"I'm so excited about being on the same bill as Patti Smith at Field Day! I think it's going to be fucking brilliant as well. I think she's going to be amazing. You can sometimes be disappointed because of all the baggage and preconceptions that an artist can bring from back in the day but I think she'll be a killer. She's going to be all over it and I'm really excited. But yeah, this album was a massive mainstay in our tour bus and throughout our working life and it still is now. I always wanted our band to sound like Patti Smith Group - they've got the piano, they've got the hard and fast edgy guitar, the bass… that's how I wanted Supergrass to sound like. How close did we come to achieving that? Well, there were the odd songs where we had that energy where Danny [Goffey] was on drums and keeping quite simple 4/4 beats and punky beats but without having screaming and distorted guitars all over the place. We had those moments of guitar, bass, piano and drums and we had that energy. I mean, can you imagine Sex Pistols with a piano? And that's what Patti Smith Group did so brilliantly - they had that raw energy. They had that piano but it wasn't used in that flowery way. It's a bit like how Bowie used piano in that rhythmic way. This record is an utter classic. That moment in 'Horses' where it all kicks off, I think we've searched to write our own version of that over the years. It's like, 'Woah! Take me away!'"

"I liked the intro really, it was so inspiring. ""I'm forty-fifth generation Roman,"" where did he come up with that?! Hip hop is massive in Nottingham. There's a massive black community, it's a multicultural city and people just mingle, you know, and share ideas. People were not sure about this idea of a white guy rapping. Even white guys were not sure about it. He's not rapping really - well he is, but he isn't. But you couldn't deny it really, it's all great. The second track, 'Has It Come To This', that kind of dubstep, garage thing. I never even listened to the second album. White people rapping, it needs to be done well. No offense to the guy, but I wouldn't view Professor Green as the same thing, it's more Americanised. Jake Bugg tried to do it on his last album and it just sounded terrible, what was he doing? I can understand him being inspired by stuff, but he needs to check himself. I liked the dry high street observations on this album, the stuff about eating a fry up in a greasy spoon. The stuff that would warm you to him straight away - fried tomatoes, scrambled eggs. That conversation he has with his dad: ""Hold it down son…"" We all do it, ""No, I'm going to be alright, it will work out."" I listened to this when it came out. I was still doing folky and acoustic stuff at this time, it wasn't very good. It took years for me to think about doing something like this. For a long time I thought it was out of my reach, I thought I couldn't do it."

"I actually own a print of this. It’s one of those movies that was pivotal [for] me. I remember it screened in 16mm at my high school. The emotional power of that movie — it’s the first time I ever felt such intense emotion watching a film. I wasn’t that well-versed in film in high school, but I knew I was being hit by something incredibly powerful. What really struck me was Marlon Brando’s performance. And I know that’s easy to say, but that’s why I never get tired of watching the film, and why I really wanted to own a print because there’s a level of acting there that went beyond anything I had seen before. And it still ranks as maybe the best performance I’ve ever seen on film. I find it fascinating every time I watch it. Plus he’s surrounded by a brilliant cast and also the location — the way the film was shot on location — at that time, it had never been done before. All of that adds to the fact that I have a pretty lousy print of the movie but that’s what’s fun about it — it even feels more real. And then Criterion — to be completely geeked out — released it again last year, and I didn’t know it was shot in three different formats. Television was becoming popular at the time so they didn’t know if they would go widescreen with it, 1:85, or the typical way I think it was released, which I think is 1:66, but it’s fascinating to look at those versions as well. This is one of the greats."