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The Vault Between Spaces
The Vault Between Spaces
8
8.0 (1 Ratings)
Book Rating
What a story!!
Christian fantasy is a new to me genre this year, and I am loving how each book is so completely different! This book The Vault Between Spaces takes me into a world fighting against evil, people losing faith until hope shows up unexpectedly and a unique way of describing our Creator. I loved getting a glimpse into Chawna Schroeder’s creative and imaginative mind. She used earth elements, music, and faith to tell the story of how much our Creator loves us. I really enjoyed getting to know the characters gradually throughout the whole book. They seemed to grow into themselves as the story progressed, which for me means it’s a story well written.
“You do not stop being what the Creator designed you to be because you no longer do what He created you to do”.
That quote right there is what this book is about. Finding your strengths, learning to listen, having faith, and of course fighting the good fight. Even when life takes unexpected turns, we need to remember that God created us as who we are supposed to be, and that fact will not change just because our circumstances do. I give this book 4 out of 5 stars for the way in which Chawna Schroeder captured my imagination, the great characters, and the overall storyline.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
  
Return of the Living Dead 3 (1993)
Return of the Living Dead 3 (1993)
1993 | Horror, Sci-Fi
On the surface, Return of the Living Dead III may seem like another zombie crawling splatter fest from genre favourite Brian Yuzna, but underneath the copious amounts of gore, is a tragic and often melancholy story about forbidden love, and hiding ones true nature. Sort of like the principles of King Kong, masquerading as a gory zombie flick, with a dash of Romeo & Juliet.

This wouldn't work quite so well if it wasn't for an equally menacing, touching, and occasionally emotional performance from Melinda Clarke, playing a character who is wrestling with her urge to consume flesh after being bought back to life following a fatal motorbike accident. Watching her humanity slowly vanish whilst her boyfriend (J. Trevor Edmund) tries to protect the woman he loves is genuinely sad. The rest of the cast are fine, but Clarke is the glue that holds everything together, whilst giving us an incredibly memorable horror anti-hero.

The effects work done on the various creatures and the subsequent gore is great. All done practically, and when it comes to the more visceral moments, this movie doesn't fuck about. It also builds up as it goes on. The last 20 minutes are absolutely nuts in almost every way.

ROTLD3 came highly recommended to me as a horror fan, and I would pass on that recommendation wholeheartedly. A hugely bloody film, with a whole bunch of heart.
  
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LoganCrews (2861 KP) rated Motherless Brooklyn (2019) in Movies

Mar 10, 2021 (Updated Mar 11, 2021)  
Motherless Brooklyn (2019)
Motherless Brooklyn (2019)
2019 | Drama, Mystery
A swing and a miss, to be sure - but boy do I admire what a wide fuckin' swing it is. Norton clearly loves and understands the mechanisms of film noir but translates them into a boiling hot mess. A baffling Frankenstein's monster of hokey performances, grotesque fakey-looking cinematography, trash editing, formless structure, and corny dialogue - you'd think no one here had ever been involved with the moviemaking process before, it's actually bewildering. The ever-dependable (and criminally underrated) Daniel Pemberton's score as well as some fine production are in direct conflict with its shit TV movie visuals - so there ends up being no actual mood here either. Its noble but muddled attempt at reviving the old-school prestige gumshoe epic make it at least mildly diverting oftentimes - but there's a whole lot of people explaining the plot to each other and not a lot of actual character on display. Nothing really feels lived-in, we're told time and time again how much we're supposed to feel for these relationships despite the fact that everyone just kind of bounces in and out only when they're needed to advance the plot with no further development - and its 50s setting it banks so hard on is mere window dressing to peddle the type of plot you've seen a hundred other times in these. Am I supposed to be shocked that urban renewal leaders are greedy, egotistical, and racist?