heather Cranmer (2721 KP) rated Fractured (Mirrorland, #1) in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
Everyone knows I love a good horror book. In fact, I can't resist a good horror book. Luckily, this one was fairly decent.
Okay, so the blurb is pretty spot on. I won't put it into my own words since I'd just be reiterating what the book blurb said.
I like the cover. I don't love it, but I definitely like it. I like the creepy feel to it. Yes, it could've been a bit creepier, but it's still a good cover.
I guess the title is okay. I think it's the whole symbolism for a title that a lot of books have going on. I guess you could say that Piper is a bit of a fractured girl, but I don't really see how the title would fit anywhere else. This is probably just me though.
The world building is okay. Mostly, it is believable although there's a couple of things that don't make it 100% believable. First off, this book makes demons look a bit weak. When a character can outrun a demon, something's up. From my knowledge of demons, they are pretty powerful. I doubt anyone could outrun a demon because they're younger or in better shape. Also, I'm also pretty sure that you couldn't hit a demon with enough force to do any damage. Again, demons are pretty powerful. I've never had a run in with a demon (thank God), but I'm guessing they are exactly weak. I also spotted a continuity error. One of the characters tells another to use her car to drive to the hospital which that character does. However, in the next chapter, this same character with the car tells another character to use her car which she does. Now, unless she can magic up the same car, I don't believe this can happen.
I think the pacing was a little slow to begin with, but it picked up during the second half of the book. For the first half, I really thought I was going to have to give this book a DNF (did not finish) rating. Luckily, the second half straps you in and takes you for a fast ride!
I enjoyed the whole spirit in a mirror thing. It's been done before, but I enjoyed the way it was executed in this book. I've always been a little bit scared of what lurks in mirrors, and this book just added to my fear. I'm really glad I read most of this book during the day, just saying. I predicted the whole plot twist. In my opinion, it was easy to predict, but that could be just because I try to figure out plot twists in every book. Also, if you're looking for a HEA (happily ever after) ending, then, well, you'll be sorely disappointed. There's no major cliff hanger even though this is a series which I was happy about.
I enjoyed the characters. I would've like a bit more back story on all of them, but I still found them enjoyable to read about. I could relate with all of Piper's emotions, and I felt scared for her when something was happening. I would've liked to see more Alison in the book though. For some odd reason, she became my favorite character even though she isn't heavily featured throughout the book. One thing that did bother me was the stereotyping. There is a goth girl named Felicia in the book, and she is your very stereotypical goth girl. For example, she wears all black, she's very quiet, and she wears a lot of crosses. Stereotyping in any book is a pet peeve of mine.
I found the dialogue to be a bit hit and miss. Keep in mind that these characters are supposed to be in high school. There were times when it felt as if they were from another decade, not the one we're presently in. They just used words and phrases that just seemed awkward for a teen. Saying that, even though the dialogue was a bit weird, this didn't put me off the book.
Overall, Fractured by Majanka Verstraete is a decent book and at times, a little spooky. With a little more work, this book has the potential to be a super scary read. I will definitely be reading the next book in the Mirrorland series.
I'd recommend this book to those aged 15+ who are looking for an excuse to leave the light on at night.
I'd give Fractured (Mirrorland #1) by Majanka Verstraete a 3.5 out of 5.
(I received a free ebook of this title from the tour host in exchange for a fair and honest review).
Everyone knows I love a good horror book. In fact, I can't resist a good horror book. Luckily, this one was fairly decent.
Okay, so the blurb is pretty spot on. I won't put it into my own words since I'd just be reiterating what the book blurb said.
I like the cover. I don't love it, but I definitely like it. I like the creepy feel to it. Yes, it could've been a bit creepier, but it's still a good cover.
I guess the title is okay. I think it's the whole symbolism for a title that a lot of books have going on. I guess you could say that Piper is a bit of a fractured girl, but I don't really see how the title would fit anywhere else. This is probably just me though.
The world building is okay. Mostly, it is believable although there's a couple of things that don't make it 100% believable. First off, this book makes demons look a bit weak. When a character can outrun a demon, something's up. From my knowledge of demons, they are pretty powerful. I doubt anyone could outrun a demon because they're younger or in better shape. Also, I'm also pretty sure that you couldn't hit a demon with enough force to do any damage. Again, demons are pretty powerful. I've never had a run in with a demon (thank God), but I'm guessing they are exactly weak. I also spotted a continuity error. One of the characters tells another to use her car to drive to the hospital which that character does. However, in the next chapter, this same character with the car tells another character to use her car which she does. Now, unless she can magic up the same car, I don't believe this can happen.
I think the pacing was a little slow to begin with, but it picked up during the second half of the book. For the first half, I really thought I was going to have to give this book a DNF (did not finish) rating. Luckily, the second half straps you in and takes you for a fast ride!
I enjoyed the whole spirit in a mirror thing. It's been done before, but I enjoyed the way it was executed in this book. I've always been a little bit scared of what lurks in mirrors, and this book just added to my fear. I'm really glad I read most of this book during the day, just saying. I predicted the whole plot twist. In my opinion, it was easy to predict, but that could be just because I try to figure out plot twists in every book. Also, if you're looking for a HEA (happily ever after) ending, then, well, you'll be sorely disappointed. There's no major cliff hanger even though this is a series which I was happy about.
I enjoyed the characters. I would've like a bit more back story on all of them, but I still found them enjoyable to read about. I could relate with all of Piper's emotions, and I felt scared for her when something was happening. I would've liked to see more Alison in the book though. For some odd reason, she became my favorite character even though she isn't heavily featured throughout the book. One thing that did bother me was the stereotyping. There is a goth girl named Felicia in the book, and she is your very stereotypical goth girl. For example, she wears all black, she's very quiet, and she wears a lot of crosses. Stereotyping in any book is a pet peeve of mine.
I found the dialogue to be a bit hit and miss. Keep in mind that these characters are supposed to be in high school. There were times when it felt as if they were from another decade, not the one we're presently in. They just used words and phrases that just seemed awkward for a teen. Saying that, even though the dialogue was a bit weird, this didn't put me off the book.
Overall, Fractured by Majanka Verstraete is a decent book and at times, a little spooky. With a little more work, this book has the potential to be a super scary read. I will definitely be reading the next book in the Mirrorland series.
I'd recommend this book to those aged 15+ who are looking for an excuse to leave the light on at night.
I'd give Fractured (Mirrorland #1) by Majanka Verstraete a 3.5 out of 5.
(I received a free ebook of this title from the tour host in exchange for a fair and honest review).