"That’s another one for me that, basically it’s stunning how — it’s an incredible watch. And I think it’s the performances, again, I find riveting. Tim Robbins and Morgan Freeman are just incredible. It’s just such a beautiful film, I think. The story is incredible, it’s so well made. I think Frank [Darabont] dialed in on the direction — I love all of his movies. They have a style that I really like. Anytime I think of this movie, it’s just a sweeping shot coming over the prison while Morgan Freeman is narrating his — it’s such an incredible sense of memories. I went to see it with my parents; I guess I was thirteen when it came out. I think I was — or fourteen — and I remember just being absolutely blown away by it. I mean I know it’s one that’s on nearly everybody’s list, but for me it was also — it was kind of like the first sort of grown-up movie that I went to see with my parents, and that we could have a proper conversation about."

"I love Wes Anderson, and I can only compare his movies to other movies he’s made, because you can’t really compare them to other directors’ films. Obviously, Wes lives in a world that’s like his childhood, and he draws from a delicate, nerdy kind of etiquette-obsessed fairy-tale world in many different ways. There’s an elegance about what he does and an absurdity that’s almost otherworldly. His sensibility lies somewhere between the late ’50s and the late ’60s, with modern elements in there, but really it feels like an old storybook. So Fantastic Mr. Fox, I’m sure, is something he was dreaming of and you can really feel that. The casting was awesome—I love George Clooney, and I thought he was perfect for it. The pacing of Wes’s dialogue is perfect for animation—snappy, zippy, cartoonish, cute, but with an adult wink. It was incredibly well shot and the music was incredible. I just had a really good time. It was a very, very enjoyable film for any human being."

"There's a famous story about Lennon & McCartney meeting Gene Vincent in Hamburg and being terrified because he was waving around a gun. He was armed and extremely dangerous – and drunk. And they got the hell out of there sharpish. This is a classic, definitive rock & roll album. Again, it's complete. It just works from start to finish. And again, the sound, the simplicity as well, the use of the brushes – I don't think they used the kick drum, I don't hear a kick drum in it, it just sounds like a snare and cymbals, double bass, and the magnificent guitar sound of Cliff Gallup, and then Gene Vincent's voice on top. I always think of Ian Dury's 'Sweet Gene Vincent'. In fact, I think Ian Dury's 'Sweet Gene Vincent' might be the record that made me go and check this out. I took this out of the Manchester Polytechnic music library, and played it to death, and then went out and bought it. It's perfection. It's just rock & roll perfection."