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Heather Cranmer (2721 KP) rated Oh Dear Silvia in Books
Jun 7, 2018
I received this book for free through the Goodreads Firstreads program.
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I love Dawn French! I think she is such a funny woman!! I was so happy to have won a copy of her fiction book entitled Oh Dear Silvia from Goodreads. However, once I started reading the book, it became apparent that I wasn't going to enjoy it.
Silvia is in a coma after falling from a balcony and hitting her head. Throughout her time in hospital, she is visited by family, her best friend, her ex-husband, her nurse, and her cleaner. Each has their own story to tell however odd it may be. Throughout this book, we will find out about who Silvia is.
The title of this book really works. After reading the book, I would say it definitely fits well with the story.
The cover of this book is quite bland. The tree on the cover of the book does have significance, but it's just rather boring. It wouldn't entice me to pick up this book to see what it's about. Surely, the cover could've been a bit more decorative.
The setting takes place mostly in suite 5 which is Silvia's room in hospital. The world building is alright. The memories of each visitor help set the story.
I found the pacing of Oh Dear Silvia to be extremely and painfully slow. At some points, I found myself skim reading the especially boring parts. I couldn't wait for this book to be over. There's not even one bit in this book where the pacing picks up. There's no real plot in this book, so there's definitely no plot twists. The pacing definitely lets this book down.
The dialogue is comedic at times which I found to be a small reprieve from the slowness of this book. Ed's dialogue really bored me.
The characters are well-developed which I found to be a relief. Each chapter of the book is told by someone who knows Silvia. The main characters that have their own chapters being Ed, Cat, Jo, Cassie, Winnie, and Tia. Ed is by far the most boring character that could ever be in a book. All he mostly talks about is his boring trees. Whilst I did find him to be a well-developed character, I found him extremely dull and found myself wishing that he'd just stop talking. Winnie and Tia were my favourite characters. Winnie has a big heart, and it really comes across in this book. Tia is from Indonesia so has a hard time pronouncing Silvia's surname which always made me laugh!! I found Tia and Jo to be the characters that brought the humour, and they delivered! Cat is the high strung character, and Cassie is the angry daughter. Each character has a unique personality. Well done to Dawn French for making each character unique! Through each of the characters' stories, we learn more and more about Silvia.
Even with the strong character personalities and comedic timing, this book still fell flat. I felt that this book was missing a plot. Oh Dear Silvia comes across more as a memoir about Silvia then anything else.
I wouldn't recommend this book to anyone except those who need help falling asleep. Dawn French is great, but this book just didn't do it for me.
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I love Dawn French! I think she is such a funny woman!! I was so happy to have won a copy of her fiction book entitled Oh Dear Silvia from Goodreads. However, once I started reading the book, it became apparent that I wasn't going to enjoy it.
Silvia is in a coma after falling from a balcony and hitting her head. Throughout her time in hospital, she is visited by family, her best friend, her ex-husband, her nurse, and her cleaner. Each has their own story to tell however odd it may be. Throughout this book, we will find out about who Silvia is.
The title of this book really works. After reading the book, I would say it definitely fits well with the story.
The cover of this book is quite bland. The tree on the cover of the book does have significance, but it's just rather boring. It wouldn't entice me to pick up this book to see what it's about. Surely, the cover could've been a bit more decorative.
The setting takes place mostly in suite 5 which is Silvia's room in hospital. The world building is alright. The memories of each visitor help set the story.
I found the pacing of Oh Dear Silvia to be extremely and painfully slow. At some points, I found myself skim reading the especially boring parts. I couldn't wait for this book to be over. There's not even one bit in this book where the pacing picks up. There's no real plot in this book, so there's definitely no plot twists. The pacing definitely lets this book down.
The dialogue is comedic at times which I found to be a small reprieve from the slowness of this book. Ed's dialogue really bored me.
The characters are well-developed which I found to be a relief. Each chapter of the book is told by someone who knows Silvia. The main characters that have their own chapters being Ed, Cat, Jo, Cassie, Winnie, and Tia. Ed is by far the most boring character that could ever be in a book. All he mostly talks about is his boring trees. Whilst I did find him to be a well-developed character, I found him extremely dull and found myself wishing that he'd just stop talking. Winnie and Tia were my favourite characters. Winnie has a big heart, and it really comes across in this book. Tia is from Indonesia so has a hard time pronouncing Silvia's surname which always made me laugh!! I found Tia and Jo to be the characters that brought the humour, and they delivered! Cat is the high strung character, and Cassie is the angry daughter. Each character has a unique personality. Well done to Dawn French for making each character unique! Through each of the characters' stories, we learn more and more about Silvia.
Even with the strong character personalities and comedic timing, this book still fell flat. I felt that this book was missing a plot. Oh Dear Silvia comes across more as a memoir about Silvia then anything else.
I wouldn't recommend this book to anyone except those who need help falling asleep. Dawn French is great, but this book just didn't do it for me.
Gareth von Kallenbach (980 KP) rated Titanfall - Expedition in Video Games
Jun 19, 2019
Fans of Titanfall can celebrate the release of three new maps in the brand-new Titanfall Expedition DLC. The collection retails for $9.99 but is available for $24.99 for those who wish to save some money and purchase all three of the planned content packs ahead of time at a reduced price.
While the collection does not offer anything new in terms of gameplay modes, weaponry, or significant upgrades, what it does offer is three new highly enjoyable and highly detailed maps which can be played in both attrition and variety pack modes.
Attrition is the classic Team Death Match where essentially if it moves, shoot it, while the variety pack is like having the game on iTunes shuffle as you could be playing Capture the Flag one moment and attrition the next.
Swamplands is the first pack that I played and this is an interesting mix of combat in the Temple as well as within a swamp as the name would suggest. With plenty of roots, trees, and various to hide it could be a sniper’s delight but for those stealthy enough to take advantage the cloaking abilities you can point your opponents and rack up some impressive streaks. I found that alternating between my Wingman side arm and machine gun work very well and I was not against using some up-close melee combat to finish enemies off.
For me setting my Titan in auto mode was the best option due to some tricky terrain that time could create bottlenecks and leave your Titan a sitting duck.
Wagames takes the best of Titanfall’s industrial maps and combines them into a combat simulator complete with holographic displays and environments. There were some Tron-esque elements to the landscaping and I love the elevated platforms it allowed me to take out enemies arriving via dropship below and pouncing down upon them and enemy Titans that passed by. With a nice mix of street combat as well as rooftop and building interiors this is ideal for run and gun gameplay enthusiasts such as myself.
Runoff is the final map and the least unique of the new offerings. That being said it is extremely well designed in that the feature of the map is that it is best suited for gamers who were on the move. Set in a water filtration plant, everything from Walks and towers, to ditches and drains make up this environment and the ability to leap from one environment into the water is very enjoyable.
There is a nice mix between close quarter and ranged combat and having a nice variety in your combat areas does allow for a welcome change of pace.
While none of the new maps are certain to be items that push you over the top if you’re already on the fence about purchasing the game, remember you are essentially paying $3.33 per map, less if you purchase a season pass. So in summary, while it is not necessary to have it certainly adds to the enjoyment level of the game in that you get three new diverse and enjoyable environments in which to test your skills at a very affordable price which makes it very easy for me to recommend.
The collection is available for the PC, Xbox One, and Xbox 360 versions of the game.
http://sknr.net/2014/06/02/titanfal-expedition/
While the collection does not offer anything new in terms of gameplay modes, weaponry, or significant upgrades, what it does offer is three new highly enjoyable and highly detailed maps which can be played in both attrition and variety pack modes.
Attrition is the classic Team Death Match where essentially if it moves, shoot it, while the variety pack is like having the game on iTunes shuffle as you could be playing Capture the Flag one moment and attrition the next.
Swamplands is the first pack that I played and this is an interesting mix of combat in the Temple as well as within a swamp as the name would suggest. With plenty of roots, trees, and various to hide it could be a sniper’s delight but for those stealthy enough to take advantage the cloaking abilities you can point your opponents and rack up some impressive streaks. I found that alternating between my Wingman side arm and machine gun work very well and I was not against using some up-close melee combat to finish enemies off.
For me setting my Titan in auto mode was the best option due to some tricky terrain that time could create bottlenecks and leave your Titan a sitting duck.
Wagames takes the best of Titanfall’s industrial maps and combines them into a combat simulator complete with holographic displays and environments. There were some Tron-esque elements to the landscaping and I love the elevated platforms it allowed me to take out enemies arriving via dropship below and pouncing down upon them and enemy Titans that passed by. With a nice mix of street combat as well as rooftop and building interiors this is ideal for run and gun gameplay enthusiasts such as myself.
Runoff is the final map and the least unique of the new offerings. That being said it is extremely well designed in that the feature of the map is that it is best suited for gamers who were on the move. Set in a water filtration plant, everything from Walks and towers, to ditches and drains make up this environment and the ability to leap from one environment into the water is very enjoyable.
There is a nice mix between close quarter and ranged combat and having a nice variety in your combat areas does allow for a welcome change of pace.
While none of the new maps are certain to be items that push you over the top if you’re already on the fence about purchasing the game, remember you are essentially paying $3.33 per map, less if you purchase a season pass. So in summary, while it is not necessary to have it certainly adds to the enjoyment level of the game in that you get three new diverse and enjoyable environments in which to test your skills at a very affordable price which makes it very easy for me to recommend.
The collection is available for the PC, Xbox One, and Xbox 360 versions of the game.
http://sknr.net/2014/06/02/titanfal-expedition/
Gareth von Kallenbach (980 KP) rated Tomb Raider (2018) in Movies
Jun 19, 2019
The third film in the “Tomb Raider” film series has arrived and much like
the recent entries in the video game series that inspire it; the film
serves as a reboot of the franchise.
This time out Alicia Vikander takes over the title role from Angelina
Jolie and brings us a younger and far less experienced Lara Croft who
toils as a bike messenger struggling to get by in London. She has a feisty
and competitive nature but is haunted by the absence of her father
(Dominic West), who has been missing for seven years and is presumed dead.
As such, Lara is his sole heir and is being pressured to sign documents
that will legally declare him dead and turn over a vast corporation and
fortune to Lara. True to her nature, Lara resists this as she is
unwilling to move on from her father and cannot bring herself to declare
him dead and take her inheritance.
In time Lara learns that her father was also a dabbler in the supernatural
and artifacts and may have vanished trying to find a secluded tomb on a
remote Japanese island.
Undaunted, Lara sets off to get answers and finds herself in the company
of a boat Captain named Lu Ren (Daniel Wu), who reluctantly takes her to
the dangerous island. Danger arrives first in a storm then in the form of
a Mercenary named Matthias Vogel (Walton Goggins), who wants to find the
mysterious tomb as well for nefarious reasons and will stop at nothing
including murder to get it.
Lara is soon faced with the fight of her life as she must battle Vogel and
his men as well as the island and other forces in order to survive and
protect the world.
The film moves at a pace slower than you might expect as the first half of
the film is mostly setup but there are a few moments of action included to
keep things interesting. While many of the action sequences may seem like
they are either restrained or influenced from other films, they do still
work and entertain. While some may call this a female “Indiana Jones”
film, Lara is very much her own character as she has a spunk and grit that
makes her equal adapt in a cultured setting as she is solving a dangerous
trap or mixing it up with deadly threats.
Vikander also portrays Lara with a sense of vulnerability as she does get
injured, bruised and tormented. This is not an unstoppable action machine,
but rather a real person who knows there is a time use your brain and then
a time to take action, but is also remorseful about the consequences of
her actions at times.
The film does move to a satisfying finale and sets up a further chapter
very well. There are some great nods to prior games in the film which was
refreshing as I joked to my wife during some of the more intense scenes
that I feel like I need to be pushing the X and O button on our Dualshock
4 controllers to help Lara run faster and jump higher.
In the end “Tomb Raider” is a satisfying if safe reboot for the franchise
that I expect should keep fans of the series happy. I do think that
audiences in North America may want a bit more action but the film should
play well in the Asian and European markets.
http://sknr.net/2018/03/16/tomb-raider/
the recent entries in the video game series that inspire it; the film
serves as a reboot of the franchise.
This time out Alicia Vikander takes over the title role from Angelina
Jolie and brings us a younger and far less experienced Lara Croft who
toils as a bike messenger struggling to get by in London. She has a feisty
and competitive nature but is haunted by the absence of her father
(Dominic West), who has been missing for seven years and is presumed dead.
As such, Lara is his sole heir and is being pressured to sign documents
that will legally declare him dead and turn over a vast corporation and
fortune to Lara. True to her nature, Lara resists this as she is
unwilling to move on from her father and cannot bring herself to declare
him dead and take her inheritance.
In time Lara learns that her father was also a dabbler in the supernatural
and artifacts and may have vanished trying to find a secluded tomb on a
remote Japanese island.
Undaunted, Lara sets off to get answers and finds herself in the company
of a boat Captain named Lu Ren (Daniel Wu), who reluctantly takes her to
the dangerous island. Danger arrives first in a storm then in the form of
a Mercenary named Matthias Vogel (Walton Goggins), who wants to find the
mysterious tomb as well for nefarious reasons and will stop at nothing
including murder to get it.
Lara is soon faced with the fight of her life as she must battle Vogel and
his men as well as the island and other forces in order to survive and
protect the world.
The film moves at a pace slower than you might expect as the first half of
the film is mostly setup but there are a few moments of action included to
keep things interesting. While many of the action sequences may seem like
they are either restrained or influenced from other films, they do still
work and entertain. While some may call this a female “Indiana Jones”
film, Lara is very much her own character as she has a spunk and grit that
makes her equal adapt in a cultured setting as she is solving a dangerous
trap or mixing it up with deadly threats.
Vikander also portrays Lara with a sense of vulnerability as she does get
injured, bruised and tormented. This is not an unstoppable action machine,
but rather a real person who knows there is a time use your brain and then
a time to take action, but is also remorseful about the consequences of
her actions at times.
The film does move to a satisfying finale and sets up a further chapter
very well. There are some great nods to prior games in the film which was
refreshing as I joked to my wife during some of the more intense scenes
that I feel like I need to be pushing the X and O button on our Dualshock
4 controllers to help Lara run faster and jump higher.
In the end “Tomb Raider” is a satisfying if safe reboot for the franchise
that I expect should keep fans of the series happy. I do think that
audiences in North America may want a bit more action but the film should
play well in the Asian and European markets.
http://sknr.net/2018/03/16/tomb-raider/
Gareth von Kallenbach (980 KP) rated Flyboys (2006) in Movies
Aug 14, 2019
Prior to the sinking of the Lusitania in 1915, the U.S. was mainly a spectator during what would eventually be called World War I.
At the time, the conflict that was known as “The Great War and by optimists as “The War to End all Wars” was laying waste to a generation of young men and leaving many of Europe’s nations in ruins.
With new inventions such as submarines, machine guns, and poison gas being deployed in the battlefield, hundreds of thousands were killed in the early stages of the war. One of the new inventions to see use during the war were airplanes, which had only recently been invented, but showed great potential and were quickly used by both sides for scouting and combat missions.
Looking for adventure and hoping to make a name for themselves, a handful of American men volunteered to fight in the war and some joined the Lafayette Escadrille, so they could join the fight by flying for the French.
In the new film Flyboys, James Franco stars as Blaine Rawlings, a young man fleeing his family ranch in TX after an altercation with a financier who has foreclosed on his family home. Upon arriving in France, Blaine meets other Americans including Eugene (Abdul Salis), who has left a promising career as a boxer to give something back to his adoptive nation of France since due to a more tolerant society, the color of his skin has not held him back as much as it has in
America.
Under the command of Captain Thenault (Jean Reno) the squadron is trained and eventually sent into combat against the German forces where they learn the true nature and horrors of war firsthand as they have to deal with the very high mortality rate that faces pilots and the knowledge that each time they fly into battle, may very well be their last moments.
Blaine eventually meets a local French lady named Lucienne (Jennifer Decker), a shy French lady who cares for three young children after their parents were killed when their home was hit. The fact that the dead father was also her brother is added burden for Lucienne as she worries about losing those she cares for as the war wages on.
Despite her concerns, Lucienne becomes close to Blaine even though the war is a constant threat and keeps creating distances between them, especially when the German forces advance upon the village in which she lives.
Since this is a film about aviators, there are several scenes in the film of the various missions Blaine and his comrades undertook that are rendered with a mix of CGI and vintage aircraft from the era.
In the air, the action is engrossing and entertaining, but on the ground, much of the film drags as it has every cliché and war movie staple in the book thrown in as well as characters that are not well defined, and lack anything to make the audience really connect with them.
This is a real shame as there are some good points to the film, but at just over two hours running length, there is not enough chemistry or development with the characters to truly make the audience care about them or their fates.
The aerial scenes are well done, but in many ways remind me of Howard Hughes classic “Hell’s Angels” and vintage classics “Dawn Patrol” and“The Blue Max”
As it stands, the best thing going for the film are the flight sequences but the slow pacing, numerous clichés and bland characters keeps Flyboys grounded.
At the time, the conflict that was known as “The Great War and by optimists as “The War to End all Wars” was laying waste to a generation of young men and leaving many of Europe’s nations in ruins.
With new inventions such as submarines, machine guns, and poison gas being deployed in the battlefield, hundreds of thousands were killed in the early stages of the war. One of the new inventions to see use during the war were airplanes, which had only recently been invented, but showed great potential and were quickly used by both sides for scouting and combat missions.
Looking for adventure and hoping to make a name for themselves, a handful of American men volunteered to fight in the war and some joined the Lafayette Escadrille, so they could join the fight by flying for the French.
In the new film Flyboys, James Franco stars as Blaine Rawlings, a young man fleeing his family ranch in TX after an altercation with a financier who has foreclosed on his family home. Upon arriving in France, Blaine meets other Americans including Eugene (Abdul Salis), who has left a promising career as a boxer to give something back to his adoptive nation of France since due to a more tolerant society, the color of his skin has not held him back as much as it has in
America.
Under the command of Captain Thenault (Jean Reno) the squadron is trained and eventually sent into combat against the German forces where they learn the true nature and horrors of war firsthand as they have to deal with the very high mortality rate that faces pilots and the knowledge that each time they fly into battle, may very well be their last moments.
Blaine eventually meets a local French lady named Lucienne (Jennifer Decker), a shy French lady who cares for three young children after their parents were killed when their home was hit. The fact that the dead father was also her brother is added burden for Lucienne as she worries about losing those she cares for as the war wages on.
Despite her concerns, Lucienne becomes close to Blaine even though the war is a constant threat and keeps creating distances between them, especially when the German forces advance upon the village in which she lives.
Since this is a film about aviators, there are several scenes in the film of the various missions Blaine and his comrades undertook that are rendered with a mix of CGI and vintage aircraft from the era.
In the air, the action is engrossing and entertaining, but on the ground, much of the film drags as it has every cliché and war movie staple in the book thrown in as well as characters that are not well defined, and lack anything to make the audience really connect with them.
This is a real shame as there are some good points to the film, but at just over two hours running length, there is not enough chemistry or development with the characters to truly make the audience care about them or their fates.
The aerial scenes are well done, but in many ways remind me of Howard Hughes classic “Hell’s Angels” and vintage classics “Dawn Patrol” and“The Blue Max”
As it stands, the best thing going for the film are the flight sequences but the slow pacing, numerous clichés and bland characters keeps Flyboys grounded.
Gareth von Kallenbach (980 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 17, 2019
It is hard to believe it has been ten years since audiences were introduced to the hysterical yet violent Post-Apocalypse world of Zombieland; but thankfully the crew is back again with the highly enjoyable “Zombieland: Double Tap”.
The story begins with Columbus (Jesse Eisenberg), bringing the audience up to speed on what has happened since the last film. The Zombies have evolved into different classes of abilities and Columbus and his ersatz family have taken up residence in The White House.
Columbus and Wichita (Emma Stone) are still dating; well at least as best as one can do in a Zombie Apocalypse which is painfully short on options. This situation does not seem to bother Tallahassee (Woody Harrelson), as he is happy to work on his loaded vehicle dubbed “The Beast” but for Little Rock (Abigail Breslin), the situation has become intolerable.
Little Rock is eager to find someone to have a relationship with and when her frustrations combine with Wichita’s insecurities; the girls take off leaving the men to fend for themselves.
While Tallahassee has no issues with this, Columbus is a moping mess and even a trip to the local mall cannot lighten his mood. Things change when they meet the ditzy and clueless Madison (Zoey Deutch); who steals her scenes with her Clueless Pop Culture Princess who is as oblivious to their situation as a person can be.
When Wichita returns to tell them that Little Rock has run off with a guy she met, the crew load up and take to the road to save the day but are blissfully unaware of the new dangers waiting for them.
This is the rare sequel that is as good if not better than the original. The cast works very well with one another and the introduction of new characters brought some additional comedy to the film as well as enhancement to the action sequences.
While the film is at times very gory; it is done in a humorous way that balances the dangers the characters are in with a wink and smile to let the audience know that this is still an Action/Comedy that is light on the darkness and big on the levity.
The film has some great continuity with the original film without repeating itself as Columbus’s rules for survival still pop up when they are used and we also get some hysterical new updates to the coveted Zombie Kill of the Week.
Director Ruben Fleischer knows what audiences want and does a great job giving them more of what he gave them in the first film without being gratuitous or heavy handed with the material.
The new cast works well with the returning players especially Rosario Dawson and the previously mentioned Zoey Deutch who fit seamlessly into the comedic Zombie mayhem.
You will want to make sure to stay into the credits for a fantastic bonus scene which puts a great capper on the film which was one of the best times I have had at the movies in recent years and one of the better movies of 2019.
Hopefully this is not the last outing for the crew as I would love to see further adventures in Zombieland but hopefully we will not have to wait 10 years for the next chapter.
4 stars out of 5
The story begins with Columbus (Jesse Eisenberg), bringing the audience up to speed on what has happened since the last film. The Zombies have evolved into different classes of abilities and Columbus and his ersatz family have taken up residence in The White House.
Columbus and Wichita (Emma Stone) are still dating; well at least as best as one can do in a Zombie Apocalypse which is painfully short on options. This situation does not seem to bother Tallahassee (Woody Harrelson), as he is happy to work on his loaded vehicle dubbed “The Beast” but for Little Rock (Abigail Breslin), the situation has become intolerable.
Little Rock is eager to find someone to have a relationship with and when her frustrations combine with Wichita’s insecurities; the girls take off leaving the men to fend for themselves.
While Tallahassee has no issues with this, Columbus is a moping mess and even a trip to the local mall cannot lighten his mood. Things change when they meet the ditzy and clueless Madison (Zoey Deutch); who steals her scenes with her Clueless Pop Culture Princess who is as oblivious to their situation as a person can be.
When Wichita returns to tell them that Little Rock has run off with a guy she met, the crew load up and take to the road to save the day but are blissfully unaware of the new dangers waiting for them.
This is the rare sequel that is as good if not better than the original. The cast works very well with one another and the introduction of new characters brought some additional comedy to the film as well as enhancement to the action sequences.
While the film is at times very gory; it is done in a humorous way that balances the dangers the characters are in with a wink and smile to let the audience know that this is still an Action/Comedy that is light on the darkness and big on the levity.
The film has some great continuity with the original film without repeating itself as Columbus’s rules for survival still pop up when they are used and we also get some hysterical new updates to the coveted Zombie Kill of the Week.
Director Ruben Fleischer knows what audiences want and does a great job giving them more of what he gave them in the first film without being gratuitous or heavy handed with the material.
The new cast works well with the returning players especially Rosario Dawson and the previously mentioned Zoey Deutch who fit seamlessly into the comedic Zombie mayhem.
You will want to make sure to stay into the credits for a fantastic bonus scene which puts a great capper on the film which was one of the best times I have had at the movies in recent years and one of the better movies of 2019.
Hopefully this is not the last outing for the crew as I would love to see further adventures in Zombieland but hopefully we will not have to wait 10 years for the next chapter.
4 stars out of 5
Gareth von Kallenbach (980 KP) rated Deepwater Horizon (2016) in Movies
Jul 15, 2019
On April 20th 2010, approximately 40 miles off of the Louisiana coast, the Deepwater Horizon drilling rig exploded and sank spilling over 3 million barrels of oil into the Gulf of Mexico. The Deepwater Horizon oil spill, also known as the Gulf oil spill and BP oil spill, is the worst oil spill in U.S. history, and cost 11 crew members their lives. It’s also one of the largest environmental disasters in history, who’s total cost to the marine life, fishing community, and entire Gulf coast is still unknown. The film Deepwater Horizon is based on the true story of the men and women who were working on the rig the day of the disaster.
As a new team arrives for a 21-day shift they can already tell something is not exactly right, when the contracted testing crew is leaving without conducting critical tests. The man in charge of the vessel, Jimmy Harrell (Kurt Russell), sets out to find out why the contractors have been dismissed and who let them go. Chief electronics technician Mike Williams (Mark Wahlberg) also goes to question the crew as to what has happened while he was off ship and how long the list is of things he needs to fix. Through a quick investigation by Mike and Jimmy find that BP officials, headed by Vidrine (John Malkovich), are the ones who made the decision. The BP officials chose to assume that everything was fine, and since the Deepwater Horizon was 43 days past their deadline and the rising costs were mounting. Their decision was that it was time to cap the well and move to the next site. That didn’t sit well with Mr. Jimmy, as most of the crew call him, so he demands that one more test is to be run before anything else happens.
The BP officials remind him of the cost and loss of money but eventually agree to the test. The initial test fails but before additional test can be run Jimmy is called away to another part of the vessel. With the addition test being inconclusive, and Mike and Jimmy not around, Vidrine pressures the crew to push forward and move on. Reluctantly the crew and Jimmy agree to move forward. A frustrated Jimmy retires to his crew quarters to get ready for a long night. Mike heads to his shop to video chat with his wife and start the monumental task of fixing all that is wrong aboard the Deepwater Horizon. At about 10 PM the entire vessel was rocked by an explosion. With that the crew rushes frantically to try and stop an even greater disaster and make their way safely off the Deepwater Horizon.
Director Peter Berg (Lone Survivor, Hancock, The Kingdom) does a great job of holding a steady pace throughout this film. The story moves well and once the action begins the intensity and suspense left me on the edge of my seat. The casting is great with Dylan O’Brien, Kate Hudson, Gina Rodriguez and others joining the previously mentioned Wahlberg, Russell and Malkovich. In focusing on the men and women who were on the Deepwater Horizon and their families it makes it a very creative an emotional tribute to the 11 men who perished that night. It does paint the large oil company (BP) as a villain, driven by profit to a point of recklessness, in a way that may be a little too political for some. I found it an informative story, showing a different side to a very well-known disaster.
As a new team arrives for a 21-day shift they can already tell something is not exactly right, when the contracted testing crew is leaving without conducting critical tests. The man in charge of the vessel, Jimmy Harrell (Kurt Russell), sets out to find out why the contractors have been dismissed and who let them go. Chief electronics technician Mike Williams (Mark Wahlberg) also goes to question the crew as to what has happened while he was off ship and how long the list is of things he needs to fix. Through a quick investigation by Mike and Jimmy find that BP officials, headed by Vidrine (John Malkovich), are the ones who made the decision. The BP officials chose to assume that everything was fine, and since the Deepwater Horizon was 43 days past their deadline and the rising costs were mounting. Their decision was that it was time to cap the well and move to the next site. That didn’t sit well with Mr. Jimmy, as most of the crew call him, so he demands that one more test is to be run before anything else happens.
The BP officials remind him of the cost and loss of money but eventually agree to the test. The initial test fails but before additional test can be run Jimmy is called away to another part of the vessel. With the addition test being inconclusive, and Mike and Jimmy not around, Vidrine pressures the crew to push forward and move on. Reluctantly the crew and Jimmy agree to move forward. A frustrated Jimmy retires to his crew quarters to get ready for a long night. Mike heads to his shop to video chat with his wife and start the monumental task of fixing all that is wrong aboard the Deepwater Horizon. At about 10 PM the entire vessel was rocked by an explosion. With that the crew rushes frantically to try and stop an even greater disaster and make their way safely off the Deepwater Horizon.
Director Peter Berg (Lone Survivor, Hancock, The Kingdom) does a great job of holding a steady pace throughout this film. The story moves well and once the action begins the intensity and suspense left me on the edge of my seat. The casting is great with Dylan O’Brien, Kate Hudson, Gina Rodriguez and others joining the previously mentioned Wahlberg, Russell and Malkovich. In focusing on the men and women who were on the Deepwater Horizon and their families it makes it a very creative an emotional tribute to the 11 men who perished that night. It does paint the large oil company (BP) as a villain, driven by profit to a point of recklessness, in a way that may be a little too political for some. I found it an informative story, showing a different side to a very well-known disaster.
Emma @ The Movies (1786 KP) rated Last Christmas (2019) in Movies
Dec 8, 2019
I ummed and erred about how to start this review, should I burst into song? Should I be writing it while adorned with fairy lights? None of that is needed though, and I'll tell you why in a moment.
Kate the Christmas elf has lost her Christmas spirit, life just hasn't felt the same recently and it's affecting her friends and family as well as everything in her life. Tensions run high as she takes advantage of her close friends and slowly burns almost all of her bridges.
Then she meets Tom, he's happy-go-lucky and all about something more to life. Where she's single-minded and oblivious he's caring and mindful of everyone, the pair couldn't be more different while still being the perfect match.
So... a Christmas film using the music of George Michael. Christmas probably appears in 95% of the shots and yet at no point did I feel very Christmassy. As for the music, if I hadn't been told they use his tracks in there I would have just said they just used Last Christmas because they thought they should match the title.
A fair bit of the film takes place at night which does allow for some beautiful illuminated shots of London. The settings are all very well suited for this, I always think that Covent Garden looks like the perfect place for a Christmas paradise when it's made up properly... and that Christmas shop! I died and went to heaven!
I've had no real previous experience with Emilia Clarke as an actress, I've never knowingly seen her in anything (yes, I've never watched Game Of Thrones), but I was impressed with her portrayal of Kate. It all felt very natural, there was a lot of sass but she also managed to keep it together during the serious moments. I don't think I'll be going back to watch GoT after this but I may well give some of her other films a go.
Henry Golding plays the perfect gentleman, that might be his niche. There's nothing to object to in his performance at all, I might have some issues with the way he's written in the script but Golding brought Tom to life perfectly on screen.
The best support performance for me was definitely Santa, played by Michelle Yeoh. Santa and Kate playing off against each other was wonderful to see, no matter whether it eas a dramatic moment or a comedy one they bounced back and forth incredibly well. Seeing Yeoh listed for this was a little dubious but it was delightful to see.
Emma Thompson's portrayal was enjoyable, though the accent did change the feel of the humour. I do question why Kate's family needed to be of Croatian descent. I'm not one to say "this was trying to make a statement" but there wasn't anything of any major consequence in the film that required it to be that way. It didn't feel like the film gained anything from this apart from an opportunity to shoehorn in Brexit.
Despite my quibbling, which you know I love to do, Last Christmas was a thoroughly enjoyable film. It is much more drama than it is Christmas film, Christmas honestly feels incidental even though Emilia Clarke is dressed as an elf most of the time. Sure its message might be a little "hidden agenda" and overly sweet but it's a great bit of entertainment. Just remember, don't be the arsehole who spoils it for someone.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/last-christmas-movie-review.html
Kate the Christmas elf has lost her Christmas spirit, life just hasn't felt the same recently and it's affecting her friends and family as well as everything in her life. Tensions run high as she takes advantage of her close friends and slowly burns almost all of her bridges.
Then she meets Tom, he's happy-go-lucky and all about something more to life. Where she's single-minded and oblivious he's caring and mindful of everyone, the pair couldn't be more different while still being the perfect match.
So... a Christmas film using the music of George Michael. Christmas probably appears in 95% of the shots and yet at no point did I feel very Christmassy. As for the music, if I hadn't been told they use his tracks in there I would have just said they just used Last Christmas because they thought they should match the title.
A fair bit of the film takes place at night which does allow for some beautiful illuminated shots of London. The settings are all very well suited for this, I always think that Covent Garden looks like the perfect place for a Christmas paradise when it's made up properly... and that Christmas shop! I died and went to heaven!
I've had no real previous experience with Emilia Clarke as an actress, I've never knowingly seen her in anything (yes, I've never watched Game Of Thrones), but I was impressed with her portrayal of Kate. It all felt very natural, there was a lot of sass but she also managed to keep it together during the serious moments. I don't think I'll be going back to watch GoT after this but I may well give some of her other films a go.
Henry Golding plays the perfect gentleman, that might be his niche. There's nothing to object to in his performance at all, I might have some issues with the way he's written in the script but Golding brought Tom to life perfectly on screen.
The best support performance for me was definitely Santa, played by Michelle Yeoh. Santa and Kate playing off against each other was wonderful to see, no matter whether it eas a dramatic moment or a comedy one they bounced back and forth incredibly well. Seeing Yeoh listed for this was a little dubious but it was delightful to see.
Emma Thompson's portrayal was enjoyable, though the accent did change the feel of the humour. I do question why Kate's family needed to be of Croatian descent. I'm not one to say "this was trying to make a statement" but there wasn't anything of any major consequence in the film that required it to be that way. It didn't feel like the film gained anything from this apart from an opportunity to shoehorn in Brexit.
Despite my quibbling, which you know I love to do, Last Christmas was a thoroughly enjoyable film. It is much more drama than it is Christmas film, Christmas honestly feels incidental even though Emilia Clarke is dressed as an elf most of the time. Sure its message might be a little "hidden agenda" and overly sweet but it's a great bit of entertainment. Just remember, don't be the arsehole who spoils it for someone.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/last-christmas-movie-review.html
BankofMarquis (1832 KP) rated The Sting (1973) in Movies
Mar 29, 2020
On my list of All Time Favorite Films
I'll come right out and say it - the 1973 Academy Award winning film for Best Picture, THE STING, is one of the greatest films of all time. It's well written, well acted, well directed with a memorable musical score and characters, situations, costumes and set design that become richer over time and through repeated viewings.
Set in Chicago in the gangster-ridden, depression era mid-1930's, THE STING tells the tale of two con man who join forces for the ultimate con of a vile N.Y. Gangster who is responsible for killing a friend of theirs.
From everything I have read about it, the script by David S. Ward (who won an Oscar for his work) arrived pretty much finished. He shaped the story of the con men - and the myriad pieces of misdirection - fully before shopping it around to the studios. Universal jumped all over it and tabbed veteran Director George Roy Hill (BUTCH CASSIDY AND THE SUNDANCE KID) to helm the picture. Hill - being no dummy - saw this as a vehicle to re-team Newman and Redford (stars of Butch Cassidy) and the rest...as they say...is history.
Newman and Redford are perfectly cast as veteran grifter Henry Gondorff (Newman) and up and coming grifter Johnny Hooker (Redford). They have an ease of playing off of each other - each one complimenting the other one - both giving in their scenes with the other one which makes the scenes more rich and alive. They are joined by a veritable "who's who" of late '60's/early '70's character actors - Harold Gould, Eileen Brennan, Charles Durning, Ray Walston and Dana Elcar - all of them bring their "A" game and they are fun to watch. Special notice should be made to Robert Earl Jones (father of James Earl Jones) as Luther, the character who's fate propels the plot forward.
But...none of this would work if you didn't have a "bad guy" that was interesting to watch - and to root against - and bad guys don't get much better...and badder...than Robert Shaw's Doyle Lonnegan. Shaw plays Lonnegan as a physically tough boss who doesn't suffer failure, but is smart enough to avoid obvious traps. He is a worthy adversary of Gondorff and Hooker's and it is fun to watch Newman, Redford and Shaw play off each other. One other note - it was with this performance that Universal recommended Shaw to young Director Stephen Spielberg for his "shark flick" JAWS.
Edith Head won her 8th (and last) Oscar for the magnificent period costumes in this film and Marvin Hamlisch won for the Music - a surprising hit on the pop charts of re-channeled Scott Joplin tunes. The set design won an Oscar - as did the Director, George Roy Hill. All in all, the film won 7 out of the 11 Oscars it was nominated for (Redford was nominated for Best Actor, but did not win).
THE STING is a well crafted film. One that tells a timeless story and that stands the test of time as a testament of how great of an achievement in film this is. It is one of my All Time favorites.
Letter Grade: the rare A+
5 stars (out of 5) and you can take that to the Bank(ofMarquis)
Set in Chicago in the gangster-ridden, depression era mid-1930's, THE STING tells the tale of two con man who join forces for the ultimate con of a vile N.Y. Gangster who is responsible for killing a friend of theirs.
From everything I have read about it, the script by David S. Ward (who won an Oscar for his work) arrived pretty much finished. He shaped the story of the con men - and the myriad pieces of misdirection - fully before shopping it around to the studios. Universal jumped all over it and tabbed veteran Director George Roy Hill (BUTCH CASSIDY AND THE SUNDANCE KID) to helm the picture. Hill - being no dummy - saw this as a vehicle to re-team Newman and Redford (stars of Butch Cassidy) and the rest...as they say...is history.
Newman and Redford are perfectly cast as veteran grifter Henry Gondorff (Newman) and up and coming grifter Johnny Hooker (Redford). They have an ease of playing off of each other - each one complimenting the other one - both giving in their scenes with the other one which makes the scenes more rich and alive. They are joined by a veritable "who's who" of late '60's/early '70's character actors - Harold Gould, Eileen Brennan, Charles Durning, Ray Walston and Dana Elcar - all of them bring their "A" game and they are fun to watch. Special notice should be made to Robert Earl Jones (father of James Earl Jones) as Luther, the character who's fate propels the plot forward.
But...none of this would work if you didn't have a "bad guy" that was interesting to watch - and to root against - and bad guys don't get much better...and badder...than Robert Shaw's Doyle Lonnegan. Shaw plays Lonnegan as a physically tough boss who doesn't suffer failure, but is smart enough to avoid obvious traps. He is a worthy adversary of Gondorff and Hooker's and it is fun to watch Newman, Redford and Shaw play off each other. One other note - it was with this performance that Universal recommended Shaw to young Director Stephen Spielberg for his "shark flick" JAWS.
Edith Head won her 8th (and last) Oscar for the magnificent period costumes in this film and Marvin Hamlisch won for the Music - a surprising hit on the pop charts of re-channeled Scott Joplin tunes. The set design won an Oscar - as did the Director, George Roy Hill. All in all, the film won 7 out of the 11 Oscars it was nominated for (Redford was nominated for Best Actor, but did not win).
THE STING is a well crafted film. One that tells a timeless story and that stands the test of time as a testament of how great of an achievement in film this is. It is one of my All Time favorites.
Letter Grade: the rare A+
5 stars (out of 5) and you can take that to the Bank(ofMarquis)
The Everybody Writes: Your Go-to Guide to Creating Ridiculously Good Content
Ann Handley and Vahe Habeshian
Book
Finally a go-to guide to creating and publishing the kind of content that will make your business...
Purple Phoenix Games (2266 KP) rated Pretense in Tabletop Games
Sep 24, 2019
Have you ever invented something that already exists? I have. I invented the mechanism that is used in fast food joints where you can fill up the cups with just enough ice and pop (yes, it’s POP) per size of cup. So it only fills up enough ice and pop to fill a Small cup, for example. I invented that!! Until I saw that it was in use a year later after not doing anything about it. In any case, Pretense is a game that I should have invented. It’s one of those ideas where you think to yourself, “Well gall-darnit, why didn’t I think of that??”
This is a Button Shy game so you know it will be compact and fit into one of those nylon wallet things. Mine, however, was Kickstarted and came in and still resides in a clear plastic bag. No wallet. Oh well. It’s a small set of cards that you deal out to attendees of your game night when they arrive. Each player then reads their role cards to themselves and the game is on.
A game of Pretense is a meta-game that lasts the entire game night (or longer if you are hard core). When you have your role card you are trying to get someone to satisfy your role’s requirement so that you may catch them, announce your role, and then take their role card to assume their requirements. The “winner” is the person at the end of the game with the most amount of won role cards.
As you can see from the Klutz card above, if someone mentions that you suck at keeping your rolled dice on the table, you can announce that you are the Klutz, take their role card and continue playing as someone else. Well gall-darnit, why didn’t I think of that? It’s genius!
And it IS genius. It is a simple and sleek design that keeps everyone on their toes for the entire evening, trying to catch each other saying or doing something outrageous or quite normal – just to slap it in their faces and flaunt their gaming supremacy.
Components. Again, I have the Kickstarter Button Shy version of Pretense and it’s some cards in a basic clear plastic bag… well, sleeve. The cards are fine quality, and the art on them is quite good. They all have the same portraiture but with different subjects, and a nameplate above the game details. No issues on components or art here.
Pretense is a game that I can pull out with minimal (or no) explanation and have people plotting and sneaking all night long. I believe the boxed AEG version also provides role token (a la Werewolf) so everyone knows which roles are in play, but that’s no fun. It’s catching people when they aren’t thinking about what they’re doing that really makes this one shine. It will never make my Top 100 list, but I will also never let it go. I do love it and it has led to many hilarious accusations and subterfuge, so it will be mine for all time. As this game is difficult to really rate (due to it being more of an activity and not so much a game), I have left off any numeric values. This is a good time and you should defo try it out.
This is a Button Shy game so you know it will be compact and fit into one of those nylon wallet things. Mine, however, was Kickstarted and came in and still resides in a clear plastic bag. No wallet. Oh well. It’s a small set of cards that you deal out to attendees of your game night when they arrive. Each player then reads their role cards to themselves and the game is on.
A game of Pretense is a meta-game that lasts the entire game night (or longer if you are hard core). When you have your role card you are trying to get someone to satisfy your role’s requirement so that you may catch them, announce your role, and then take their role card to assume their requirements. The “winner” is the person at the end of the game with the most amount of won role cards.
As you can see from the Klutz card above, if someone mentions that you suck at keeping your rolled dice on the table, you can announce that you are the Klutz, take their role card and continue playing as someone else. Well gall-darnit, why didn’t I think of that? It’s genius!
And it IS genius. It is a simple and sleek design that keeps everyone on their toes for the entire evening, trying to catch each other saying or doing something outrageous or quite normal – just to slap it in their faces and flaunt their gaming supremacy.
Components. Again, I have the Kickstarter Button Shy version of Pretense and it’s some cards in a basic clear plastic bag… well, sleeve. The cards are fine quality, and the art on them is quite good. They all have the same portraiture but with different subjects, and a nameplate above the game details. No issues on components or art here.
Pretense is a game that I can pull out with minimal (or no) explanation and have people plotting and sneaking all night long. I believe the boxed AEG version also provides role token (a la Werewolf) so everyone knows which roles are in play, but that’s no fun. It’s catching people when they aren’t thinking about what they’re doing that really makes this one shine. It will never make my Top 100 list, but I will also never let it go. I do love it and it has led to many hilarious accusations and subterfuge, so it will be mine for all time. As this game is difficult to really rate (due to it being more of an activity and not so much a game), I have left off any numeric values. This is a good time and you should defo try it out.
