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Nancy Whang recommended Paul's Boutique by Beastie Boys in Music (curated)
LeftSideCut (3776 KP) rated Escape Room (2019) in Movies
Sep 15, 2020
Contains spoilers, click to show
In short, Escape Room is actually a pretty tight thriller with a really disappointingly shitty ending.
It's disappointing because I found myself unexpectedly enjoying the bulk of the movie, even if it doesn't carry a lot of substance.
It's a more recent entry into the currently popular and seemingly unending PG-13 corner of horror. This of course means little in the way of gore or scares, something that I would usually take issue with, but managed to get on board with in this instance.
The set up is resemblant of Saw, but the later films in that franchise are evidence that more gore certainly doesn't make for a better film. With the focus here not being on violence but the actual puzzles the characters have to work through, I found it to be fairly engaging.
The set pieces and room designs are imaginative, and a lot of these moments are suitably tense.
The cast are decent as well - Taylor Russell, Tyler Labine and Nik Dodani are likeable, and I always enjoy Deborah Ann Woll whenever she pops up in things.
My main gripe however is the plot. The premise is really straightforward, not much room for error in that respect, so the inclusion of a faceless Hostel-esque corporation who caters to rich people who profit from this whole thing is just dumb. It's feels lazy, unnecessary, and more than anything, really tacked on and rushed. The ending flies by in an attempt to hastily set up a sequel rather than focusing on ending this film in a satisfying manner. It's a real shame because the majority of the film is relatively entertaining, and the climax just de-rails it completely.
Escape Room is worth watching for the Saw meets Cube premise, but ultimately ends up being a bang average thriller.
It's disappointing because I found myself unexpectedly enjoying the bulk of the movie, even if it doesn't carry a lot of substance.
It's a more recent entry into the currently popular and seemingly unending PG-13 corner of horror. This of course means little in the way of gore or scares, something that I would usually take issue with, but managed to get on board with in this instance.
The set up is resemblant of Saw, but the later films in that franchise are evidence that more gore certainly doesn't make for a better film. With the focus here not being on violence but the actual puzzles the characters have to work through, I found it to be fairly engaging.
The set pieces and room designs are imaginative, and a lot of these moments are suitably tense.
The cast are decent as well - Taylor Russell, Tyler Labine and Nik Dodani are likeable, and I always enjoy Deborah Ann Woll whenever she pops up in things.
My main gripe however is the plot. The premise is really straightforward, not much room for error in that respect, so the inclusion of a faceless Hostel-esque corporation who caters to rich people who profit from this whole thing is just dumb. It's feels lazy, unnecessary, and more than anything, really tacked on and rushed. The ending flies by in an attempt to hastily set up a sequel rather than focusing on ending this film in a satisfying manner. It's a real shame because the majority of the film is relatively entertaining, and the climax just de-rails it completely.
Escape Room is worth watching for the Saw meets Cube premise, but ultimately ends up being a bang average thriller.
LoganCrews (2861 KP) rated Avatar (2009) in Movies
Sep 20, 2020
"๐๐ญ๐ญ ๐ฆ๐ฏ๐ฆ๐ณ๐จ๐บ ๐ช๐ด ๐ฃ๐ฐ๐ณ๐ณ๐ฐ๐ธ๐ฆ๐ฅ, ๐ข๐ฏ๐ฅ ๐ด๐ฐ๐ฎ๐ฆ๐ฅ๐ข๐บ ๐บ๐ฐ๐ถ ๐ฉ๐ข๐ท๐ฆ ๐ต๐ฐ ๐จ๐ช๐ท๐ฆ ๐ช๐ต ๐ฃ๐ข๐ค๐ฌ."
The story has been criticized up and down for being about as basic as can be, as well as being somewhat subtractive of the real life parallel this is generally aiming for - and I agree wholeheartedly. But let's be honest here, nobody goes into this for its merits as a piece of storytelling - which it isn't even necessarily bad at on the whole - it just rushes into and through everything too quickly (that goes double for a movie of this length). No, this is front-to-back pure, rich spectacle. Movies since have tried to emulate it but none have even come close to reaching the grandiose scope, immaculate attention to detail, and luxurious world-building. There's so much on the screen all at once you could almost get lost, as if you were right there in this massive, vibrant splashpad of late 2000s blockbuster merriment. And those last thirty minutes of rock-solid PG-13 fantasy violence just take the cake, holy *shit* they rule (remember when these used to end in half-hour long epic battle sequences where you could actually see and even care about what was going on?). Mechs fighting giant fantastical animals, soldiers getting pincushioned left and right with massive arrows, huge flying creatures shot-putting military aircrafts into the sides of cliffs... had a smile the size of Texas across my face the whole time - that's as good as those things get. Plus this is another entry into my Joel-David-Moore-is-underrated collection because he outacts the entire cast of A-listers here. As beautiful as the day it came out, but perhaps in a different way reflexively.
The story has been criticized up and down for being about as basic as can be, as well as being somewhat subtractive of the real life parallel this is generally aiming for - and I agree wholeheartedly. But let's be honest here, nobody goes into this for its merits as a piece of storytelling - which it isn't even necessarily bad at on the whole - it just rushes into and through everything too quickly (that goes double for a movie of this length). No, this is front-to-back pure, rich spectacle. Movies since have tried to emulate it but none have even come close to reaching the grandiose scope, immaculate attention to detail, and luxurious world-building. There's so much on the screen all at once you could almost get lost, as if you were right there in this massive, vibrant splashpad of late 2000s blockbuster merriment. And those last thirty minutes of rock-solid PG-13 fantasy violence just take the cake, holy *shit* they rule (remember when these used to end in half-hour long epic battle sequences where you could actually see and even care about what was going on?). Mechs fighting giant fantastical animals, soldiers getting pincushioned left and right with massive arrows, huge flying creatures shot-putting military aircrafts into the sides of cliffs... had a smile the size of Texas across my face the whole time - that's as good as those things get. Plus this is another entry into my Joel-David-Moore-is-underrated collection because he outacts the entire cast of A-listers here. As beautiful as the day it came out, but perhaps in a different way reflexively.
LeftSideCut (3776 KP) rated Lifeforce (1985) in Movies
Oct 22, 2020
Fun fact - this is the second film I've seen where a female character uses Patrick Stewart's body to communicate with someone. Maybe this is some kind of niche sub-genre I'm just discovering...
Lifeforce is a film of three parts - it's one part sci-fi, one part British thriller, and one part ridiculous end-of-the-world horror, in that precise order.
The sci-fi part is decent enough, where a space crew discovers a strange object near Halley's comet, and further inspection reveals giant bats and sleeping naked humans in crystal coffins that turn out to weird space vampires (so on board with this ridiculous plot). It has a great aesthetic and some good special effects (keeping in mind this movie came out in 1985). The puppetry when some of the space-vampire victims come back to life is awesome.
Then the film shifts to Colonels Caine (Peter Firth) and Carlsen (Steve Railsback) as they track down one of the escaped aliens through London, whilst it kills and shapeshifts to it's hearts content.
This portion is slower, but Lifeforce has an engaging screenplay, and boasts a cast good enough to keep things entertaing. Patrick Stewart, Frank Finlay, Mathilda May, and John Hallam amongst others provide a solid ensemble that ensures the film doesn't fall into silly territory.
Everything leads up to the absurd finale however. London is completely aflame, hordes of vampire zombie things flood the street, there are bodies everywhere, shit is blowing up, vampire aliens are being vanquished with giant swords, people are being thrown out of helicopters - Tobe Hooper doesn't fuck about with this kind of stuff, and Lifeforce has a final sequence that puts a lot of other horror films to shame, and looks fantastic. It's glorious - This sci-fi-horror gem is well worth checking out.
Lifeforce is a film of three parts - it's one part sci-fi, one part British thriller, and one part ridiculous end-of-the-world horror, in that precise order.
The sci-fi part is decent enough, where a space crew discovers a strange object near Halley's comet, and further inspection reveals giant bats and sleeping naked humans in crystal coffins that turn out to weird space vampires (so on board with this ridiculous plot). It has a great aesthetic and some good special effects (keeping in mind this movie came out in 1985). The puppetry when some of the space-vampire victims come back to life is awesome.
Then the film shifts to Colonels Caine (Peter Firth) and Carlsen (Steve Railsback) as they track down one of the escaped aliens through London, whilst it kills and shapeshifts to it's hearts content.
This portion is slower, but Lifeforce has an engaging screenplay, and boasts a cast good enough to keep things entertaing. Patrick Stewart, Frank Finlay, Mathilda May, and John Hallam amongst others provide a solid ensemble that ensures the film doesn't fall into silly territory.
Everything leads up to the absurd finale however. London is completely aflame, hordes of vampire zombie things flood the street, there are bodies everywhere, shit is blowing up, vampire aliens are being vanquished with giant swords, people are being thrown out of helicopters - Tobe Hooper doesn't fuck about with this kind of stuff, and Lifeforce has a final sequence that puts a lot of other horror films to shame, and looks fantastic. It's glorious - This sci-fi-horror gem is well worth checking out.
Bong Mines Entertainment (15 KP) rated Luuv - Single by Broken Hearts Club in Music
Jun 25, 2019
Broken Hearts Club (Richie Aquino and Bradly Baldwin) is a dream-pop duo from Orange County, California. Not too long ago, they released their debut single, entitled, โLuuvโ.
โDonโt want to be here. Now I canโt see clear. This partyโs starting to suck. Then you walked in slow like something magical and started changing my mind. Now every time I dream about you, youโre turning me on. But every time I think about you, it feels so wrong.โ โ lyrics
โLuuvโ tells a bittersweet tale of a young guy who falls head-over-heels in love with a desirable female.
Apparently, in the beginning, all is good and well with them. He always wants to feel her lips, steal a long kiss, and see her eyes in the morning light.
But unfortunately, all good things have to come to an end, and he experiences an emotional heartbreak. Now that sheโs gone, he dreams about her all of the time and canโt seem to get her out of his mind.
โLuuvโ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an emo-indie-alternative aroma.
Also, the likable tune will be featured on Broken Hearts Clubโs upcoming EP, entitled, โMake Out Musicโ.
โThis song is about being so wrapped up in someone that you clearly know is not right for you. That you would rather be miserable having pieces of them than being happy having never known them at all.โ โ Broken Hearts Club
Broken Hearts Club came to life in 2019, when they bonded over their recent breakups, near-death experience, and their love of Rachael Leigh Cook and 90โs RomComs.
But instead of sulking in their pain, the duo turned their inspiration into a dream-pop world filled with songs about love and heartbreaks.
โDonโt want to be here. Now I canโt see clear. This partyโs starting to suck. Then you walked in slow like something magical and started changing my mind. Now every time I dream about you, youโre turning me on. But every time I think about you, it feels so wrong.โ โ lyrics
โLuuvโ tells a bittersweet tale of a young guy who falls head-over-heels in love with a desirable female.
Apparently, in the beginning, all is good and well with them. He always wants to feel her lips, steal a long kiss, and see her eyes in the morning light.
But unfortunately, all good things have to come to an end, and he experiences an emotional heartbreak. Now that sheโs gone, he dreams about her all of the time and canโt seem to get her out of his mind.
โLuuvโ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an emo-indie-alternative aroma.
Also, the likable tune will be featured on Broken Hearts Clubโs upcoming EP, entitled, โMake Out Musicโ.
โThis song is about being so wrapped up in someone that you clearly know is not right for you. That you would rather be miserable having pieces of them than being happy having never known them at all.โ โ Broken Hearts Club
Broken Hearts Club came to life in 2019, when they bonded over their recent breakups, near-death experience, and their love of Rachael Leigh Cook and 90โs RomComs.
But instead of sulking in their pain, the duo turned their inspiration into a dream-pop world filled with songs about love and heartbreaks.
Leanne Crabtree (480 KP) rated Deeper in Books
Sep 6, 2019
I think this is the first life-guard story I've ever read. It was an insightful look into training and procedures they have to go through when rescuing people as well as covering some more serious issues such as accidents, whirl-pooling and other things you don't always realise happen at water parks.
I have to say I loved how they went mini-golfing. First time I've read that in a book (I think, anyway). The extra game Knight added into it made it more fun, though it didn't last too long...
Both characters, Rain and Knight, have both lost people they cared about in the past and are wary of new relationships but they find themselves unable to stay away from each other. We see flashbacks of both their previous relationships and how they both ended terribly sadly and how badly it affected them; Rain saying she will never love again and wanting to protective everyone, whether that puts her own life in danger or not, and Knight being extremely over-protective of her.
I cant entirely blame Knight though because Rain seems to get herself into really stupid situations all the time and he always come to her rescue. Like a real life Knight in shining armour :P
Another scene I liked was the kissing under water. It sounds very romantic and I like the graphic used in another review of the book on GoodReads.
Knight was cool, though his over-protectiveness was a little annoying in places, though totally warranted. Rain on the other hand, to me, came across as being a pain in the butt, always pulling the plug on their fledgling relationship.
Overall it was an okay read. Short but sweet dark, because something bad was always happening to someone or other.
I have to say I loved how they went mini-golfing. First time I've read that in a book (I think, anyway). The extra game Knight added into it made it more fun, though it didn't last too long...
Both characters, Rain and Knight, have both lost people they cared about in the past and are wary of new relationships but they find themselves unable to stay away from each other. We see flashbacks of both their previous relationships and how they both ended terribly sadly and how badly it affected them; Rain saying she will never love again and wanting to protective everyone, whether that puts her own life in danger or not, and Knight being extremely over-protective of her.
I cant entirely blame Knight though because Rain seems to get herself into really stupid situations all the time and he always come to her rescue. Like a real life Knight in shining armour :P
Another scene I liked was the kissing under water. It sounds very romantic and I like the graphic used in another review of the book on GoodReads.
Knight was cool, though his over-protectiveness was a little annoying in places, though totally warranted. Rain on the other hand, to me, came across as being a pain in the butt, always pulling the plug on their fledgling relationship.
Overall it was an okay read. Short but sweet dark, because something bad was always happening to someone or other.
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