"My son listens to Frank Ocean, so I started listening to this through him. I started with listening to Channel Orange and I thought that was fucking amazing. At first I was displaced by the thin-sounding R&B American-ness of it, but when you get into it you realise it’s brilliant. What I like about it is the nature of what Frank Ocean’s singing about, his little introspective vanity subjects. He doesn’t go outwards, like ‘the big wave’s gonna crush us, save the animals’, he just talks about vain things. It’s good. It’s brilliant actually. He’s just a really weird guy singing about weird subjects. There’s that tune ‘Super Rich Kids’, which is just fucking brilliant. ‘Too many bottles of this wine we can’t pronounce’, there’s little moments of discomfort like that, turned into a chorus. I much prefer that to someone’s big treatise about, I don’t know, Assad. Or the coronavirus."

"There's at least 10 Herbie Hancock albums that would be in my top 100 of all time, I listen to a lot, but the thing I like about Crossings is how dark it is. The opening of the second song, 'Quasar'… it's one of the darkest moments in Jazz history, this horn line that sounds more like a dark planet in a sci fi movie. It's so moody, it's mysterious and sexy. Me and my girlfriend like to listen to this record when we sit and maybe get down… we like to listen to really weird shit… I notice that if we're at a party and we put on a song we'll clear the floor. Those dark, mysterious melodies really turn us on. We get off on it, maybe it's because we're damaged. I get most excited about music when it's dark and weird and sad, like I prefer Mozart's Requiem to his symphonies because it's so sad and devastating."

"I remember my sister bringing The Slim Shady LP home from school and I’d never heard anything like it. The lyrics were so fucking cool, he was so weird and dark and it was so different. He just tells these fucking creative stories and I think that’s what really appeals to me, I’m such a storyteller with my songs. “I love him as an artist because he represented the struggle of being a fucking teenager, being misunderstood and being like ‘Fuck you, fuck everyone.’ There’s so much aggression in it and I felt that in my hormones as a teenager. He gave a voice to all the ways that you’re misunderstood and the hardship of being a fucking adolescent. There’s anger and there’s ‘I’m an outsider’ and ‘fuck everyone.’ “It’s weird because even though there’s so much aggression in there, there’s also the humour and the sarcasm. He said things that no one else was saying and he created characters and stories and I liked that."