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Neon's Nerd Nexus (360 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 5, 2019 (Updated Aug 6, 2019)
Genocide, Shmenocide.
Hobbs and Shaw had an easy job, we have these two great characters that have already been set up for us in other movies so all they needed to do was let them loose in an over the top action spectacle that knows exactly what it is. So why does what we actually got feel like an overlong, overstuffed film with characters (the reason why we are here) that aren't likeable anymore?. Is it the banter thats either worn thin or feels like its trying to hard, the scenes full of characters constantly explaining the plot or whats going to happen, the paint by numbers villain with generic motives or the many random nods to pop culture and other popular things that people like that didnt do anything but make me feel like a carrot is being dangled in front of us the entire time or im watching a peter kay stand up. Answer is im not sure but i know one thing, for every part of this movie i found cool or fun two more things popped up and dragged my enjoyment down. Action set pieces are really cool and well very well filmed with great scale/destruction and the movie overall has a 90s/commando action movie style i really enjoyed which might of worked at an hour and a half but just when you think its over another useless 40 minutes are then tagged on the end and the film becomes basically a big Dwayne Johnson advertisement. Yes i get it he has roots and the tribe thing going on, he has big muscles, he was a wrestler and he has a big tribal tattoo but why does that have to be an integral part of every films plot that he's in nowadays?. I'm just bored of seeing it now and id rather they cut the movie shorter and had a tighter film overall or explored the villain a bit more to be honest. I really did say find some enjoyment in Hobbs and Shaw (especially the action) but it was let down to often elsewhere. Statham steals the show here and clearly tries to have fun with his character but Idris Elba feels wasted as a villain and theres no tension or threat at all when your two leads seem invincible. Ryan Reynolds and Kevin Heart were also totaly unnecessary as was that Italian Job connection. Id say see it for the action scene at about 1h 40m in but other than that is sadly very veru forgettable and a little boring.
Gareth von Kallenbach (974 KP) rated Jobs (2013) in Movies
Aug 6, 2019
Whatever you may think of the Apple line of products, Apple as a company, or Steve Jobs himself; one cannot deny that Apple is an innovator and one of those companies that shape economies as well as how we see ourselves.
JOBS is the story of Steve Jobs who, after dropping out of college, created the billion-dollar company so many people buy phones from now. Ashton Kutcher portrays Jobs right down to his many behavioral quirks, and does a very good job; there were even times I forgot I was watching Kutcher. He even mimicked the set of Jobs’ mouth perfectly. I found myself wondering if the people who knew Jobs would feel like they were seeing a ghost.
The movie follows Jobs as he drops acid in the 60s, finds computers in the 70s, “grows up”, while growing his business, in the 80s, and then actually grows up in the early 90s (kind of). It is well known that Jobs was hard to with, but this film shows that he was a gigantic jerk at times. He cut people out of things others would think they deserved; he treated his friends and coworkers alike, and never batted an eyelash at the hurtful things he said to those people. That being said; he truly had a vision and knew what it would take to make that vision come to life. Most driven people tend to be selfish and Jobs was no exception to this; he actually took it to a whole new level at times. The movie doesn’t shy away from this side of his personality, but it does try to explain some of the ticks. This was an area that I thought could have been done a bit better; it would have been nice to see what about his childhood left such an impression that he felt it was ok to be so mean to people. At times I found the movie difficult to watch simply due to his treatment of others, and total lack of understanding how what he said and did affected them. “Oh, that’s just Steve” was an actual line said in the film.
Other than this I found JOBS to be a very interesting look into a modern day legend. One that doesn’t pull as many punches as I thought it would, but that also doesn’t make a villain of a man who, while having extraordinary vision, was nothing more than a man.
If you are a fan of Apple, Jobs, or are just looking for a break from the summer block buster movies, check out JOBS.
JOBS is the story of Steve Jobs who, after dropping out of college, created the billion-dollar company so many people buy phones from now. Ashton Kutcher portrays Jobs right down to his many behavioral quirks, and does a very good job; there were even times I forgot I was watching Kutcher. He even mimicked the set of Jobs’ mouth perfectly. I found myself wondering if the people who knew Jobs would feel like they were seeing a ghost.
The movie follows Jobs as he drops acid in the 60s, finds computers in the 70s, “grows up”, while growing his business, in the 80s, and then actually grows up in the early 90s (kind of). It is well known that Jobs was hard to with, but this film shows that he was a gigantic jerk at times. He cut people out of things others would think they deserved; he treated his friends and coworkers alike, and never batted an eyelash at the hurtful things he said to those people. That being said; he truly had a vision and knew what it would take to make that vision come to life. Most driven people tend to be selfish and Jobs was no exception to this; he actually took it to a whole new level at times. The movie doesn’t shy away from this side of his personality, but it does try to explain some of the ticks. This was an area that I thought could have been done a bit better; it would have been nice to see what about his childhood left such an impression that he felt it was ok to be so mean to people. At times I found the movie difficult to watch simply due to his treatment of others, and total lack of understanding how what he said and did affected them. “Oh, that’s just Steve” was an actual line said in the film.
Other than this I found JOBS to be a very interesting look into a modern day legend. One that doesn’t pull as many punches as I thought it would, but that also doesn’t make a villain of a man who, while having extraordinary vision, was nothing more than a man.
If you are a fan of Apple, Jobs, or are just looking for a break from the summer block buster movies, check out JOBS.
Gareth von Kallenbach (974 KP) rated Mama (2013) in Movies
Aug 7, 2019
Mama is a ghostly tale about two young sisters Victoria and Lilly who had
vanished after their parents were killed.Their Uncle Lucas (Nikolaj Coster-Waldau)
and his girlfriend Annabelle (Jessica Chastain) never stopped looking for them.
After nearly five years of searching, the girls are found and with some careful
observation and a couple of changes are forced to adapt to their new lives with
their uncle and his girlfriend. Little do Lucas and Annabelle know, there is a
strong supernatural force that will not let go of the young girls. Though Anabelle
hates that she has to become the mother figure for the girls she must do so for
their well being. She soon starts to experience strange happenings in the home and
senses an evil presence that is surrounding the girls and is making Annabelle’s life
a living Hell! Will she and Lucas find out how the girls survived all those years in
the cabin and what the truth is behind the evil force that the girls
call Mama?
Guillermo Del Toro has yet to bring a dull film to the screen with maybe the
exception of a couple of films here and there. His latest one Mama is by far one of
the best supernatural thrillers I have seen in an extremely long time! The story is
one that will be stuck in my nightmares for a while. It brings a new fear of what
might be hiding under our beds at night. As most of all Toro’s films, Mama was well
thought out and had a great flow without long drawn out scenes. Although the ending
was a little disappointing it was quite unexpected and still proves to be one of
Toro’s best so far.
I must admit I have always been a little afraid of the dark, only now it’s a
little worse after seeing Mama but hey, if your looking for a good scare and an edge
of your seat type of supernatural thriller like I usually am, Mama is the one to
see. Especially for those guys that want to take their girlfriends on a date to see
a movie that will make the girls hold on and not let go. I am usually disappointed
with most supernatural movies as they usually show the best scenes in the previews.
Mama leaves all the best scenes out of the previews forcing you to go and experience
them for yourself!
This movie is definitely not for the faint of heart!
vanished after their parents were killed.Their Uncle Lucas (Nikolaj Coster-Waldau)
and his girlfriend Annabelle (Jessica Chastain) never stopped looking for them.
After nearly five years of searching, the girls are found and with some careful
observation and a couple of changes are forced to adapt to their new lives with
their uncle and his girlfriend. Little do Lucas and Annabelle know, there is a
strong supernatural force that will not let go of the young girls. Though Anabelle
hates that she has to become the mother figure for the girls she must do so for
their well being. She soon starts to experience strange happenings in the home and
senses an evil presence that is surrounding the girls and is making Annabelle’s life
a living Hell! Will she and Lucas find out how the girls survived all those years in
the cabin and what the truth is behind the evil force that the girls
call Mama?
Guillermo Del Toro has yet to bring a dull film to the screen with maybe the
exception of a couple of films here and there. His latest one Mama is by far one of
the best supernatural thrillers I have seen in an extremely long time! The story is
one that will be stuck in my nightmares for a while. It brings a new fear of what
might be hiding under our beds at night. As most of all Toro’s films, Mama was well
thought out and had a great flow without long drawn out scenes. Although the ending
was a little disappointing it was quite unexpected and still proves to be one of
Toro’s best so far.
I must admit I have always been a little afraid of the dark, only now it’s a
little worse after seeing Mama but hey, if your looking for a good scare and an edge
of your seat type of supernatural thriller like I usually am, Mama is the one to
see. Especially for those guys that want to take their girlfriends on a date to see
a movie that will make the girls hold on and not let go. I am usually disappointed
with most supernatural movies as they usually show the best scenes in the previews.
Mama leaves all the best scenes out of the previews forcing you to go and experience
them for yourself!
This movie is definitely not for the faint of heart!
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Charlie Cobra Reviews (1840 KP) rated Polar (2019) in Movies
Jul 5, 2020
The Black Kaiser - 8/10
Polar is a 2019 neo-noir/action movie based on the Dark Horse Comics, webcomic series Polar: Came From The Cold, written by Victor Santos. It is directed by Jonas Akerlund and written by Jayson Rothwell. Starring Mads Mikkelsen, Vanessa Hudgens, Katheryn Winnick, and Matt Lucas.
Duncan Vizla, a.k.a. "the Black Kaiser" (Mads Mikkelsen), is an assassin for the Damocles corporation. It is company policy that all assassins retire at age 50. He checks with a doctor about his health which is good and his accountant about his wealth; which having made the maximum pension fund contributions as possible, has him set for life. In 14 days, on his 50th birthday, he'll be entitled to a payout of $8 million dollars. Mr. Blut (Matt Lucas), has Vivian (Katheryn Winnick), Duncan's handler, contact him for one last mission. Unbeknownst to Duncan this is a plan to have him killed to avoid paying out his pension.
This me was awesome despite what critics say. I read a lot of bad comments talking about it being abhorrent and vulgar. It is rated TV-MA and not for kids and it is very adult. Plus it is a movie about assassins, people who kill for money, so what do you expect. I was surprised how much I liked the Black Kaiser character, since he didn't speak much during the film. Almost felt like a spaghetti-western in some ways, with the silent gunslinger aspect to it. I thought the film was very well done when it came to the acting, the action, and the plot. I'm sure that there are points to what the critics have said but the movie was too awesome for me to care. One thing, the main bad guy i didn't much care for. He did get me to not like him and with acting that's harder than getting people to like you. Also I enjoyed the group of assassins who are employed with the Damocles corporation, for the most part they were pretty interesting and diverse and added something extra to the film. And I was not prepared for Vanessa Hudgen's character but she had a surprising role and did very well too. I give this movie a 8/10.
Duncan Vizla, a.k.a. "the Black Kaiser" (Mads Mikkelsen), is an assassin for the Damocles corporation. It is company policy that all assassins retire at age 50. He checks with a doctor about his health which is good and his accountant about his wealth; which having made the maximum pension fund contributions as possible, has him set for life. In 14 days, on his 50th birthday, he'll be entitled to a payout of $8 million dollars. Mr. Blut (Matt Lucas), has Vivian (Katheryn Winnick), Duncan's handler, contact him for one last mission. Unbeknownst to Duncan this is a plan to have him killed to avoid paying out his pension.
This me was awesome despite what critics say. I read a lot of bad comments talking about it being abhorrent and vulgar. It is rated TV-MA and not for kids and it is very adult. Plus it is a movie about assassins, people who kill for money, so what do you expect. I was surprised how much I liked the Black Kaiser character, since he didn't speak much during the film. Almost felt like a spaghetti-western in some ways, with the silent gunslinger aspect to it. I thought the film was very well done when it came to the acting, the action, and the plot. I'm sure that there are points to what the critics have said but the movie was too awesome for me to care. One thing, the main bad guy i didn't much care for. He did get me to not like him and with acting that's harder than getting people to like you. Also I enjoyed the group of assassins who are employed with the Damocles corporation, for the most part they were pretty interesting and diverse and added something extra to the film. And I was not prepared for Vanessa Hudgen's character but she had a surprising role and did very well too. I give this movie a 8/10.
LeftSideCut (3778 KP) rated Guardians of the Galaxy (2014) in Movies
Nov 13, 2020
2014 was a damn fine year for Marvel Studios in terms of quality, their two outputs being The Winter Soldier and Guardians of the Galaxy. They're just a big double-whammy example of how comic book movies can get things right.
GOTG was a very niche property before hand. A bunch of little know Marvel characters galavanting around space, with revolving line ups involving inconsistent degrees of absurdity. The fact that batshit crazy characters such as Groot and Rocket Raccoon are now household names is an indication of just how effective this movie was.
James Gunn proves that he is the man for the job by melding together his own signature style (alongside his regular collaborator Michael Rooker of course) with the tried and tested Marvel formula of big action, and frequent humour. It's a toss up between this and Thor Ragnarok for funniest MCU movie for sure. Nearly every joke lands well, and unlike the sequel, the humour is never overdone. The balance is near perfect.
The cast are mainly to thank for that of course. Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Bradley Cooper and Vin Diesel make up the titular Guardians, and they are all unique and have intriguing back stories. They are well developed as the film plays out, and together make for an irreplaceable band of misfits.
The supporting cast include the aformentioned Michael Rooker, Karen Gillan, John C. Reilly, Lee Pace, Glenn Close, Peter Serafinowicz, Sean Gunn, Djimon Hounsou, Benicio Del Toro, and a first appearance by Josh Brolin as Thanos... It's another undeniably impressive ensemble cast for the MCU.
The special effects on display here are incredible. The whole film looks amazing and the big set pieces are hugely entertaining, and emotionally charged...These characters make a quick impression!
The only real criticism I have is that Ronan the Accuser, this films main antagonist, feels a little wasted. He looks great, and Lee Pace does the best with what he's given, but by the time the credits roll, he unfortunately joins the big pile of disposable MCU villains.
It's a small gripe when compared to all the good in this movie - that includes it's fantastic soundtrack by the way.
Guardians of the Galaxy is wonderful. It's proof that studios no longer have to rely on the big A-list names to make a great film, and as a result, this opened the doors for even more weird and wonderful characters to make their way into this behemoth of a series. One of my personal favourite MCU entries.
GOTG was a very niche property before hand. A bunch of little know Marvel characters galavanting around space, with revolving line ups involving inconsistent degrees of absurdity. The fact that batshit crazy characters such as Groot and Rocket Raccoon are now household names is an indication of just how effective this movie was.
James Gunn proves that he is the man for the job by melding together his own signature style (alongside his regular collaborator Michael Rooker of course) with the tried and tested Marvel formula of big action, and frequent humour. It's a toss up between this and Thor Ragnarok for funniest MCU movie for sure. Nearly every joke lands well, and unlike the sequel, the humour is never overdone. The balance is near perfect.
The cast are mainly to thank for that of course. Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Bradley Cooper and Vin Diesel make up the titular Guardians, and they are all unique and have intriguing back stories. They are well developed as the film plays out, and together make for an irreplaceable band of misfits.
The supporting cast include the aformentioned Michael Rooker, Karen Gillan, John C. Reilly, Lee Pace, Glenn Close, Peter Serafinowicz, Sean Gunn, Djimon Hounsou, Benicio Del Toro, and a first appearance by Josh Brolin as Thanos... It's another undeniably impressive ensemble cast for the MCU.
The special effects on display here are incredible. The whole film looks amazing and the big set pieces are hugely entertaining, and emotionally charged...These characters make a quick impression!
The only real criticism I have is that Ronan the Accuser, this films main antagonist, feels a little wasted. He looks great, and Lee Pace does the best with what he's given, but by the time the credits roll, he unfortunately joins the big pile of disposable MCU villains.
It's a small gripe when compared to all the good in this movie - that includes it's fantastic soundtrack by the way.
Guardians of the Galaxy is wonderful. It's proof that studios no longer have to rely on the big A-list names to make a great film, and as a result, this opened the doors for even more weird and wonderful characters to make their way into this behemoth of a series. One of my personal favourite MCU entries.
ClareR (5674 KP) rated If I Can’t Have You in Books
Dec 5, 2020
If I Can’t Have You is a story about obsession. It’s funny, serious, disturbing and at times, outrageous. Constance could be a character that would be easy to dislike, but I liked her vulnerability. She is a sad character who has had a troubled upbringing. When she believes that she has found the love of her life, and is then almost immediately let down by the frankly despicable Dr. Samuel Stevens, I felt so sorry for her. And continued to feel for her as he repeatedly uses her. He clearly neither knows or cares about Constance’s depth of feeling for him. She seems desperate as she lets him use her, and even more so as she looks for affection with her housemate, Dale. He certainly seems to have the potential to be a male version of Constance, and it’s clear that she actually feels revulsion with regards to him. But at the same time, she doesn’t want to be on her own.
I think the character of Edward, an elderly man who lives over the road from Samuel, is in part the father figure that she needs and never had. He needs her too. I think things could have been far worse for Constance if she hadn’t have had Edward to consider. Edward is the device that shows Constance is a caring person underneath the obsession. She makes time in her day to care for and visit him. Like the other two men, he is a broken soul - but his obsessive behaviour doesn’t translate in to being careless with people. Instead he is a hoarder of strange knick-knacks. Edward adds an element of humour as well - his relationship with Constance is lovely.
I found it hard NOT to put myself in Constance’s shoes. After all, isn’t that what we as readers do with the characters we read about? How easy would i be to slip from loneliness in to obsession? I hope I never find out, but it’s so well portrayed in this book. This is a supremely uncomfortable book in parts - Constance is used and abused, and she in turn can have some pretty unpleasant thoughts. But perhaps that’s because she doesn’t have someone to really confide in?
I can’t actually believe that this is a debut, and I will definitely be looking out for whatever comes next from Charlotte Levin.
Many thanks to The Pigeonhole for serialising this and to Charlotte for joining in with the chat in the margins!
I think the character of Edward, an elderly man who lives over the road from Samuel, is in part the father figure that she needs and never had. He needs her too. I think things could have been far worse for Constance if she hadn’t have had Edward to consider. Edward is the device that shows Constance is a caring person underneath the obsession. She makes time in her day to care for and visit him. Like the other two men, he is a broken soul - but his obsessive behaviour doesn’t translate in to being careless with people. Instead he is a hoarder of strange knick-knacks. Edward adds an element of humour as well - his relationship with Constance is lovely.
I found it hard NOT to put myself in Constance’s shoes. After all, isn’t that what we as readers do with the characters we read about? How easy would i be to slip from loneliness in to obsession? I hope I never find out, but it’s so well portrayed in this book. This is a supremely uncomfortable book in parts - Constance is used and abused, and she in turn can have some pretty unpleasant thoughts. But perhaps that’s because she doesn’t have someone to really confide in?
I can’t actually believe that this is a debut, and I will definitely be looking out for whatever comes next from Charlotte Levin.
Many thanks to The Pigeonhole for serialising this and to Charlotte for joining in with the chat in the margins!
Emma @ The Movies (1786 KP) rated I Am Lisa (2020) in Movies
Oct 4, 2020
This caught my eye on the Fright Fest line-up for its intriguing idea, who doesn't love werewolves?
Lisa returns to her small town home where she's terrorised by local tough girl Jess and her friends. When Lisa tries to report the incident to the sheriff, Jess' mother, her report is dismissed, standing strong she persists and they decide on a different course of action. After brutally beating her they leave her body in the woods for the wolves, little fo they know that Lisa was rescued from the attack and has come away with a supernatural gift and a desire for retribution.
There's a female heavy cast in I Am Lisa and it works really well, the dynamics for the most part are really impressive. From friendship to family, love and hatred, you get to see some real talent on display. The outstanding performance for me was Carmen Anello as Jessica, every change of emotion was clear and expressive, very early on it was obvious just how talented she was.
I Am Lisa manages to convey a small town gone wrong vibe and shows the consequences of a family run dynamic, if that family happens to be corrupt. The town rundown, the dismissive manner, the muted colours, all create just the right atmosphere for the film.
The story itself was a great concept, it introduced the main theme with subtlety and leaves some intrigue to keep you going. The only real problem with it is that the link between the man in the woods and the Huckins family is a little on the vague side and could have done with being a little clearer.
It's always interesting to see how films handle transformations, and I Am Lisa is quite subtle about it. The main transformations blend well when used, it's definitely a good take on the werewolf principle until... the end... all I could think of was Buffy, and that undid some of the good thoughts.
My last comment would probably have to be about some of the violence, on more than one occasion characters slap each other and you can tell they hold back. If you're not going to go 100% then you need to cut the footage so that you can't tell.
Apart from the few little blips, this is a solid film and an enjoyable watch, I'm really glad I had the opportunity to see it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/i-am-lisa-movie-review.html
Lisa returns to her small town home where she's terrorised by local tough girl Jess and her friends. When Lisa tries to report the incident to the sheriff, Jess' mother, her report is dismissed, standing strong she persists and they decide on a different course of action. After brutally beating her they leave her body in the woods for the wolves, little fo they know that Lisa was rescued from the attack and has come away with a supernatural gift and a desire for retribution.
There's a female heavy cast in I Am Lisa and it works really well, the dynamics for the most part are really impressive. From friendship to family, love and hatred, you get to see some real talent on display. The outstanding performance for me was Carmen Anello as Jessica, every change of emotion was clear and expressive, very early on it was obvious just how talented she was.
I Am Lisa manages to convey a small town gone wrong vibe and shows the consequences of a family run dynamic, if that family happens to be corrupt. The town rundown, the dismissive manner, the muted colours, all create just the right atmosphere for the film.
The story itself was a great concept, it introduced the main theme with subtlety and leaves some intrigue to keep you going. The only real problem with it is that the link between the man in the woods and the Huckins family is a little on the vague side and could have done with being a little clearer.
It's always interesting to see how films handle transformations, and I Am Lisa is quite subtle about it. The main transformations blend well when used, it's definitely a good take on the werewolf principle until... the end... all I could think of was Buffy, and that undid some of the good thoughts.
My last comment would probably have to be about some of the violence, on more than one occasion characters slap each other and you can tell they hold back. If you're not going to go 100% then you need to cut the footage so that you can't tell.
Apart from the few little blips, this is a solid film and an enjoyable watch, I'm really glad I had the opportunity to see it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/i-am-lisa-movie-review.html