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Debbiereadsbook (1620 KP) rated Mirror Image in Books
Feb 13, 2024
Not really for me.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is a short story collection, with tales of reaping what you sow. Of being held accountable for your actions, whether recent or a long time ago.
I think what I struggled the most with was this: the whole book is 85 pages, and there are 24 stories in this collection. So they are VERY short, some only a page or two. And I wanted to get my teeth into them a little more, but couldn't.
Each story is well written, from various points of view. Some are aacrier than others but I read them all. I didn't find myself with a favourite, though. I didn't see any spelling or editing errors to spoil my reading.
It really was just the SHORTNESS of all the stories, that I struggled with. I was just getting into them, and boof! All finished.
What I wanted to know, was where did the mirror come from? How did it come to be in everyone's presence?
I am curious to read something else by this author. Something longer and deeper. I tried to read another short collection some time ago, but didn't get very far with that one and it was only coming to write this review that I clicked it was the same author. So reading a longer book, will tell me one of two things: I like this author, but only their longer work; or this author is not for me. Time will tell.
I did finish the collection, and was suitably cringed at some of them, so:
3 good, but maybe not for me, stars
*same worded review will appear elsewhere
This is a short story collection, with tales of reaping what you sow. Of being held accountable for your actions, whether recent or a long time ago.
I think what I struggled the most with was this: the whole book is 85 pages, and there are 24 stories in this collection. So they are VERY short, some only a page or two. And I wanted to get my teeth into them a little more, but couldn't.
Each story is well written, from various points of view. Some are aacrier than others but I read them all. I didn't find myself with a favourite, though. I didn't see any spelling or editing errors to spoil my reading.
It really was just the SHORTNESS of all the stories, that I struggled with. I was just getting into them, and boof! All finished.
What I wanted to know, was where did the mirror come from? How did it come to be in everyone's presence?
I am curious to read something else by this author. Something longer and deeper. I tried to read another short collection some time ago, but didn't get very far with that one and it was only coming to write this review that I clicked it was the same author. So reading a longer book, will tell me one of two things: I like this author, but only their longer work; or this author is not for me. Time will tell.
I did finish the collection, and was suitably cringed at some of them, so:
3 good, but maybe not for me, stars
*same worded review will appear elsewhere
Welcome Home to Murder
8.0
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From author Rosalie Spielman comes a heartfelt cozy mystery that proves sometimes coming home again...
Merissa (13600 KP) rated Untouchable (Creekside Valley #1) in Books
Oct 17, 2025
UNTOUCHABLE is the first book in the Creekside Valley series, and the first book by this author I have read. Please take note of the trigger warnings!
We start with a trio of friends moving from Metro City to Creekside Valley, trying to find peace in a world where they have all been mistreated and abused to varying degrees. Rory is the main character here, and was abused in horrible ways by his father and uncle from the age of eight. He hates being touched in any way, suffers from horrendous nightmares, and can't sleep unless he has a lock on the door (understandably!) On his first night in the new place, he meets Denver at the local food shop, which sparks a connection neither of them was looking for or ready for.
This is a fast-paced story where I will admit some things didn't make much sense to me. I get how Rory is able to have Denver touch him (because of the dreams), but for it to be so quickly, with no outside (therapy) help? And to work in a crowded restaurant? How the hell is he supposed to do his job without someone accidentally bumping into him? Maybe I'm nitpicking, but this stood out to me.
This is a dark story with plenty of flashbacks, so please look after yourself first. If you are reading a book about a bear shifter omegaverse, then your reality is already suspended, which works well for this story! I did enjoy this story and look forward to reading more in this series. Definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 17, 2025
We start with a trio of friends moving from Metro City to Creekside Valley, trying to find peace in a world where they have all been mistreated and abused to varying degrees. Rory is the main character here, and was abused in horrible ways by his father and uncle from the age of eight. He hates being touched in any way, suffers from horrendous nightmares, and can't sleep unless he has a lock on the door (understandably!) On his first night in the new place, he meets Denver at the local food shop, which sparks a connection neither of them was looking for or ready for.
This is a fast-paced story where I will admit some things didn't make much sense to me. I get how Rory is able to have Denver touch him (because of the dreams), but for it to be so quickly, with no outside (therapy) help? And to work in a crowded restaurant? How the hell is he supposed to do his job without someone accidentally bumping into him? Maybe I'm nitpicking, but this stood out to me.
This is a dark story with plenty of flashbacks, so please look after yourself first. If you are reading a book about a bear shifter omegaverse, then your reality is already suspended, which works well for this story! I did enjoy this story and look forward to reading more in this series. Definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 17, 2025
Merissa (13600 KP) rated Sugar Rush in Books
Nov 24, 2025
SUGAR RUSH is set in an A/B/O world that reads like a contemporary in many ways. Jordy and Kieran are stepbrothers. Kieran (alpha) is a tattoo artist, well on his way to being a success, while Jordy (omega) is about set to go to college with his best friend, Dani. Jordy has crushed on Kieran for a long time - years, in fact - but doesn't think anything will come of it, UNTIL one night when Kieran gets sh!t-faced and blurts out the truth to Jordy before falling asleep. He doesn't remember what he said or did the night before, but Jordy certainly does, and he plans ways to annoy, irritate, and generally get under the skin of Kieran before Kieran submits to Jordy's will.
This was a high-angst read, with plenty of toing and froing from Kieran. And, to be honest, I can't blame the guy. He didn't have the easiest childhood, and is now worried about how it would be seen by those he loves. He doesn't want to lose their love, even if he does gain Jordy's.
I loved how Jordy and Kieran balanced each other out. Jordy needed every single drop of brattiness, some could say resilience, when dealing with Kieran. And Kieran is all growly possessiveness. Yum!
I won't say anymore for fear of spoilers, but I will say this was an excellent read, and the first by this author I have read. Definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 23, 2025
This was a high-angst read, with plenty of toing and froing from Kieran. And, to be honest, I can't blame the guy. He didn't have the easiest childhood, and is now worried about how it would be seen by those he loves. He doesn't want to lose their love, even if he does gain Jordy's.
I loved how Jordy and Kieran balanced each other out. Jordy needed every single drop of brattiness, some could say resilience, when dealing with Kieran. And Kieran is all growly possessiveness. Yum!
I won't say anymore for fear of spoilers, but I will say this was an excellent read, and the first by this author I have read. Definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 23, 2025
The Secret of Secrets (Robert Langdon #6)
6.0
Rate It
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Robert Langdon is back in the long-awaited new race-against-time thriller from the global...
The Whisper Legacy (Pappa Legacy #1)
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Curran’s enemies thought he was dead. They were wrong. He thought his past was left on the Voula...
Political Thriller Action Detective Mystery
Merissa (13600 KP) rated Entangled Beta (Murder and Mayhem Omegaverse #2) in Books
Apr 24, 2025
ENTANGLED BETA is the second book in the Murder and Mayhem Omegaverse series. I haven't read the first, but would definitely recommend it as there were parts that I didn't fully understand. It didn't have a massive impact on my enjoyment of this story, but I think it would help if you knew more.
The first thing that I loved is that Sasha is a Beta. Too often, they're forgotten, or only mentioned as hard workers. Sasha is not someone to overlook, or if you do, it's at your own cost! She is multi-faceted, happy with stabbing the bad guys, or making sure her omega is safe. Whatever you need, Sasha will make sure you have it.
As for the guys, Levi is the one who was introduced first, followed by Stone, and then Flynn. Each of them brings a special something to the story, and it wouldn't be the same without them. Stone is my favourite and my heart broke for him over and over, while he also made me laugh.
The story was well-paced, being neither too fast nor too slow, and a mixture of character- and plot-led, and this is where I think that prior knowledge would have been handy to have. Saying that, I still thoroughly enjoyed this story and would continue with the series going forward. I want to read the first book in the series now! Definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 24, 2025
The first thing that I loved is that Sasha is a Beta. Too often, they're forgotten, or only mentioned as hard workers. Sasha is not someone to overlook, or if you do, it's at your own cost! She is multi-faceted, happy with stabbing the bad guys, or making sure her omega is safe. Whatever you need, Sasha will make sure you have it.
As for the guys, Levi is the one who was introduced first, followed by Stone, and then Flynn. Each of them brings a special something to the story, and it wouldn't be the same without them. Stone is my favourite and my heart broke for him over and over, while he also made me laugh.
The story was well-paced, being neither too fast nor too slow, and a mixture of character- and plot-led, and this is where I think that prior knowledge would have been handy to have. Saying that, I still thoroughly enjoyed this story and would continue with the series going forward. I want to read the first book in the series now! Definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 24, 2025
Kristy H (1252 KP) rated Before I Let Go in Books
Jan 5, 2018
Easy to read (1 more)
Honest portrayal of mental illness
Lacks full character development (1 more)
Difficult to discern full point
Quick read that falls a little short
When Corey gets the call that her best friend, Kyra, has passed away--falling under the ice in their frigid hometown of Lost Creek, Alaska--she is devastated. Corey has been gone from Lost, as it's known, away at boarding school, corresponding with Kyra only via letters. She was due to visit in a few days and now her best friend is gone. Lost always shunned Kyra because she was bipolar and had maniac episodes. The small, insulated town couldn't understand Kyra's highs and lows. She stood out too much in a place where being different was wrong. But the seven months that Corey's been away has been long enough for the town of Lost to turn on her and now deem her an outsider. Since Corey's departure, Lost has suddenly embraced Kyra, though Corey isn't sure why. Even worse, they are calling Kyra's death meant to be, her time. They've rallied around in her death and they want nothing to do with Corey. Kyra always said she would wait for Corey to return: why didn't she?
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.
Lee (2222 KP) rated The Hitman's Bodyguard (2017) in Movies
Aug 16, 2017
The double act bickering of Reynolds and Jackson (1 more)
Salma Hayek!
Surprisingly Good
I wasn't sure what to make of The Hitman's Bodyguard when I first saw the poster. Movies which try to squeeze some comedy out of two people being thrown together who don't really like each other generally tend to suck. But then I saw the trailer, which made it look entertaining and worth a watch. However, if it hadn't been for the fact that I was away on holiday last week I may well have read some of the early negative reviews and thought about giving it a miss. Luckily though, I was on holiday, I didn't read any reviews and I ended up watching one of the funniest action packed movies I've seen in a while.
Ryan Reynolds is Michael Bryce, a 'Triple-A' bodyguard with a hot girlfriend, nice house, nice car and a smart suit. He likes to make sure that the protection of his clients runs like clockwork (boring is best, as he likes to remind his team!). So when things go badly wrong on a job, Bryce suddenly finds himself way back down the ladder when it comes to landing quality bodyguard roles. Consequently, his expensive lifestyle takes a big hit and we join him 2 years down the line, unshaven and peeing into a bottle while sitting in his beat up car before heading into a job.
Meanwhile, Samuel L Jackson is Darius Kincaid, a hitman being escorted by Interpol from Manchester to testify in Holland at The Hague. The man he is testifying against is warlord Vladislav Dukhovich (Gary Oldman, suitably evil). A nasty piece of work determined to take out anyone with the potential to put him behind bars. So when the escort accompanying Kincaid takes a hit, it becomes clear that someone in Interpol has been leaking their route, and Bryce ends up landing the role of escorting Kincaid for the rest of his trip to The Netherlands. Turns out though that Bryce and Kincaid have history, with Kincaid nearly killing Bryce on 28 previous occasions, so their initial meeting doesn't go too well. Eventually the pair reach enough of an understanding so that they can head out on the road together, down through the English countryside. It's their constant bickering on this road trip that then provides a lot of the humour for the movie. Bryce is pretty particular when it comes to how smoothly these things should be handled, whereas Kincaid just likes to get things done and screw the consequences. The word 'motherfucker' gets used to great effect A LOT by Jackson (as Bryce puts it, “This guy single-handedly ruined the word ‘motherfucker’”) and Bryce continues to be frustrated and amazed at just how 'un-killable' Kincaid appears to be.
It's not very long before the bad guys are on their tail though, leading to a succession of more and more complex action sequences. These hit a real high when everyone reaches The Netherlands, with an exciting chase through the streets and canals of Amsterdam kicking things off nicely. The only complaint with this, and the rest of the action in the movie, is that there does appears to be a never ending supply of bad guys lining up to take them out. Just when you think we're down to the final few, another wave of vehicles appears, all full of weapon waving maniacs! I loved all of the action in the movie, but because of this it does constantly run the risk of seeming a little too dragged out. It's a very fine line.
Before I forget, a special mention to Salma Hayek who stars as the wife of Kincaid. Despite being locked in a cell for the entire movie, she gets more than her fair share of funny lines and action, mainly in flashbacks where we get to see just how much of a foul mouthed bad ass she really is. Taking no crap from anyone, she's brilliant.
Although there's nothing really here that hasn't been done before, it was the brilliant double act of Reynolds and Jackson that really made this worth seeing for me. That, along with the hugely entertaining action sequences. Judging by other reviews though, I think it's just my taste in these movies that's different from most others. I actually hated last years 'The Nice Guys', while everyone else seemed to love it so I guess I'm just going to be in the minority when it comes to this movie too!
Ryan Reynolds is Michael Bryce, a 'Triple-A' bodyguard with a hot girlfriend, nice house, nice car and a smart suit. He likes to make sure that the protection of his clients runs like clockwork (boring is best, as he likes to remind his team!). So when things go badly wrong on a job, Bryce suddenly finds himself way back down the ladder when it comes to landing quality bodyguard roles. Consequently, his expensive lifestyle takes a big hit and we join him 2 years down the line, unshaven and peeing into a bottle while sitting in his beat up car before heading into a job.
Meanwhile, Samuel L Jackson is Darius Kincaid, a hitman being escorted by Interpol from Manchester to testify in Holland at The Hague. The man he is testifying against is warlord Vladislav Dukhovich (Gary Oldman, suitably evil). A nasty piece of work determined to take out anyone with the potential to put him behind bars. So when the escort accompanying Kincaid takes a hit, it becomes clear that someone in Interpol has been leaking their route, and Bryce ends up landing the role of escorting Kincaid for the rest of his trip to The Netherlands. Turns out though that Bryce and Kincaid have history, with Kincaid nearly killing Bryce on 28 previous occasions, so their initial meeting doesn't go too well. Eventually the pair reach enough of an understanding so that they can head out on the road together, down through the English countryside. It's their constant bickering on this road trip that then provides a lot of the humour for the movie. Bryce is pretty particular when it comes to how smoothly these things should be handled, whereas Kincaid just likes to get things done and screw the consequences. The word 'motherfucker' gets used to great effect A LOT by Jackson (as Bryce puts it, “This guy single-handedly ruined the word ‘motherfucker’”) and Bryce continues to be frustrated and amazed at just how 'un-killable' Kincaid appears to be.
It's not very long before the bad guys are on their tail though, leading to a succession of more and more complex action sequences. These hit a real high when everyone reaches The Netherlands, with an exciting chase through the streets and canals of Amsterdam kicking things off nicely. The only complaint with this, and the rest of the action in the movie, is that there does appears to be a never ending supply of bad guys lining up to take them out. Just when you think we're down to the final few, another wave of vehicles appears, all full of weapon waving maniacs! I loved all of the action in the movie, but because of this it does constantly run the risk of seeming a little too dragged out. It's a very fine line.
Before I forget, a special mention to Salma Hayek who stars as the wife of Kincaid. Despite being locked in a cell for the entire movie, she gets more than her fair share of funny lines and action, mainly in flashbacks where we get to see just how much of a foul mouthed bad ass she really is. Taking no crap from anyone, she's brilliant.
Although there's nothing really here that hasn't been done before, it was the brilliant double act of Reynolds and Jackson that really made this worth seeing for me. That, along with the hugely entertaining action sequences. Judging by other reviews though, I think it's just my taste in these movies that's different from most others. I actually hated last years 'The Nice Guys', while everyone else seemed to love it so I guess I'm just going to be in the minority when it comes to this movie too!
Movie Metropolis (309 KP) rated The Commuter (2018) in Movies
Jun 10, 2019
Liam Neeson's special set of skills return
The Movie Metropolis Alternative Oscars have received over 650 votes so far and it’s proving to be the closest run awards ever. Make sure you cast your vote for the best films and performances from 2017 before March 6th.
Liam Neeson is this generation’s formidable action hero. From protecting his family in Taken and protecting his family in Run All Night, to protecting his family in Taken 2, and you know, protecting his family in Taken 3, Neeson is a family man if ever I’ve seen one.
Teaming up with director Jaume Collet-Serra for the fourth time, the rather excellent Non-Stop being their best work together, Neeson takes the action and moves it on-board, you guessed it, a commuter train. But does The Commuter work? Or are we starting to get derailed by these constant action roles?
Insurance salesman Michael (Neeson) is on his daily commute home, which quickly becomes anything but routine. After being contacted by a mysterious stranger (Vera Farmiga), Michael is forced to uncover the identity of a hidden passenger on the train before the last stop. As he works against the clock to solve the puzzle, he realizes a deadly plan is unfolding, and he is unwittingly caught up in a criminal conspiracy that carries life and death stakes for everyone on the train.
The premise is a borderline carbon copy of what we saw in Non-Stop, but with Neeson battling a series of bad guys on a train instead of in the air, and while it is at times, ridiculous, it’s directed with the usual Collet-Serra sense of style that would make even a dog food commercial look intriguing.
Where last year’s Murder on the Orient Express opted for opulence and fairly static camerawork, here The Commuter utilises every part of the train to its advantage. From underneath the carriages, to through the windows and even cleverly framed through a ticket stub, Collet-Serra’s direction is unique, if a little over-stylised at times.
Casting wise, Neeson is the perfect choice to play the world-weary protagonist with a very special set of skills, after all, it’s a role he has been playing for many years now. Some might say typecast, I prefer to think of it as knowing what he wants. Elsewhere, Vera Farmiga is a disappointingly underused presence and it would have been nice to see her a little more throughout the fairly taut 105-minute running time. It’s also nice to see Sam Neill back on the big screen and he remains dependable company.
It’s a shame that Collet-Serra wasn’t given slightly more to work with as his ingenious camera trickery is at odds with the poor CG
The action is choreographed well considering the limitations of the set and while it’s clear that the carriages have been manipulated during some of the fight scenes, it’s still impressive to think of all the camera equipment being squeezed into a fairly small space. There’s always been something oddly satisfying at seeing 65-year-old Neeson taking down a group of ruffians half his age and that shows no sign of dissipating any time soon.
Unfortunately, it appears that the limitations of the set also manifested themselves in limits to the script. There are numerous scenes of Neeson pacing up and down the carriages with very little dialogue and while this worked reasonably well in Non-Stop, the result is less successful here, probably due to a less engaging supporting cast.
And while the cinematography is very clever indeed, the low budget, less than $20million in fact, means some of the CGI and special effects leave a lot to be desired, especially towards the film’s climax. It’s a shame that Collet-Serra wasn’t given slightly more to work with as his ingenious camera trickery is at odds with the poor CG.
Overall, The Commuter is another thrilling slice of popcorn entertainment from Jaume Collet-Serra and Liam Neeson. At 65-years-old, you’d think everyone’s favourite Irish actor would want to be settling down into cosier rom-com territory and who could blame him? I’m just thankful he’s not. The Commuter may be utterly preposterous and completely unoriginal, but you’ll have a blast watching it.
https://moviemetropolis.net/2018/01/20/the-commuter-review-liam-neesons-special-set-of-skills-return/
Liam Neeson is this generation’s formidable action hero. From protecting his family in Taken and protecting his family in Run All Night, to protecting his family in Taken 2, and you know, protecting his family in Taken 3, Neeson is a family man if ever I’ve seen one.
Teaming up with director Jaume Collet-Serra for the fourth time, the rather excellent Non-Stop being their best work together, Neeson takes the action and moves it on-board, you guessed it, a commuter train. But does The Commuter work? Or are we starting to get derailed by these constant action roles?
Insurance salesman Michael (Neeson) is on his daily commute home, which quickly becomes anything but routine. After being contacted by a mysterious stranger (Vera Farmiga), Michael is forced to uncover the identity of a hidden passenger on the train before the last stop. As he works against the clock to solve the puzzle, he realizes a deadly plan is unfolding, and he is unwittingly caught up in a criminal conspiracy that carries life and death stakes for everyone on the train.
The premise is a borderline carbon copy of what we saw in Non-Stop, but with Neeson battling a series of bad guys on a train instead of in the air, and while it is at times, ridiculous, it’s directed with the usual Collet-Serra sense of style that would make even a dog food commercial look intriguing.
Where last year’s Murder on the Orient Express opted for opulence and fairly static camerawork, here The Commuter utilises every part of the train to its advantage. From underneath the carriages, to through the windows and even cleverly framed through a ticket stub, Collet-Serra’s direction is unique, if a little over-stylised at times.
Casting wise, Neeson is the perfect choice to play the world-weary protagonist with a very special set of skills, after all, it’s a role he has been playing for many years now. Some might say typecast, I prefer to think of it as knowing what he wants. Elsewhere, Vera Farmiga is a disappointingly underused presence and it would have been nice to see her a little more throughout the fairly taut 105-minute running time. It’s also nice to see Sam Neill back on the big screen and he remains dependable company.
It’s a shame that Collet-Serra wasn’t given slightly more to work with as his ingenious camera trickery is at odds with the poor CG
The action is choreographed well considering the limitations of the set and while it’s clear that the carriages have been manipulated during some of the fight scenes, it’s still impressive to think of all the camera equipment being squeezed into a fairly small space. There’s always been something oddly satisfying at seeing 65-year-old Neeson taking down a group of ruffians half his age and that shows no sign of dissipating any time soon.
Unfortunately, it appears that the limitations of the set also manifested themselves in limits to the script. There are numerous scenes of Neeson pacing up and down the carriages with very little dialogue and while this worked reasonably well in Non-Stop, the result is less successful here, probably due to a less engaging supporting cast.
And while the cinematography is very clever indeed, the low budget, less than $20million in fact, means some of the CGI and special effects leave a lot to be desired, especially towards the film’s climax. It’s a shame that Collet-Serra wasn’t given slightly more to work with as his ingenious camera trickery is at odds with the poor CG.
Overall, The Commuter is another thrilling slice of popcorn entertainment from Jaume Collet-Serra and Liam Neeson. At 65-years-old, you’d think everyone’s favourite Irish actor would want to be settling down into cosier rom-com territory and who could blame him? I’m just thankful he’s not. The Commuter may be utterly preposterous and completely unoriginal, but you’ll have a blast watching it.
https://moviemetropolis.net/2018/01/20/the-commuter-review-liam-neesons-special-set-of-skills-return/