Search
Search results
Charlie Cobra Reviews (1840 KP) rated Swamp Thing in TV
Jul 7, 2020
One of DC's Current Bests
Swamp Thing is a 2019 superhero horror/drama tv series developed by Gary Dauberman and Mark Verheiden with Executive Producers James Wan, Len Wiseman and Michael Clear. It was produced by Big Shoe Productions, Inc., Atomic Monster Productions, DC Entertainment and Warner Bros. Television and distributed by Warner Bros. Entertainment. The show stars Crystal Reed, Virginia Madsen, Andy Bean, Derek Mears, Jessica Beals, and Will Patton.
Abby Arcane (Crystal Reed) returns to her hometown of Marais, Louisiana investigating a deadly swamp-borne virus for the CDC . She develops a bond with Alec Holland (Andy Bean), a disgraced scientist who dies tragically soon after, but Holland may not be dead after all, as Abby discovers the mysteries of the swamp transform him into Swamp Thing.
This show is really cool. It makes me want to go back and watch the old movies to compare how they hold up. I was amazed with how dark they kept the story with the rating being TV-MA and there being so much blood and gore. The actors are great and there are some amazing performances but I also feel that some characters are not introduced well and just kind of come out of nowhere. They feel kind of unnecessary or just extra but I love the tone and horror vibe the show has going and what feels like a bigger story arc they are trying to setup with "the Green" and "the darkness" in the swamp of Marais. The visual effects are really top notch and Swamp Thing himself looks impressive. I give this show a 9/10 and it also gets my "Must See Seal of Approval".
I just really hope it doesn't stay cancelled and that they get another season, it really deserves it.
Abby Arcane (Crystal Reed) returns to her hometown of Marais, Louisiana investigating a deadly swamp-borne virus for the CDC . She develops a bond with Alec Holland (Andy Bean), a disgraced scientist who dies tragically soon after, but Holland may not be dead after all, as Abby discovers the mysteries of the swamp transform him into Swamp Thing.
This show is really cool. It makes me want to go back and watch the old movies to compare how they hold up. I was amazed with how dark they kept the story with the rating being TV-MA and there being so much blood and gore. The actors are great and there are some amazing performances but I also feel that some characters are not introduced well and just kind of come out of nowhere. They feel kind of unnecessary or just extra but I love the tone and horror vibe the show has going and what feels like a bigger story arc they are trying to setup with "the Green" and "the darkness" in the swamp of Marais. The visual effects are really top notch and Swamp Thing himself looks impressive. I give this show a 9/10 and it also gets my "Must See Seal of Approval".
I just really hope it doesn't stay cancelled and that they get another season, it really deserves it.
Kate (493 KP) rated French Kiss in Books
Jul 13, 2020
This book is a real feel good book. It's a book that wouldn't be out of place being read on a sun lounger somewhere hot on holiday. I would definitely recommend it to people. Even though it did have some low moments for the character, the highs outweighed these.
The description of the places made me feel like I was there and it made me want to revisit to Paris again.
This was a strong love story and I feel the descriptions and the setting helped bring this to life.
It was a love story between characters and the place.
The only downside was the timing of one part of the book.
The main character was due to meet the guy at 5pm and she arrived at 4.45pm. The character then sat down on the grass with the person she did meet and went onto a restaurant. They then discussed going to a museum which closed at 5pm (and I'm sure they had spent more than 15 minutes chatting and being in a restaurant ordering food). After ordering food they agreed to go to the museum and the main character said they still had 2 hours before it closed. This just didn't add up. The way it sounded was that the time was 3pm. This was very confusing and it did affect how I read that part of the book as it confused me. I even had to go back and re read it to make sure I wasn't incorrect and had read it incorrectly the first time.
Apart from that it was a good story line and as I said the descriptions of the places were perfect.
I received a complimentary copy of the book from the author via Voracious Readers Only.
The description of the places made me feel like I was there and it made me want to revisit to Paris again.
This was a strong love story and I feel the descriptions and the setting helped bring this to life.
It was a love story between characters and the place.
The only downside was the timing of one part of the book.
The main character was due to meet the guy at 5pm and she arrived at 4.45pm. The character then sat down on the grass with the person she did meet and went onto a restaurant. They then discussed going to a museum which closed at 5pm (and I'm sure they had spent more than 15 minutes chatting and being in a restaurant ordering food). After ordering food they agreed to go to the museum and the main character said they still had 2 hours before it closed. This just didn't add up. The way it sounded was that the time was 3pm. This was very confusing and it did affect how I read that part of the book as it confused me. I even had to go back and re read it to make sure I wasn't incorrect and had read it incorrectly the first time.
Apart from that it was a good story line and as I said the descriptions of the places were perfect.
I received a complimentary copy of the book from the author via Voracious Readers Only.
Alexis Taylor recommended Music of My Mind by Stevie Wonder in Music (curated)
The New Nourishing: Delicious Plant-Based Comfort Food to Feed Body and Soul
Book
Nutrition and natural food expert Leah Vanderveldt puts the joy into plant-based cooking with over...
Leanne Crabtree (480 KP) rated Happily Undead in Dark River (Dark River Days, #2) in Books
Jan 6, 2021
I read the first book in this series a few months ago and really quite enjoyed it so when I got my KU subscription and saw this was in the catalogue I decided to grab this one, too.
This one picks up not long after the events of the first with Raine now being persona non grata in Dark River apart from her four guys. It's going to take some time for the townspeople to come to terms with Raine being the victim of their well-loved, long-term resident (who I won't name.) It seems that what went down in their little town has drawn the attention of the Vampire Nation and they are on their way to investigate.
I did enjoy the first one, this one wasn't quite as engaging. I felt this one was getting a little too complicated with all the new lovers she was acquiring. Four men I can cope with - and have read several books with four males in reverse harems - but I think that at the end of this Raine was quickly verging on about 7 or 8 men that she would happily share her bed with and the others not be bothered about. It was getting a little ridiculous for me.
I can't say the storyline of this one pulled me into it, either. It was rather reminiscent of the first. Someone wants her dead, various attempts on her life and then saved by her guys - only the number of them has multiplied a little. There was quite a lot of sex in this, with various partners and combinations of men. It felt rather heavy on the erotica side of romance and I wasn't entirely convinced by the feelings floating around.
As much as I liked the first book I don't think I'll be continuing the series.
This one picks up not long after the events of the first with Raine now being persona non grata in Dark River apart from her four guys. It's going to take some time for the townspeople to come to terms with Raine being the victim of their well-loved, long-term resident (who I won't name.) It seems that what went down in their little town has drawn the attention of the Vampire Nation and they are on their way to investigate.
I did enjoy the first one, this one wasn't quite as engaging. I felt this one was getting a little too complicated with all the new lovers she was acquiring. Four men I can cope with - and have read several books with four males in reverse harems - but I think that at the end of this Raine was quickly verging on about 7 or 8 men that she would happily share her bed with and the others not be bothered about. It was getting a little ridiculous for me.
I can't say the storyline of this one pulled me into it, either. It was rather reminiscent of the first. Someone wants her dead, various attempts on her life and then saved by her guys - only the number of them has multiplied a little. There was quite a lot of sex in this, with various partners and combinations of men. It felt rather heavy on the erotica side of romance and I wasn't entirely convinced by the feelings floating around.
As much as I liked the first book I don't think I'll be continuing the series.
Nancy Whang recommended Paul's Boutique by Beastie Boys in Music (curated)
LeftSideCut (3776 KP) rated Escape Room (2019) in Movies
Sep 15, 2020
Contains spoilers, click to show
In short, Escape Room is actually a pretty tight thriller with a really disappointingly shitty ending.
It's disappointing because I found myself unexpectedly enjoying the bulk of the movie, even if it doesn't carry a lot of substance.
It's a more recent entry into the currently popular and seemingly unending PG-13 corner of horror. This of course means little in the way of gore or scares, something that I would usually take issue with, but managed to get on board with in this instance.
The set up is resemblant of Saw, but the later films in that franchise are evidence that more gore certainly doesn't make for a better film. With the focus here not being on violence but the actual puzzles the characters have to work through, I found it to be fairly engaging.
The set pieces and room designs are imaginative, and a lot of these moments are suitably tense.
The cast are decent as well - Taylor Russell, Tyler Labine and Nik Dodani are likeable, and I always enjoy Deborah Ann Woll whenever she pops up in things.
My main gripe however is the plot. The premise is really straightforward, not much room for error in that respect, so the inclusion of a faceless Hostel-esque corporation who caters to rich people who profit from this whole thing is just dumb. It's feels lazy, unnecessary, and more than anything, really tacked on and rushed. The ending flies by in an attempt to hastily set up a sequel rather than focusing on ending this film in a satisfying manner. It's a real shame because the majority of the film is relatively entertaining, and the climax just de-rails it completely.
Escape Room is worth watching for the Saw meets Cube premise, but ultimately ends up being a bang average thriller.
It's disappointing because I found myself unexpectedly enjoying the bulk of the movie, even if it doesn't carry a lot of substance.
It's a more recent entry into the currently popular and seemingly unending PG-13 corner of horror. This of course means little in the way of gore or scares, something that I would usually take issue with, but managed to get on board with in this instance.
The set up is resemblant of Saw, but the later films in that franchise are evidence that more gore certainly doesn't make for a better film. With the focus here not being on violence but the actual puzzles the characters have to work through, I found it to be fairly engaging.
The set pieces and room designs are imaginative, and a lot of these moments are suitably tense.
The cast are decent as well - Taylor Russell, Tyler Labine and Nik Dodani are likeable, and I always enjoy Deborah Ann Woll whenever she pops up in things.
My main gripe however is the plot. The premise is really straightforward, not much room for error in that respect, so the inclusion of a faceless Hostel-esque corporation who caters to rich people who profit from this whole thing is just dumb. It's feels lazy, unnecessary, and more than anything, really tacked on and rushed. The ending flies by in an attempt to hastily set up a sequel rather than focusing on ending this film in a satisfying manner. It's a real shame because the majority of the film is relatively entertaining, and the climax just de-rails it completely.
Escape Room is worth watching for the Saw meets Cube premise, but ultimately ends up being a bang average thriller.
LoganCrews (2861 KP) rated Avatar (2009) in Movies
Sep 20, 2020
"𝘈𝘭𝘭 𝘦𝘯𝘦𝘳𝘨𝘺 𝘪𝘴 𝘣𝘰𝘳𝘳𝘰𝘸𝘦𝘥, 𝘢𝘯𝘥 𝘴𝘰𝘮𝘦𝘥𝘢𝘺 𝘺𝘰𝘶 𝘩𝘢𝘷𝘦 𝘵𝘰 𝘨𝘪𝘷𝘦 𝘪𝘵 𝘣𝘢𝘤𝘬."
The story has been criticized up and down for being about as basic as can be, as well as being somewhat subtractive of the real life parallel this is generally aiming for - and I agree wholeheartedly. But let's be honest here, nobody goes into this for its merits as a piece of storytelling - which it isn't even necessarily bad at on the whole - it just rushes into and through everything too quickly (that goes double for a movie of this length). No, this is front-to-back pure, rich spectacle. Movies since have tried to emulate it but none have even come close to reaching the grandiose scope, immaculate attention to detail, and luxurious world-building. There's so much on the screen all at once you could almost get lost, as if you were right there in this massive, vibrant splashpad of late 2000s blockbuster merriment. And those last thirty minutes of rock-solid PG-13 fantasy violence just take the cake, holy *shit* they rule (remember when these used to end in half-hour long epic battle sequences where you could actually see and even care about what was going on?). Mechs fighting giant fantastical animals, soldiers getting pincushioned left and right with massive arrows, huge flying creatures shot-putting military aircrafts into the sides of cliffs... had a smile the size of Texas across my face the whole time - that's as good as those things get. Plus this is another entry into my Joel-David-Moore-is-underrated collection because he outacts the entire cast of A-listers here. As beautiful as the day it came out, but perhaps in a different way reflexively.
The story has been criticized up and down for being about as basic as can be, as well as being somewhat subtractive of the real life parallel this is generally aiming for - and I agree wholeheartedly. But let's be honest here, nobody goes into this for its merits as a piece of storytelling - which it isn't even necessarily bad at on the whole - it just rushes into and through everything too quickly (that goes double for a movie of this length). No, this is front-to-back pure, rich spectacle. Movies since have tried to emulate it but none have even come close to reaching the grandiose scope, immaculate attention to detail, and luxurious world-building. There's so much on the screen all at once you could almost get lost, as if you were right there in this massive, vibrant splashpad of late 2000s blockbuster merriment. And those last thirty minutes of rock-solid PG-13 fantasy violence just take the cake, holy *shit* they rule (remember when these used to end in half-hour long epic battle sequences where you could actually see and even care about what was going on?). Mechs fighting giant fantastical animals, soldiers getting pincushioned left and right with massive arrows, huge flying creatures shot-putting military aircrafts into the sides of cliffs... had a smile the size of Texas across my face the whole time - that's as good as those things get. Plus this is another entry into my Joel-David-Moore-is-underrated collection because he outacts the entire cast of A-listers here. As beautiful as the day it came out, but perhaps in a different way reflexively.
LeftSideCut (3776 KP) rated Lifeforce (1985) in Movies
Oct 22, 2020
Fun fact - this is the second film I've seen where a female character uses Patrick Stewart's body to communicate with someone. Maybe this is some kind of niche sub-genre I'm just discovering...
Lifeforce is a film of three parts - it's one part sci-fi, one part British thriller, and one part ridiculous end-of-the-world horror, in that precise order.
The sci-fi part is decent enough, where a space crew discovers a strange object near Halley's comet, and further inspection reveals giant bats and sleeping naked humans in crystal coffins that turn out to weird space vampires (so on board with this ridiculous plot). It has a great aesthetic and some good special effects (keeping in mind this movie came out in 1985). The puppetry when some of the space-vampire victims come back to life is awesome.
Then the film shifts to Colonels Caine (Peter Firth) and Carlsen (Steve Railsback) as they track down one of the escaped aliens through London, whilst it kills and shapeshifts to it's hearts content.
This portion is slower, but Lifeforce has an engaging screenplay, and boasts a cast good enough to keep things entertaing. Patrick Stewart, Frank Finlay, Mathilda May, and John Hallam amongst others provide a solid ensemble that ensures the film doesn't fall into silly territory.
Everything leads up to the absurd finale however. London is completely aflame, hordes of vampire zombie things flood the street, there are bodies everywhere, shit is blowing up, vampire aliens are being vanquished with giant swords, people are being thrown out of helicopters - Tobe Hooper doesn't fuck about with this kind of stuff, and Lifeforce has a final sequence that puts a lot of other horror films to shame, and looks fantastic. It's glorious - This sci-fi-horror gem is well worth checking out.
Lifeforce is a film of three parts - it's one part sci-fi, one part British thriller, and one part ridiculous end-of-the-world horror, in that precise order.
The sci-fi part is decent enough, where a space crew discovers a strange object near Halley's comet, and further inspection reveals giant bats and sleeping naked humans in crystal coffins that turn out to weird space vampires (so on board with this ridiculous plot). It has a great aesthetic and some good special effects (keeping in mind this movie came out in 1985). The puppetry when some of the space-vampire victims come back to life is awesome.
Then the film shifts to Colonels Caine (Peter Firth) and Carlsen (Steve Railsback) as they track down one of the escaped aliens through London, whilst it kills and shapeshifts to it's hearts content.
This portion is slower, but Lifeforce has an engaging screenplay, and boasts a cast good enough to keep things entertaing. Patrick Stewart, Frank Finlay, Mathilda May, and John Hallam amongst others provide a solid ensemble that ensures the film doesn't fall into silly territory.
Everything leads up to the absurd finale however. London is completely aflame, hordes of vampire zombie things flood the street, there are bodies everywhere, shit is blowing up, vampire aliens are being vanquished with giant swords, people are being thrown out of helicopters - Tobe Hooper doesn't fuck about with this kind of stuff, and Lifeforce has a final sequence that puts a lot of other horror films to shame, and looks fantastic. It's glorious - This sci-fi-horror gem is well worth checking out.