"I would say my third one would probably be The Black Cat, 1934. Lugosi, but with Karloff, who also is demented, as a Satan worshiper. David Manners, who is in Dracula, again giving another bizarre, stiff, wooden performance, except this time it’s more obvious, because you have two guys who are amazing surrounding him. It’s always weird watching these sort of straight-up leading men being destroyed by these freaks. I don’t know, it’s kind of weird. I guess these guys don’t really get the credit that they deserve for their acting, because they were always in horror movies, but Lugosi and Karloff are just incredible. I mean, they create these iconic moments that define what cinema is, and they’re sort of brushed off. But I guess that’s the way it goes"

"I love Ghost Box. In a similar way to how British psych from the '60s looked back to a whimsical past and kids' fiction from the Victorian era, Ghost Box look back to a more modern past – specifically the '60s and '70s, which is when I grew up. It's an analogue sound that seems to evoke brutalist architecture, new towns and the like. You can imagine Ghost Box soundtracking a film about a new town built on a burial site. Jim [Jupp] and Julian [House, Ghost Box co-founder] come from Caldicot, which is a really spooky part of Wales. Lots of weird gothic architecture and a lot of weird local folklore and superstition. This record by the Belbury Poly [Jupp] presents someone's version of the past, a vision that's both real and ephemeral. It harks back to a time that wasn't obviously psychedelic but it's not obviously retro. Without being too rose-tinted specs about this record, it has a slight 'warm blanket' effect, while still being a little uncomfortable, if that makes sense. It's possibly a weird record for me to pick in a list of psychedelic records but it definitely does that thing of successfully imagining an alternate reality. I can imagine walking around this place."