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Darren (1599 KP) rated 6 Days (2017) in Movies
Jun 20, 2019 (Updated Jun 20, 2019)
Contains spoilers, click to show
Story: 6 Days starts on the 30th April 1980 when Iranian terrorists storm the Iranian Embassy in Princes Gate taking hostages and demanding the release of 91 prisoners back in Iran. We follow the negotiator Max Vernon (Strong), reporter Kate Adie (Cornish) and the specialist SAS unit with rookie Rusty Firmin (Bell) planning their ideas of for entering the embassy.
England faces the idea of negotiating with terrorists or being strong and taking them down from the within showing the strength to deal with terrorist situations. As the tensions rise, Max tries to find a peaceful solution to everything while Rusty and his team are preparing for any chance of taking the embassy by force.
Thoughts on 6 Days
Characters – Rusty Firmin is the lead on a SAS team that are called to try and solve the hostage situation, they have only ever done training never being able to get their hands-on experience before. Rusty is desperate to show they are ready to protect their country. Max Vernon is the negotiator that keeps the terrorists calm, trying to make their demands happen, he stays calm through the whole situation even when the pressure to make something happen is getting to him. Kate Adie gives updates from outside for the watching television public to see how everything unfolds, in all honesty, we don’t need to be following this character.
Performances – When you look at the performances you can’t fault them because they are give good performances, Mark Strong shines like he always does, Jamie Bell is good too, the limited scenes Abbie Cornish is in she does well to. The problem is the characters are not the most interesting.
Story – The story is based on the real Iranian terrorist hostage situation in 1980 which last the 6 Days. It shows how England didn’t want a copy of what happened in Munich, didn’t want to give into terrorism and wanted to remain strong in the eyes of the world. It also shows how while being trained to deal with the situation, the SAS had never had to tackle things in reality. This should be an interesting watch but in the end, we don’t focus on enough of the negotiation process or the tactical side leaving us feeling like we haven’t learnt enough by the end.
Action/History – The get tactical action, the most part is training ideas before one main shot, but it doesn’t feel like it was shot the best way. We learn moments from the historical events, but most comes from the reading over the storytelling.
Settings – The film is set instantly around the Embassy, which puts us into the action from the start which is all we want to see.
Scene of the Movie – The practise sieges
That Moment That Annoyed Me – I feel we should have followed one side more instead of trying to cover three angles.
Final Thoughts – This is a solid enough history lesson, we learn what we need to, but not enough from the action unfolding before us.
Overall: Disappointing historical drama.
https://moviesreview101.com/2017/11/26/6-days-2017/
England faces the idea of negotiating with terrorists or being strong and taking them down from the within showing the strength to deal with terrorist situations. As the tensions rise, Max tries to find a peaceful solution to everything while Rusty and his team are preparing for any chance of taking the embassy by force.
Thoughts on 6 Days
Characters – Rusty Firmin is the lead on a SAS team that are called to try and solve the hostage situation, they have only ever done training never being able to get their hands-on experience before. Rusty is desperate to show they are ready to protect their country. Max Vernon is the negotiator that keeps the terrorists calm, trying to make their demands happen, he stays calm through the whole situation even when the pressure to make something happen is getting to him. Kate Adie gives updates from outside for the watching television public to see how everything unfolds, in all honesty, we don’t need to be following this character.
Performances – When you look at the performances you can’t fault them because they are give good performances, Mark Strong shines like he always does, Jamie Bell is good too, the limited scenes Abbie Cornish is in she does well to. The problem is the characters are not the most interesting.
Story – The story is based on the real Iranian terrorist hostage situation in 1980 which last the 6 Days. It shows how England didn’t want a copy of what happened in Munich, didn’t want to give into terrorism and wanted to remain strong in the eyes of the world. It also shows how while being trained to deal with the situation, the SAS had never had to tackle things in reality. This should be an interesting watch but in the end, we don’t focus on enough of the negotiation process or the tactical side leaving us feeling like we haven’t learnt enough by the end.
Action/History – The get tactical action, the most part is training ideas before one main shot, but it doesn’t feel like it was shot the best way. We learn moments from the historical events, but most comes from the reading over the storytelling.
Settings – The film is set instantly around the Embassy, which puts us into the action from the start which is all we want to see.
Scene of the Movie – The practise sieges
That Moment That Annoyed Me – I feel we should have followed one side more instead of trying to cover three angles.
Final Thoughts – This is a solid enough history lesson, we learn what we need to, but not enough from the action unfolding before us.
Overall: Disappointing historical drama.
https://moviesreview101.com/2017/11/26/6-days-2017/
Emma @ The Movies (1786 KP) rated The Kindergarten Teacher (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
The Kindergarten Teacher was an experience, a proper "oh no, don't do that" awkward experience. Evidently it is a remake of the 2014 film Haganenet/The Kindergarten Teacher, written and directed by Nadav Lapid. Recently I've been watching the original versions to see the comparison between the two but I honestly don't think I can do it with this.
The story follows Lisa as she tries to nurture her own talent and that of her two children. But she's a disconnected mother and she doesn't seem to realise that they're doing okay on their own and it's just her life that hasn't lived up to expectations.
I'm intrigued to know the story behind how this originally came into being. It seems like a very specific subject, although I can't find anything about it being a true story in a brief search on the interweb.
Gyllenhaal has a tough role, it goes against every instinct you have as a decent human being. Lisa is an intriguing character, while she has her own interests at heart and the desire to make herself a success she's also desperate to give Jimmy the success he deserves too. It's quite surprising how she willingly unmasks herself in his favour at one point, but I think that's also the point where she realises she's crossed so far over the line that she's no hope of recovering from it. There's a desperation around her, she needs to be something more than she is and that urgency makes her forget what's appropriate and right.
This is scary in a way I can't really identify, possibly because it singles out a predator I'd never considered before? While the relationship is never particularly physically inappropriate her treatment of Jimmy does swing wildly between looking after him as a motherly figure to calling him like they're in a relationship.
I can't say that I enjoyed the film, I also didn't particularly hate it. The topic was so distracting that I couldn't really focus on all of the aspects of the film while I watched it. I think it was more that I was reacting so much to the story that there was actually no place for enjoyment. It really annoyed me that not a single person actioned any of their suspicions, there were at least two opportunities for intervention and yet, nothing.
The ending was a redemption of sorts and the way it was handled was quite unexpected, I'm not sure that it really made up for anything that came before it but it was well received.
Sadly I can't think of anything more constructive to say about this, it genuinely makes me scrunch up my face while I think about it.
What you should do
There's nothing particularly outstanding in The Kindergarten Teacher for me to recommend it, I don't even think I would watch it when it comes to streaming services.
Movie thing you wish you could take home
I don't really want anything from this movie, I would however like 2 hours of pleasant feelings to put in place of everything I felt while watching this.
The story follows Lisa as she tries to nurture her own talent and that of her two children. But she's a disconnected mother and she doesn't seem to realise that they're doing okay on their own and it's just her life that hasn't lived up to expectations.
I'm intrigued to know the story behind how this originally came into being. It seems like a very specific subject, although I can't find anything about it being a true story in a brief search on the interweb.
Gyllenhaal has a tough role, it goes against every instinct you have as a decent human being. Lisa is an intriguing character, while she has her own interests at heart and the desire to make herself a success she's also desperate to give Jimmy the success he deserves too. It's quite surprising how she willingly unmasks herself in his favour at one point, but I think that's also the point where she realises she's crossed so far over the line that she's no hope of recovering from it. There's a desperation around her, she needs to be something more than she is and that urgency makes her forget what's appropriate and right.
This is scary in a way I can't really identify, possibly because it singles out a predator I'd never considered before? While the relationship is never particularly physically inappropriate her treatment of Jimmy does swing wildly between looking after him as a motherly figure to calling him like they're in a relationship.
I can't say that I enjoyed the film, I also didn't particularly hate it. The topic was so distracting that I couldn't really focus on all of the aspects of the film while I watched it. I think it was more that I was reacting so much to the story that there was actually no place for enjoyment. It really annoyed me that not a single person actioned any of their suspicions, there were at least two opportunities for intervention and yet, nothing.
The ending was a redemption of sorts and the way it was handled was quite unexpected, I'm not sure that it really made up for anything that came before it but it was well received.
Sadly I can't think of anything more constructive to say about this, it genuinely makes me scrunch up my face while I think about it.
What you should do
There's nothing particularly outstanding in The Kindergarten Teacher for me to recommend it, I don't even think I would watch it when it comes to streaming services.
Movie thing you wish you could take home
I don't really want anything from this movie, I would however like 2 hours of pleasant feelings to put in place of everything I felt while watching this.
Phil Leader (619 KP) rated The Long Utopia in Books
Nov 20, 2019
The Long Earth series of books presented an intriguing idea, that of being able to 'step' into parallel Earths, each an untouched wilderness and each one slightly different until they became very different planets. How would this affect people on a personal level and how would it affect the social and political stability of the original 'Datum Earth'?
The second book, The Long War explored the political theme further with the superpowers attempting to control the equivalent populations on the other Earths - and mostly meeting resistance to any governance at all. It also introduced the concept of the Next, a super intelligent sub-species of humanity.
The third book, The Long Mars had further incredible iterations of Earth on display and also did the same thing for Mars on a quest to discover a material to use to make a space elevator. The Next also started to organise and to separate themselves from the rest of humanity.
Each of these took the original concept and gave us more interesting worlds and lifeforms. Although the law of diminishing returns was starting to bite - Earth fatigue if you like - the main interest was in seeing what new ideas the authors could wrestle for each new Earth or Mars.
That is where this book fails. It is almost exclusively interested in only one copy of Earth, which comes under direct threat. All the usual suspects - Joshua, Sally, Lobsang and the Next must join forces to prevent a catastrophe threatening the whole Long Earth. There is also a sub-plot involving Joshua's antecedents which although interesting in itself is essentially a Long Earth short story of no relevance to the rest of the plot.
Whereas the previous books had a sense of wonder at each world, this loses that completely. It is in fact a completely standard science fiction story and probably would have been better told as a stand alone story rather than being shoe-horned into the Long Earth concept, which doesn't actually add anything interesting to it. It reads very much like Baxter wanted to write a story about a Dyson motor and as he was contracted to write a Long Earth novel, that's what was used. Unfortunately even this story is not well told with stilted and flaccid dialogue, zero character development and no dramatic tension at all. It was a real struggle to read in places, there is no zip or flow to the story or writing.
Various bits of the plot don't make a great deal of sense and the ending is very lame indeed with the chain of Long Earth worlds being essentially fixed by just thinking about it. The Next decide that Stan Berg, a newly discovered one of their kind, is the only one to 'fix' this despite basically no contact. They are supposed to be super intelligent and think many moves ahead but this just struck me as absurd.
Overall, I would only suggest that Long Earth completists read this. Those who enjoy the Long Earth for its diversity and novel concepts would be better off leaving this one on the shelf.
The second book, The Long War explored the political theme further with the superpowers attempting to control the equivalent populations on the other Earths - and mostly meeting resistance to any governance at all. It also introduced the concept of the Next, a super intelligent sub-species of humanity.
The third book, The Long Mars had further incredible iterations of Earth on display and also did the same thing for Mars on a quest to discover a material to use to make a space elevator. The Next also started to organise and to separate themselves from the rest of humanity.
Each of these took the original concept and gave us more interesting worlds and lifeforms. Although the law of diminishing returns was starting to bite - Earth fatigue if you like - the main interest was in seeing what new ideas the authors could wrestle for each new Earth or Mars.
That is where this book fails. It is almost exclusively interested in only one copy of Earth, which comes under direct threat. All the usual suspects - Joshua, Sally, Lobsang and the Next must join forces to prevent a catastrophe threatening the whole Long Earth. There is also a sub-plot involving Joshua's antecedents which although interesting in itself is essentially a Long Earth short story of no relevance to the rest of the plot.
Whereas the previous books had a sense of wonder at each world, this loses that completely. It is in fact a completely standard science fiction story and probably would have been better told as a stand alone story rather than being shoe-horned into the Long Earth concept, which doesn't actually add anything interesting to it. It reads very much like Baxter wanted to write a story about a Dyson motor and as he was contracted to write a Long Earth novel, that's what was used. Unfortunately even this story is not well told with stilted and flaccid dialogue, zero character development and no dramatic tension at all. It was a real struggle to read in places, there is no zip or flow to the story or writing.
Various bits of the plot don't make a great deal of sense and the ending is very lame indeed with the chain of Long Earth worlds being essentially fixed by just thinking about it. The Next decide that Stan Berg, a newly discovered one of their kind, is the only one to 'fix' this despite basically no contact. They are supposed to be super intelligent and think many moves ahead but this just struck me as absurd.
Overall, I would only suggest that Long Earth completists read this. Those who enjoy the Long Earth for its diversity and novel concepts would be better off leaving this one on the shelf.
Sophia (Bookwyrming Thoughts) (530 KP) rated Gates of Thread and Stone (Gates of Thread and Stone #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Much as I actually read the synopsis once when I first saw it months ago on Goodreads and then again before I clicked "Read Now" on Netgalley, I ended up forgetting the synopsis <i>entirely</i> by the time I started.
Except for one word: Labyrinth. Needless to say, I actually thought for awhile that <i>Gates of Thread and Stone</i> would be about a labyrinth. <i>The</i> Labyrinth of the Greek myths, per say, and when I actually read <i>Gates of Thread of Stone</i>, I checked the synopsis again to set myself on the right track (because when there's no one being sent as sacrifice, you know there's something wrong).
<i>Gates of Thread and Stone</i> is really about a girl named Kai <i>living</i> with her "brother," Reev, in a place called the Labyrinth, named so by its maze-like structure, and where the lowest of the lowest in Ninurta live out their daily lives. But one day, Reev disappears just like many others and Kai is determined to find her brother.
There's something about <i>Gates of Thread and Stone</i> that I really like. It's definitely not the world, even though I highly enjoyed Lee's world-building each section (East Quarter, White Court, Void, Outlands, etc.) in Ninurta were set apart from one another and most even had their own nicknames (East Quarter = Labyrinth, North Quarter = Purgatory). It's most certainly not the amount of possible f-bombs in here as well, or what I'll assume as f-bombs, because "drek" by itself is certainly not sounding like crap or hell.
The characters were tolerable Kai is a determined and persistent character who has an admirable strength and may sometimes be a little feisty. Irra is perhaps one of my favorite characters by far, being a dramatic yet eccentric advisor in assisting Kai and Avan finding Reev. In fact... he's a bit of an oddity compared to the other Infinites, who seem to be similar to gods and goddesses based on their description.
The plot was a little predictable and I was just waiting for a couple of parts to play out (I really should stop being Sherlock Holmes and just enjoy reading the book, but I can't help myself). While the end is similar to the end of <i>Senshi</i> and the beginning of <i>Shinobi</i> and doesn't seem to have a bigger plot that spans over to the sequel or more books.
Now that I actually took the time to write all that down, maybe it's the world-building that I liked the most. With the ending of <i>Gates of Thread and Stone</i> seeming to be a solid ending, I may read the sequel just to for the pure fun of seeing what Ninurta will be like.
<a href="https://bookwyrmingthoughts.com/review-gates-of-thread-and-stone-by-lori-m-lee/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Much as I actually read the synopsis once when I first saw it months ago on Goodreads and then again before I clicked "Read Now" on Netgalley, I ended up forgetting the synopsis <i>entirely</i> by the time I started.
Except for one word: Labyrinth. Needless to say, I actually thought for awhile that <i>Gates of Thread and Stone</i> would be about a labyrinth. <i>The</i> Labyrinth of the Greek myths, per say, and when I actually read <i>Gates of Thread of Stone</i>, I checked the synopsis again to set myself on the right track (because when there's no one being sent as sacrifice, you know there's something wrong).
<i>Gates of Thread and Stone</i> is really about a girl named Kai <i>living</i> with her "brother," Reev, in a place called the Labyrinth, named so by its maze-like structure, and where the lowest of the lowest in Ninurta live out their daily lives. But one day, Reev disappears just like many others and Kai is determined to find her brother.
There's something about <i>Gates of Thread and Stone</i> that I really like. It's definitely not the world, even though I highly enjoyed Lee's world-building each section (East Quarter, White Court, Void, Outlands, etc.) in Ninurta were set apart from one another and most even had their own nicknames (East Quarter = Labyrinth, North Quarter = Purgatory). It's most certainly not the amount of possible f-bombs in here as well, or what I'll assume as f-bombs, because "drek" by itself is certainly not sounding like crap or hell.
The characters were tolerable Kai is a determined and persistent character who has an admirable strength and may sometimes be a little feisty. Irra is perhaps one of my favorite characters by far, being a dramatic yet eccentric advisor in assisting Kai and Avan finding Reev. In fact... he's a bit of an oddity compared to the other Infinites, who seem to be similar to gods and goddesses based on their description.
The plot was a little predictable and I was just waiting for a couple of parts to play out (I really should stop being Sherlock Holmes and just enjoy reading the book, but I can't help myself). While the end is similar to the end of <i>Senshi</i> and the beginning of <i>Shinobi</i> and doesn't seem to have a bigger plot that spans over to the sequel or more books.
Now that I actually took the time to write all that down, maybe it's the world-building that I liked the most. With the ending of <i>Gates of Thread and Stone</i> seeming to be a solid ending, I may read the sequel just to for the pure fun of seeing what Ninurta will be like.
<a href="https://bookwyrmingthoughts.com/review-gates-of-thread-and-stone-by-lori-m-lee/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated Session 9 (2001) in Movies
Mar 10, 2020
Looking back I’ve written a number of horror film reviews which, probably highlights what my favourite genre is? I’ve not been into torture porn or serious amounts of gore. I don’t mind it in small doses, but I prefer films that get under your skin – case in point, Session 9.
In order to satisfy the millennials the majority of horror films today get their thrills from cheap jump scares. But real terror comes from the things that we can relate to. Things that go ‘bump‘ in the night or the sense that we are being watched. This for me, is real terror. Directed by Brad Anderson, Session 9 embodies all of that to perfection.
Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
An asbestos cleaning crew are set the task of clearing the abandoned Danvers State Hospital, a job that needs to be done within a week. Company owner Gordon (Peter Mullan) has put a lot of pressure on his team, consisting of Mike (Stephen Gevedon), Phil (David Caruso), Hank (Josh Lucas), and Jeff (Brendan Sexton III), to meet the deadline and collect a bonus. It’s pressure that starts to spill over right from the off.
The hospital is creepy as hell and even in the daylight the crew are plunged into darkness, which doesn’t sit well with Jeff who has a serious case of nyctophobia. They also have to deal with in-fighting amongst the group. On top of the tight deadline Gordon is struggling with the stress of raising a newborn child and arguments with his wife have not helped matters and slowly he becomes dissociated from the group. Meanwhile Mike stumbles across some tapes (nine of them) which are session interviews with a former patient called Mary Hobbes who has multiple personalities, that over the course of each session start to come out.
Phil (David Caruso) & Jeff (Brendan Sexton III) investigate the depths of the hospital
Like Stanley Kubrick’s The Shining – the location starts to take hold of each of the men, sending them spiraling into a world of personal madness. A number of subplots become interconnected the longer the film goes on and the pacing, while slow for some horror fans, is brilliantly orchestrated for those with patience. Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
What makes the film even more terrifying is the setting. The film was shot in the actual Danvers State Hospital so it needed little doing to it in terms of effects. The hospital was said to be the birth place of the prefrontal lobotomy (something which is referenced in the film), and part of me thinks that the fear on the actors faces as they walk the halls was in fact genuine terror. If that is the case then it only adds to the horror.
Session 9 will stay with you long after the credits. It doesn’t rely on heavy gore or CGI and builds tension with what you think you can see and at times – what you can’t.
In order to satisfy the millennials the majority of horror films today get their thrills from cheap jump scares. But real terror comes from the things that we can relate to. Things that go ‘bump‘ in the night or the sense that we are being watched. This for me, is real terror. Directed by Brad Anderson, Session 9 embodies all of that to perfection.
Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
An asbestos cleaning crew are set the task of clearing the abandoned Danvers State Hospital, a job that needs to be done within a week. Company owner Gordon (Peter Mullan) has put a lot of pressure on his team, consisting of Mike (Stephen Gevedon), Phil (David Caruso), Hank (Josh Lucas), and Jeff (Brendan Sexton III), to meet the deadline and collect a bonus. It’s pressure that starts to spill over right from the off.
The hospital is creepy as hell and even in the daylight the crew are plunged into darkness, which doesn’t sit well with Jeff who has a serious case of nyctophobia. They also have to deal with in-fighting amongst the group. On top of the tight deadline Gordon is struggling with the stress of raising a newborn child and arguments with his wife have not helped matters and slowly he becomes dissociated from the group. Meanwhile Mike stumbles across some tapes (nine of them) which are session interviews with a former patient called Mary Hobbes who has multiple personalities, that over the course of each session start to come out.
Phil (David Caruso) & Jeff (Brendan Sexton III) investigate the depths of the hospital
Like Stanley Kubrick’s The Shining – the location starts to take hold of each of the men, sending them spiraling into a world of personal madness. A number of subplots become interconnected the longer the film goes on and the pacing, while slow for some horror fans, is brilliantly orchestrated for those with patience. Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
What makes the film even more terrifying is the setting. The film was shot in the actual Danvers State Hospital so it needed little doing to it in terms of effects. The hospital was said to be the birth place of the prefrontal lobotomy (something which is referenced in the film), and part of me thinks that the fear on the actors faces as they walk the halls was in fact genuine terror. If that is the case then it only adds to the horror.
Session 9 will stay with you long after the credits. It doesn’t rely on heavy gore or CGI and builds tension with what you think you can see and at times – what you can’t.
Joe Goodhart (27 KP) rated X-Men Red, Vol. 1: The Hate Machine in Books
Nov 30, 2020
While I was starting to tire of Tom Taylor's run on ALL-NEW WOLVERINE (I didn't hate it or anything, I just was starting to tire of some of the humor incorporated in the series. Still, if I had to decide between him and Tamiko, who took over after him on the X-23 series, I would take Taylor for another run, no question!), I wasn't sure if I wanted to read any X-Men stories leading into "Dawn of X". I also had lost a lot of interest in the X-franchise, as the stories were just awful (yes, Bendis and Hopeless, I am talking about you both in this sentence!)! However, I have gotten back on board with the wonderful re-invigoration of the mutants, making them cool again! Thus, when the recent Comixology sale came through, I took advantage of snagging both Volumes!
Dear God, this was some solid writing here! Edgy as heck, VERY socially relevent ("mutant hate" subbing in for "immigrant hate"!), and more representative of the team as a whole! I seriously wanted to sit up in bed and cheer last night, as I found myself coming to the end of this first volume!
I know there has been some off-handed remarks towards this series, citing its content as being too "on the nose" as far as the social relevance of what was being portrayed. There has also been that <b>waaaay</b> TOO OVER-USED word "SJW" thrown out, when forward-thinking makes some folks have to <i>think</i> a bit <u>too</u> forwardly! Yeah, well, maybe that's the only way to get the message across, as trying to do it subtle-like, leads to the overly message often getting missed or brushed off!
I applaud Tom Taylor for his writing here. The feeling I got from reading this was it not only began to reset the X-line in a positive, and very socially relevant way, but it also helped set the stage for what would lead into Moira's "Dawn of X" temporal reboot! Not only that, but for me, anyways, it helped restore the X-Men as being heroes and doing truly heroic deeds again! Something we most definitely need in this racially-imbalanced toxicity that is the current state of our culture! Thank you, Tom!!
My only quibble with the series, and it is more of a superficial quibble at best, was Kurt (Nightcrawler) sporting facial hair. I dunno. With all the negative connotation that hipsters have been generating with the whole <i>"I just rolled out from under a dumpster!"</i> look for those that choose to adopt the regrettable "neck-beard" look! Yeah, can't think of Kurt as anything other than clean-shaven! But, it did not take away from the story in any way! Just like I ignore hipsters, whether sporting a "neck-beard" or just in general, I was able to forget about it! lol
Again, I loved this book! Looking forward to starting Volume 2 tonight! Still not sure if this is for you? Ask yourself what makes a hero a Hero, and chances are, you will find yourself enjoying what is a solid read!
Dear God, this was some solid writing here! Edgy as heck, VERY socially relevent ("mutant hate" subbing in for "immigrant hate"!), and more representative of the team as a whole! I seriously wanted to sit up in bed and cheer last night, as I found myself coming to the end of this first volume!
I know there has been some off-handed remarks towards this series, citing its content as being too "on the nose" as far as the social relevance of what was being portrayed. There has also been that <b>waaaay</b> TOO OVER-USED word "SJW" thrown out, when forward-thinking makes some folks have to <i>think</i> a bit <u>too</u> forwardly! Yeah, well, maybe that's the only way to get the message across, as trying to do it subtle-like, leads to the overly message often getting missed or brushed off!
I applaud Tom Taylor for his writing here. The feeling I got from reading this was it not only began to reset the X-line in a positive, and very socially relevant way, but it also helped set the stage for what would lead into Moira's "Dawn of X" temporal reboot! Not only that, but for me, anyways, it helped restore the X-Men as being heroes and doing truly heroic deeds again! Something we most definitely need in this racially-imbalanced toxicity that is the current state of our culture! Thank you, Tom!!
My only quibble with the series, and it is more of a superficial quibble at best, was Kurt (Nightcrawler) sporting facial hair. I dunno. With all the negative connotation that hipsters have been generating with the whole <i>"I just rolled out from under a dumpster!"</i> look for those that choose to adopt the regrettable "neck-beard" look! Yeah, can't think of Kurt as anything other than clean-shaven! But, it did not take away from the story in any way! Just like I ignore hipsters, whether sporting a "neck-beard" or just in general, I was able to forget about it! lol
Again, I loved this book! Looking forward to starting Volume 2 tonight! Still not sure if this is for you? Ask yourself what makes a hero a Hero, and chances are, you will find yourself enjoying what is a solid read!
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Heather Cranmer (2721 KP) rated Hitchin' Post and the Tornado Twistin' 4th of July Celebration in Books
May 25, 2019 (Updated May 25, 2019)
I love children's books. I love reading them to my 4 year old son to help instill the love of reading I had as a child and still have now. When I heard about Hitchin' Post and the Tornado Twistin' 4th of July Celebration by Julie Barker, it was a book that I wanted to read with my son. We both ended up loving this book!
The plot is pretty straightforward although there are subplots like a bull destroying a fence and everyone coming together to fix the fence and Hitch's smaller brother trying to ride a bull for 8 seconds. The lessons are all the same and teach the lesson of coming together to solve a problem as well as no matter how big, small, or different you are, if you persevere, the end result will be worthwhile. Both are fantastic lessons for children and adults alike! Even though this book is part of a series, there are no cliffhangers, and it could be read as a standalone. There's also a happily ever after. My 4 year old was enthralled the entire time with this story and couldn't wait to find out what was going to happen next!
The dialogue and writing in Hitchin' Post and the Tornado Twistin' 4th of July Celebration is easy enough for children to understand for the most part. I love how each problem is solved and the next problem is presented, yet everything still flows smoothly. I did notice a couple of grammar mistakes, but they were only minor and easily overlooked. I wouldn't say they took away from the story though.
I thought the characters were lovable for children. For those that have never read a Hitchin' Post story, Hitch is a jackrabbit who talks and acts just like a human. He's very adorable and such a fun loving character! We get to meet all of Hitch's brothers in this book. Mitch was mine and my son's favorite character perhaps because he is the smallest.
My son and I loved the illustrations. They were beautifully drawn as well as being drawn in a fun way to hold a child's attention (which we all know is no easy feat). The illustrations are so lively and very colorful. I loved all the country and western pictures especially. My favorite being the barn after it's patched up. My son loved the jackrabbits and the 4-wheeler the best.
Overall, Hitchin' Post and the Tornado Twistin' 4th of July Celebration is such an adorable book that's sure to bring a smile to anyone, young or old alike! With fantastic illustrations and an unforgettable main character, children will be begging their parents to buy them the rest of the books in the series. (I already know what my son will be getting for his birthday - more Hitchin' Post books!) I would definitely recommend Hitchin' Post and the Tornado Twistin' 4th of July Celebration by Julie Barker to everyone aged 3+.
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(A special thank you to Julie Barker for providing me with a paperback copy of Hitchin' Post and the Tornado Twistin' 4th of July Celebration in exchange for an honest and unbiased review.)
The plot is pretty straightforward although there are subplots like a bull destroying a fence and everyone coming together to fix the fence and Hitch's smaller brother trying to ride a bull for 8 seconds. The lessons are all the same and teach the lesson of coming together to solve a problem as well as no matter how big, small, or different you are, if you persevere, the end result will be worthwhile. Both are fantastic lessons for children and adults alike! Even though this book is part of a series, there are no cliffhangers, and it could be read as a standalone. There's also a happily ever after. My 4 year old was enthralled the entire time with this story and couldn't wait to find out what was going to happen next!
The dialogue and writing in Hitchin' Post and the Tornado Twistin' 4th of July Celebration is easy enough for children to understand for the most part. I love how each problem is solved and the next problem is presented, yet everything still flows smoothly. I did notice a couple of grammar mistakes, but they were only minor and easily overlooked. I wouldn't say they took away from the story though.
I thought the characters were lovable for children. For those that have never read a Hitchin' Post story, Hitch is a jackrabbit who talks and acts just like a human. He's very adorable and such a fun loving character! We get to meet all of Hitch's brothers in this book. Mitch was mine and my son's favorite character perhaps because he is the smallest.
My son and I loved the illustrations. They were beautifully drawn as well as being drawn in a fun way to hold a child's attention (which we all know is no easy feat). The illustrations are so lively and very colorful. I loved all the country and western pictures especially. My favorite being the barn after it's patched up. My son loved the jackrabbits and the 4-wheeler the best.
Overall, Hitchin' Post and the Tornado Twistin' 4th of July Celebration is such an adorable book that's sure to bring a smile to anyone, young or old alike! With fantastic illustrations and an unforgettable main character, children will be begging their parents to buy them the rest of the books in the series. (I already know what my son will be getting for his birthday - more Hitchin' Post books!) I would definitely recommend Hitchin' Post and the Tornado Twistin' 4th of July Celebration by Julie Barker to everyone aged 3+.
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(A special thank you to Julie Barker for providing me with a paperback copy of Hitchin' Post and the Tornado Twistin' 4th of July Celebration in exchange for an honest and unbiased review.)
Kristy H (1252 KP) rated The Girl Before in Books
Jan 21, 2018
Suspenseful and different novel
Two wounded women reeling from personal issues are looking for a new apartment. For Emma, she requires a safe place after being the victim of a break-in while her loyal boyfriend, Simon, was out. For Jane, it is a new place that holds no reminders of the baby she lost. For each woman, the house at One Folgate Street seems to offer exactly what they are looking for. It is designed by well-known architect, Edward Monkford, and comes with a set of rules created by the inscrutable man himself. In fact, to live at One Folgate Streets means signing off on over 200 rules, ranging from no books or personal mementos, to total tidiness, to agreeing to showing the house on architectural tours, to accepting to the intense technology that it comes with, including the house monitoring your well-being and moods. At first, the rules and clarity that come with One Folgate Street seem comforting to Emma and Jane. But as they spend more time in the house--and learn about its past, including its mysterious builder--they become terrifying and stifling.
THE GIRL BEFORE is a fascinating novel told solely from the point of view of Emma, One Folgate Street's previous tenant, and Jane, its current tenant. All activities are filtered through the lens of these two women. The novel effectively builds suspense with the parallel nature of the two women's stories, but it also can get a little repetitive at times (and sometimes a little confusing, as you have to remind yourself, mostly in the beginning, who is talking). The book starts off exciting, as you are drawn into both Emma and Jane's tales while they acclimate to the house and all the oddities it offers. The house itself almost becomes another character in the novel. It starts to drag a bit halfway through as you wonder what will happen in the next half (people living in a technologically advanced house can only be so exciting, right?). But then, suddenly, the novel takes some odd turns (there are some interesting sexual plot twists) and eventually grows quite interesting again with some psychological and thrilling revelations. Perhaps my favorite part about this book is that many of these developments truly surprised me, which isn't always easy to do in a thriller.
Overall, this is an interesting novel. It's certainly suspenseful and different. To enjoy it, you really have to set your disbelief aside at the actual conditions of living at One Folgate Street (no books, what?!) and accept that the two women are so broken (and perhaps broke, as the house apparently comes at a great discount) that they will go along with anything. It has a lot of varied plot threads and some of them aren't always fully explored or truly necessary, which can be a little frustrating. Still, the book truly surprised me with its twists and kept me entertained, with a deep desire to get to the end. Overall, 3.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
THE GIRL BEFORE is a fascinating novel told solely from the point of view of Emma, One Folgate Street's previous tenant, and Jane, its current tenant. All activities are filtered through the lens of these two women. The novel effectively builds suspense with the parallel nature of the two women's stories, but it also can get a little repetitive at times (and sometimes a little confusing, as you have to remind yourself, mostly in the beginning, who is talking). The book starts off exciting, as you are drawn into both Emma and Jane's tales while they acclimate to the house and all the oddities it offers. The house itself almost becomes another character in the novel. It starts to drag a bit halfway through as you wonder what will happen in the next half (people living in a technologically advanced house can only be so exciting, right?). But then, suddenly, the novel takes some odd turns (there are some interesting sexual plot twists) and eventually grows quite interesting again with some psychological and thrilling revelations. Perhaps my favorite part about this book is that many of these developments truly surprised me, which isn't always easy to do in a thriller.
Overall, this is an interesting novel. It's certainly suspenseful and different. To enjoy it, you really have to set your disbelief aside at the actual conditions of living at One Folgate Street (no books, what?!) and accept that the two women are so broken (and perhaps broke, as the house apparently comes at a great discount) that they will go along with anything. It has a lot of varied plot threads and some of them aren't always fully explored or truly necessary, which can be a little frustrating. Still, the book truly surprised me with its twists and kept me entertained, with a deep desire to get to the end. Overall, 3.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Zuky the BookBum (15 KP) rated The People at Number 9 in Books
Mar 15, 2018
From this synopsis of this book, you imagine this is going to be a bit dark and a bit twisty, but its not. Its simply a domestic thriller about people with a lot of money and connections in high up places flirting, changing life paths and having resentments. I understand that this was a novel about middle-class suburban life, which can be dull, but why did nothing happen? <i>But those changes will come at a price."</i> Im sorry, but I must have missed something
What changes? What price?
I didnt like the way this was set out, and maybe thats because it was an ARC copy, but this was really choppy and changey, with no indication that a longish time period (a few hours to a whole afternoon) had passed. The writing was fine, I have no faults with that, but it wasnt anything special.
There are four main characters in this book. Sara and Neil and Lou and Gavin. While each of the characters were well developed and in depth, it didnt stop them from being lacklustre and 2D. I couldnt connect with any of them on a personal level. Even though I would get annoyed at certain things Lou said or did, I wasnt getting annoyed on Saras behalf, because I thought Sara was whiny and she got on my nerves too.
One of my issues with this book, other than it being boring as heck, was the pretentious conversations going on, all the time. I know this book was a satire piece on the middle class, I get it, but dont bore us to death with long conversations that are eye rollingly posh and uninteresting. You can create a satire piece without making your readers fall asleep. There is very little description in this book, youll find that 80% of all the writing is speech, so it really did my head in after a while.
Now, this point is completely down to personal preference, but another reason I couldnt get on with this book was because of all the out-of-marriage flirting. It makes me really uncomfortable and squirmy reading that kind of stuff, so, since it was heavily featured in this, I disliked the book even more.
This is going to be a controversial book in terms of opinions, most definitely, and it would probably be a great book to read for a discussion, because youd have lots of differing opinions on the characters, but, heres my two-cents:
Ultimately, this novel is a story about over indulged middle class suburban families doing things a little bit risky like sex in a tent or smoking weed, and worrying about things only unrealistic well-off people could worry about, like home-schooling and arts and crafts. Not worth the time it takes to read.
<i>Thanks to Netgalley and HQ for giving me the opportunity to read this in exchange for an honest review.</i>
I didnt like the way this was set out, and maybe thats because it was an ARC copy, but this was really choppy and changey, with no indication that a longish time period (a few hours to a whole afternoon) had passed. The writing was fine, I have no faults with that, but it wasnt anything special.
There are four main characters in this book. Sara and Neil and Lou and Gavin. While each of the characters were well developed and in depth, it didnt stop them from being lacklustre and 2D. I couldnt connect with any of them on a personal level. Even though I would get annoyed at certain things Lou said or did, I wasnt getting annoyed on Saras behalf, because I thought Sara was whiny and she got on my nerves too.
One of my issues with this book, other than it being boring as heck, was the pretentious conversations going on, all the time. I know this book was a satire piece on the middle class, I get it, but dont bore us to death with long conversations that are eye rollingly posh and uninteresting. You can create a satire piece without making your readers fall asleep. There is very little description in this book, youll find that 80% of all the writing is speech, so it really did my head in after a while.
Now, this point is completely down to personal preference, but another reason I couldnt get on with this book was because of all the out-of-marriage flirting. It makes me really uncomfortable and squirmy reading that kind of stuff, so, since it was heavily featured in this, I disliked the book even more.
This is going to be a controversial book in terms of opinions, most definitely, and it would probably be a great book to read for a discussion, because youd have lots of differing opinions on the characters, but, heres my two-cents:
Ultimately, this novel is a story about over indulged middle class suburban families doing things a little bit risky like sex in a tent or smoking weed, and worrying about things only unrealistic well-off people could worry about, like home-schooling and arts and crafts. Not worth the time it takes to read.
<i>Thanks to Netgalley and HQ for giving me the opportunity to read this in exchange for an honest review.</i>